Footnotes
- ↑ Weinger, Harry (1994). "Sunshine on a Cloudy Day". The Temptations: Emperors of Soul [CD Box Set]. New York: Motown Record Co., L.P.
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 571.
| "Psychedelic Shack" | ||||
|---|---|---|---|---|
| Single by the Temptations | ||||
| from the album Psychedelic Shack | ||||
| B-side | "That's the Way Love Is" | |||
| Released | December 28, 1969 | |||
| Recorded | November 21 and December 2, 1969 | |||
| Studio | Hitsville USA (Studio A) | |||
| Genre | ||||
| Length | 3:56 | |||
| Label | Gordy – G 7096 | |||
| Songwriter(s) | ||||
| Producer(s) | Norman Whitfield | |||
| The Temptations singles chronology | ||||
| ||||
"Psychedelic Shack" is a 1969 single for the Motown label performed by the Temptations and produced by Norman Whitfield. It became a hit single in 1970.
This single features the Temptations and Whitfield's continuing their submergence into psychedelia, with multilead vocals, hard rock guitars, synthesizer sound effects, multitracked drums, and stereo-shifting vocals giving the record a distinct sound. The song's title and lyrics refer to a type of hippie nightclub popular in the late 1960s.
"Psychedelic Shack"'s LP mix begins with the sounds of a person entering a psychedelic shack and dropping the needle on a record, "I Can't Get Next to You" which was the Temptations single that immediately preceded this one. The use of the recording of "I Can't Get Next to You" from its 45 RPM single makes "Psychedelic Shack" one of the first songs to use sampling, a technique that would become a staple of hip hop music in the coming decade.
The song ends, after its fourth verse, with the Funk Brothers backing band going into a jam session as the song fades out. Keyboardist Earl Van Dyke remembers "Psychedelic Shack" as one of his favorite recording sessions. [1] The full extended version of the song, with the complete jam session, went unreleased until a new six-minute mix of the record was done in 2003 for the Psychedelic Soul compilation set.
"Psychedelic Shack" was the title track from the Psychedelic Shack album, released in March 1970. The song reached #7 on the US Billboard Hot 100, #4 Cash Box, and #2 on the US R&B charts. [2]
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s to early 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations' single, "Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished number 94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in The Big Chill soundtrack.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
Psychedelic Shack is the twelfth studio album by The Temptations for the Gordy (Motown) label released in 1970. Completely written by Norman Whitfield and Barrett Strong and produced by Whitfield, Psychedelic Shack almost completely abandoned the "Motown Sound" formula, instead delving fully into psychedelia. Along with the hit title track, the album also features the group's original version of "War", which became a major hit for Edwin Starr later in 1970.
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.
"Hum Along and Dance" is a soul song written for the Motown label by Norman Whitfield and Barrett Strong. Originally recorded by the Temptations, the song was later covered by Motown acts Rare Earth and the Jackson 5. The song is essentially an instrumental piece and a vehicle for scatting and improvisational vocals, since, as the chorus states, "ain't no words to this song/you just dance and hum along". All three versions of the song were produced by Whitfield.
"That's the Way Love Is" is a 1967 Tamla (Motown) single recorded by The Isley Brothers and produced by Norman Whitfield.
"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield.
Sky's the Limit is the fourteenth studio album by The Temptations for the Gordy (Motown) label released in 1971. The album includes the #1 hit "Just My Imagination ", the Top 40 hit "Ungena Za Ulimwengu ", and the original version of "Smiling Faces Sometimes", later a Top 5 hit for The Undisputed Truth.
Solid Rock is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
"Superstar (Remember How You Got Where You Are)" is a 1971 hit single for the Gordy (Motown) label, recorded by The Temptations and produced by Norman Whitfield. Something of an early ancestor to the "diss songs" prevalent in hip hop music towards the end of the 20th century, "Superstar" is an attack at two former Temptations members, David Ruffin (who had been fired back in 1968) and Eddie Kendricks (who quit the act in early 1971 and negotiated a Motown solo deal). The song appears on the 1972 album Solid Rock.
Cloud Nine is the ninth studio album by American musical group The Temptations for the Gordy (Motown) label released in 1969.
Puzzle People is the eleventh studio album released by American soul quintet The Temptations for the Gordy (Motown) label in 1969. Produced entirely by Norman Whitfield, Puzzle People expanded on the psychedelic soul sound of the Temptations' previous LP, Cloud Nine. Although a few straightforward soul ballads are present, the album is primarily composed of Sly & the Family Stone/James Brown-derived proto-funk tracks such as the lead single "Don't Let the Joneses Get You Down", and the number-one Billboard Pop hit "I Can't Get Next to You".
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records. The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong.
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
"How Can I Forget" was originally recorded as a love ballad by Motown group The Temptations in 1968 and was re-recorded in a psychedelic soul/funk styling by fellow Motown artist, Marvin Gaye in 1969. His version, released on Motown's first subsidiary, Tamla, became a modest hit that almost reached the Top 40 of the pop charts while peaking at number-eighteen on the Hot Selling Soul Singles chart in 1970. Marvin's recording was featured on his That's the Way Love Is album. The song is also notable for being one of the shortest recordings for both The Tempts and for Gaye; recorded when most songs are over three minutes, its length is just under two.
"Just One Last Look" is a 1966 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label, and The Four Tops for the main Motown label. Intended for release as a single for both, it was blocked from doing so and shelved.
