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"Manhã de Carnaval" | |
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Song | |
English title | Carnival Morning |
Genre | Bossa nova |
Composer(s) | Luiz Bonfá |
Lyricist(s) | Antônio Maria |
"Manhã de Carnaval" ("Carnival Morning"), often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.
"Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro [1] by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, [2] so that the song has been described as the main musical theme of the film. [3] In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for Manhã de Carnaval was superior to the song Bonfá composed as a replacement. [3] Orfeu Negro was an international success (winning, for example, an Academy Award in 1960), [4] and brought the song to a large audience.
"Manhã de Carnaval" became one of the first Bossa Nova compositions to gain popularity outside Brazil. [3] Particularly in the United States, the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late 1950s. "Manhã de Carnaval" has become a jazz standard in the U.S., while it is still performed regularly by a wide variety of musicians around the world in its vocalized version or just as an instrumental one. In the U.S., the song is also known as "A Day in the Life of a Fool", "Carnival", "Theme from Black Orpheus", or simply "Black Orpheus". In France, the song is also known as "La Chanson d'Orphée". All versions of foreign texts were written by lyricists other than Antônio Maria, using Bonfá's original music.[ citation needed ]
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All recordings listed below were released under the title of "Manhã de Carnaval" and sung in Portuguese, except where noted.
Although not as popular as the vast number of interpretations with Portuguese lyrics, [29] the song can also be found with a few English lyrics adaptations and in some other languages as well. None of the versions in other languages were written by Brazilian songwriters.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Eumir Deodato de Almeida is a Brazilian pianist, composer, arranger and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Black Orpheus is a 1959 romantic tragedy film directed by French filmmaker Marcel Camus and starring Marpessa Dawn and Breno Mello. It is based on the play Orfeu da Conceição by Vinicius de Moraes, which set the Greek legend of Orpheus and Eurydice in a contemporary favela in Rio de Janeiro during Carnaval. The film was an international co-production among companies in Brazil, France and Italy.
Soul Español is an album by jazz pianist Oscar Peterson, released in 1966. It focuses mostly on the music of Brazilian composers.
Jazz Samba Encore! is a bossa nova album by Stan Getz and Luiz Bonfá, released on the Verve label. It is bossa nova in a slower groove. It contains a mix of Jobim standards as well as originals from Bonfá. Performers also include Antonio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife. The painting on the cover is a piece by the influential New York based abstract expressionist Olga Albizu from Puerto Rico.
Dawganova is a 1995 all-instrumental album by American musician David Grisman, recorded with his group The David Grisman Quintet. It's a unique collection of Latin rhythms and melodies inspired by the group's newest member, Argentine guitar virtuoso, Enrique Coria. Five Grisman originals are accompanied by classical Latin standards: "El Cumbanchero", "Tico Tico", "Manha de Carnaval" and the Nat "King" Cole classic "Nature Boy".
Olé is a Latin American album by American pop singer Johnny Mathis that was released by Mercury Records in November 1964 and includes Spanish-language versions of English-language chart hits by Frank Sinatra ("Granada") and Sarah Vaughan ("Serenata") as well as the signature song of the I Love Lucy character Ricky Ricardo that was played by Desi Arnaz ("Babalu").
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
Pery Ribeiro was a Brazilian singer of bossa nova, MPB and jazz, active from 1959 until shortly before his death.
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.
Trombone Jazz Samba is an album by jazz trombonist and arranger Bob Brookmeyer featuring bossa nova compositions recorded in 1962 for the Verve label.
Braziliana is a 1965 album by Brazilian guitarist Luiz Bonfá and his wife, singer Maria Toledo, of songs mainly composed by Bonfá and Toledo, produced by Bobby Scott. The backing musicians included drummers Hélcio Milito and Dom Um Romão. Stereo Review accorded it a Recording of Special Merit. The album was recorded after the success of the 1964 Getz/Gilberto album, and increased interest in samba and bossa nova in Europe. After being out of print for many years the LP was reissued as CD in the Verve Originals series in 2008.
Take Ten is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1963 which were released on the RCA Victor label with cover art by Andy Warhol.
Tokyo Debut is a live album by saxophonist Art Pepper recorded in Japan in 1977 by TBS Radio and originally released on the Japanese Polydor label in 1990 as First Live in Japan before being rereleased on the Galaxy label in 1995.
"A felicidade" ("Happiness") is a bossa nova song by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes, composed in 1958 for the French film Orfeu Negro.
Luiz Bonfá Composer of Black Orpheus Plays and Sings Bossa Nova is a 1962 album by Luiz Bonfá arranged by Lalo Schifrin.
Orfeu is an album by bassist Ron Carter recorded in 1999 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.