Film stock is an analog medium that is used for recording motion pictures or animation. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.
Super 8mm film is a motion picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
The following list comprises significant milestones in the development of photography technology.
135 is photographic film in a film format used for still photography. It is a cartridge film with a film gauge of 35 mm (1.4 in), typically used for hand-held photography in 35 mm film cameras. Its engineering standard for the film is controlled by ISO 1007.
126 film is a cartridge-based film format used in still photography. It was introduced by Kodak in 1963, and is associated mainly with low-end point-and-shoot cameras, particularly Kodak's own Instamatic series of cameras.
The Kodak Professional DCS Pro SLR/n is a 13.5 megapixel full-frame 35mm digital SLR produced as a collaboration between Nikon Corporation and Eastman Kodak. It was an improved version of the Kodak Professional DCS Pro 14n series, and was based on a modified Nikon N80 film SLR and thus compatible with almost all Nikon F mount lenses. The camera was announced in early 2004 and became available to purchase mid-year. A monochrome variant named Kodak Professional DCS Pro SLR/n m of the camera existed as well.
828 is a film format for still photography. Kodak introduced it in 1935, only a year after 135 film. 828 film was introduced with the Kodak Bantam, a consumer-level camera.
The Kodak DX6440 is a model of digital camera produced by the Eastman Kodak Company. It is part of the company's EasyShare consumer line of cameras, and is compatible with the Kodak camera docks and printer docks. Its 1/2.5" CCD image sensor gives a 4 megapixel image, while the fully retractable Schneider-Kreuznach lens has a focal length range equivalent to 33mm–132mm on a 135 film camera, which is a 4× range.
The Kodak EasyShare V570 was a 5-megapixel digital camera manufactured by Eastman Kodak. Announced on January 2, 2006, it was an upper-end model in the consumer price range, advertised at $400 in the United States in January 2006. It had an innovative dual lens system, combining two periscopic groups each with its own sensor: one very wide angle equivalent to a 23 mm in 135 format and a 3X zoom equivalent to a 39–117 mm, totalizing a virtual 5X zoom, with a step between 23 and 39 mm. It is the first dual lens digital camera. The model won a gold medal in the 2006 Industrial Design Excellence Awards.
The Kodak C330 is a model of digital camera produced by the Eastman Kodak Company. It was announced on May 4, 2005 and is part of the company's EasyShare consumer line of cameras.
The Kodak C340 is a model of digital camera produced by the Eastman Kodak Company. It is part of the company's EasyShare consumer line of cameras, and is compatible with the Kodak camera docks and printer docks.
The KAF-10500 is a CCD imaging sensor designed by US photographic company Eastman Kodak. In September 2006 it was announced that the sensor was to be used in the Leica M8 digital rangefinder camera, having been specifically designed for this application. Its size is 18x27 mm (APS-H) and it has 10.3 million pixels of size 6.8 μm. Compared to 35mm film, it has a 1.33 crop factor. It is calibrated for an ISO sensitivity range of 160–2500.
The Kodak Signet series of 35mm cameras was Kodak's top American-made 35mm camera line of the 1950s, into the early 1960s. The designs were by Arthur H Crapsey. The first and one of the best was the Signet 35 made between February 1951 - March 1958.
The Kodak 35 Rangefinder is an improved version of the Kodak 35 that was launched by the Eastman Kodak Company in 1938 as their first 35mm camera manufactured in the USA. After some two years, the Company presented this improved Kodak 35 camera, with a new superstructure housing containing a viewfinder and a separate rangefinder, but without any addition to the identifying inscription on the body. It is generally referred to as the Kodak 35 Rangefinder model.
The Kodak DC series was Kodak's pioneering consumer-grade line of digital cameras; as distinct from their much more expensive professional Kodak DCS series. Cameras in the DC series were manufactured and sold during the mid-to-late 1990s and early 2000s. Some were branded as "Digital Science". Most of these early digital cameras supported RS-232 serial port connections because USB hardware was not widely available before 1998.
The Kodak Pixpro S-1 is a rangefinder-styled digital mirrorless camera announced on January 7, 2014, and first shipped in August 2014. It is the first interchangeable lens camera made under the Kodak brand since JK Imaging bought the rights to "manufacture and sell Kodak branded digital imaging products", as described in promotional materials. Kodak is one of the original members of the Micro Four Thirds standard but had never before produced a camera for it. The camera is produced in partnership with Asia Optical.
The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras, the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.
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