Konrad (assassin)

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Konrad is a fictional character in William Gibson's novel All Tomorrow's Parties . An anonymous and quasi-mystical assassin, Konrad is moved by the Tao in all his actions, regardless of the demands of his employers. He is clad in nondescript clothing and carries a tantō, which he wields with sublime and thoughtless skill. He is haunted by the memory of his lost lover, Lise.

William Gibson American-Canadian speculative fiction novelist and founder of the cyberpunk subgenre

William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature.

<i>All Tomorrows Parties</i> (novel) 1999 novel by William Gibson

All Tomorrow's Parties is a science fiction novel by American-Canadian writer William Gibson, the third and final book in his Bridge trilogy. Like its predecessors, All Tomorrow's Parties is a speculative fiction novel set in a postmodern, dystopian, postcyberpunk future. The novel borrows its title from a song by Velvet Underground. It is written in the third person and deals with Gibsonian themes of emergent technology. The novel was initially published by Viking Press on October 7, 1999.

Assassination murder of a prominent person, often a political leader or ruler

Assassination is the act of killing a prominent person for either political, religious or monetary reasons.

Contents

Characteristics

Konrad is portrayed as a mysterious, philosophical corporate assassin. [1] He is described as a retainer for media baron Cody Harwood although his employer does not seem to issue specific orders, nor does Konrad demonstrate a willingness to obey. [2] Konrad's professional relationship to Harwood is a peculiar one; neither truly needs the other but the relationship is maintained nonetheless for collateral reasons. [3]

That which is overdesigned, too highly specific, anticipates outcome; the anticipation of outcome guarantees, if not failure, the absence of grace.
Konrad, All Tomorrow's Parties [4]

Konrad is described in All Tomorrow's Parties as a slim, middle-aged man with short, grey hair and a vaguely professorial demeanor. He wears a dark green wool coat, dark grey pants, black leather shoes and round, gold-rimmed glasses. In the opinion of The Washington Post 's reviewer Michael Dirda, Konrad "nearly steals the book away". [5]

<i>The Washington Post</i> Daily broadsheet newspaper published in Washington, D.C.

The Washington Post is a major American daily newspaper published in Washington, D.C., with a particular emphasis on national politics and the federal government. It has the largest circulation in the Washington metropolitan area. Its slogan "Democracy Dies in Darkness" began appearing on its masthead in 2017. Daily broadsheet editions are printed for the District of Columbia, Maryland, and Virginia.

Michael Dirda American literary critic

Michael Dirda is a book critic for the Washington Post. He has been a Fulbright Fellow and won a Pulitzer Prize in 1993.

Philosophical assassin

Konrad follows the Chinese philosophy of Taoism, [4] [6] aligning his movements with the spontaneous, universal energy path of the Tao. [7] Throughout the novel, he repeatedly contemplates the Tao to guide and inform his actions. Little is revealed about Konrad's past; there are, however, hints of a previous army service (some of his actions are described as 'military') and his nostalgic, jaded view of cities suggests that his work has taken him to many places around the world. The New York Times characterized his perspective as "sentimentalist". [2]

Taoism Religious or philosophical tradition of Chinese origin

Taoism, or Daoism, is a religious or philosophical tradition of Chinese origin which emphasizes living in harmony with the Tao. The Tao is a fundamental idea in most Chinese philosophical schools; in Taoism, however, it denotes the principle that is the source, pattern and substance of everything that exists. Taoism differs from Confucianism by not emphasizing rigid rituals and social order, but is similar in the sense that it is a teaching about the various disciplines for achieving "perfection" by becoming one with the unplanned rhythms of the universe called "the way" or "dao". Taoist ethics vary depending on the particular school, but in general tend to emphasize wu wei, "naturalness", simplicity, spontaneity, and the Three Treasures: 慈 "compassion", 儉 "frugality", and 不敢為天下先 "humility".

<i>The New York Times</i> Daily broadsheet newspaper based in New York City

The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 127 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.

Konrad is trained in the art of Argentine knife-fighting which he learned on a beach in Cuba. His weapon of choice is the tantō, a shorter version of the Japanese katana sword. He carries the tantō concealed under his armpit using a magnetic clip which affixes to the blade, leaving the hilt swinging freely. His skill with the weapon is consummate and is continually compared to the sublime, transcendent, thoughtless skill of an enlightened martial artist. Gibson arrived at the character of Konrad through witnessing the serenity, the alert, relaxed presentness, the inner transparent stillness of an FBI sniper [8] he serendipitously encountered. [9]

<i>Tantō</i> Japanese dagger

A tantō is one of the traditionally made Japanese swords (nihonto) that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate. Tantō were used in traditional martial arts (tantojutsu). The term has seen a resurgence in the West since the 1980s as a point style of modern tactical knives, designed for piercing or stabbing.

Japanese sword

A Japanese sword is one of several types of traditionally made swords from Japan. Swords have been made from as early as the Kofun period, though generally "Japanese swords" refer to the curved blades made after the Heian period. There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the katana, wakizashi, odachi, and tachi.

Historically, katana were one of the traditionally made Japanese swords that were used by the samurai of ancient and feudal Japan. The katana is characterized by its distinctive appearance: a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands.

A chance apophenic glimpse of a stranger stepping onto Market Street, San Francisco (the city in which the novel is set) shortly before he began writing the novel drew the character, and his lost love—a blonde-haired, blue-eyed woman named Lise, whose image haunts Konrad's dreams—from Gibson's imagination: [1]

Apophenia is the tendency to mistakenly perceive connections and meaning between unrelated things. The term was coined by psychiatrist Klaus Conrad in his 1958 publication on the beginning stages of schizophrenia. He defined it as "unmotivated seeing of connections [accompanied by] a specific feeling of abnormal meaningfulness". He described the early stages of delusional thought as self-referential, over-interpretations of actual sensory perceptions, as opposed to hallucinations.

Market Street (San Francisco) thoroughfare in San Francisco, United States

Market Street is a major thoroughfare in San Francisco, California. It begins at The Embarcadero in front of the Ferry Building at the northeastern edge of the city and runs southwest through downtown, passing the Civic Center and the Castro District, to the intersection with Corbett Avenue in the Twin Peaks neighborhood. Beyond this point, the roadway continues as Portola Drive into the southwestern quadrant of San Francisco. Portola Drive extends south to the intersection of St. Francis Boulevard and Sloat Boulevard, where it continues as Junipero Serra Boulevard.

See also

Footnotes

  1. 1 2 Keller, John Clark (December 5, 1999). "Gibson's vision of the future just isn't what it used to be". Austin American-Statesman .
  2. 1 2 "Virtual Novel". The New York Times . November 21, 1999. Retrieved 2008-11-12.
  3. Tuttle, William (October 24, 1999). "Gibson's Latest Party Ends A Bit Too Soon". The Seattle Times . Retrieved 2008-11-12.
  4. 1 2 Poole, Steven (October 30, 1999). "Nearing the nodal". The Guardian . Retrieved 2008-11-13.
  5. Dirda, Michael (October 17, 1999). "All Tomorrow's Parties". The Washington Post .
  6. Ogden, Stephen (April 4, 2008). "Taoism in "All Tomorrow's Parties"". Ætherture.
  7. Thackray, Rachelle (March 27, 2000). "Cyberspace: it's all this man's fault". The Independent . Retrieved 2008-11-13.
  8. Gibson, William (July 9, 2012). "Tweet". twitter.com. Retrieved 2012-07-09.
  9. 1 2 Gibson, William (August 11, 2003). "EXPERIENCE > FICTION". WilliamGibsonBooks.com. Retrieved 2008-11-13.

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