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Messum's is an art gallery in Bury Street, St. James's, London, with a branch in Marlow, Buckinghamshire.
The gallery was founded by David Messum in 1963. [1] The gallery exhibits contemporary art and work by British Impressionist, modern and figurative painters and sculptors. Messum's has promoted the work of the early Newlyn and St Ives painters.
Messum's has staged significant exhibitions of British Impressionism, and in 1985 David Messum's publishing company published British Impressionism: A Garden of Bright Images by Laura Wortley. [2]
In 2012, a proposed development in Cork Street threatened to cause Messum's to move. [3] [4]
In 2016, Johnny Messum founded Messums Wiltshire, an art gallery based in the tithe barn at Place Farm, Tisbury, Wiltshire. [5] [6]
Artists who have exhibited at the gallery include William Bowyer, Peter Brown, James Dodds, Rose Hilton, Kurt Jackson, [7] Edward Piper, John Piper [8] and Jeremy Annear.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
The Norwich School of painters was the first provincial art movement established in Britain, active in the early 19th century. Artists of the school were inspired by the natural environment of the Norfolk landscape and owed some influence to the work of landscape painters of the Dutch Golden Age such as Hobbema and Ruisdael.
John Egerton Christmas Piper CH was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career.
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
Edward Alexander Wadsworth was a British artist initially associated with the Vorticism movement. In the First World War he was part of a team involved in the transfer of dazzle camouflage designs to ships for the Royal Navy. After the war his maritime landscapes and still-life compositions using tempera were infused with a surrealistic mood - although he never exhibited with the British surrealists. In the early thirties and in the early forties his work was mainly abstract. He made a significant contribution to the development of modern art in Britain in the inter-war years.
Edward Blake Christmas Piper (1938–1990) was an English painter.
Luke Piper is an English landscape painter, especially in watercolours. The Guardian newspaper has described him as "arts establishment aristocracy".
Lucy Elizabeth Kemp-Welch was a British artist and teacher who specialized in painting horses. Though increasingly overlooked after the Second World War, from the late 1890s to the mid-1920s she was one of the country's best-known female artists. As her obituary in The Times noted, 'Like most artists who came to maturity and were established before the end of the nineteenth century, Lucy Kemp-Welch suffered somewhat in her later reputation from the violent changes in art which followed. In her prime as an animal painter she held a position in this country comparable to that of Rosa Bonheur in France, and the only British woman artist of her generation who was more talked about was Lady Elizabeth Butler, painter of "The Roll Call".' Her reputation has since revived, and she is best known today for her large paintings of wild and working horses in the New Forest, and those in military service which she produced during the First World War, as well as for her illustrations to the 1915 edition of Anna Sewell's novel Black Beauty.
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Marlborough Fine Art was founded in London in 1946 by Frank Lloyd and Harry Fischer. In 1963, a gallery was opened as Marlborough-Gerson in Manhattan, New York, at the Fuller Building on Madison Avenue and 57th Street, which later relocated in 1971 to its present location, 40 West 57th Street. The gallery operates another New York space on West 25th Street, which opened in 2007. It briefly opened a Lower East Side space on Broome Street.
The Piper family is an English artistic family of several generations.
James Dodds is an East Anglian artist whose practice centers on painting, linocut and relief carving. Born in Brightlingsea, Essex, he now lives and works in Wivenhoe producing prints and books as the Jardine Press. He is the son of East Anglian artist Andrew Dodds and has been described as "boatbuilding’s artist laureate".
Physical Energy is a bronze equestrian statue by the English artist George Frederic Watts. Watts was principally a painter, but also worked on sculptures from the 1870s. Physical Energy was first cast in 1902, two years before his death, and was intended to be Watts's memorial to "unknown worth". Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton, Surrey. Other smaller bronze casts were also made after Watts's death.
The Mayor Gallery is an art gallery located in Cork Street, London, England. Since its foundation by Fred Mayor in partnership with Douglas Cooper in 1925, it has promoted modern and contemporary art. Since the early 1970s, under the new impulse given by James Mayor, Fred Mayor's son, the Gallery started to focus actively on the work of contemporary American artists from the Pop art movement but also Conceptual art and Abstract expressionism such as Eva Hesse, Roy Lichtenstein, Agnes Martin, Claes Oldenburg, Robert Rauschenberg, Robert Ryman, Cy Twombly and Andy Warhol. More recently, taking further its interest for Minimal art and Dada, the Gallery has been promoting artists of the international Zero (art) movement, including Heinz Mack, Otto Piene amongst others.
Simon Carter is an English artist and curator.
Waddington Custot is a London-based art gallery specialising in modern and contemporary art. Formerly known as Waddington Galleries, it has been situated on Mayfair's Cork Street since 1958.
Margaret Green was a British figurative painter.
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