The following is a list of items with recorded Mute Records catalogue numbers, starting with label founder Daniel Miller's single as The Normal.
The discography is broken down by singles with a Mute catalogue number and albums with a Stumm catalogue number. Best of collections feature a Mutel catalogue number.
Through the years, various bands have been awarded their own personalised catalogue numbers, including Yazoo, Inspiral Carpets (through the purchase of the Cow Records imprint) and Depeche Mode, the most prolific of the three for the label. Depeche Mode's singles, starting with "Leave in Silence", were issued with a Bong catalogue number.
Mark Ellis, known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery Studios complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for How to Dismantle an Atomic Bomb.
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Fever Ray, Nick Cave and the Bad Seeds, Yazoo, and M83.
From Her to Eternity is the debut studio album by the Australian rock band Nick Cave and the Bad Seeds, released in May 1984 by Mute Records. Produced by Flood and the band itself, the album's title is a pun on James Jones' debut novel, From Here to Eternity (1951), and its subsequent 1953 film adaptation.
Crackers International is a Christmas EP released by English synth-pop duo Erasure in November 1988, in between the albums The Innocents (1988) and Wild! (1989). The EP reached number-one in Denmark and Argentina, and peaked at number two in the United Kingdom and Ireland.
Recoil is a musical project created by English musician and former Depeche Mode member Alan Wilder. Essentially a solo venture, Recoil began whilst Wilder was still in Depeche Mode as an outlet for his experimental, less pop-oriented compositions. Once he announced his departure from the group in 1995, Recoil became Wilder's primary musical enterprise.
English electronic music duo Goldfrapp have released seven studio albums, two live albums, two compilation albums, four extended plays, 25 singles, eight promotional singles, one video album and 29 music videos. The band was formed in 1999 in London, and consists of Alison Goldfrapp and Will Gregory (synthesiser).
"A Pain That I'm Used To" is a song by English electronic music band Depeche Mode. It is the opening track on their eleventh studio album, Playing the Angel (2005). It was released as the album's second single on 12 December 2005 through Mute Records.
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
"Enjoy the Silence" is a song by the English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The song is certified Gold in the US and Germany. The song won Best British Single at the Brit Awards 1991.
"Policy of Truth" is a song by the English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the US Billboard Hot 100 chart than on the UK Singles Chart, and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
"World in My Eyes" is a song by the English electronic music band Depeche Mode. It was released on 17 September 1990 as the fourth and final single from their seventh studio album, Violator (1990). The song peaked at number two in Denmark and Spain, number 17 on the UK Singles Chart, and number 52 on the US Billboard Hot 100.
"I Feel You" is a song by English electronic music band Depeche Mode, released on 15 February 1993 by Mute as the first single from their eighth studio album, Songs of Faith and Devotion (1993). The song peaked at number eight on the UK Singles Chart and also made number one and number three on the US Billboard Modern Rock Tracks chart and the Billboard Hot Dance Club Play chart. It is one of the band's highest-charting singles worldwide. The accompanying music video was directed by Anton Corbijn.
"Walking in My Shoes" is a song by English electronic music band Depeche Mode. It was released on 26 April 1993 by Mute and Sire as the second single from their eighth studio album, Songs of Faith and Devotion (1993). The song reached number 14 on the UK Singles Chart and matched the success of the previous single "I Feel You" on the US Billboard Modern Rock Tracks chart, where it reached one. The B-side is "My Joy", the only exclusive B-side from the Songs of Faith and Devotion album, and is a rock track in the vein of "I Feel You".
"Condemnation" is a song by English electronic music band Depeche Mode, released on 13 September 1993 by Mute Records as the third single from the band eighth studio album, Songs of Faith and Devotion (1993). The song reached No. 9 on the UK Singles Chart, No. 3 in Sweden, and No. 1 in Portugal. Its music video was directed by Anton Corbijn.
"In Your Room" is a song by English electronic music band Depeche Mode, released on 10 January 1994 as the fourth and final single from their eighth studio album, Songs of Faith and Devotion (1993). The song reached number eight on the UK Singles Chart and peaked at number two in Denmark, Finland, and Sweden. It is the last single to feature Alan Wilder as a member before his departure in 1995.
"Home" is a song by English electronic music group Depeche Mode, released on 16 June 1997 as the third single from their ninth album, Ultra (1997). The song is sung by guitarist Martin Gore, rather than the band's main singer, Dave Gahan.
"Useless" is a song by English electronic music group Depeche Mode, released on 20 October 1997 as the fourth and final single from their ninth studio album, Ultra (1997). It was released with "Home" as a double A-side in the United States due to "Useless" getting airplay on US radio stations before "Home" was announced. "Useless" features a bass contribution performed by bassist Doug Wimbish, known for his session work and as a member of Living Color.
"Where the Wild Roses Grow" is a murder ballad by Australian rock band Nick Cave and the Bad Seeds and pop singer Kylie Minogue. Released in October 1995, it is the fifth song and lead single from the band's ninth studio album, Murder Ballads (1996), released on Mute Records. It was written by the band's frontman, Nick Cave and produced by Tony Cohen and Victor Van Vugt. The accompanying music video was directed by Rocky Schenck.
Martyn Paul Casey is an English-born Australian rock bass guitarist. He has been a member of the Triffids, Nick Cave and the Bad Seeds and Grinderman. Casey plays either his Fender Precision Bass or Fender Jazz Bass.
As Is is an EP by Industrial / EBM group Nitzer Ebb, released prior to their fourth album Ebbhead on LP, Compact Disc, and cassette by Mute Records in the United Kingdom and Geffen/MCA Records (GEF-21658) in the United States. It features four tracks, each mixed by a different artist / producer. The first track, "Family Man" is the only one to feature on Ebbhead and appears here in a different form to that on the album. It was mixed by Jaz Coleman, vocalist and frontman of English post-punk band Killing Joke. The second track, "Lovesick" was mixed by Flood who produced the band's second and third albums, Belief and Showtime as well as the previously mentioned Ebbhead. The third track, "Come Alive" was mixed by Alan Wilder of Depeche Mode, who would eventually be drafted in to co-produce Ebbhead. The last track, "Higher" was mixed by Barry Adamson and PK. Barry Adamson was the bassist for Howard Devoto's Magazine and Nick Cave and the Bad Seeds and PK is an engineer/producer who has worked mainly for Mute Records on various Depeche Mode and Flood projects.