Zoolook

Last updated
Zoolook
Zoolook Jarre Album.jpg
Studio album by
Released16 November 1984
Recorded1983–1984
Studio
  • Jean-Michel Jarre's home studio (Paris)
  • Clinton Studio
Genre
Length37:58
Label
Producer Jean-Michel Jarre
Jean-Michel Jarre chronology
Musique pour Supermarché
(1983)
Zoolook
(1984)
Rendez-Vous
(1986)
Singles from Zoolook
  1. "Zoolook"
    Released: 30 November 1984 [3]
  2. "Zoolookologie"
    Released: 31 May 1985 [4]

Zoolook is the seventh studio album by French electronic musician and composer Jean-Michel Jarre, released in November 1984 by Disques Dreyfus. Much of the music is built up from samples of singing and speech in 25 different languages recorded and edited in the Fairlight CMI digital sampling synthesizer. The album spawned two singles: the title track and "Zoolookologie".

Contents

Composition and recording

Zoolook was greatly influenced by Jarre's former mentor Pierre Schaeffer and Schaeffer's musique concrète, taking samples from everyday life and voice human in 25 different languages from all over the world. [5] [6] In this album was expanded the sample-based approach which had been initiated on Les Chants Magnétiques (1981) and continued on Music for Supermarkets (1983). Some fragments were recorded digitally by Jarre and then played back and edited on the Fairlight CMI. [7] This process was done together with Frederick Rousseau for three months. [8]

I've always been involved in ethnic music, though I thought the way a lot of people have been using ethnic music was a little superficial. Sometimes it works, like the Brian Eno stuff, it worked the first time, but for me what was more interesting was not making a particular statement about recording in Africa or in China, but taking some sounds and having exactly the same attitude as when you were in front of a Moog 55 or a modular system, replacing the oscillators with a bank of actors or people, treating them through the Fairlight or the EMS synth, and establishing an orchestration using only voices. [9]

Some of the vocals were recorded during Jean-Michel's travels, while others are instead the result of his work with Xavier Bellanger, a French ethnologist who during his travels recorded "a large collection of tapes". For this album, Jarre used the synthesizers Moog 55, ARP 2600, some by EMS, the LinnDrum machine, the Yamaha DX7, [10] the Matrisequencer 250 designed by French sound engineer Michel Geiss for Équinoxe (1978), [10] [11] and the E-mu Emulator. [12] The different languages as listed in the album's liner notes are: Aboriginal, Afghan, Arabic, Balinese, Bengali, Chinese, Dutch, English, Eskimo, French, German, Hungarian, Indian, Japanese, Malagasy, Malayan, Pygmy, Polish, Quechua, Russian, Sioux, Spanish, Swedish, Tibetan, and Turkish. [13]

Much of the album's recording took place both Jarre's makeshift studio in Croissy-sur-Seine, France (credited as Croissy Studio). [13] Sound engineer Denis Vanzetto joined the Jarre team, and later going to the Clinton studio, New York for recording American musicians chosen by Jean-Michel among them guitarists Adrian Belew and Ira Siegel, bassist Marcus Miller, and percussionist and drummer Yogi Horton. [8] [14] After Jean-Michel read in an American newspaper The Village Voice about an exhibition held by the avant-garde singer Laurie Anderson in a New York gallery. He called and invited her to the studio to listen to his demos. Seduced by Jarre's proposed idea of speaking a completely imaginary language, she agreed and provided the vowels for the track "Diva". [8] [12] Parts of the album, like the track "Blah Blah Café" and the second half of the track "Diva", were reworkings of material that had already appeared on the 1983 album Musique pour Supermarché . [8] The album was mostly mixed by David Lord: final mixing began at Trident Studios in London, but Jarre wasn't satisfied with the results, so he and Lord finished mixing at Jarre's home studio in France. [13] [15] [12]

Release

Zoolook was released in November 1984 on Disques Dreyfus label [16] [17] and launched worldwide in September 1985 by Polydor Records label. [18] [19] More aurally challenging than Jarre's previous works, the album was also somewhat less successful, reaching only number 47 in the UK album charts. [20] Two singles from the album were released  the title track and "Zoolookologie". Both had a music video in 1985. The title track video was directed by Jean-Pierre Jeunet [21] and featured twelve robots designed by Marc Caro, of which only one was kept after filming. [22] The video of "Zoolookologie" was directed by Rod McCall and produced by Frank Coppola in London, UK. [23] It "shows three models flirting with the artist in a provocative fantasy". [18]

In 1984, the album won the Grand Prix du Disque award by L'Académie Charles Cros, [24] and in April 1985 it won the best instrumental album of the year award, at the Victoires de la Musique. [14] In 2016, a contest called Zoolook Revisited was organized, in which amateur or professional producers were invited to share a piece using samples taken from the SoundHunters app. Tracks from selected winners such as Luke Vibert, Zeka Lopez, Mikael Seifu, Simonne Jones and KIZ by Jean-Michel himself were included on the disc of the same name. [25]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [26]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [17]

At the time of its release NME said: "Strangely simplistic, this LP is like a union between Scary Monsters (and Super Creeps) and Kraftwerk on speed". [27] Australian newspaper The Evening News commented that "is a phonetic symphony laced with catchy, funk-rock rhythms based on the intonations of various exotic languages". [28]

In Montréal (Québec), Le Devoir felt that the beginning of the album was "a musical background both morbid and grandiose". [29] In Mojo magazine, Phil Alexander listed it as one of Jarre's three key albums and wrote that "Jarre's rumination on internationalism also boasts a deliberate melodic focus that acknowledges the influence of synth pop, while pointing the way forward to greater experimentation  both in his own work and that of others". [17]

AllMusic's John Bush stated that "Jean Michel Jarre combined an actual band and processed vocal samples  recorded in 25 different languages  with his rich, melodic synthesizer pop", described the album as "interesting throughout" and added that "the tracks with Jarre alone are often the best, reprising the classic Oxygène sound". [26] "Zoolookologie" was described by Thom Holmes as a "fascinating exploration of samples both of voice and drums". [30]

Track listing

First edition – original track list (1984)

Side one
No.TitleLength
1."Ethnicolor"11:41
2."Diva"7:33
Side two
No.TitleLength
1."Zoolook"3:50
2."Wooloomooloo"3:20
3."Zoolookologie"4:20
4."Blah Blah Cafe"3:21
5."Ethnicolor II"3:52
Total length:37:58

Second edition (1985)

No.TitleLength
1."Ethnicolor"11:41
2."Diva"7:33
3."Zoolookologie" (Remix by François Kevorkian and Ron St. Germain)3:46
4."Wooloomooloo"3:18
5."Zoolook" (Remix by René Ameline)3:51
6."Blah Blah Cafe"3:21
7."Ethnicolor II"3:52
Total length:37:22

Third edition (1997 remaster)

No.TitleLength
1."Ethnicolor" (new edit)11:47
2."Diva" (new edit)7:20
3."Zoolook" (new mix)3:58
4."Wooloomooloo"3:17
5."Zoolookologie" (new mix)4:14
6."Blah Blah Cafe" (new edit)3:26
7."Ethnicolor II"3:54
Total length:37:56

Fourth edition (30th anniversary, 2015 remaster)

No.TitleLength
1."Ethnicolor" (3rd edition edit)11:48
2."Diva" (3rd edition edit)7:22
3."Zoolook"3:52
4."Wooloomooloo"3:18
5."Zoolookologie"4:21
6."Blah Blah Cafe"3:21
7."Ethnicolor II"3:52
Total length:37:54

Fifth edition (40th anniversary - new mastering)

No.TitleLength
1."Ethnicolor"11:41
2."Diva"7:31
3."Zoolook"3:52
4."Wooloomooloo"3:18
5."Zoolookologie"4:21
6."Blah Blah Cafe"3:21
7."Ethnicolor II"3:52
8."Moon Machine"2:58
Total length:40:59

Personnel

Personnel listed in album liner notes. [13]

Equipment

Adapted from album liner notes. [13]

Charts

Chart (1984)Peak
position
Austrian Albums (Ö3 Austria) [31] 28
German Albums (Offizielle Top 100) [32] 24
Dutch Albums (Album Top 100) [33] 27
Swedish Albums (Sverigetopplistan) [34] 21
Swiss Albums (Schweizer Hitparade) [35] 30
UK Albums (OCC) [36] 47
New Zealand Albums (RMNZ) [37] 35

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [38] Silver60,000^

^ Shipments figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Jean-Michel Jarre</span> French composer, performer and record producer (born 1948)

Jean-Michel André Jarre is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks.

<i>Oxygène</i> 1976 studio album by Jean-Michel Jarre

Oxygène is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects.

<span class="mw-page-title-main">Fairlight CMI</span> Digital audio workstation

The Fairlight CMI is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital.

<span class="mw-page-title-main">Sampler (musical instrument)</span> Device that records and plays back samples

A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.

<i>Équinoxe</i> 1978 studio album by Jean-Michel Jarre

Équinoxe is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution in 1979. The album featured two singles: "Équinoxe Part 4" and "Équinoxe Part 5", the latter having more success reaching No. 45 on the UK Singles Chart. It reached number 11 on the UK Album Chart and number 126 on the US Billboard 200 chart.

<i>Oxygène 7–13</i> 1997 studio album by Jean-Michel Jarre

Oxygène 7–13 is the twelfth studio album by French electronic musician and composer Jean-Michel Jarre, released by Disques Dreyfus on 17 February 1997. It is the sequel to his 1976 album Oxygène released two decades before and used the same synthesizers. The album is dedicated to Jarre's former mentor, experimental musician Pierre Schaeffer. The album cover art was created by long-time collaborator Michel Granger. The CD cover used lenticular printing to make the illusion of moving stars in the background.

<i>Rendez-Vous</i> (Jean-Michel Jarre album) 1986 studio album by Jean-Michel Jarre

Rendez-Vous is the eighth studio album by electronic musician and composer Jean-Michel Jarre released on Disques Dreyfus, licensed to Polydor, in 1986. The album art was created by long-time collaborator Michel Granger.

<i>Les Chants Magnétiques</i> 1981 studio album by Jean-Michel Jarre

Les Chants Magnétiques is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 20 May 1981. The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia.

<i>Revolutions</i> (Jean-Michel Jarre album) 1988 studio album by Jean-Michel Jarre

Revolutions is the ninth studio album by electronic musician and composer Jean-Michel Jarre, first released in September 1988. The album reached number 2 in the UK charts, Jarre's best chart position since Oxygène. The Destination Docklands concert in London coincided with the release of the album.

<i>Métamorphoses</i> (album) 2000 studio album by Jean-Michel Jarre

Métamorphoses is the thirteenth studio album by French electronic musician and composer Jean-Michel Jarre, released by Sony Music in 1999, Epic Records on January 24, 2000 and by Disques Dreyfus on May 25, 2004 in the U.S. The album was followed by two singles: "C'est la Vie" and "Tout Est Bleu".

<i>En attendant Cousteau</i> 1990 studio album by Jean-Michel Jarre

En attendant Cousteau is the tenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus, licensed to Polydor. The title is a reference to the play Waiting for Godot.

<i>Chronologie</i> 1993 studio album by Jean-Michel Jarre

Chronologie is the eleventh studio album by French electronic musician and composer Jean-Michel Jarre, and was released on Disques Dreyfus with license to Polydor in 1993. Chronologie peaked at Number 11 in the UK charts and the album cover art was created by long-time collaborator Michel Granger.

<i>Sessions 2000</i> 2002 studio album by Jean-Michel Jarre

Sessions 2000 is the fourteenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus and distributed by Sony Music in 2002. On January 7, 2003 was released in US. Sessions 2000 featured Francis Rimbert, and was recorded at Croissy studio and later mixed at Square Prod studio by Joachim Garraud. The album reached the 140th position in French charts.

<i>Les Concerts en Chine</i> 1982 live album by Jean-Michel Jarre

Les Concerts en Chine is a live album by Jean-Michel Jarre, recorded in 1981 and released in 1982 on Disques Dreyfus. It was recorded during Jarre's Concerts in China tour of Autumn 1981, which consisted of five Beijing and Shanghai concerts in China; this was the first time a Western pop artist performed in China after the Cultural Revolution.

Frederick Rousseau is a New Age instrumentalist. His musical research is based on electronic sounds that he mixes with ethnic instruments, classical orchestras, and vocals.

<i>Téo & Téa</i> 2007 studio album by Jean-Michel Jarre

Téo & Téa is the sixteenth studio album by French electronic musician and composer Jean-Michel Jarre, released in 2007 on Aero Productions and Warner Music labels. Two singles were released, the first, "Téo & Téa", as a promotional for clubs and radio stations and then as a general release. The second, "Vintage", was released in digital download format only, on July 16, 2007, and included two remixes by ATB.

<i>Oxygène: New Master Recording</i> 2007 studio album by Jean-Michel Jarre

Oxygène: New Master Recording is a new recording by Jean-Michel Jarre of his 1976 album Oxygène. It was released in 2007 by EMI, marking the 30th anniversary of the original's release.

<i>Oxygène 3</i> 2016 studio album by Jean-Michel Jarre

Oxygène 3 is the nineteenth studio album by the French electronic musician and composer Jean-Michel Jarre. Announced via a post on Jarre's Instagram account, the album was released on 2 December 2016, on the 40th anniversary of the original Oxygène album.

<span class="mw-page-title-main">Oxygène (Part IV)</span> 1977 single by Jean-Michel Jarre

"Oxygène " is a 1977 single composed by the French electronic musician and composer Jean-Michel Jarre, from his third studio album Oxygène (1976). It is Jarre's most successful single, reaching number four on the UK Singles Chart and peaking in the top ten in the charts of several European countries. It also was used in the 2008 video game Grand Theft Auto IV, and in the BBC drama Micro Men.

<i>Equinoxe Infinity</i> 2018 album by Jean-Michel Jarre

"Equinoxe Infinity" is the twentieth studio album by French musician and composer Jean-Michel Jarre, released on 16 November 2018 by Columbia Records. It is the sequel to his fourth studio release, Équinoxe (1978), released forty years prior.

References

  1. "Various Artists". New Sunday Times: 8. 8 September 1985. Retrieved 10 October 2022.
  2. Utomo, Nugroho Wahyu (21 June 2021). "Tembang Nostalgia - Zoolook, Komposisi Instrumental Breakdance yang Tampil Beda". Suara Merdeka (in Indonesian). p. 2. Retrieved 17 October 2022.
  3. "Music Week" (PDF).
  4. "Music Week" (PDF).
  5. "Jean-Michel Jarre – 10 of the best". The Guardian. 5 October 2016. Retrieved 19 October 2022.
  6. "Space-shuttle deaths add to impact of Texas symphony". Ottawa Citizen: 71. 2 May 1986. Retrieved 10 October 2022.
  7. Powell, Aubrey (director) (1997). Making the Steamroller Fly (TV documentary).
  8. 1 2 3 4 Duguay 2018, p. 72–74.
  9. Jenkins 2007, p. 161
  10. 1 2 "Zoo 2000". Electronics & Music Maker. February 1985. pp. 42–46. OCLC   606328143.
  11. "Interview with Michel Geiss (I)". Fairlight Jarre. 25 March 2014. Retrieved 24 August 2022.
  12. 1 2 3 "The French Connection". Electronic Soundmaker & Computer Music. March 1985. pp. 30–31. ISSN   0268-5264. OCLC   498742683.
  13. 1 2 3 4 5 Zoolook (booklet). Disques Dreyfus. 1984. 823 763-2.
  14. 1 2 "Starlife" (PDF). Billboard . 27 July 1991. p. 57.
  15. Interview de Jean-Michel Jarre par François Grapard en 1984 (in French).
  16. Andresen 2022, p. 197.
  17. 1 2 3 Alexander, Phil (November 2015). "Electric Dreams" (PDF). Mojo . No. 264. p. 45. Retrieved 25 August 2022.
  18. 1 2 "Other Cities". Billboard. Nielsen Business Media, Inc. 28 September 1985. p. 38. Retrieved 17 October 2022.
  19. Hoos, Willem (11 May 1985). "Dutch Industry Honors Ronstadt, U2". Billboard. Nielsen Business Media, Inc. p. 8. Retrieved 17 October 2022.
  20. Warwick, Brown & Kutner 2004 , pp. 558–559
  21. Delgado, Jérôme (28 December 2017). "Les réalisateurs Marc Caro et Jean-Pierre Jeunet, éternels associés". Le Devoir (in French). Retrieved 3 October 2022.
  22. "lyon – exposition. Les secrets de l'hallucinant cabinet de curiosités de Jeunet & Caro". www.leprogres.fr (in French). 17 November 2018.
  23. "Rod McCall has directed Jean-Michel Jarre in his new music video, "Zoolookologie"" (PDF). Music Week . 8 June 1985. p. 31.
  24. Oxygène Live in Concert 2008, Hill Shorter Ltd (printer), 2008, pp. 10–11
  25. Tsugi, rédaction (27 July 2016). "Zoolook Revisited : la compil' hommage au sampling de Jean-Michel Jarre". TSUGI (in French). Retrieved 19 October 2022.
  26. 1 2 Bush, John. Jean Michel Jarre – Zoolook Review at AllMusic.
  27. Wilde, Rachel (1 December 1984). "Review: Jean Michel Jarre – Zoolook". NME . London, England: IPC Media: 28.
  28. "Jarre is an electronic sculptor of sound". The Evening News: 12. 13 April 1986. Retrieved 10 October 2022.
  29. "Les fleurs du mal poussent bien au zoo". Le Devoir: 23. 25 June 1988. Retrieved 10 October 2022.
  30. Holmes, Thom (11 October 2021). "Drum Machines: A Recorded History, Part 2: Digital Drum Machines". Noise and Notations. Retrieved 17 October 2022.
  31. "Austriancharts.at – Jean Michel Jarre – Zoolook" (in German). Hung Medien. Retrieved 24 August 2022.
  32. "Offiziellecharts.de – Jean-Michel Jarre – Zoolook" (in German). GfK Entertainment Charts. Retrieved 24 August 2022.
  33. "Dutchcharts.nl – Jean Michel Jarre – Zoolook" (in Dutch). Hung Medien. Retrieved 24 August 2022.
  34. "Swedishcharts.com – Jean Michel Jarre – Zoolook". Hung Medien. Retrieved 24 August 2022.
  35. "Swisscharts.com – Jean Michel Jarre – Zoolook". Hung Medien. Retrieved 24 August 2022.
  36. "Jean-Michel Jarre | Artist | Official Charts". UK Albums Chart. Retrieved 24 August 2022.
  37. "Charts.nz – Jean Michel Jarre – Zoolook". Hung Medien. Retrieved 24 August 2022.
  38. "British album certifications – Jean Michel Jarre – Zoolook". British Phonographic Industry.

Bibliography