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"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.
"I Got You (I Feel Good)" is a song by the American singer James Brown. First recorded for the 1964 album Out of Sight and then released in an alternate take as a single in 1965 and included on the compilation album of the same name, it was his highest-charting song on the Billboard Hot 100 and is arguably his best-known recording. In 2013, the 1965 recording was inducted into the Grammy Hall of Fame.
"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single, which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.
"Papa's Got a Brand New Bag" is a song written and recorded by James Brown. Released as a two-part single in 1965, it was Brown's first song to reach the Billboard Hot 100 Top Ten, peaking at number eight, and was a number-one R&B hit, topping the charts for eight weeks. It won Brown his first Grammy Award, for Best Rhythm & Blues Recording.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.
"Mother Popcorn (You Got to Have a Mother for Me)" is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn". The "mother" of the song's title was, in the words of biographer RJ Smith, "[Brown's] honorific for a big butt".
"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against a man who betrayed him. The song is notable for its sparse, open arrangement and its use of wah-wah guitar – a relative rarity in Brown's previous funk recordings. Released as a two-part single in February 1974, it was the first in an unbroken succession of three singles by Brown to reach #1 on the R&B charts that year – the last chart-toppers of his career. It also peaked at number 26 on the Billboard Hot 100. It was his second, and final, single to be certified gold by the RIAA.
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a 1971 song by American singer James Brown, released as a single on his People Records label (then distributed by King Records) in July of that year with "Pt. 1" on the A-side and "Pt. 2 and 3" on the B-side. It was a number-one hit on the Billboard R&B chart, and reached number fifteen on the Hot 100 and number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he and the People label moved to Polydor Records.
"Get on the Good Foot" is a funk song performed by James Brown. It was released in 1972 as a two-part single that charted #1 R&B and #18 Pop. It also appeared on an album of the same name released that year. Partly due to the unwillingness of Brown's record labels to certify sales of his previous hits, "Get on the Good Foot" was his first gold record. Billboard ranked it as the No. 99 song for 1972.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart.
"Doing It to Death", also known as "Gonna Have a Funky Good Time", is a funk song recorded by The J.B.'s featuring James Brown. A 10-minute, two-part version of "Doing It to Death" was included on a J.B.'s album of the same name. The complete, unedited and nearly 13-minute-long original recording of the song was first issued on the 1995 J.B.'s compilation Funky Good Time: The Anthology. Performances of the song also appear on the albums Live at Chastain Park and Live at the Apollo 1995.
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe". Although Brown's vocal group, The Famous Flames did not actually sing on this tune, two of them, Byrd and Stallworth, co-wrote it with Brown, and Byrd played organ on the record, making it, in effect, a James Brown/Famous Flames recording.
"Out of Sight" is a funk song recorded by James Brown in 1964 featured on the album of the same name. A twelve-bar blues written by Brown under the pseudonym "Ted Wright", the stuttering, staccato dance rhythms and blasting horn section riffs of its instrumental arrangement were an important evolutionary step in the development of funk music.
"My Thang" is a funk song written and recorded by James Brown. Unlike most of his songs, this song was released not as a two-part single, but instead issued with three different B-sides. It spent two weeks at number one on the R&B singles chart - Brown's second #1 in a row, following "The Payback" - and reached No. 29 on the Billboard Hot 100 in July 1974. The song also appeared on Brown's 1974 double album Hell.
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the Billboard Hot 100 in the spring. The song was included on Brown's 1972 album There It Is.
"I Don't Want Nobody to Give Me Nothing " is a funk song written and recorded by James Brown. It was released as a two-part single, which charted #3 R&B and #20 Pop. The single version of the song did not receive an album release until the compilation Foundations of Funk – A Brand New Bag, but a live recording was included on Brown's 1970 album Sex Machine.
"I Got Ants in My Pants (and I Want to Dance)" is a funk song by James Brown. Recorded in 1971 and released as a two-part single in November 1972 or January 1973, it charted #4 R&B and #27 Pop. It did not receive an album release. A remixed version was included on the 1988 compilation album Motherlode, Part 1 to Star Time and the whole cut again in Make It Funky: The Big Payback.
"Coldblooded" is a song written and recorded by James Brown. It was released in 1974 as the B-side of "Funky President " and charted #99 Pop. It also appeared on the album Hell. Writing in Rolling Stone, Robert Palmer praised the song as a "sure-fire disco [smash], the kind of no-nonsense party music one expects from Soul Brother Number One."
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 85.
- ↑ White, Cliff (1991). "Discography". In Star Time (pp. 54–59) [CD booklet]. New York: PolyGram Records.
- ↑ "Hits of the Week" (PDF). Record World. August 24, 1974. p. 1. Retrieved 2023-03-15.
- ↑ Leeds, Alan, and Harry Weinger (1991). "Star Time: Song by Song". In Star Time (pp. 46–53) [CD booklet]. New York: PolyGram Records.
