"On & On" | ||||
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Single by Erykah Badu | ||||
from the album Baduizm | ||||
A-side | "Next Lifetime" (Japan only) | |||
B-side | "Certainly (Flipped It)" | |||
Released | December 10, 1996 | |||
Recorded | January 1996 [1] | |||
Genre | Neo soul | |||
Length | 3:45 | |||
Label | ||||
Songwriter(s) |
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Producer(s) |
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Erykah Badu singles chronology | ||||
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Music video | ||||
"On & On" on YouTube |
"On & On" is a song by American singer-songwriter Erykah Badu, released on December 10, 1996, by Kedar Records and Universal Records as the lead single from Badu's debut studio album, Baduizm (1997). It was written by her with JaBorn Jamal. A neo soul song, it features teachings of the Five-Percent Nation in its lyrics. [2] A commercial success, it spent two weeks atop the US Billboard Hot R&B Singles chart, while peaking at number 12 on both the Billboard Hot 100 and the UK Singles Chart. Critically acclaimed, the song won Best Female R&B Vocal Performance at the 40th Annual Grammy Awards (1998). Its accompanying music video was nominated in the categories for Best Female Video and Best R&B Video at the 1997 MTV Video Music Awards. Pitchfork included "On & On" in their list of "The 250 Best Songs of the 1990s" in 2022.
In a retrospective review, Patrick Corcoran of Albumism said that "with its talk of ciphers and cups of tea", "On & On" cast Badu "as serenely disassociated from the troubles and strife of the world, somehow able to rise above it all." [3] Larry Flick from Billboard wrote, "While everyone else is trying to mimic Faith Evans and Mary J. Blige, newcomer Badu is going one step further. She is taking the jeep-soul concept and expanding it with her own new ideas. With the aid of producers Bob Power and Jamal Cantero, she infuses elements of African culture with a touch of Middle-Eastern vocal flavor. The result is a refreshing and adventurous single that could easily lure hard-core hip-hop kids—and their parents, too. This bodes extremely well for the creative depth and commercial reach of the forthcoming album Baduizm ." [4]
Ralph Tee from Music Week's RM Dance Update rated the song four out of five, noting that Badu "sounds a touch like a young Ella Fitzgerald on this sparse but effective debut. Booming bass, jazzy keyboards and percussion hold the track together, this not being the most typical of R&B records but a healthy alternative to the hip hop/swing side of soul that D'Angelo and Maxwell have already lapped into." [5] David Fricke from Rolling Stone remarked the singer's "battered but steady-rollin' pride" on the track. [6] Eric Henderson from Slant Magazine viewed it as "mystic", writing, "'On & On' is, in practice, little more than a dinosaur heartbeat synchronized with that low-end-theory bassline, were it not for Badu’s minor-key epigrams drifting like stray gauze throughout." [7]
Erykah Badu is depicted as a maid in a black family household in the accompanying music video for the single, showing her doing her chores. Scenes of her chasing a dog that bit the laundry that she put to dry, tying a little girl's hair into a ponytail and falling into mud could be seen throughout the video. The video ends with Badu dressed fully in green with several people in a farm, singing and dancing. The video is loosely based upon the 1985 film adaptation of Alice Walker's The Color Purple . The video was also nominated at the 1997 MTV Video Music Awards, including Best Female Video and Best R&B Video.
In 2011, Slant Magazine listed the song at number 46 in their ranking of "The 100 Best Singles of the 1990s", writing, "Boasting the roundest bassline since Digable Planets got cool like dat, "On & On" is Erykah Badu's mission statement from a higher plane. Her money might be gone, she might be all alone, but she's feeling high and mighty, and the siren song pours forth from her honeyed lips like a fount of alien wisdom. Backed by a languorously snapping, swinging backbeat and expansive, half-heard piano chords that repeatedly collapse back on themselves, "On & On" is as sonically introspective as its creator, a woman who can believably claim to have walked the entire cipher of Earth, clear her throat, utter "Goddammit, I'ma sing my song," and still seem like she's hiding more than she's revealing." [8]
In 2022, Pitchfork ranked it at number 56 in their list of "The 250 Best Songs of the 1990s". [9]
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Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [33] | Silver | 200,000‡ |
United States (RIAA) [34] | Gold | 500,000 [35] |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
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United States | December 10, 1996 | Rhythmic contemporary radio | ||
January 7, 1997 | [34] [37] | |||
February 25, 1997 | Contemporary hit radio | [38] | ||
United Kingdom | April 7, 1997 |
| [39] | |
Japan | June 21, 1997 | Maxi CD [lower-alpha 1] | MCA |
Erica Abi Wright, known professionally as Erykah Badu, is an American singer and songwriter. Influenced by R&B, soul, and hip hop, Badu rose to prominence in the late 1990s when her debut album Baduizm (1997), placed her at the forefront of the neo soul movement, earning her the nickname "Queen of Neo Soul" by music critics.
Baduizm is the debut studio album by American singer-songwriter Erykah Badu. It was released on February 11, 1997, by Kedar Records and Universal Records. After leaving university in order to concentrate on music full-time, Badu then began touring with her cousin, Robert "Free" Bradford, and recorded a 19-song demo, Country Cousins, which attracted the attention of Kedar Massenburg. He set Badu up to record a duet with D'Angelo, "Your Precious Love," and eventually signed her to a record deal with Universal. Recording sessions for the album took place from January to October 1996 in New York City, Philadelphia, and Dallas.
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Gerald Maxwell Rivera, known mononymously as Maxwell, is an American singer-songwriter, and record producer. He rose to prominence following the release of his debut studio album Maxwell's Urban Hang Suite (1996), which received widespread acclaim and spawned the hit singles "Ascension " and "Sumthin' Sumthin'". Through the album and its follow ups, Maxwell has been cited—along with Lauryn Hill, D'Angelo, and Erykah Badu—for ushering in the neo soul movement and its sensibilities into mainstream popular music during the late 1990s.
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