| "Maneater" | ||||
|---|---|---|---|---|
| | ||||
| Single by Hall & Oates | ||||
| from the album H2O | ||||
| B-side | "Delayed Reaction" | |||
| Released | September 28, 1982 (Charted October 16) | |||
| Recorded | December 1981 | |||
| Studio | Electric Lady, New York City | |||
| Genre | ||||
| Length | 4:31 3:28 (DJ 7") 6:00 (extended club mix) | |||
| Label | RCA | |||
| Songwriters | ||||
| Producers |
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| Hall & Oates singles chronology | ||||
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| Music video | ||||
| "Maneater" on YouTube | ||||
"Maneater" is a song by American duo Hall & Oates, featured on their eleventh studio album, H2O (1982). It reached number one on the Billboard Hot 100 chart on December 18, 1982. [5] It remained in the top spot for four weeks, longer than any of the duo's five other number-one hits, including "Kiss on My List", which remained in the top spot for three weeks.
In an interview with American Songwriter in 2009, Daryl Hall recalled:
John had written a prototype of "Maneater"; he was banging it around with Edgar Winter. It was like a reggae song. I said, "Well, the chords are interesting, but I think we should change the groove." I changed it to that Motown kind of groove. So we did that, and I played it for Sara Allen and sang it for her…[Sings] "Oh here she comes / Watch out boy she'll chew you up / Oh here she comes / She's a maneater… and a…" I forget what the last line was. She said, "drop that shit at the end and go, 'She's a maneater,' and stop! And I said, 'No, you're crazy, that's messed up.'" Then I thought about it, and I realized she was right. And it made all the difference in the song. [6]
Hall also opined, "We try and take chances. Our new single 'Maneater' isn't something that sounds like anything else on the radio. The idea is to make things better." [7]
John Oates has explained that the song was originally written "about NYC in the '80s. It's about greed, avarice, and spoiled riches. But we have it in the setting of a girl because it's more relatable. It's something that people can understand. That's what we do all of the time", after describing how they took a similar approach with the earlier song "I Can't Go for That (No Can Do)". [8] [9]
For the song's saxophone solo, Hugh Padgham processed the instrument with an AMS digital delay unit, which provided a delayed repeat to the notes. Padgham was not present when the saxophone solo was recorded and believed that the section could have benefited from a more active part. During the mixing process, Padgham said that "we were playing it through and I was frustrated because I didn't like the sax solo that much. I thought it needed more, it was so laid back. I thought: sod it, I'll completely fill in the gaps." Hall and Oates did not intend on adjusting the saxophone solo but ultimately approved of the changes that Padgham made. [10]
Billboard called it a "moody midtempo piece which has the percolating bass line of a mid-60's Supremes record and the atmospheric sweep of a Giorgio Moroder film score." [11] Cash Box said that the opening bassline resembles that of the Supremes' song "You Can't Hurry Love." [12]
The Hall & Oates music video opens with a woman (Aleksandra Duncan) walking down a red staircase, and the band playing in a dimly lit studio with shafts of light projecting down on them. The band members step in and out of the light for their lip sync. A young woman in a short party dress is shown in fade-in and fade-out shots, along with a black jaguar, hence the song line "The woman is wild, a she-cat tamed by the purr of a Jaguar." (In the lyrics' context, the Jaguar in question is the car manufacturer.) [13]
In November 2008, Hall & Oates initiated legal action against their music publisher Warner/Chappell Music. An unidentified singer-songwriter was alleged to have used "Maneater" in a 2006 recording, infringing copyright, and by failing to sue for copyright infringement, Warner Chappell Music was alleged to have breached their contract with Hall and Oates. [14]
Weekly charts
| Year-end charts
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada) [42] | Platinum | 100,000^ |
| Denmark (IFPI Danmark) [43] | Platinum | 90,000‡ |
| Germany (BVMI) [44] | Gold | 300,000‡ |
| New Zealand (RMNZ) [45] | 3× Platinum | 90,000‡ |
| Spain (PROMUSICAE) [46] | Gold | 30,000‡ |
| United Kingdom (BPI) [47] | Platinum | 600,000‡ |
| United States (RIAA) [48] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. | ||
The song features a memorable saxophone solo by Charles DeChant and a catchy synth-pop melody, backed by a funk-influenced rhythm section.
...some of the biggest synth-pop hits of the day...Hall and Oates' "Maneater"...