Oscar Peterson Plays the Irving Berlin Songbook | ||||
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Studio album by | ||||
Released | 1959 | |||
Recorded | 1959 | |||
Venue | Hollywood, Los Angeles | |||
Genre | Jazz | |||
Length | 31:46 | |||
Label | Verve [1] | |||
Oscar Peterson chronology | ||||
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Oscar Peterson Plays the Irving Berlin Songbook is a 1959 album by Oscar Peterson of the music of Irving Berlin. [2] [3]
Billboard magazine chose the album as one of its Special Merit Spotlights in their January 18, 1960 issue. [3] Billboard described the album as "inventive and listenable thruout". [3]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Scott Yanow reviewed the album for Allmusic and wrote that due to Peterson and his trio recording nine albums in a month, " ... not much planning went into the individual songs" and that the subsequent interpretations were "fairly melodic and safe, if swinging. Nothing unexpected occurs, but the music is reasonably pleasing, if lacking in emotional depth". Yanow also noted that the album contained "one of the happier versions ... yet recorded" of Berlin's "Supper Time", a song about a lynching. [2]
Irving Berlin was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook.
Edmund Leonard Thigpen was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Like Someone in Love is a 1957 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra arranged and conducted by Frank DeVol. This album represents a fine example of Ella's singing from this period, recorded at the same time as her albums with Louis Armstrong.
Ella Returns to Berlin is a 1961 live album by Ella Fitzgerald, with a trio led by the pianist Lou Levy, and also featuring the Oscar Peterson trio.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Nice Work If You Can Get It is a 1983 studio album by Ella Fitzgerald and André Previn, with accompaniment from the double bassist Niels-Henning Ørsted Pedersen.
The Complete Ella Fitzgerald Song Books were a series of eight studio albums released in irregular intervals between 1956 and 1964, recorded by the American jazz singer Ella Fitzgerald, supported by a variety of orchestras, big bands, and small jazz combos.
Ella Fitzgerald Sings the Irving Berlin Song Book is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popular and influential Songbook series.
People is Barbra Streisand's fourth solo studio album, released in September 1964. The title track was a newly recorded version of the hit song from the Broadway musical Funny Girl in which Streisand starred.
"Supper Time" is a popular song written by Irving Berlin for the 1933 musical As Thousands Cheer, where it was introduced by Ethel Waters. The song is about racial violence inspired by a newspaper headline about a lynching.
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in 4
4 time, although occasionally adapted for 3
4 waltz time.
Sarah Vaughan and Billy Eckstine Sing the Best of Irving Berlin is a 1957 studio album featuring Billy Eckstine and Sarah Vaughan, and the songs of Irving Berlin.
The Astaire Story is a 1952 album by Fred Astaire. The album was conceived of and produced by Norman Granz, the founder of Clef Records, who was also responsible for the Jazz at the Philharmonic concerts, at which all of the musicians on the album had performed.
Oscar Peterson Plays the Cole Porter Songbook is a 1959 album by Oscar Peterson, of compositions by Cole Porter.
Buddy DeFranco and Oscar Peterson Play George Gershwin is a 1954 album by Buddy DeFranco, accompanied by the Oscar Peterson trio, of songs composed by George Gershwin. Billboard in 1955 wrote: "The flashy talents of clarinetist DeFranco and pianist Peterson jell neatly here in the well-arranged ork setting. [...] The fact that they play Gershwin isn't important, since both men reduce the material at hand into what has become their personal cliches."
The discography for American jazz singer Michael Feinstein.
Rosemary Clooney Sings the Music of Irving Berlin is a 1984 album by Rosemary Clooney, of songs composed by Irving Berlin and released on Concord Jazz label. Most of the album features Clooney singing with a small swing group directed by pianist John Oddo, though Clooney performs two of the selections as duets with guitarist Ed Bickert.
The Ahmad Jamal Trio: Volume IV is a 1958 jazz album by pianist Ahmad Jamal. The album was recorded live on location at the Spotlight Club in Washington, DC, on September 6, 1958. The LP was released as Argo Records LP-636. This was Jamal's first recording following his surprise hit record, At the Pershing: But Not for Me.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.