Night Nurse | |
---|---|
Directed by | William A. Wellman |
Screenplay by | |
Based on | Night Nurse 1930 novel by Dora Macy |
Starring | |
Cinematography | Barney McGill |
Edited by | Edward M. McDermott |
Music by | Leo F. Forbstein |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 72 minutes |
Country | United States |
Language | English |
Night Nurse is a 1931 American pre-Code crime drama mystery film produced and distributed by Warner Bros. directed by William A. Wellman, and starring Barbara Stanwyck, Ben Lyon, Joan Blondell and Clark Gable. The film is based on the 1930 novel of the same name by Dora Macy, the pen name of Grace Perkins. [1] The film was considered risqué at the time of its release, particularly the scenes where Stanwyck and Blondell are shown in their lingerie. Clark Gable portrays a viciously violent chauffeur who is gradually starving two little girls to death after having already purposely run over their slightly older sister with a limousine, killing her.
Lora Hart applies for a job as a nurse trainee but is rejected when the hospital's superintendent of nurses, Miss Dillon, learns she does not have a high school diploma. After a chance encounter with the hospital's chief of staff, Dr. Arthur Bell, Hart charms him and he tells Dillon to hire her.
Lora and Miss Maloney, a fellow nurse, become roommates and best friends. After they violate curfew, Miss Dillon assigns them night duty in the emergency room. When Lora treats a bootlegger named Mortie for a gunshot wound, he persuades her to not report the wound to the police as required by law. He wants to know Lora better, but she resists him at first.
After she passes her training, Lora is hired as a private nurse for two sick children, Desney and Nanny Ritchey. She moves into the Ritchey mansion, site of frequent parties. Mrs. Ritchey, the children's socialite mother, lives in an alcoholic stupor and is infatuated with her brutish chauffeur Nick. When a drunken guest tries to molest Lora, Nick knocks him out. After Mrs. Ritchey gets soused, Nick demands that Lora pump her stomach; when she refuses, he knocks her unconscious with a telephone receiver.
The Ritchey family physician is "society doctor" and drug addict Milton Ranger. Lora is alarmed by Dr. Ranger's treatment of the children after she sees that they are being starved to death. When she is unable to persuade anyone to take her seriously, she quits and tells Dr. Bell of her suspicions. At first, he is reluctant to interfere with another doctor's patients, but eventually he advises her to return to her job to gather evidence of the children's mistreatment.
Nanny becomes so weak that Lora fears she will die. Lora is unable to get Mrs. Ritchey to show any concern. When Mortie delivers liquor to the perpetual party at the mansion, Lora sends him to get milk. He steals some from a delicatessen to allow Lora to give Nanny a milk bath, a folk remedy recommended by Mrs. Maxwell, the frightened housekeeper.
Maxwell gets drunk and confides her suspicions to Lora. Nanny and Desney have a trust fund from their late father. Nick killed their sister with his car; with Dr. Ranger's help, he is deliberately starving the girls. With their deaths, the trust fund would go to Mrs. Ritchey, and Nick plans to marry her for the money.
After being threatened by Mortie, Dr. Bell arrives and examines Nanny. When he tries to take her to the hospital, however, Nick knocks him out. Mortie stops Nick from interfering further, and Nanny's life is saved when Lora provides her an emergency blood transfusion.
The next day, Mortie gives Lora a lift in his car. When they pass several police cars, Mortie tells Lora that Nick will not be arrested because he told his criminal associates of his dislike for him. An ambulance delivers a corpse dressed in a chauffeur's uniform to the hospital's morgue.
According to Robert Osborne, on Turner Classic Movies, the part of "Nick the Chauffeur" was originally intended for James Cagney, but his success in The Public Enemy prevented his accepting a supporting role, paving the way for Gable. [2]
In July 1931, Time magazine highly praised the film and mentioned that it was well photographed, directed and acted and that the quality of the filmed story surpassed that in the original novel. [3] The New York Times called it exciting "at times." [4]
According to Variety , "Night Nurse is a conglomeration of exaggerations, often bordering on serial dramatics...What legitimate performances crop up in the footage seem to belong to Joan Blondell and Charlie Winninger as the hospital head. Stanwyck plays her dancehall type of a girl on one note throughout and is shy of shading to lend her performance some color." [5]
In a 21st-century review, Eric Allen Hatch, writing for the Baltimore City Paper , said "watching [Stanwyck, Blondell, and Gable] in very early roles holds much of the appeal here, although the plot still works; a modern viewing of the film yields half high-camp value and half successful drama. Wellman would later strike gold with such films as Beau Geste (1939), but his salacious Night Nurse and hyperviolent Public Enemy were often cited in the creation of Hollywood's self-censoring Production Code. [6]
A print is held by the Library of Congress, in the collection since the 1970s. [7]
The film has been released on videotape and DVD.[ citation needed ]
Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman, and starring James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.
Rose Joan Blondell was an American actress who performed in film and television for 50 years.
Irene Handl was a British character actress who appeared in more than 100 British films; she also wrote novels.
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
Strait-Jacket is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch and starring Joan Crawford. Its plot follows a woman who, having murdered her husband and his lover decades prior, is suspected of a series of axe murders following her release from a psychiatric hospital.
Adventure is a 1946 American romantic drama film directed by Victor Fleming and starring Clark Gable and Greer Garson. Based on the 1937 novel The Anointed by Clyde Brion Davis, the film is about a sailor who falls in love with a librarian. Adventure was Gable's first postwar film and the tagline repeated in the movie's famous trailer was "Gable's back and Garson's got him!" Gable had suggested "He put the arson in Garson," while Garson proposed "She put the able in Gable."
Marion Suplee, known professionally as Marion Martin, was an American film and stage actress.
Charlotte Merriam was an American motion picture actress.
The Easiest Way is a 1931 American pre-Code MGM drama film directed by Jack Conway. Adapted from the 1909 play of the same name written by Eugene Walter and directed by David Belasco, the film stars Constance Bennett, Adolphe Menjou, Robert Montgomery, Marjorie Rambeau, Anita Page, and Clark Gable
Mary Gordon was a Scottish actress who mainly played housekeepers and mothers, most notably the landlady Mrs. Hudson in the Sherlock Holmes series of movies of the 1940s starring Basil Rathbone and Nigel Bruce. Her body of work included nearly 300 films between 1925 and 1950.
Marcia Mae Jones was an American film and television actress whose prolific career spanned 57 years.
Alice Beatrice Roberts was an American film actress.
Vera Lewis was an American film and stage actress, beginning in the silent film era. She appeared in more than 180 films from 1915 to 1947. She was married to actor Ralph Lewis.
The Purchase Price is a 1932 pre-Code American romantic drama film directed by William Wellman and starring Barbara Stanwyck, George Brent and Lyle Talbot. Adapted from the novel The Mud Lark by Arthur Stringer, with a screenplay by Robert Lord, the film is about an attractive nightclub singer who leaves her criminal boyfriend and becomes the mail-order bride of a humble farmer.
So Big is a 1932 pre-Code American drama film directed by William A. Wellman and starring Barbara Stanwyck. The screenplay by J. Grubb Alexander and Robert Lord is based on the 1924 Pulitzer Prize-winning novel of the same name, by Edna Ferber.
Ralf Harolde was an American character actor who often played gangsters. Between 1920 and 1963, he appeared in 99 films, including Smart Money with Edward G. Robinson and James Cagney, Jimmy the Gent with James Cagney and Bette Davis, Night Nurse with Barbara Stanwyck and Clark Gable, I'm No Angel with Mae West, Baby Take a Bow with Shirley Temple, A Tale of Two Cities with Ronald Colman, Our Relations with Laurel and Hardy, and Murder, My Sweet with Dick Powell.
Georgiana Caine was an American actress who performed both on Broadway and in more than 80 films in her 51-year career.
Blanche L. Friderici was an American film and stage actress, sometimes credited as Blanche Frederici.
Hilda Vaughn was an American actress of the stage, film, radio, and television.
Dora Macy is a pen name for Grace Perkins. The novel was made into a film, also called Night Nurse, in 1931 by William A. Wellman, with Barbara Stanwyck, Joan Blondell, and Clark Gable.
[L]ast night's audience seemed to like parts of Night Nurse. At times it is exciting.