Aesthetics and critical reception
Lover's prose is distinctly postmodern, eschewing conventional narrative for experimental narrative techniques. In contrast to some lesbian novels of the time, such as Rita Mae Brown's Rubyfruit Jungle (also, incidentally, published by Daughters), which used a prototypical bildungsroman technique with a lesbian placed squarely at the center, Lover reflects complex notions of radical lesbian philosophy, community, family structure, and eroticism by using highly inventive, often fantastical storytelling techniques. In Harris's introduction to the 1993 edition, she writes, "Lover should be absorbed as if it were a theatrical performance. There's tap dancing and singing, disguise, sleights of hand, mirror illusions, quick-change acts, and drag." Amanda C. Gable has argued that Lover "can be considered an exemplary novel within discussions of both postmodern fiction and lesbian (or queer) theory," and calls for "Harris to be added to the group of writers such as Wittig, Anzaldúa, Lorde, and Winterson, who are discussed within the context of a postmodern lesbian narrative."
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of technology, drug culture, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Marge Piercy is an American progressive activist, feminist, and writer. Her work includes Woman on the Edge of Time; He, She and It, which won the 1993 Arthur C. Clarke Award; and Gone to Soldiers, a New York Times Best Seller and a sweeping historical novel set during World War II. Piercy's work is rooted in her Jewish heritage, Marxist social and political activism, and feminist ideals.
LGBTQ themes in speculative fiction include lesbian, gay, bisexual, transgender, or queer (LGBTQ) themes in science fiction, fantasy, horror fiction and related genres.[a] Such elements may include an LGBTQ character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the heteronormative.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Brunette Coleman was a pseudonym used by the poet and writer Philip Larkin. In 1943, towards the end of his time as an undergraduate at St John's College, Oxford, he wrote several works of fiction, verse and critical commentary under that name, including homoerotic stories that parody the style of popular writers of contemporary girls' school fiction.
Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery in 1834 at the age of 20, published the book in London. He was staying after a lecture tour to evade possible recapture due to the 1850 Fugitive Slave Act. Set in the early nineteenth century, it is considered the first novel published by an African American and is set in the United States. Three additional versions were published through 1867.
Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone." Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction provided representation for lesbian identities, brought a surge of awareness to lesbians, and created space for lesbian organizing leading up to Stonewall.
Bertha Harris was an American novelist. She is highly regarded by critics and admirers, but her novels are less familiar to the broader public.
The Sot-Weed Factor is a 1960 novel by the American writer John Barth. The novel marks the beginning of Barth's literary postmodernism. The Sot-Weed Factor takes its title from the poem The Sot-Weed Factor: Or, a Voyage to Maryland. A Satyr (1708) by the English-born poet Ebenezer Cooke, about whom few biographical details are known.
Sir Theodore Wilson Harris was a Guyanese writer. He initially wrote poetry, but subsequently became a novelist and essayist. His writing style is often said to be abstract and densely metaphorical, and his subject matter wide-ranging. Harris is considered one of the most original and innovative voices in postwar literature in English.
Cristina Pantoja-Hidalgo is a Filipina fictionist, critic and pioneering writer of creative nonfiction. She is currently Professor Emeritus of English & Comparative Literature at the University of the Philippines Diliman and Director of the University of Santo Tomas (UST) Center for Creative Writing and Literary Studies. She was given the S.E. Write Award for Literature in 2020 by the Royal Family of Thailand.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
Sally Miller Gearhart was an American teacher, feminist, science-fiction writer, and political activist. In 1973, she became the first open lesbian to obtain a tenure-track faculty position when she was hired by San Francisco State University, where she helped establish one of the first women and gender study programs in the country. She later became a nationally known gay rights activist.
The Alice B Readers Award is given annually to living writers of lesbian fiction whose careers are distinguished by consistently well-written stories about lesbians. Named for Alice B. Toklas, the award is given once, only, in appreciation of career achievement. In addition to the medal, each recipient is given a lapel pin and a significant honorarium.
A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for "new", "news", or "short story ", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also commonly called novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird.
The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first in the seventeenth century. Early published fantasy was written by and for any gender. However, speculative fiction, with science fiction in particular, has traditionally been viewed as a male-oriented genre.
The Wanderground is a speculative fiction novel by Sally Miller Gearhart, published in 1978 by Persephone Press. It is Gearhart's first and most famous novel, and continues to be used in women's studies classes as a characteristic example of the separatist feminism movement from the 1970s.
Lesbian Art Project was a participatory art movement founded by Terry Wolverton and Arlene Raven at the Woman's Building in Los Angeles. The pioneering project focused on giving a platform to lesbian and feminist perspectives of participants through performance, art making, salons, workshops and writing. One significant piece of work created during the project was An Oral Herstory of Lesbianism, in 1979, which documented lesbian women and their feelings, views, experiences, and expression.
Black lesbian literature is a subgenre of lesbian literature and African American literature that focuses on the experiences of black lesbians. The genre features poetry and fiction about black lesbian characters as well as non-fiction essays which address issues faced by black lesbians. Figures within the genre include Ann Allen Shockley, Audre Lorde, Cheryl Clarke, and Barbara Smith.
