The Seer | ||||
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Studio album by | ||||
Released | August 28, 2012 | |||
Recorded | 2011 | |||
Studio | Studio P4 (Berlin) Andere Baustelle (Berlin) Marcata Studio (Gardiner, NY) Trout Recording (Brooklyn, NY) | |||
Genre | ||||
Length | 119:13 | |||
Language | English | |||
Label | Young God | |||
Producer | Michael Gira | |||
Swans chronology | ||||
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The Seer is the twelfth studio album by the American experimental rock band Swans. It was released by Young God Records on August 28, 2012. Producer and front man Michael Gira funded the recording of the album with the sales of the live double album We Rose from Your Bed with the Sun in Our Head (2012).
While the previous studio album My Father Will Guide Me up a Rope to the Sky was seen as a cross between Gira's solo project Angels of Light and late Swans, The Seer strayed away from Angels of Light's more accessible songs and lyricism, focusing more around sonic landscapes. The album features a variety of instrumentation and guest musicians, including the post-punk band Yeah Yeah Yeahs vocalist Karen O and former Swans member Jarboe. The album is noteworthy due to its extended song lengths, particularly its over thirty minute title track, as well as its frequent experimentation with drone and noise elements. The album garnered critical acclaim from mainstream publications and appeared in publications' best of the year album lists. The Seer is considered the first part of a three-album trilogy, alongside the following To Be Kind (2014) and The Glowing Man (2016).
Swans' previous studio album My Father Will Guide Me up a Rope to the Sky was released in 2010 to universal critical acclaim. [1] It was their first album released coming off of a 13-year hiatus. [2]
He described the album as taking "30 years to make" and is "the culmination of every previous Swans album as well as any other music I've ever made". [3] The songs "93 Ave. B Blues", "The Seer", "The Apostate," and "Avatar" were developed during tours and rehearsals while the rest of the songs were created in the studio. [3] While their previous effort was seen as a continuation of Gira's folk solo project Angels of Light mixed with Swans' original elements, Gira stated that The Seer was more focused as a Swans effort due to touring. [4]
The band started recording in Berlin after a hiatus during touring as Gira wanted to get it done while they were a live band. [5] After a year of touring, they recorded in New York while Gira spent the next five months doing overdubs and fleshing out songs written on his acoustic guitar. [5] While Gira sings on the majority of the songs, he enlisted Karen O to assist with singing "Song for a Warrior" because Gira believed that "Since the song is like a country lullaby, I thought it would be appropriate for a female. Chris [Pravdica, Swans' bass player] pointed me to a few of Karen's solo works where she sings in this really gentle, compassionate, soulful way." [6] Former Swans member Jarboe also made an appearance on the album once Gira met her after an Atlanta tour as he needed "some female vocals doing these kind of drone chords." [6] The name of the album and title track came from Swans performing the title track multiple times instrumentally until Gira soon sang, "I see it all, I see it all," which he thought fit the music. [5] The artwork from the album was based on a tempera wolf painting by Simon Henwood and featured Gira's teeth on the wolf. [6]
Swans funded The Seer with the live double album We Rose from Your Bed with the Sun in Our Head (2012). They also raised money by recording personalized songs for people who donated $500 into funding The Seer. Whereas on their previous studio album the musicians hadn't worked together before, they had toured together for a year when writing The Seer. Gira wanted "no restrictions" when making the album as he had full creative control due to him owning his own record label. [6] Gira called the band he played with on the album as "the best band [he's] ever had as a whole." [7]
When writing The Seer, Gira would begin writing the songs on an acoustic guitar, and then with the help of the band, the songs would develop more. The band would then play the songs in the studio and then play them live, and at that point they would either "mutate further, endlessly, or perhaps be discarded for a while." [8] [9] When working on a certain song, Gira would think about other songs on the album and how they would relate to each other. If there was one section that was violent or heavy, he tried to counterbalance that in another section. [7]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.3/10 [10] |
Metacritic | 87/100 [11] |
Review scores | |
Source | Rating |
AllMusic | [12] |
The A.V. Club | A [13] |
The Guardian | [14] |
The Independent | [15] |
Mojo | [16] |
The New Zealand Herald | [17] |
NME | 8/10 [18] |
Pitchfork | 9.0/10 [19] |
Rolling Stone | [20] |
Spin | 8/10 [21] |
The Seer was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 87, based on 32 reviews, indicating "universal acclaim". [11] Writing for Rolling Stone , Will Hermes called the album Swans' "grandest statement yet" and described the title track as "a season in hell, and then some." [20] Also describing the title track, Jason Heller of The A.V. Club wrote, "It's the most harrowing, exhausting, cathartic, transcendental piece of music Gira has ever put to tape." [13] Thom Jurek of AllMusic described The Seer as "the most sprawling, ambitious, thoughtfully conceived and tightly performed recording in the band's catalog." [12] The Guardian 's Dave Simpson wrote that the album "won't be for everybody, but deserves to win new converts." [14]
Several music criticism websites included The Seer on their lists of the best albums of 2012. Stereogum ranked the album at fourth in their top 50 albums. [22] Pitchfork ranked it at fifth, with writer Stuart Berman writing that The Seer "evinces a magisterial grandeur and hypnotic allure, elevating Swans’ seedy, sewer-scraping depravity into an extravagant, cinematically scaled noise." [23] Sputnikmusic staff member SowingSeason said that The Seer "could be the best album of Michael Gira's thirty year career" and was the best of 2012. [24] The A.V. Club staff ranked the album seventh in their best of 2012 list and stated that "Gira did the seemingly impossible and topped [My Father], however, with the Seer". [25] Commercially, the album peaked at number 114 on the Billboard 200 and at number 22 on the Independent Albums chart. [26] [27]
All tracks are written by Michael Gira, unless noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lunacy" (featuring Alan Sparhawk and Mimi Parker) | 6:09 | |
2. | "Mother of the World" | 9:57 | |
3. | "The Wolf" | Gira, Christoph Hahn, Thor Harris, Christopher Pravdica, Phil Puleo, Norman Westberg | 1:35 |
4. | "The Seer" | 32:14 | |
5. | "The Seer Returns" (featuring Jarboe) | Gira, Hahn, Harris, Pravdica, Puleo, Westberg | 6:17 |
6. | "93 Ave. Blues" | 5:21 | |
7. | "The Daughter Brings the Water" | 2:40 | |
Total length: | 64:13 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Song for a Warrior" (featuring Karen O) | 3:58 | |
2. | "Avatar" | Gira, Hahn, Harris, Pravdica, Puleo, Westberg | 8:51 |
3. | "A Piece of the Sky" (featuring Jarboe and Akron/Family) | 19:10 | |
4. | "The Apostate(*)" | Gira, Hahn, Harris, Pravdica, Puleo, Westberg | 23:01 |
Total length: | 55:00 |
The album featured a different track order for its vinyl release.
(*): Also known as "Apostate".
No. | Title | Length |
---|---|---|
1. | "Lunacy" (featuring Alan Sparhawk and Mimi Parker) | 6:07 |
2. | "The Apostate Pt. 1" | 13:18 |
No. | Title | Length |
---|---|---|
1. | "The Apostate Pt. 2" | 9:36 |
2. | "A Piece of the Sky Pt. 1" (featuring Jarboe and Akron/Family) | 9:36 |
No. | Title | Length |
---|---|---|
1. | "A Piece of the Sky Pt. 2" (featuring Jarboe and Akron/Family) | 9:30 |
2. | "93 Ave. B Blues" | 5:22 |
3. | "The Daughter Brings the Water" | 2:33 |
4. | "Song for a Warrior" (featuring Karen O) | 3:58 |
No. | Title | Length |
---|---|---|
1. | "Mother of the World" | 9:57 |
2. | "Avatar" | 8:51 |
No. | Title | Length |
---|---|---|
1. | "The Wolf" | 1:35 |
2. | "The Seer Pt 1" | 18:56 |
No. | Title | Length |
---|---|---|
1. | "The Seer Pt 2" | 13:17 |
2. | "The Seer Returns" (featuring Jarboe) | 6:15 |
No. | Title | Length |
---|---|---|
1. | "No Words/No Thoughts" | 18:50 |
2. | "Avatar" | 10:36 |
3. | "The Apostate" | 19:36 |
4. | "Beautiful Child (fragment)" | 3:43 |
5. | "Jim" | 8:16 |
6. | "Sex God Sex" | 7:13 |
7. | "The Seer / I Crawled" | 32:16 |
Adapted from Gira's Young God Records website. [3]
Swans
Guests
Technical personnel
Chart (2012) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [28] | 113 |
UK Albums (OCC) [29] | 167 |
US Billboard 200 [26] | 114 |
US Independent Albums (Billboard) [27] | 22 |
US Top Alternative Albums (Billboard) [30] | 24 |
US Top Rock Albums (Billboard) [31] | 35 |
Swans are an American experimental rock band formed in 1981 by singer, songwriter and multi-instrumentalist Michael Gira. One of the few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for an ever-changing sound, exploring genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe in 1986, Swans began to incorporate melody and intricacy into their music. Jarboe remained the band's only constant member except Gira and semi-constant guitarist Norman Westberg until their dissolution in 1997.
Michael Rolfe Gira is an American singer-songwriter, multi-instrumentalist, author and artist. Now based in New Mexico, he founded the band Swans, in which he sings and plays guitar, in New York City in the 1980s at the height of the no wave movement. He is also the founder of Young God Records and previously fronted Angels of Light.
Children of God is the fifth studio album by American experimental rock band Swans. It was released on October 19, 1987, through record label Caroline and on K.422 in the United Kingdom.
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Jarboe Devereaux, known mononymously as Jarboe, is an American singer and musician who came to prominence as a member of the New York City experimental rock band Swans in 1985. Jarboe and Michael Gira, the founder of Swans, were the two constant members of the group until it broke up in 1997.
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