Lists of folk music traditions |
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This is a list of folk music traditions, with styles, dances, instruments, and other related topics. The term folk music cannot be easily defined in a precise manner. It is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists, and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal, or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works.
These traditions may coincide entirely, partially or not at all with geographic, political, linguistic, or cultural boundaries. Very few, if any, music scholars would claim that there are any folk music traditions that can be considered specific to a distinct group of people and with characteristics undiluted by contact with the music of other peoples; thus, the folk music traditions described herein overlap in varying degrees with each other.
The music of Saudi Arabia includes both Western and traditional music. The most distinguished musician in recent Saudi history is Tariq Abdulhakeem, who composed hundreds of famous Saudi songs for himself as well as for other singers; Saraj Omar has become a very prominent composer after writing the music for the Saudi national anthem; Mohammed Abdu, the most famous singer in the Arab world; Talal Maddah who died in August 2000 while singing in the summer festival on the stage of Al-Muftaha Theatre in the southern region of Saudi Arabia. The 1st Arab Pioneers Festival, which was held in Cairo under the patronage of the Arab League, honored four of the lead composers in Saudi Arabia: Tariq Abdulhakeem, Ghazi Ali, Mohamed Alsenan, and Mohammed Shafiq. Of the same generation are the oud virtuoso Abadi al Johar, Rabeh Saqer and Abdul-Majeed Abdullah.
The music of Bahrain is part of the Persian Gulf folk traditions. Alongside Kuwait, it is known for sawt music, a bluesy genre influenced by African, Indian and Persian music. Sultan Hamid, Ali Bahar and Khaled El Sheikh are among the most popular musicians from Bahrain.
The traditional music of Jordan has a long history. Rural zajal songs, with improvised poetry played with a mijwiz, tablah, arghul, oud, rabab, and reed pipe ensemble accompanying is popular. The transition of old cultural music into hit pop songs known worldwide. Recently, Jordan has seen the rise of prominent DJs and pop stars.
The music of Togo has produced a number of internationally known popular entertainers including Bella Bellow, Akofah Akussah, Afia Mala, Itadi Bonney, Wellborn, King Mensah and Jimi Hope.
The music of Rwanda encompasses Rwandan traditions of folk music as well as contemporary East African Afrobeat and Congolese ndombolo, and performers of a wide variety of Western genres including hip-hop, R&B, gospel music and pop ballads.
Burundi is a Central African nation that is closely linked with Rwanda, geographically, historically and culturally. The drum such as the karyenda is one of central importance. Internationally, the country has produced the music group Royal Drummers of Burundi.
The traditional music of Tuvalu consists of dances, including fatele, fakanau and fakaseasea. The influence of the Samoan missionaries sent to Tuvalu by the London Missionary Society from the 1860s resulted in the suppression of songs about the traditional religions or magic and many songs were lost. As the influence of the missionaries diminished in the 20th century the traditional dances were revived and the siva dance tradition from Samoa also became popular. The fatele, in its modern form, is performed at community events and to celebrate leaders and other prominent individuals.
Here Northumbria is defined as Northumberland, the northernmost county of England, and County Durham. According to 'World Music: The Rough Guide', "nowhere is the English living tradition more in evidence than the border lands of Northumbria, the one part of England to rival the counties of the west of Ireland for a rich unbroken tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipes and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions, particularly southern Scotland and other parts of the north of England, as well as Irish immigrants.
Chuigushou is a type of traditional percussive musical ensemble most often used at weddings and funerals by the Han Chinese, which usually accompanies a form of oboe called a suona. This type of folk music is diverse, sometimes happy, sometimes sad, and often based on Western Pop music and TV theme songs.
From the American Revolutionary War to the start of the American Civil War, American music underwent many changes. The folk vernacular traditions diversified and spread across the nation, while a number of prominent composers of European art music also arose.
The latter part of the 19th century saw the increased popularization of African American music and the growth and maturity of folk styles like the blues.
Yosefa Lazen is an Israeli singer born of Yemeni-Jewish and Moroccan-Jewish parents. Her style blends world beat electronic dance music beats, rap and soul with traditional singing styles of the Morocco and Yemen. She lives in Israel.
The fatele or faatele is a traditional dance song of Tuvalu. Dancing songs are the most common type of traditional Tuvaluan song, with other traditional dance styles including fakanau and fakaseasea.
The fakaseasea is a tradition dance song of Tuvalu. Dancing songs are the most common type of the traditional Tuvaluan songs, with other tradition dance styles including fakanau and fatele.
The Rough Guide to Music (various editions and volumes):