The Glowing Man | ||||
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Studio album by | ||||
Released | June 17, 2016 | |||
Studio | Sonic Ranch (Tornillo, Texas) Elmwood Studios (Dallas, Texas) Studio Litho (Seattle, Washington) CandyBomber (Berlin) Micro-Moose (Berlin) Jen Turner's apartment (Brooklyn, New York) B.C. Studios (Brooklyn, New York) | |||
Genre | ||||
Length | 118:23 | |||
Language | English | |||
Label | ||||
Producer | Michael Gira | |||
Swans chronology | ||||
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Singles from The Glowing Man | ||||
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The Glowing Man is the fourteenth studio album by American experimental rock band Swans, released on June 17, 2016 on Young God and Mute. [7] [8] It is considered the third and final part of a three-album "trilogy", the other two parts being The Seer and To Be Kind .
The song "The World Looks Red/The World Looks Black" contains lyrics written by frontman Michael Gira that were used in the Sonic Youth song "The World Looks Red" in 1983; the music is new, with no relation to the earlier version. [8] Swans and Sonic Youth both developed in the early 1980s post-punk/no wave scene of New York City, and Sonic Youth's Thurston Moore was an early member of Swans appearing on the live album Body to Body, Job to Job (recorded 1982–85, released 1991). The title track for The Glowing Man has previously been referred to as "Black Hole Man" [9] and "Black-Eyed Man" and includes a section of "Bring the Sun / Toussaint L'Ouverture" from the 2014 album To Be Kind. The song "When Will I Return?" was uploaded to YouTube on May 27, 2016. [10]
Prior to its appearance on The Glowing Man, "Frankie M." was part of Swans' live sets as early as 2014, its length and arrangements differing each time it was performed.
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.7/10 [11] |
Metacritic | 81/100 [12] |
Review scores | |
Source | Rating |
AllMusic | [1] |
The A.V. Club | B+ [13] |
Consequence of Sound | B+ [2] |
Financial Times | [14] |
Mojo | [3] |
Pitchfork | 8.1/10 [15] |
Record Collector | [16] |
Rolling Stone | [17] |
Spin | 8/10 [18] |
Uncut | 8/10 [19] |
The Glowing Man was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 81, based on 22 reviews, indicating "universal acclaim". Writing for Exclaim! , Griffin J. Elliot called the album "a meticulous exercise in the band's streamlining their abstract sound, taking what they've done before and playing it under a newer, grander spotlight." [20] Saby Reyes-Kulkarni wrote for Pitchfork , "The love in [Gira's] music is as terrible as it is beautiful, a wrenching act of spiritual determination. Swans make this sound effortless, though, in a fitting end to a remarkable chapter of their career." [15] Paul Simpson of AllMusic gave the album four out of five stars, describing the album as "another exhilarating portal into the unknown." [1] Louis Pattison, writing for Uncut , claimed the album is "gesturing towards something more contemplative" and is "certainly weathered by the journey." [21]
In a more mixed review, Rolling Stone's Christopher R. Weingarten stated that "While their long, drawn-out, circling dark clouds remain potent, ultimately The Glowing Man is the weakest of the three powerful epics they’ve released since 2012." [22]
Several music criticism websites included The Glowing Man on their lists of the best albums of 2016. Rockdelux ranked the album at twelfth in their top international albums of the year.[ citation needed ] Sputnikmusic ranked it at thirty-eighth, with staff member Raul Stanciu writing that "[The Glowing Man] takes an important step forward for Swans, thus deserving its place as another significant achievement in their discography." [23] The Quietus placed the album at eighty-seventh on their list, with writer Lior Phillips writing "the instrumentalists ripple out in meditative layers, never covering over or distracting from it, but rather reinforcing." [24]
Publication | Accolade | Year | Rank |
---|---|---|---|
The Quietus | Albums of the Year 2016 | 2016 | 87 [25] |
Sputnikmusic | Staff’s Top 50 Albums of 2016 | 2016 | 38 [26] |
Uncut | Top Albums of 2016 | 2016 | 46[ citation needed ] |
Rolling Stone (Germany) | Top Albums of 2016 | 2016 | 16[ citation needed ] |
Rockdelux | Top International Albums of 2016 | 2016 | 12[ citation needed ] |
Rockerilla | Top Albums of 2016 | 2016 | 14 [27] |
All music is composed by Michael Gira, Norman Westberg, Christopher Pravdica, Christoph Hahn, Thor Harris and Phil Puleo, except where noted
No. | Title | Music | Length |
---|---|---|---|
1. | "Cloud of Forgetting" | 12:43 | |
2. | "Cloud of Unknowing" | 25:12 | |
3. | "The World Looks Red / The World Looks Black" | Michael Gira | 14:27 |
4. | "People Like Us" | Michael Gira | 4:32 |
Total length: | 56:54 |
No. | Title | Music | Length |
---|---|---|---|
1. | "Frankie M." | 20:58 | |
2. | "When Will I Return?" | Michael Gira | 5:26 |
3. | "The Glowing Man" | 28:50 | |
4. | "Finally, Peace." | Michael Gira | 6:15 |
Total length: | 61:29 |
No. | Title | Length |
---|---|---|
1. | "Cloud of Forgetting" | 12:43 |
2. | "Cloud of Unknowing" (Part 1) | 6:04 |
No. | Title | Length |
---|---|---|
1. | "Cloud of Unknowing" (Part 2) | 19:48 |
No. | Title | Length |
---|---|---|
1. | "The World Looks Red / The World Looks Black" | 14:27 |
2. | "People Like Us" | 4:32 |
No. | Title | Length |
---|---|---|
1. | "Frankie M." | 20:58 |
No. | Title | Length |
---|---|---|
1. | "When Will I Return?" | 5:26 |
2. | "The Glowing Man" (Part 1) | 15:02 |
No. | Title | Length |
---|---|---|
1. | "The Glowing Man" (Part 2) | 13:55 |
2. | "Finally, Peace." | 6:15 |
Adapted from the official Young God Records website: [8]
Swans
Guests
Chart (2016) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [28] | 24 |
Belgian Albums (Ultratop Flanders) [29] | 39 |
Belgian Albums (Ultratop Wallonia) [30] | 69 |
Dutch Albums (Album Top 100) [31] | 49 |
German Albums (Offizielle Top 100) [32] | 29 |
Swiss Albums (Schweizer Hitparade) [33] | 54 |
UK Albums (OCC) [34] | 61 |
US Billboard 200 [35] | 151 |
Swans are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of the few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for an ever-changing sound, exploring genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe in 1986, Swans began to incorporate melody and intricacy into their music. Jarboe remained the band's only constant member except Gira and semi-constant guitarist Norman Westberg until their dissolution in 1997.
Michael Rolfe Gira is an American singer-songwriter, multi-instrumentalist, author and artist. Now based in New Mexico, he founded the band Swans, in which he sings and plays guitar, in New York City in the 1980s at the height of the no wave movement. He is also the founder of Young God Records and previously fronted Angels of Light.
Filth is the debut studio album by American experimental rock band Swans. It was released in 1983 through Neutral Records, following the release of the band's self-titled debut EP in 1982. Though it did not receive much contemporary attention, Filth has since been recognized as ahead of its time and significant to heavy genres of music.
Cop is the second studio album by American experimental rock band Swans. It was released in 1984 through record label K.422.
Greed is the third studio album by American experimental rock band Swans. It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe.
The Burning World is the sixth studio album by American experimental rock band Swans. It was released in 1989, through record label Uni Records, the band's only major-label release. Co-produced by Bill Laswell and band leader Michael Gira, the album features a major stylistic shift from their past releases, being very tuneful and accessible compared to the bleak, industrialized sound from their past records. It received a mixed reception and was a commercial disappointment; the band was dropped from the record label following its poor performance.
White Light from the Mouth of Infinity is the seventh album by the American experimental rock band Swans. It was released in 1991, through the record label Young God. The band supported the album with a North American tour.
Swans Are Dead is the fifth double and seventh overall live album by American experimental rock band Swans. It was released in 1998 and was recorded in 1995 and 1997 on the band's final tours, before reuniting in 2010.
New Mother is the debut studio album by American folk music act Angels of Light. It was released on April 5, 1999 via frontman Michael Gira's own record label Young God Records, immediately after Michael Gira disbanded his previous band, Swans. The album features contributions from various musicians, including violinist Hahn Rowe, Rasputina band cellist Julia Kent, drummer Thor Harris, composer Joe McGinty and ex-Swans members Bill Rieflin, Phil Puleo and Bill Bronson.
My Father Will Guide Me up a Rope to the Sky is the eleventh studio album by American rock band Swans released on September 23, 2010; it was their first studio recording in 14 years. Swans founder Michael Gira funded the recording of this album by creating the limited-edition album I Am Not Insane and chose several collaborators from previous Swans line-ups as well as his side project Angels of Light to record and tour for this album. My Father Will Guide Me up a Rope to the Sky has received positive critical feedback for the return of Swans as well as the rich spiritual themes of the lyrics.
We Rose from Your Bed with the Sun in Our Head is the second double and eighth live album by American experimental rock band Swans. The album was recorded in New York City, Berlin, Germany and Melbourne, Australia during the Swans World Tour of 2010-2011. Only 1,000 copies of the album were sold, and each was numbered and signed personally by frontman Michael Gira. The album was released to help support the upcoming Swans album, The Seer.
The Seer is the twelfth studio album by the American experimental rock band Swans. It was released by Young God Records on August 28, 2012. Producer and front man Michael Gira funded the recording of the album with the sales of the live double album We Rose from Your Bed with the Sun in Our Head (2012).
Not Here / Not Now is a limited-edition double live album by American post-rock band, Swans. It was announced for sale on October 14, 2013, via Young God Records. The profits earned from this album were used to fund the band's subsequent album, To Be Kind.
To Be Kind is the thirteenth studio album by American experimental rock band Swans, released on May 12, 2014. It was released as a triple LP, a double CD, and a two-CD deluxe edition that includes a live DVD of performances from Hellfest Open Air Festival, Pitchfork Music Festival and Primavera Sound Festival, as well as a digital download. Critical reception of the album was very positive, continuing a string of well-received albums from the band. The album peaked at number 37 on US Billboard 200, and debuted at number 38 on the UK Albums Chart. Both are the highest chartings that Swans had ever achieved on a studio album and it is the first time that the band cracked the top 40 in both countries.
Christopher Pravdica is an American musician and songwriter. He is best known as the bass guitarist of American experimental rock band Swans.
Oxygen is an EP by American experimental rock band Swans. It was released digitally on November 25, 2014 through frontman Michael Gira's own label, Young God Records.
The Gate is a 2015 limited-edition live album by American experimental rock band Swans. The album was released on October 1, 2015 on band leader Michael Gira's Young God Records. Limited to 2500 copies, the album served as a fundraiser for The Glowing Man.
Deliquescence is a 2017 limited-edition, and the overall ninth, live album by American experimental rock band Swans. The album, limited to 3,000 CD-only copies, contains three tracks that have previously only been played live. The packaging for the CD release includes the details of location of each show, band photos, and alternative artwork.
Leaving Meaning is the fifteenth studio album by American experimental band Swans. It was released October 25, 2019 on Young God and Mute. A double album, Leaving Meaning's songs have been mixed separately for vinyl and CD releases, with the CD version of the album containing the original mixes of the songs, as well as an additional track, "Some New Things". As with all Swans' releases of the 2010s, Leaving Meaning was financed by a fundraiser album – in this case, What Is This? in March 2019.
The Beggar is the sixteenth studio album by the American experimental rock band Swans. It was released by Mute and Young God Records on June 23, 2023. Written during the COVID-19 pandemic, it was recorded at Candy Bomber Studio in Berlin, Germany across 2022, with key collaborators of front man Michael Gira, as well as both past and present members of the band. The announcement of the album coincided with the release of its lead single, "Paradise Is Mine", as well as the announcement of a world tour. The Beggar was preceded and funded by the acoustic demo album Is There Really a Mind? (2022).