The quinton is a bowed musical instrument, in use mostly in France in the 18th century (between 1730 and 1789). It takes its name from the fact that, in ensembles, it played the quinta vox or quintus. Another derivation of the name may be from the number of strings and for consonance with violon. [1] By the same name it is sometimes denoted the pardessus de viole, an originally six-stringed instrument of the family of the viols, since the pardessus lost one string and adopted the same tuning of the quinton. However, while the pardessus is viol-shaped, the quinton is violin-shaped. [1]
The quinton was an hybrid between the violin (structure of the body, f-shaped holes), and the viol (sloped shoulders, wider fingerboard with seven adjustable frets). The tuning of the five strings was intermediate between violin and viol: G, D', A', D", G". The pegbox ended either in a scroll, like violins, or in a carved head, like viols. It was played on the lap, with underhand bow grip, as the pardessus.
The quinton was invented around 1730, as reaction of French luthiers to the increasing popularity of the Italian violin. Like the violino piccolo, it was intended to play higher voices, with a better sound in the upper register while full-bodied in the lower one. It became fashionable in France, particularly among ladies, and regularly present in concerts. Its highest popularity was around 1750. Many celebrated French luthiers, among them Jacques Boquay, Claude Boivin, Augustin Chappuy, Jean Colin, François Gaviniès, Paul-François Grosset, Louis Guersan, François Le Jeune, Jean-Baptiste Salomon, built quintons. The prominent head-carver La Fille dedicated himself to quintons. In such a way, the quintons reached high market quotations. Since 1760, as viols in general, the quinton lost importance and became more and more similar to the violin (losing the top string, adopting violin's tuning and bow grip), until, at the time of the French Revolution, it disappeared. Modern copies are built for specialists of baroque music and historically informed performance.
Sonatas for quinton have been written by Jacques Aubert and published in his opus 4. In general, all music written for the five-stringed pardessus can be played on the quinton.
The cello ( CHEL-oh), or violoncello ( VY-ə-lən-CHEL-oh, Italian pronunciation:[vjolonˈtʃɛllo]), is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages.
The double bass, also known amongst other names as upright bass for distinguishing purposes, or simply as the bass, is the largest and, therefore, lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four, although occasionally five, strings.
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
The violin, sometimes known as a fiddle, is a wooden chordophone in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings, usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
The rebec is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings.
In music, a bow is a tensioned stick which has hair coated in rosin affixed to it. It is moved across some part of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones.
Stemming from Sweden, the nyckelharpa, meaning "keyed fiddle" or "key harp"(lit.), is a bowed chordophone, similar in appearance to a fiddle or violin, which employs key-actuated tangents along the neck to change the pitch during play, much like a hurdy-gurdy. The keys slide under the strings, with the tangents set perpendicularly to the keys, reaching above the strings. Upon key-actuation, the tangent is pressed to meet the corresponding string, much like a fret, shortening its vibrating length to that point, changing the pitch of the string. It is primarily played underarm, suspended from the shoulder using a sling, with the bow in the overhanging arm.
A luthier is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word luthier is originally French and comes from the French word for "lute". The term was originally used for makers of lutes, but it came to be used in French for makers of most bowed and plucked stringed instruments such as members of the violin family and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame.
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound.
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound.
The violin octet is a family of stringed instruments developed in the 20th century primarily under the direction of the American luthier Carleen Hutchins. Each instrument is based directly on the traditional violin and shares its acoustical properties, with the goal of a richer and more homogeneous sound. Unlike the standard modern stringed instruments, the main resonance of the body of the violin octet instrument is at a pitch near the two middle open strings, giving the instruments a more balanced, clearer sound.
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family. The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings. The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it. There are many variations of chinrests: center-mount types such as Flesch or Guarneri, clamped to the body on both sides of the tailpiece, and side-mount types clamped to the lower bout to the left of the tailpiece.
The violin, viola and cello were first built in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as we know it today.
The épinette des Vosges is a traditional plucked-string instrument of the zither family, whose use was confined to two areas in the Vosges mountains of France approximately 50 km apart: around Val-d'Ajol and around Gérardmer.
A bow maker is a person who builds, repairs, and restores ancient or modern bows for bowed string instruments. These include violins, violas, cellos, double basses, viola d'amore, viola da gamba, etc.
The pardessus de viole is the highest-pitched member of the viol family of instruments. It is a bowed string instrument with either five or six strings and a fretted neck. The pardessus first appeared in the early 18th century, and was commonly played by women, particularly in French-speaking countries.
The GuitarViol is a Modern Version of the Arpeggione built by guitarist/luthier Jonathan Eric Wilson. It has six strings, 24 frets, and is tuned E2–A2–D3–G3–B3–E4, though some models are tuned to B1–E2–A2–D3–F#3–B3. It is most often played in a semi-diagonal, guitar-like playing position and bowed with an underhand “German” bow grip manner similar to Viola da Gamba. GuitarViols exist in solid body electric, semi-acoustic, and acoustic configurations. Since the early 2000s, GuitarViols have been predominantly used by media composers in TV/Film/video game soundtrack industry. Notable examples of prominent GuitarViol use include movies such as 300 and all seasons of Game of Thrones. Wilson himself can be heard in Borderlands and his solo film library album “GuitarViol”.