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The following outline is provided as an overview of and topical guide to public relations:
Public relations practice of managing the spread of information between an individual or an organization (such as a business, government agency, or a nonprofit organization) and the public.
Public relations can be described as all of the following:
Definitions from Wiktionary
Media from Commons
News from Wikinews
Quotations from Wikiquote
Texts from Wikisource
Textbooks from Wikibooks
Resources from Wikiversity
Helene Bertha Amalie Riefenstahl was a German film director, photographer and actress known for producing Nazi propaganda.
Manufacturing Consent: Noam Chomsky and the Media is a 1992 documentary film that explores the political life and ideas of linguist, intellectual, and political activist Noam Chomsky. Canadian filmmakers Mark Achbar and Peter Wintonick expand the analysis of political economy and mass media presented in Manufacturing Consent, a 1988 book Chomsky wrote with Edward S. Herman.
Manufacturing Consent: The Political Economy of the Mass Media is a 1988 book by Edward S. Herman and Noam Chomsky. It argues that the mass communication media of the U.S. "are effective and powerful ideological institutions that carry out a system-supportive propaganda function, by reliance on market forces, internalized assumptions, and self-censorship, and without overt coercion", by means of the propaganda model of communication. The title refers to consent of the governed, and derives from the phrase "the manufacture of consent" used by Walter Lippmann in Public Opinion (1922). The book was honored with the Orwell Award.
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in a wide variety of different contexts.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
In public relations and politics, spin is a form of propaganda, achieved through knowingly providing a biased interpretation of an event or campaigning to influence public opinion about some organization or public figure. While traditional public relations and advertising may manage their presentation of facts, "spin" often implies the use of disingenuous, deceptive, and manipulative tactics.
The Nuremberg rallies were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923. This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg. The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally never came to pass and the Nazi regime never held another one as both the government and Nazi Party prioritized Germany's effort in the Second World War over everything else.
Media manipulation is a series of related techniques in which partisans create an image or argument that favors their particular interests. Such tactics may include the use of logical fallacies, manipulation, outright deception (disinformation), rhetorical and propaganda techniques, and often involve the suppression of information or points of view by crowding them out, by inducing other people or groups of people to stop listening to certain arguments, or by simply diverting attention elsewhere. In Propaganda: The Formation of Men's Attitudes, Jacques Ellul writes that public opinion can only express itself through channels which are provided by the mass media of communication – without which there could be no propaganda. It is used within public relations, propaganda, marketing, etc. While the objective for each context is quite different, the broad techniques are often similar.
The propaganda model is a conceptual model in political economy advanced by Edward S. Herman and Noam Chomsky to explain how propaganda and systemic biases function in corporate mass media. The model seeks to explain how populations are manipulated and how consent for economic, social, and political policies, both foreign and domestic, is "manufactured" in the public mind due to this propaganda. The theory posits that the way in which corporate media is structured creates an inherent conflict of interest and therefore acts as propaganda for anti-democratic elements.
Edward Samuel Herman was an American economist, media scholar and social critic. Herman is known for his media criticism, in particular the propaganda model hypothesis he developed with Noam Chomsky, a frequent co-writer. He held an appointment as Professor Emeritus of finance at the Wharton School of Business of the University of Pennsylvania. He also taught at Annenberg School for Communication at the University of Pennsylvania.
Arnold Fanck was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
Herbert Windt was a German composer who became one of the most significant film score composers of the Third Reich. He was best known for his collaborations with the director Leni Riefenstahl on films Triumph of the Will and Olympia.
Fritz Hippler was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. He is best known as the director of the propaganda film Der Ewige Jude .
A ministry of propaganda is the part of a government charged with generating and distributing propaganda.
Third-party technique is a marketing strategy employed by public relations (PR) firms, that involves placing a premeditated message in the "mouth of the media." Third-party technique can take many forms, ranging from the hiring of journalists to report the organization in a favorable light, to using scientists within the organization to present their perhaps prejudicial findings to the public.
Festliches Nürnberg is a short 1937 propaganda film chronicling the Nazi Party rallies in Nuremberg, Germany in 1936 and 1937. The film was directed by Hans Weidemann.
The Reich Ministry for Public Enlightenment and Propaganda, also known simply as the Ministry of Propaganda, controlled the content of the press, literature, visual arts, film, theater, music and radio in Nazi Germany.
Propaganda is a form of communication that aims to shape people's beliefs and behaviors. It is typically not impartial and used to promote a specific agenda or perspective and is often biased, misleading, or even false. Propagandists use various techniques to manipulate people's opinions, including selective presentation of facts, the omission of relevant information, and the use of emotionally charged language.
The War for Men's Minds is a 21-minute 1943 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime The World in Action series. The film was produced by Stuart Legg. The film describes the impact of propaganda from the Axis powers in 1943, during the Second World War. The French version title is À la conquête de l'esprit humain.