Career
1969–1992: Early work
He directed his first feature-length film, A Swedish Love Story (1969). The film, awarded four prizes the same year at the 20th Berlin International Film Festival, looked at the nature and nuance of young love and turned out to be a major critical and popular success for Andersson. Following this success, Andersson fell into a depression. As he didn't want to get stuck with the same style and expectations he cancelled what was going to be his next project, with the script half-way finished, and skipped a couple of other ideas for plots he had previously planned to realize. [1] Eventually he directed the film Giliap which was released in 1975. The film was a financial and critical disaster, went wildly over budget, and suffered lengthy delays in post-production. Giliap went in a decidedly different direction from A Swedish Love Story – replacing crowd-pleasing joy and soft humour with dark comedy and unforgiving deadpan. After Giliap, Andersson took a 25-year break from film directing, focusing his efforts mainly on his commercial work.
In 1981 he established Studio 24, an independent film company and studio located in central Stockholm. Later, he directed a short-film commissioned by the Swedish National Board of Health and Welfare entitled Something Happened. Made in 1987, the short was meant to be played at schools all over Sweden as an educational film about AIDS, but was canceled when it was three-fourths complete because of its overly dark nature and controversial use of sources. The official explanation was that it was "too dark in its message," and it wasn't officially shown until 1993. His next short film, 1991's World of Glory , developed this style even further and was a critical success, winning both the Canal Plus Award and the Press Prize at the 1992 Clermont-Ferrand Short Film Festival. The film is on a top ten list of all-time best short films, set by the Clermont-Ferrand festival.
1996–present
In March 1996, Andersson began filming Songs from the Second Floor , a film that was completed four years later in May 2000. After its premiere at the 2000 Cannes Film Festival the film also became an international critical success. It won the Jury Prize in Cannes [2] and five Guldbagge Awards in Sweden for best film, direction, cinematography, screenplay and sound. The film was made up of forty-six long tableaux shots, marrying tough, bleak social criticism with his characteristic absurdist dead-pan and surrealism.
Roy Andersson continued his commercial work at Studio 24 and his next film You, the Living premiered at the 2007 Cannes Film Festival as part of the Un Certain Regard selection. The film won the Nordic Council Film Prize in 2008. The Museum of Modern Art in New York City presented a retrospective of Andersson's work in September 2009.
He expressed his desire to make a new film that could be considered the third part in a trilogy together with his two latest films, and publicly stated that he was planning "a third enormous, deep and fantastic, humorous and tragic, philosophical, Dostoyevsky film." [3] In an interview with Ignatiy Vishnevetsky, Andersson revealed that he would be shooting his next film in high-definition video, possibly using the Red One camera, and that it would represent a departure in style from his previous two films. [4] The film, titled A Pigeon Sat on a Branch Reflecting on Existence [5] was released in 2014 and won the Golden Lion for Best Film in competition at the 71st Venice International Film Festival.
The Museum of Arts and Design in New York City presented a retrospective of Andersson's work entitled It's Hard to Be Human: The Cinema of Roy Andersson in 2015. [6] [7]
In 2019 he released his fourth film About Endlessness which won the Silver Lion at the Venice International Film Festival. Peter Bradshaw of The Guardian praised the film writing, "[The film] is another of Andersson’s superb anthologies of the human condition: people with a zombie-white pallor enclosed in enigmatic tableaux, populating his utterly unique world of unreality and artificiality, scenes of tragicomedy inspired by Tati and Monty Python and created with masterly model work and green-screen effects in the studio. He shows moments of all too human weakness, weariness, gentleness, bewilderment, despair; there are nauseating visions of war crimes, returning us to the genocidal horror he showed in his 1991 short film World of Glory." [8]
Tsai Ming-liang is a Malaysian filmmaker based in Taiwan. Tsai has written and directed 11 feature films, many short films, and television films. He is one of the most celebrated "Second New Wave" film directors of Taiwanese cinema. His films have been acclaimed worldwide and have won numerous awards at festivals. In 1994, Tsai won the Golden Lion at the 51st Venice International Film Festival for the film Vive L'Amour.
Fatih Akin is a Turkish-German film director, screenwriter and producer. He has won numerous awards for his films, including the Golden Bear at the Berlin Film Festival for his film Head-On (2004), Best Screenplay at the Cannes Film Festival for his film The Edge of Heaven (2007), and the Golden Globe Award for Best Foreign Language Film for his film In the Fade (2017).
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Hou Hsiao-hsien is a retired Mainland Chinese-born Taiwanese film director, screenwriter, producer and actor. He is a leading figure in world cinema and in Taiwan's New Wave cinema movement. He won the Golden Lion at the Venice Film Festival in 1989 for his film A City of Sadness (1989), and the Best Director award at the Cannes Film Festival in 2015 for The Assassin (2015). Other highly regarded works of his include The Puppetmaster (1993) and Flowers of Shanghai (1998).
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Andrey Petrovich Zvyagintsev is a Russian film director and screenwriter. His film The Return (2003) won him a Golden Lion at the Venice Film Festival. Following The Return, Zvyagintsev directed The Banishment (2007) and Elena (2011). His film Leviathan (2014) was nominated for the Academy Award for Best International Feature Film in 2014 and won the Best Film award at the Asia Pacific Screen Awards. His most recent film Loveless won the Jury Prize at the 2017 Cannes Film Festival, and was among the nominees for Best International Feature Film at the 90th Academy Awards. He also won the Achievement in Directing award for this film at the 2017 Asia Pacific Screen Awards.
Songs from the Second Floor is a Swedish black comedy-drama film which was released to cinemas in Sweden on 6 October 2000, written and directed by Roy Andersson. It presents a series of disconnected vignettes that together interrogate aspects of modern life. It uses quotations from the work of Peruvian poet César Vallejo as a recurring motif.
Nasser Taghvai is an Iranian film director and screenwriter.
You, the Living is a 2007 Swedish black comedy-drama film written and directed by Roy Andersson. The film is an exploration of the "grandeur of existence", centered on the lives of a group of individuals, such as an overweight woman, a disgruntled psychiatrist, a heartbroken groupie, a carpenter, a business consultant, and a school teacher with emotional problems and her rug-selling husband. The basis for the film is an Old Norse proverb, "Man is man's delight", taken from the Poetic Edda poem Hávamál. The title comes from a stanza in Goethe's Roman Elegies, which also appears as a title card in the beginning of the film: "Therefore rejoice, you, the living, in your lovely warm bed, until Lethe's cold wave wets your fleeing foot."
Something Happened is a Swedish film directed by Roy Andersson. The film was conceived as an educational film about AIDS, but raised controversy and was withdrawn. The film claims that HIV was developed in American military laboratories, and that its well-established African origin is a cover-up conspiracy by the Americans. Today the film is regarded as a significant step in the development of the style seen in the director's later and more acclaimed films.
Giliap is a 1975 Swedish drama film directed by Roy Andersson, starring Thommy Berggren as a man who takes a job as a waiter at a hotel. It was a financial and critical failure, and it led to Andersson's not making another feature film for 25 years. Andersson admitted that the film contains flaws, and he said that the main reason for them was that he was not completely in control of the production, and therefore he had to compromise in several scenes. He also suggested that the audience was not ready for the film, expecting it to be more similar to his previous film A Swedish Love Story: "I think they didn't understand what I was doing. Later, when Kubrick came out with Barry Lyndon, people accepted that – it's the same mood. But these things take time."
Georgios "Yorgos" Lanthimos is a Greek filmmaker. He has received numerous accolades, including a BAFTA Film Award as well as nominations for five Academy Awards.
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The 68th annual Venice International Film Festival was held in Venice, Italy between 31 August and 10 September 2011. American film director Darren Aronofsky was announced as the Head of the Jury. American actor and film director Al Pacino was presented with the Glory to the Film-maker award on 4 September, prior to the premiere of his upcoming film Wilde Salomé. Marco Bellocchio was awarded with the Golden Lion for Lifetime Achievement in September. The festival opened with the American film The Ides of March, directed by George Clooney, and closed with Damsels in Distress by Whit Stillman.
The 71st annual Venice International Film Festival took place in Venice, Italy between 27 August to 6 September 2014. The festival opened with Alejandro G. Iñárritu's film Birdman, and closed with Ann Hui's drama film The Golden Era. Italian actress Luisa Ranieri hosted the opening and closing nights of the festival. The Swedish film A Pigeon Sat on a Branch Reflecting on Existence, directed by Roy Andersson, won the Golden Lion, and Joshua Oppenheimer's The Look of Silence won the Grand Jury Prize.
A Pigeon Sat on a Branch Reflecting on Existence is a 2014 internationally co-produced black comedy-drama film written and directed by Roy Andersson. It is the third installment in his "Living" trilogy, following Songs from the Second Floor (2000) and You, the Living (2007). It premiered at the 71st Venice International Film Festival where it was awarded the Golden Lion for Best Film. It was selected as the Swedish entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated. It was released in Sweden on 14 November 2014, by TriArt Film.
The Last Hammer Blow is a 2014 French drama film directed by Alix Delaporte. It was selected to compete for the Golden Lion at the 71st Venice International Film Festival where Romain Paul won the Marcello Mastroianni Award for Best New Young Actor.
Carl-Johan Westregård is a Swedish film director and visual effects artist. His short film Cams premiered at the 71st Venice International Film Festival and was awarded the Special Jury Prize in the Lab Competition of the 2015 Clermont-Ferrand International Short Film Festival.
Coproduction Office, founded in 1987, is composed of four production divisions in Berlin, Paris, Copenhagen and London, and an international sales company, all specialised in Auteur Cinema. Coproduction Office’s founder Philippe Bober has produced forty films to date with twelve of these having been selected to screen in Competition in Cannes, winning two Golden Palms: Triangle of Sadness and The Square both by Ruben Östlund.
The 76th annual Venice International Film Festival was held from 28 August to 7 September 2019.
