King & Queen | ||||
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Studio album by | ||||
Released | March 16, 1967 | |||
Recorded | January 18–24, 1967 | |||
Genre | Soul | |||
Length | 32:53 | |||
Label | Stax/Atlantic S716 | |||
Producer | Jim Stewart [1] | |||
Otis Redding chronology | ||||
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Carla Thomas chronology | ||||
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King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
The album includes crossover hits "Tramp" and "Knock on Wood". Following Redding's death, the single "Lovey Dovey" was also released. The original album's liner notes were written by Tennessee Senator Howard H. Baker, Jr. It was released on March 16, 1967, by Stax Records. [2]
Producer Jim Stewart had the idea to produce a duet album with Otis Redding and Carla Thomas, as he thought it would help their musical careers' progress, and that "[Redding's] rawness and [Thomas's] sophistication would work" well together. [2] Another reason to combine the two artists was in the hopes of achieving a success similar to that which Motown singer Marvin Gaye had with both Mary Wells and Kim Weston. [3] [4] Carla Thomas was already successful in the R&B business; she had already had many singles appear in both the Hot 100 and Hot Rhythm & Blues Singles charts, most recently her 1966 song "B-A-B-Y". Redding agreed to record with Thomas, simply stating, "Well, hey, you from Memphis, you from Tennessee, you can hang". At the time the album was recorded in January 1967, Thomas was studying at Howard University in Washington D.C. for an M.A. in English. Recorded in about six days (another source states only three days), [5] the album features eleven songs: ten covers of soul classics, and an eleventh song, "Ooh Carla, Ooh Otis", that Redding co-wrote with Al Bell. [6] It features house band Booker T. & the M.G.'s, pianist Isaac Hayes, and the brass section the Memphis Horns. [4] Six out of eleven songs were cut during their session; the rest were overdubbed by Redding in the following days owing to their concert obligations. [7]
Three singles were released from the album: "Tramp", the first cut song, was released as a single in April and peaked at number two on Billboard Hot Rhythm & Blues Singles chart and at number twenty-six on Billboard Hot 100; "Knock on Wood" peaked in September at number eight on the Hot Rhythm & Blues Singles chart and number thirty on the Hot 100 charts; and "Lovey Dovey" was released late in 1968, and charted at number twenty-one on the Hot Rhythm & Blues Singles list and number sixty on the Hot 100. [7] The album was released on March 16, 1967. [4]
Review scores | |
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Source | Rating |
Allmusic | [3] |
Encyclopedia of Popular Music | [8] |
Record Mirror | [9] |
The Village Voice | A− [10] |
In retrospective reviews King & Queen has gained positive comments. Jason Ankeny of Allmusic gives the album 4.5 stars out of 5. He states that "Redding and Thomas enjoy an undeniable chemistry, and they play off each other wonderfully", and summarizes the album as follows: "Otis Redding never recorded a lighter, more purely entertaining record than King & Queen". [3] Robert Christgau gives it an "A−"; although he says the album was "pretty ephemeral", he praises the music, and writes that it sounds "vivacious, catchier and funnier [than] most soul music". [10]
No. | Title | Writer(s) | Length |
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1. | "Knock on Wood" | Steve Cropper, Eddie Floyd | 2:48 |
2. | "Let Me Be Good to You" | Isaac Hayes, David Porter, Carl Wells | 2:48 |
3. | "Tramp" | Lowell Fulson, Jimmy McCracklin | 3:00 |
4. | "Tell It Like It Is" | George Davis, Lee Diamond | 3:13 |
5. | "When Something Is Wrong with My Baby" | Hayes, Porter | 3:14 |
6. | "Lovey Dovey" | Ahmet Ertegun, Eddie "Memphis" Curtis | 2:33 |
No. | Title | Writer(s) | Length |
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7. | "New Year's Resolution" | Randle Catron, Willie Dean "Deanie" Parker, Mary Frierson | 3:14 |
8. | "It Takes Two" | Sylvia Moy, William "Mickey" Stevenson | 3:03 |
9. | "Are You Lonely for Me, Baby?" | Bert Berns | 3:14 |
10. | "Bring It On Home to Me" | Sam Cooke | 3:14 |
11. | "Ooh Carla, Ooh Otis" | Alvertis Isbell, Otis Redding | 2:32 |
Album
| Singles
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Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Rufus C. Thomas, Jr. was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. His dance records, including "Walking the Dog" (1963), "Do the Funky Chicken" (1969), and "(Do the) Push and Pull" (1970), were some of his most successful songs. According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene."
Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz " (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Otis Blue/Otis Redding Sings Soul is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.
"It Takes Two" is a hit single recorded in late 1965 by American singer-songwriter Marvin Gaye and American soul singer Kim Weston for Motown's Tamla label.
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
Donald James Randolph, better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s.
"Knock on Wood" is a 1966 hit song written by Eddie Floyd and Steve Cropper and originally performed by Floyd. The song has become covered by later artists, most notably Amii Stewart in 1979. Stewart's disco version was the most successful on weekly music charts.
Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album.
"When Something Is Wrong with My Baby" is a classic hit song, a soul ballad, written by Isaac Hayes and David Porter. It was first released in 1967 by Sam & Dave on Stax Records.
Rufus and Carla was the moniker Stax Records used when releasing duets by Rufus Thomas and daughter Carla Thomas. They have the distinction of sharing the company's first hit "Cause I Love You" when Stax was briefly known as Satellite Records. Another hit was their version of "The Night Time Is the Right Time".
"Lovey Dovey" is a popular American rhythm and blues song originating in the 1950s and written by Eddie Curtis and Ahmet Ertegun, with the latter usually credited using his songwriter's pseudonym "Nugetre". The song's initial recording by The Clovers remains the best known version, reaching No. 2 for five weeks on the R&B charts in 1954.
"Tramp" is a soul blues song with funk elements, written by West Coast blues artists Lowell Fulson and Jimmy McCracklin. First recorded by Fulson in 1967, it was his highest-charting single since "Reconsider Baby" in 1954. It reached #56 in Canada. The song was covered by Otis Redding in a duet with Carla Thomas, and this version reached No. 2 on Billboard R&B chart.
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, becoming the first posthumous #1 single in the US. It reached #3 on the UK Singles Chart.