Author | Robert Burns |
---|---|
Original title | Poems, Chiefly Scottish |
Cover artist | Patrick Halpin, after Alexander Nasmyth |
Language | Scots & English |
Genre | Poetry and Lyrics |
Publisher | James Magee |
Publication date | 1787 |
Publication place | Great Britain |
Poems, Chiefly in the Scottish Dialect (Belfast Edition) was a 'pirated' edition of Robert Burns's work, being published in Ireland without permission from or payment to the author or publisher. It is a so-called 'Stinking Edition', carrying the error 'Stinking' for the Scots word 'Skinking' (watery) in the poem "To a Haggis" because the type setters copied from a 1787 'Stinking Edition' of Poems, Chiefly in the Scottish Dialect (Edinburgh Edition) . [1]
This single volume issue is a collection of poetry and songs by Robert Burns, originally "Printed for the author and sold by William Creech" in Edinburgh. MDCCLXXXVII [2] The 'Belfast Edition' had been first advertised in the Belfast News Letter on 25 September 1787, making it the third edition of the poems and the first 'pirated' edition and the first printed outside Scotland. [1]
The Kilmarnock Edition had made Robert Burns Caledonia's Bard whilst the 'Edinburgh Edition', the 'Belfast Edition', 'Dublin Edition' and the 'London Edition', all published in 1787, eventually elevated him into a position amongst the world's greatest poets. [3] [4]
The Burns Exhibition of 1896 in Glasgow had six copies of the 'Belfast Edition' on display, as well as the 'Dublin variant' and later editions. [5] James M'Kie, the publisher and great Burns collector, was not aware of the existence of the 1787 'Belfast Edition' or 'Dublin Variant' and only lists the 1789 'Dublin Edition (sic)' in his "Bibliotheca Burnsiana. Private Library of James M'Kie" in 1866. [6]
It was the third published edition of Burns's poems, his first edition having been printed in Kilmarnock in 1786. The 'Belfast Edition' cost 2 shillings, eight and a half pence in boards and 3 shillings, three pence bound'. [1] [7] It is not known how many copies of the 'Belfast Edition' were printed or of the associated 'Dublin variant'. [1]
Around 3,250 copies of the 'Edinburgh Edition' were printed at 5 shillings for subscribers and 6 shillings for non-subscribers. Only 612 copies of the Kilmarnock Edition of which 88 [8] are known to survive, but no record exists of the number of 'Belfast' Editions that remain.
A single volume, it was again dedicated to the "Noblemen and Gentlemen of the Caledonian Hunt". [9] The 1787 Dublin, Belfast and Edinburgh editions all contain an extra seventeen poems and five new songs and most of the poems present in the 1786 Kilmarnock Edition are reprinted such as "Halloween", "The Twa Dogs", "The Cotter's Saturday Night", "To a Mouse", etc. New poems included Death and Doctor Hornbrook, The Brigs of Ayr, The Holy Fair, John Barleycorn, Address to the Unco Guid, or the Rigidly Righteous [10] and significantly To a Haggis [9] (often given elsewhere as Address to a Haggis). [10]
The contents differ as the no half-title was present, the dedication is followed by Extracts from The Lounger, No.97; the Table of Contents, then the 'Text' and finishing with the 'Glossary'. Unsurprisingly it does not claim in print to have been "Entered in Stationer's Hall" and no subscribers list was included. [11] The title pages are very similar, however the 'Edinburgh Edition' has the 'By' of 'By Robert Burns' on a line by itself.
Nearly twice the length of the Kilmarnock Edition of 1786, it was printed in 12mo or Duodecimo rather than the demy octavo format of the 'Edinburgh Edition'. The smaller size made the printing less expensive, and text from the octavo edition was condensed into a duodecimo of 286 text pages with a considerable saving in paper, a valuable material before the regular use of wood pulp paper; 368 pages was the comparable length of the first 'Edinburgh Edition'. [2]
The volume was published in French gray paper 'printers' boards. [1] Measuring 15.7 cm by 9.5 cm trimmed, it included the expanded glossary or 'dictionary' of the Scots language for those unfamiliar with the many Scots words that Burns used. [12] The 'chain and line' or laid paper used for the text has a watermark, but unlike the 'Edinburgh Edition' paper, it is not a fleur-de-lis, but a diamond and the plumed headwear of a cavalier, the watermark of the French papermaker, B. Brun of Angouleme. [13]
Burns used annotations to clarify or enhance the understanding of his works such as with Halloween on page 109 and his notes on the 'Cove of Colean' (Culzean) as the Elfhame or home of the fairies.
Unique to the 'Belfast Edition' and 'Dublin variant' are a few printing errors, such as the absence of a signature on page one and [ 16 ] on page [ 160 ]. [1] Other errors are 'Nineteenth' rather than 'Ninetieth' on the 'Contents Page' and on page 171 for the title of the poem "The First Six Verses of the Ninetieth Pslam" and finally on page 188 "A Dedication to G**** H*******, Efq;" is printed with an 'O' replacing the 'G'. [13] A number of punctuation and capitalisation differences exist, such as 'Lammas Night' rather than 'Lammas night'.
The 'Stinking Edition' or 'Stinking Burns' is so called because of the original spelling mistake in the partial second impression of the 'Edinburgh Edition', found also in the 'Belfast' and 'Dublin' publications. The origin of the error is because William Smellie had printed a first run of pages as far as the gathering or signature 'Mm' when he discovered that he had insufficient copies to cover all the subscribers and due to a shortage of type he was forced to reset the printing blocks and repeat the run as a partial second impression. In the haste to reset the blocks a large number of mainly minor errors were introduced, the most famous of which is the substitution of a 't' for a 'k' that converted the Scots word 'skinking' (meaning watery) into 'stinking'. Around 1000 out of 3000 copies of the 1787 'Edinburgh Edition' carried the error. [12]
James Magee of Belfast, a printer and publisher, is thought to have had a connection with the bookseller, William Gilbert of Dublin, possibly as a business partner. [2] Printed in Belfast by James Magee, the 'Dublin Variant' appeared under the bookseller William Gilbert's name although it has been shown to have been printed by James Magee in Belfast. [1] [13] Magee was one of the most prominent Belfast publishers of his day, born in 1739 and dying in 1789. [1] His premises were at 9 Bridge Street, described as "Near the Four Corners" or "At the Crwon and Bible". [1]
William Creech commissioned Alexander Nasmyth to paint Burns's portrait from which John Beugo engraved the copper plate required for the printing process. [14] The 'Belfast Edition' and 'Dublin Variant' however had a frontispiece engraving by Patrick Halpin [1] [15] rather than the John Beugo engraving. Burns's image looks to the left in Beugo's engraving, but Halpin's portrait looks to the right. [15] The advert in the "Belfast News-letter" for 25 September 1787 describes it as a ".. striking likeness". [1]
In 1789 the 'Dublin Variant' was re-issued by William Gilbert from the same address. [16]
In 1793 a two volume Second Edinburgh Edition was published, much enlarged and for the first time containing the poem Tam o' Shanter, although It had already appeared in such publications as the second volume of Francis Grose's Antiquities of Scotland, for which it was originally written.
Other 18th century editions are those published in London, Philadelphia [17] and then New York, [18] not always with the authors knowledge or with the permission of William Creech, the copyright holder. [1] Thomas Stewart's 1802 edition is notorious for having included a section with twenty-five letters written by Sylvander Robert Burns to Clarinda Agnes Maclehose without the permission of the copyright holders. [19] The copyright for the 1787 'Edinburgh Edition' expired in 1801.
( ) – The missing name from the poem or song.
Burns, as illustrated above, used a variety of methods to keep the names of individuals more or less hidden, such as with a series of asterisks between a first and last letter denoting missing letters, a solid line giving no clue to the number of letters or initials only.
"To a Mouse, on Turning Her Up in Her Nest With the Plough, November, 1785" is a Scots-language poem written by Robert Burns in 1785. It was included in the Kilmarnock volume and all of the poet's later editions, such as the Poems, Chiefly in the Scottish Dialect . According to legend, Burns was ploughing in the fields at his Mossgiel Farm and accidentally destroyed a mouse's nest, which it needed to survive the winter. In fact, Burns's brother, Gilbert, claimed that the poet composed the poem while still holding his plough.
Poems, Chiefly in the Scottish Dialect, commonly known as the Kilmarnock Edition, is a collection of poetry by the Scottish poet Robert Burns, first printed and issued by John Wilson of Kilmarnock on 31 July 1786. It was the first published edition of Burns' work. In mid-April 1786, Burns sent out printed Proposals for what was then titled Scotch Poems asking for people to sign up as subscribers, printing began on June 13, and the first copies were ready for distribution by July 31. 612 copies were printed. The book cost three shillings, in a temporary paper binding that most purchasers soon had replaced. There is no formal dedication at the start of the book, but Burns includes a dedication poem to Gavin Hamilton at pp. 185-191, and "The Cotter's Saturday Night" is "inscribed to R.A. Esq.," i.e. Robert Aitken.
Nationality words link to articles with information on the nation's poetry or literature.
Robert Burns, also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.
The Robert Burns World Federation is a literary society based in Kilmarnock, Ayrshire, Scotland, aimed at educating the public about the life, poetry and works of the poet Robert Burns. It is a Scottish Charity and a company limited by Guarantee. The Federation links existing Burns Clubs and similar groups, giving a unique number to affiliated Clubs, which is then used by them in their promotion and identification. Their ongoing intent is to provide a way for clubs to link together and enjoy the mutual benefit of association, communication and shared mission. It was founded in 1885
John Goldie, Goudie or Gowdie (1717–1811) the 'Philosopher' was a friend of the poet Robert Burns who was born the son of a miller at Craigmill on the Cessnock Water in East Ayrshire, Scotland. He was a miller, mechanic, cabinet maker, later a wine merchant and had interests ranging from the study of mathematics and astronomy to that of theology, publishing several books, in particular in 1780 the popular three volume Essays on various Important Subjects Moral and Divine, being an attempt to distinguish True from False Religion, a publication that became generally known as 'Goudie's Bible' and raised him to national prominence. The name 'John Goldie' will be used throughout for consistency.
Poems, Chiefly in the Scottish Dialect is commonly known as the first Edinburgh Edition and the partial second setting has become known as the Stinking Edition. It is a collection of poetry and songs by Robert Burns, first "Printed for the Author" by William Smellie in Edinburgh and published or "Sold by William Creech" of Edinburgh on the 17 April, an announcement being made in the Edinburgh Advertiser on that date, although the date 21 April 1786 is given by a few authors. The Kilmarnock Edition made Robert Burns Caledonia's Bard whilst the 'Edinburgh Edition' elevated him into a position amongst the world's greatest poets.
Poems is a collection of poetry and songs by David Sillar, a close friend of the poet Robert Burns who had been encouraged to go into print by the success of Poems, Chiefly in the Scottish Dialect. Poems was printed by John Wilson of Kilmarnock in 1789. Sillar's interest in poetry predated his friendship with Burns, but was one of several reasons for it.
Alexander Tait, Sawney Tait or Saunders Tait was a tailor, a published poet and also a contemporary of Robert Burns who he knew well. Tait was also well acquainted with the published poet and close friend of Burns, David Sillar. Sawney spent much of his life in Tarbolton where he was an active member of the community. His poems were exhibited in the 1896 Burn Exhibition, a copy being loaned by the Mitchell Library. Alexander was generally known locally as 'Whip-the-cat' an old expression that referred to itinerant tailors, etc. who went from door to door to do work for others.
Poems, Chiefly in the Scottish Dialect is commonly known as the Third or London Edition and sometimes the Stinking Edition. It is a collection of poetry and songs by Robert Burns, printed for A. Strahan; T. Cadell in the Strand; and W. Creech, Edinburgh. MDCCLXXXVII The date of publication for the London Edition was in November 1787, however Strahan and Cadell had previously advertised for sale the 'Second' or 'Edinburgh Edition' using the 500 or so copies that William Creech still had that were unsold. The successful selling of these made a truly new 'London Edition' a commercially viable enterprise.
The Glenriddell Manuscripts is an extensive collection written in holograph by Robert Burns and an amanuensis of his letters, poems and a few songs in two volumes produced for his then friend Captain Robert Riddell, Laird of what is now Friars Carse in the Nith Valley, Dumfries and Galloway. The two volumes of the manuscript were handsomely bound in calf leather. The first volume of poems and songs was completed by April 1791 and was presented to Robert Riddell, however their friendship ceased due to the unfortunate 'The Rape of the Sabine Women' incident and Robert Riddell died shortly after before any reconciliation could take place. The first volume is partly in Burns's hand with one main amanuensis contributing much of the text in a far neater hand than the author himself and a possible third person contributing to the text. The second volume is entirely in Burns's hand.
Duncan McNaught LL.D., J.P., was born in Alexandria, Dunbartonshire in 1845. He was the parochial school teacher at Kilmaurs in East Ayrshire from 1867 and served at the school for over fifty years, having served as assistant from 1865. He founded the Kilmarnock Conservative Association, jointly founded the Robert Burns World Federation, acted as the editor of the "Burns Chronicle" and was the president of what became the Robert Burns World Federation.
Poems, Chiefly in the Scottish Dialect was issued during the poet's lifetime In Two Volumes. The Second Edition Considerably Enlarged. It is a collection of poetry and songs by the poet Robert Burns, printed for T. Cadell, London, and W. Creech, Edinburgh. M,DCC,XCIII The date of publication for this edition was 16 February 1793 as advertised in the Edinburgh Courant. The successful demand for the 1787 Edinburgh Edition seems to have encouraged Creech to publish this new edition as the 1787 volume had been sold out since around 1791.
Robert Burns's Commonplace Book 1783–1785 is the first of three commonplace books that were produced by the poet. The contents cover drafts of songs and poems, observations, ideas, epitaphs, etc.
The Merry Muses of Caledonia is a collection of bawdy songs said to have been collected or written by Robert Burns, the 18th-century Scottish poet.
'Robert Burns's Interleaved Scots Musical Museum' or the 'Interleaved Glenriddell Manuscript' is a set of four octavo volumes of James Johnson's The Scots Musical Museum in which Robert Burns provided additional material to the original publication on interleaved sheets and which he eventually gifted to Captain Robert Riddell (1755–94) of Friars Carse, Dumfries and Galloway, Scotland.
'The Holy Tulzie', 'The Twa Herds' or 'An Unco Mournfu' Tale was a poem written in 1784 by Robert Burns whilst living at Mossgiel, Mauchline, about a strong disagreement, not on doctrine, but on the parish boundaries, between two 'Auld Licht' ministers, John Russel and Alexander Moodie It was followed by "The Holy Fair", "The Ordination", "The Kirk's Alarm", "Holy Willie's Prayer", etc.
James M'Kie or James McKie (1816–1891) was an apprentice of Hugh Crawford, John Wilson's successor at the Kilmarnock Cross printing business. In 1867, M'Kie published the first facsimile edition of the 1786 "Kilmarnock Edition" or Poems, Chiefly in the Scottish Dialect as well as various bibliographies, reprints, special editions, limited editions, etc. of Robert Burns' and other works for the Scottish, British, British Empire or North American markets. He became an avid collector of Burnsiana and put together the largest collection of published in the world at the time, that was eventually purchased by the local Kilmarnock Corporation and housed in the Kay Park Burns Museum.
The Geddes Burns is a copy of Robert Burns's 1787 Poems, Chiefly in the Scottish Dialect with twenty-seven extra pages with twelve poems and songs in Burns's handwriting bound in, and a letter to Catholic Bishop John Geddes from the poet, written at Ellisland Farm.
Poems, Chiefly in the Scottish Dialect was the second "pirated" issue of Robert Burns's work, being published in Ireland at Belfast without permission from or payment to the author or publisher. It is a so-called Stinking Edition, carrying the error Stinking for the Scots word Skinking (watery) in the poem "To a Haggis" because the type setters copied from a 1787 Stinking Edition of Poems, Chiefly in the Scottish Dialect. It has been shown to be from the same print setting as the Belfast Edition but with a different title page.