Kermesse, or kermis, or kirmess, is an outdoor fair or festival usually organized for charitable purposes. [1] [2] The term was derived from 'kerk' (church) and 'mis' (mass) in the original Dutch language term, and was borrowed in English, French, Spanish and many other languages. It originally denoted a mass and patronal festival held on the anniversary of the foundation of a church (or the parish) and in honour of the patron saint. Such celebrations were regularly held in the Low Countries, in Central Europe and also in northern France, and were accompanied by feasting, dancing and competitions of all kinds. The Kirchweih is the German equivalent, while church ale was a name of similar festivals in England. Many Catholic churches (parishes) still have patronal festivals of some sort for the anniversary of the church's founding, or the feast day of the saint it is dedicated to.
The kermesse became a common subject in Dutch and Flemish Renaissance painting in the 16th century, though many paintings called by the name were probably intended to depict village weddings.
Arguably the first kermesse was an annual parade to mark the events of the Brussels massacre of 1370 (some sources say 1369) in Brussels, when the entire Jewish population of the city were burnt alive or expelled after being accused of profaning a basket of communion hosts, which were said to have bled when stabbed. According to one source, those Jewish residents who could prove that they did not profane the hosts were not killed, but were merely banished from Brussels. [3]
These festivities still survive in the form of funfairs, while the old allegorical representations are now uncommon. Whereas nearly every village has a kermis once or twice a year, the large Zuidfoor or Foire du Midi (South Fair) of Brussels and Sinksenfoor (Whitsun Fair) of Antwerp attract many visitors during several weeks. The funfair on the Vrijdagmarkt in Ghent coincides with the 10-day long Gentse Feesten (Ghent Festivities) which are held across the entire inner city around the 21st of July (Belgian national holiday).
The standard Dutch language expression Vlaamse kermis (Flemish kermesse) once referred to the local village kermesse (as pronounced in the former County of Flanders) though its modern usage is mainly limited to privately organized fairs open to the public, often for fund-raising, such as by schools or youth organisations in the Flemish Region.
The crew of the Dutch ship Gelderland used the names "griff-eendt" and "kermisgans" for the dodo in 1598, in reference to fowl fattened for the Kermesse festival, which was held the day after they anchored on Mauritius. [4]
In Dutch and Flemish Renaissance painting, continuing into the Baroque period especially in the south, Kermesse scenes were a popular genre in painting. These typically show village festivities (perhaps in fact after a wedding or similar) with a few dozen figures dancing, drinking, and often flirting. Sometimes a few better-dressed figures look on. The genre develops a theme found in a smaller scale in the calendars of late-medieval illuminated manuscripts.
Pieter Bruegel the Elder (nicknamed "Peasant Bruegel" for his fondness for such subjects) was the main progenitor of the large painted kermesse, in works like The Wedding Dance (c. 1566, Detroit, with 125 figures) and The Peasant Dance (c. 1567, Vienna), which are thought to have made a set with the sit-down meal shown in The Peasant Wedding (c. 1567, Vienna). Most later works, many by his descendants, adopted the more distant view from slightly above that Bruegel had developed for other subjects, allowing a larger number of figures.
The word Kermess (generally in the form Kirmess) is applied in the United States to any entertainment, especially one organized in the interest of charity. The Dutch-American Village of Little Chute, Wisconsin, has celebrated Kermis annually since 1981. The Wallonian settlements in Door County, Wisconsin, also celebrate a "Kermis" with traditional Belgian dishes and events. Another American polity that celebrates this holiday is La Kermesse of Biddeford, Maine. The International School of Indiana, located in Indianapolis, Indiana, holds an annual Kermesse celebration with refreshments, carnival games and face-painting to celebrate the ending of the school year for their pre-elementary and elementary pupils. In the City of Halifax (Nova Scotia, Canada), a city with a limited Dutch heritage, kermesses have been held since 1907 as fundraisers for the local children's hospital. The École Française de Vancouver (ÉFIV) in North Vancouver, British Columbia (Canada), holds an annual kermesse with games, food, a pétanque tournament and community participation. [5]
The term has also had an influence on Ibero-American culture. Specifically in Paraguay, Mexico, Peru, Bolivia, Argentina and Chile, "kermeses" are held by churches and schools to raise funds. Many activities take place including "tombolas" where people buy tickets for drawings that always have awards from very minor items to bigger awards. In Brazil "quermesses" are usually held by churches during the early weeks of winter and in celebration of the widely popular Festa Junina festivities.
The word also entered the Belarusian language as "кiрмаш" (kirmash) in the meaning of "fair". In Lithuanian language "kermošius" (kermoshius) means a fair after the mass in the church. Polish language uses word "kiermasz" which also started as a village church event but over time morphed into synonym for fair.
In Romanian "chermeză" means party or banquet.
In Italian "kermesse" means festival or show, especially one featuring many different acts.
In the Turkish language "kermes" is a sale of ladies' handiwork for charity.
Belgium, officially the Kingdom of Belgium, is a country in Northwestern Europe. The country is bordered by the Netherlands to the north, Germany to the east, Luxembourg to the southeast, France to the south, and the North Sea to the west. It covers an area of 30,689 km2 (11,849 sq mi) and has a population of more than 11.7 million, making it the 22nd most densely populated country in the world and the 6th most densely populated country in Europe, with a density of 383/km2 (990/sq mi). Belgium is part of an area known as the Low Countries, historically a somewhat larger region than the Benelux group of states, as it also included parts of northern France. The capital and largest metropolitan region is Brussels; other major cities are Antwerp, Ghent, Charleroi, Liège, Bruges, Namur, and Leuven.
Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region, located less than 4 kilometres (2.5 mi) to the south. Historically Dutch-speaking, Brussels saw a language shift to French from the late 19th century. Nowadays, the Brussels-Capital Region is officially bilingual in French and Dutch, although French is the majority language and lingua franca. Brussels is also increasingly becoming multilingual. English is spoken widely and many migrants and expatriates speak other languages as well.
Pieter Brueghelthe Younger was a Flemish painter known for numerous copies after his father Pieter Bruegel the Elder's work, as well as original compositions and Bruegelian pastiches. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery.
Pieter Bruegelthe Elder was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes ; he was a pioneer in presenting both types of subject as large paintings.
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century.
The culture of Belgium involves both the aspects shared by all Belgians regardless of the language they speak and the differences between the main cultural communities: the Dutch-speaking Belgians and the French-speaking Belgians. Most Belgians view their culture as an integral part of European culture.
Dilbeek is a municipality in the province of Flemish Brabant, in the Flemish region of Belgium. The municipality comprises the villages of Dilbeek proper, Groot-Bijgaarden, Itterbeek, Schepdaal, Sint-Martens-Bodegem, and Sint-Ulriks-Kapelle. Dilbeek is located just outside the Brussels-Capital Region in the Pajottenland, hence the local name Poort van het Pajottenland.
David Teniers the Elder, Flemish painter, was born at Antwerp of a family originally from Ath.
David Vinckboons was a Dutch Golden Age painter born in Mechelen, Southern Netherlands. Vinckboons, whose name is often spelled as Vingboons, Vinghboons, Vinckebonis or Vinckboom, had at least ten children. His sons were the cartographer and watercolourist Johannes and the architects Justus and Philip. Vinckboons himself died in Amsterdam.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
The Blind Leading the Blind, Blind, or The Parable of the Blind is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm. It depicts the Biblical parable of the blind leading the blind from the Gospel of Matthew 15:14, and is in the collection of the Museo di Capodimonte in Naples, Italy.
The Brussels International Exposition of 1897 was a world's fair held in Brussels, Belgium, from 10 May 1897 through 8 November 1897. There were 27 participating countries, and an estimated attendance of 7.8 million people.
Peeter Baltens, Pieter Balten or Pieter Custodis, was a Flemish Renaissance painter, draughtsman, engraver and publisher. Baltens was also active as an art dealer and poet. He was known for his genre paintings, religious compositions and landscapes.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
Gommaert van der Gracht or Gommaer van der Gracht was a Flemish painter and draughtsman mainly known for his still life and landscape paintings.
Abraham Teniers was a Flemish painter and engraver who specialized in genre paintings of villages, inns and monkey scenes. He was a member of artist family Teniers which came to prominence in the 17th century. He was also active as a publisher.
Jan van Wechelen or Hans van Wechelen was a Flemish painter and draughtsman active in Antwerp in the middle of the 16th century known for his landscapes, biblical subjects and genre scenes.
The Dancing Couple is an oil-on-canvas painting that was created by Jan Steen in 1663. It depicts a boisterous party with a dancing couple in the center. This painting is part of the Widener Collection, which currently resides in the National Gallery of Art in Washington, D.C. The setting of the painting is a kermis, which is a local village fair that several Dutch artworks referenced. Kermises were extremely popular in the Bruegel tradition. The Dancing Couple was one of the few paintings which started a new era in Dutch art. Paintings like these depicts a setting which was inspired by the rural working class of the Dutch people. This was a significant change for Dutch art as these settings highlighted a thriving period in their history. A new perspective was shown which changed the way traditional Dutch art was looked at as they focused more on the realistic rural working lifestyle and values of the Dutch people.
Several oil-on-oak-panel versions of The Massacre of the Innocents were painted by 16th-century Netherlandish painters Pieter Bruegel the Elder and his son Pieter Brueghel the Younger. The work translates the Biblical account of the Massacre of the Innocents into a winter scene in the Southern Netherlands in the prelude to the Dutch Revolt against Spanish rule, also known as the Eighty Years' War.
The Midi Fair or the Kermesse of Brussels is the most important fair or kermesse in Brussels, Belgium, held since 1880. It takes place every year and lasts more than a month, starting on the Saturday preceding 21 July and ending on the Sunday of the sixth fair weekend, in the second half of August. The average of over 120 attractions draw more than 1.5 million visitors annually.
One village, Little Chute, however, does continue to promote its Dutch ethnicity with a mid-September celebration (kermis), featuring a Dutch-costume parade, games, and craft exhibits.