Like men's association football, women's football had amateur origins, but faced bans in several nations that slowed its growth and professionalization compared to professionalism in the men's sport. Growth in the women's league game intensified since the end of the 20th century alongside the profile of the FIFA Women's World Cup introduced in 1991. [3]
Dick, Kerr Ladies F.C., an early women's football club in Preston, Lancashire, England, were closely associated with charitable causes during World War I and the interwar period. [4] As demand for coal dropped after the war, coal-mining communities in England faced disputes with increasingly privatized mining companies that led to miners organizing their labour. During a wage dispute between miners and mine owners, the owners locked miners out in Wigan and Leigh on 1 April 1921, and the charitable success of Dick, Kerr Ladies inspired the formation of women's football clubs that began playing matches in May 1921 to raise funds for distress relief. This included matches to fund soup kitchens for locked-out miners, leading to some of these matches being named "pea soup" matches. Fundraising games for distress funds continued after the end of the miners' dispute in June 1921. [5] [6]
Despite being more popular than some men's football events — one match saw a 53,000 strong crowd [7] — The Football Association (The FA) prohibited women's football from association members' pitches in December 1921, with the FA stating that "the game of football is quite unsuitable for females and ought not to be encouraged" [8] and citing in part complaints about "the appropriation of the receipts to other than charitable objects" in its rationale. [9] [10] [11]
Players and football writers have argued that this ban was due to envy of the large crowds that women's matches attracted, [12] and because the FA had no control over the money made from the women's game. [11] Dick, Kerr Ladies player Alice Barlow said, "we could only put it down to jealousy. We were more popular than the men and our bigger gates were for charity". [12]
In 1925, Spanish footballer Irene González of A Coruña founded her own club and charged money to play matches during tours of Galicia and in tournaments that she organized. While González was the only woman on her team, she has been credited as the first woman to professionally play football. [13]
The FA's ban, which lasted from 1921 to around 1971, inspired or coincided with other bans of women's football in Europe over a similar span, some of which did not end until UEFA required European national associations to incorporate the women's sport. [14] Bans sometimes also coincided with political change, such as bans in Francoist Spain beginning in 1936 [15] and ending after the Spanish transition to democracy in the late 1970s. [16]
Bans were not limited to Europe, with nations under the British Empire, including Australia [17] and Canada, [18] following the FA's ban, and nations such as Brazil [19] and Nigeria [20] also banning the sport for decades during the 20th century.
Simon Kuper and economist Stefan Szymanski, authors of Soccernomics, have argued women's football wasn't just "some potential untapped market, but a business sector that was regularly selling tens of thousands of match tickets. These revenues would surely have grown over time, as men's revenues did." [21] Even after bans were lifted, investment in women's football was reduced to levels relatively lower than before them. [22] Such factors have contributed to the relatively slow professionalization of the sport, with full professionalization coming to England's Women's Super League in 2018, [23] more than 110 years after the men's game initially professionalized. [24] [25]
Most bans of the sport were lifted by the 1970s. During the 1970s, Italy became the first country to have professional women's football players on a part-time basis. Italy was also the first country to import foreign footballers from other European countries, which raised the profile of the league. Players during that era included Susanne Augustesen (Denmark), Rose Reilly and Edna Neillis (Scotland), Anne O'Brien (Ireland) and Concepcion Sánchez Freire (Spain). [26]
In 1970, the Torino-based Federation of Independent European Female Football (FIEFF) ran the 1970 Women's World Cup in Italy without the involvement of FIFA. [27] In the finals of the 1971 Women's World Cup, hosted by Mexico and played at Estadio Azteca in front of an estimated 110,000 or 112,500 attendees, the Mexican team protested their lack of pay in the face of the tournament's profits from ticket sales, television revenues, and merchandising, and threatened to boycott the match. After the 1971 cup, FIFA forbade the Mexican Football Federation from organizing further women's tournaments. [28] [29] In 1975, Jamaican forward Beverly Ranger received enough sponsorship while playing in Germany to make a living off the sport, a first for a woman in Germany. [30]
The first professional league for women's football would not start until Sweden's semi-professional Damallsvenskan in 1988, three years prior to the first FIFA-sanctioned Women's World Cup. [31] [32] The first fully professional league, the United States' Women's United Soccer Association, launched in 2001 after the United States women's national soccer team's victory over China in the 1999 FIFA Women's World Cup raised unprecedented levels of interest in the sport. [33] [34]
Professionalization of women's football has at times been the subject of organized labor action or legal intervention. For example, Argentinian player-activist Macarena Sánchez led efforts to professionalize the nation's club league Primera División A, but was released by her team UAI Urquiza in January 2019 under terms that prevented her from signing with a new team. She in turn sued UAI Urquiza and the Argentine Football Association (AFA), alleging discrimination where professional women's players were wrongly treated as amateurs. [35] [36] The AFA announced in March that it had agreed with the footballers' union Futbolistas Argentinos Agremiados to support professionalizing the women's league. [37] Three months after her lawsuit, Sánchez was one of fifteen players who joined San Lorenzo on a professional contract, a historic first for Argentine women's football. [36]
Negotiations, and in some cases strikes, led to collective bargaining agreements between players and clubs toward professionalization in several nations, including Australia [38] and Spain, [39] and also among women's football referees in the United States [40] and Spain. [41] In some nations, legal reforms also helped facilitate professionalization, such as in Chile, [42] Denmark, [43] [44] [45] Italy, [46] [47] and Spain. [48] [49]
This table details the year in which professionalism was systematically introduced to women's football, by nation. Some nations might have had individual professional women's footballers before these dates but lacked professionalization organized at the club level or higher.
Glossary:
Association football, more commonly known as football or soccer, is a team sport played between two teams of 11 players each, who primarily use their feet to propel a ball around a rectangular field called a pitch. The objective of the game is to score more goals than the opposing team by moving the ball beyond the goal line into a rectangular-framed goal defended by the opposing team. Traditionally, the game has been played over two 45-minute halves, for a total match time of 90 minutes. With an estimated 250 million players active in over 200 countries and territories, it is the world's most popular sport.
Women's association football, more commonly known as women's football or women's soccer, is the team sport of association football played by women. It is played at the professional level in multiple countries, and 187 national teams participate internationally. The same rules, known as the Laws of the Game, are used for both women's and men's football.
Association football culture, or football culture refers to the cultural aspects surrounding the game of association football. As the sport is global, the culture of the game is diverse, with varying degrees of overlap and distinctiveness in each country. In many countries, football has ingrained itself into the national culture, and parts of life may revolve around it. Many countries have daily football newspapers, as well as football magazines. Football players, especially in the top levels of the game, have become role models.
Karen Julia Carney is an English sports journalist and former professional footballer who played as a winger and midfielder. Carney has been a regular broadcaster for live football on Sky Sports, ITV and Amazon Prime, including Women's Super League and men's Premier League matches since 2019. She is also a sports columnist for BBC Sport, BBC Radio 5 Live, BBC Television, and The Guardian.
A treble in association football is achieved when a club team wins three trophies in a single season. A continental treble involves winning the club's premier national league competition, main national cup competition, and main continental trophy. Although winning a second-tier continental trophy has also been described as a continental treble, it is not as widely accepted. A domestic treble involves winning three national competitions—including the league title, the primary cup competition, and one secondary competition, such as a secondary cup or state-level league.
Samantha May Kerr is an Australian professional soccer player who plays as a striker for FA Women's Super League club Chelsea, and the Australia women's national team, which she has captained since 2019. Known for her speed, skill, and tenacity, Kerr is widely considered one of the best strikers in the world, and one of Australia's greatest athletes.
Tameka Yallop is an Australian professional soccer midfielder who plays for Brisbane Roar in the Australian A-League Women. She previously played for the Boston Breakers in the WPSL Elite, German Frauen-Bundesliga club 1. FFC Frankfurt, Japanese Nadeshiko League club Iga F.C. Kunoichi, Swedish Damallsvenskan club Mallbackens, Brisbane Roar in the Australian W-League, West Ham United in the FA Women's Super League, Brann in the Norwegian Toppserien, and has been a member of the Australian national team since 2007.
Ji So-yun is a South Korean professional footballer who plays as a midfielder for WK League club Suwon FC and the South Korea national team.
Yukari Kinga is a Japanese football player. She is currently playing as a defender for Sanfrecce Hiroshima Regina in the WE League. She previously played for the Japan women's national football team, winning a World Cup and an Olympic silver medal before her international retirement in 2016.
Alex Greenwood is an English professional footballer who plays for Women's Super League club Manchester City and the England national team. Primarily a left-sided defender, she plays as both a centre-back and a left-back. Greenwood began her senior career at Everton, Notts County and Liverpool, before playing for Olympique Lyonnais and winning Division 1 and the Champions League with the club. She also captained Manchester United, winning the Championship in their inaugural season. Greenwood is known for her tackling, positional play and passing; as a left-footed player she is a set-piece specialist, who often takes penalties, free kicks and corners.
Francesca Kirby is an English professional footballer who plays as an attacking midfielder for Chelsea and the England national team. She began her career with hometown club Reading before moving to Chelsea in July 2015. In August 2014, Kirby won her first senior cap for England. She represented her country at the 2015 FIFA Women's World Cup in Canada, the 2019 FIFA Women's World Cup in France and the UEFA Women's Euro 2017 in the Netherlands.
The Women's Super League (WSL), known as the Barclays Women's Super League (BWSL) for sponsorship reasons, is the highest league of women's football in England. Established in 2010, it is run by the Football Association and features twelve fully professional teams.
Fūka Nagano is a Japanese professional footballer who plays as a midfielder for Women's Super League club Liverpool and the Japan national team.
Ella Ann Toone is an English professional footballer who plays as an attacking midfielder for WSL club Manchester United, and the England national team. Toone started her senior career at Blackburn Rovers in 2013, later joining Manchester City and winning the WSL in 2016. Since joining United in 2018, she has become their top scorer with most appearances for the club, has been described as a "household name", as well as a "key player" by manager Marc Skinner.
Yui Hasegawa is a Japanese professional footballer who plays as a midfielder for Women's Super League club Manchester City and the Japan national team. A versatile midfielder, she is capable of operating all across the midfield either as an attacking midfielder or as a deep-lying playmaker.
Risa Shimizu is a Japanese professional football player who plays as a right-back for Women's Super League club West Ham United and the Japan national team.
Hinata Miyazawa is a Japanese professional footballer who plays as a midfielder for Women's Super League club Manchester United and the Japan national team.
Riko Ueki is a Japanese professional footballer who plays as a striker for the English Women's Super League side West Ham United and the Japan national team.
Honoka Hayashi is a Japanese professional footballer who plays as a midfielder for Women's Super League club West Ham United and the Japan national team.
Professional women's association football players have organized to dispute several issues specific to the sport, such as disparities in compensation compared to men's teams; insufficient pay to compete with other women's teams; unfair or exclusionary financial terms of federation business agreements involving the team; a lack of minimum standards in facilities and treatment, especially compared to men's teams in the same federation, league, or club; reports of systemic gender-related abuse of players, including sexual abuse being ignored by league or federation officials; and a lack of benefits specific to women such as paid leave for pregnancy and maternity, and child care coverage.
The FA and the political establishment were not blind to the growing popularity and success of women's football. The huge sums of money being raised were outside their jurisdiction and control. Worse still, that money was no longer being raised to support the war wounded but was being channelled into political and working-class causes – causes antithetical to the establishment.
No Santos, o corte foi de 70% nos salários de todos no clube que recebem mais de R$6 mil, algo que atinge uma pequena parcela do elenco feminino. A maioria tem vencimentos concentrados abaixo desse valor e, portanto, não foi afetada.
In L2, new teams caused a major stir. INAC Kobe Leonessa (Hyogo Prefecture), which had only just joined the league in 2005, was the runaway champions with a record of 16 wins, one draw and one defeat out of 18 games. Amassing 87 points and conceding only 16 goals, it won promotion to the topflight L1 in its first year. The team was inspired by the Brazilian international player Pretinha, who had signed a professional contract, and Miwa Yonetsu, who was selected as the L2 MVP for that season.
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