| Rendez-vous | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1986 [1] | |||
| Length | 35:03 | |||
| Label | Disques Dreyfus | |||
| Producer | Jean-Michel Jarre | |||
| Jean-Michel Jarre chronology | ||||
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| Singles from Rendez-Vous | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
Rendez-vous (English: Appointment) is the eighth studio album by electronic musician and composer Jean-Michel Jarre released on Disques Dreyfus, licensed to Polydor, in 1986. The album art was created by long-time collaborator Michel Granger. [3]
Rendez-Vous was created over a period of about two months. It features heavy use of the Elka Synthex, notably so on "Second Rendez-Vous", a track Jarre often performs using a laser harp. [4] As with Zoolook , it contains elements from the album Musique pour Supermarché , in this case it is in "Fifth Rendez-Vous". [4] [5] Some of the other musical themes on Rendez-Vous were recycled from various singles Jarre wrote and produced for Gérard Lenorman in the 1970s. [6]
The last track on the album was originally scheduled to include a saxophone part recorded by astronaut Ron McNair on the Space Shuttle Challenger, which would have made it the first piece of music to be recorded in space. [7] However, on January 28, 1986, 73 seconds after lift-off, the shuttle disintegrated and the entire Challenger crew were killed. The track was later dedicated to McNair and the other six astronauts on board Challenger. The saxophone part is played by French jazz reedist Pierre Gossez. The album was recorded and mixed at Croissy studio. [8]
Rendez-Vous was released in 1986, [8] the album reached no. 9 in the UK charts and no. 52 in the US. in that same year. It won the Instrumental album of the year category, at the Victoires de la Musique, [9] and was nominated for Grammy Award for Best New Age Album in 1987. [10] In April 5, 1986, Jarre performed the large-scale outdoor concert Rendez-vous Houston in Houston, celebrating the 150th anniversary of the founding of Texas and attracting 1.5 million people, marking its second entry into the Guinness World Records. [11] [12] [13] [14]
Jean-Michel presented another performance on October 5, Rendez-Vous Lyon , marking Pope John Paul II's visit to Jarre's hometown, Lyon. [15] In 1998, British commercial broadcaster ITV used a remixed version of "Fourth Rendez-Vous" (called Rendez-Vous 98) for their television coverage of the 1998 FIFA World Cup in France. British group Apollo 440 were credited alongside Jarre for the remix. [16]
| No. | Title | Length |
|---|---|---|
| 1. | "Premier Rendez-Vous" (First Rendez-Vous) | 2:54 |
| 2. | "Deuxième Rendez-Vous" (Second Rendez-Vous) | 10:55 |
| 3. | "Troisième Rendez-Vous" (Third Rendez-Vous) | 3:30 |
| No. | Title | Length |
|---|---|---|
| 1. | "Quatrième Rendez-Vous" (Fourth Rendez-Vous) | 3:57 |
| 2. | "Cinquième Rendez-Vous" (Fifth Rendez-Vous) | 7:41 |
| 3. | "Dernier Rendez-Vous (Ron's Piece)" (Last Rendez-Vous) | 6:04 |
| Total length: | 35:01 | |
Some editions of the album had the tracks Second and Fifth Rendez-Vous split up into separate parts, and slightly different timings for Fourth and Last Rendez-Vous (Ron's Piece).
| No. | Title | Length |
|---|---|---|
| 1. | "First Rendez-Vous" | 2:54 |
| 2. | "Second Rendez-Vous (Part 1)" | 2:36 |
| 3. | "Second Rendez-Vous (Part 2)" | 3:17 |
| 4. | "Second Rendez-Vous (Part 3)" | 2:18 |
| 5. | "Second Rendez-Vous (Part 4)" (10:54, not specified on CD) | 2:43 |
| 6. | "Third Rendez-Vous" | 3:30 |
| 7. | "Fourth Rendez-Vous" | 4:03 |
| 8. | "Fifth Rendez-Vous (Part 1)" | 2:59 |
| 9. | "Fifth Rendez-Vous (Part 2)" | 1:13 |
| 10. | "Fifth Rendez-Vous (Part 3)" (7:57, not specified on CD) | 3:45 |
| 11. | "Last Rendez-Vous (Ron's Piece)" | 5:47 |
| Total length: | 35:05 | |
The personnel listed in album liner notes: [8]
| Chart (1986) | Peak position |
|---|---|
| Finnish Albums (Suomen virallinen lista) [17] | 6 |
| German Albums (Offizielle Top 100) [18] | 20 |
| Dutch Albums (Album Top 100) [19] | 12 |
| Swedish Albums (Sverigetopplistan) [20] | 8 |
| Swiss Albums (Schweizer Hitparade) [21] | 24 |
| UK Albums (OCC) [22] | 9 |
| US Billboard 200 [23] | 52 |
| New Zealand Albums (RMNZ) [24] | 26 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Brazil | — | 90,000 [25] |
| France (SNEP) [26] | 2× Platinum | 600,000* |
| United Kingdom (BPI) [27] | Gold | 100,000^ |
* Sales figures based on certification alone. | ||
Jean-Michel André Jarre is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks.
Oxygène is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects.
Équinoxe is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution in 1979. The album featured two singles: "Équinoxe Part 4" and "Équinoxe Part 5", the latter having more success reaching No. 45 on the UK Singles Chart. It reached number 11 on the UK Album Chart and number 126 on the US Billboard 200 chart.
Oxygène 7–13 is the twelfth studio album by French electronic musician and composer Jean-Michel Jarre, released by Disques Dreyfus on 17 February 1997. It is the sequel to his 1976 album Oxygène released two decades before and used the same synthesizers. The album is dedicated to Jarre's former mentor, experimental musician Pierre Schaeffer. The album cover art was created by long-time collaborator Michel Granger. The CD cover used lenticular printing to make the illusion of moving stars in the background.
Rendez-vous Houston: A City in Concert was a live performance by musician Jean Michel Jarre amidst the skyscrapers of downtown Houston on the evening of April 5, 1986, coinciding with the release of the Rendez-Vous album. The concert celebrated the 150th anniversary of Houston, Texas and NASA's 25th anniversary. For a period of time, it held a place in the Guinness Book of Records as the largest outdoor "rock concert" in history, with a estimated of 1.5 million in attendance is the second entry of Jarre in the book. Rendez-vous Houston also celebrated the astronauts of the Space Shuttle Challenger disaster, which had happened only two and a half months earlier. One of Jarre's friends, astronaut Ron McNair, had been killed in the disaster. Ron was originally going to play the saxophone from space during the track "Last Rendez-Vous"; his substitute for the concert was Houston native Kirk Whalum.
Paris La Défense – Une Ville En Concert was a concert held by musician Jean-Michel Jarre on the district of La Défense in Paris on Bastille Day, 14 July, 1990. About 2.5 million people standing in front of the pyramidal stage all the way down to the Arc de Triomphe witnessed this event, setting a new Guinness Book of Records entry for Jarre. The concert was funded by the Mairie de Paris, the Ministry of Culture and a small cluster of high-profile Parisian business concerns. Later, a concert video as well as a photobook of the event were released.
Les Chants Magnétiques is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 20 May 1981. The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia.
Zoolook is the seventh studio album by French electronic musician and composer Jean-Michel Jarre, released in November 1984 by Disques Dreyfus. Much of the music is built up from samples of singing and speech in 25 different languages recorded and edited in the Fairlight CMI digital sampling synthesizer. The album spawned two singles: the title track and "Zoolookologie".
Revolutions is the ninth studio album by electronic musician and composer Jean-Michel Jarre, first released in September 1988. The album reached number 2 in the UK charts, Jarre's best chart position since Oxygène. The Destination Docklands concert in London coincided with the release of the album.
Métamorphoses is the thirteenth studio album by French electronic musician and composer Jean-Michel Jarre, released by Sony Music in 1999, Epic Records on January 24, 2000 and by Disques Dreyfus on May 25, 2004 in the U.S. The album was followed by two singles: "C'est la Vie" and "Tout Est Bleu".
En attendant Cousteau is the tenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus, licensed to Polydor. The title is a reference to the play Waiting for Godot.
Chronologie is the eleventh studio album by French electronic musician and composer Jean-Michel Jarre, and was released on Disques Dreyfus with license to Polydor in 1993. Chronologie peaked at Number 11 in the UK charts and the album cover art was created by long-time collaborator Michel Granger.
Sessions 2000 is the fourteenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus and distributed by Sony Music in 2002. On January 7, 2003 was released in US. Sessions 2000 featured Francis Rimbert, and was recorded at Croissy studio and later mixed at Square Prod studio by Joachim Garraud. The album reached the 140th position in French charts.
Les Concerts en Chine is a live album by Jean-Michel Jarre, recorded in 1981 and released in 1982 on Disques Dreyfus. It was recorded during Jarre's Concerts in China tour of Autumn 1981, which consisted of five Beijing and Shanghai concerts in China; this was the first time a Western pop artist performed in China after the Cultural Revolution.
Michel Geiss is a French sound engineer, instrument designer and musician who was a long-time collaborator of Jean Michel Jarre. He has also collaborated with other famous French artists such as Marc Lavoine, Patrick Bruel or Laurent Voulzy. In 1978 during the recording of Équinoxe he designed the Matrisequencer 250, an instrument that later was used in Rendez-Vous (1986). The instrument was succeeded by the Geiss Digisequencer.
Images – The Best of Jean-Michel Jarre is a compilation album by Jean-Michel Jarre originally released in 1991.
Jean-Michel André Jarre is a French composer, performer and music producer. He is a pioneer in the electronic, synthpop, ambient and new-age genres, and an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.
Electronica 1: The Time Machine is the seventeenth studio album by French electronic musician and composer Jean-Michel Jarre, released on 16 October 2015 by Columbia Records. It was recorded with the help of 15 collaborators, including Moby, Vince Clarke, Gesaffelstein, M83, Armin van Buuren, John Carpenter, Robert "3D" Del Naja of Massive Attack fame, Pete Townshend, and the late Edgar Froese of Tangerine Dream, the collaboration being one of Froese's last projects before dying in January 2015.
Planet Jarre: 50 Years of Music is a compilation album by French electronic musician and composer Jean-Michel Jarre, released on 14 September 2018 to commemorate Jarre's 50 years in the music business.
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