Sally Can't Dance | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1974 | |||
Recorded | 18 March – 26 April 1974 | |||
Studio | Electric Lady Studios (Greenwich Village, New York City) | |||
Genre | Glam rock | |||
Length | 32:58 | |||
Label | RCA Victor | |||
Producer |
| |||
Lou Reed chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Chicago Tribune | [2] |
Christgau's Record Guide | B+ [3] |
Tom Hull | C+ [4] |
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. [5] Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. [6] It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States (Reed's previous three albums were all recorded in the United Kingdom). The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
Aside from the title song, Sally Can't Dance includes "N.Y. Stars" (in which Reed pokes fun at "fourth-rate imitators" who tried to impress him by copying his style), "Kill Your Sons" (a reflection of his stay in a psychiatric hospital at his parents' insistence, during his teen years), and "Billy," about the fate of a schoolmate with more "normal" ambitions than he'd had. The latter track reunited Reed with erstwhile Velvet Underground bandmate Doug Yule, playing bass guitar. According to an interview with Yule, the call from Reed was "out of the blue", because Reed thought Yule's bass playing style would work well on the song "Billy", and Yule agreed to play on the song saying he "liked it" and that he had enjoyed the session. [7] More tracks featuring Yule have emerged on a CD re-issue. The title song reached #88 in Canada, [8] while the album itself was #22 for 3 weeks. [9]
The album's tour featured Danny Weis, on guitar; Michael Fonfara, on keyboards; Prakash John, on bass and Pentti "Whitey" Glan, on drums on the European leg. Eric "Mouse" Johnson played drums on the Australian and U.S. sections. The sound engineer for all the live shows was Robin Mayhew, who had previously worked with David Bowie during his Ziggy Stardust period. The following year, Reed contacted Doug Yule again to play guitar on his 1975 world tour. [10]
While the record was a hit and elevated Reed's status as a star, he reportedly was disappointed in its production (in which he took a largely passive role) and the treatment of the songs. Reed remarked, "It seems like the less I'm involved with a record, the bigger a hit it becomes. If I weren't on the record at all next time around, it might go to Number One." In a 1976 interview, Reed stated that Sally Can't Dance was "a piece of shit from beginning to end." [11]
Following the relative critical successes of Transformer , Berlin and Rock 'n' Roll Animal , Sally Can't Dance received largely negative reviews. [12]
Cash Box said of the title song "a bluesy narrative type of vocal singing has made Reed as distinctive a performer as any" that has "the same hit feel" as "Walk on the Wild Side." [13]
In 1974, however, RCA insisted on a rapid follow-up album while Reed's career appeared to be peaking. Tiring of the pressure put on him, and with his contract requiring RCA to release whatever record he gave them, Reed handed over the master tape of Metal Machine Music —an hour of feedback and noise, with no chance of becoming a hit.
All tracks are written by Lou Reed.
Side one
Side two
Bonus tracks
Credits are adapted from the Sally Can't Dance liner notes. [14]
Musicians
Production and artwork
Chart(1973–1974) | Peak Position |
---|---|
Australia (Kent Music Report) [15] | 14 |
Dutch Albums Chart | 18 |
US Billboard Top LPs & Tape [16] | 10 |
Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
Peel Slowly and See is a five-disc box set of material by the Velvet Underground. It was released in September 1995 by Polydor.
Douglas Alan Yule is an American musician and singer, most notable for being a member of the Velvet Underground from 1968 to 1973, serving as the bassist, guitarist, keyboardist and vocalist.
Street Hassle is the eighth solo studio album by American rock musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural recording technology. Street Hassle combines live concert tapes and studio recordings.
Squeeze is the fifth and final studio album released under the Velvet Underground band name, recorded in the autumn of 1972 and released in February 1973 by Polydor Records. The album features Doug Yule from the Lou Reed-era lineup of the group, who wrote and recorded the album almost entirely by himself. Yule had joined the Velvet Underground in October 1968, prior to the band recording their self-titled third album, and Yule had also contributed significantly to the fourth album, Loaded. Following the departures of the remaining founding members, Yule was positioned as the de facto leader of the band. Longtime drummer Maureen Tucker was slated to appear on Squeeze by Yule, but she was dismissed by the band's manager, Steve Sesnick.
Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
VU is a 1985 album by the American musical group the Velvet Underground, a compilation album of outtakes recorded 1968–69. It was released in February 1985 by Verve Records.
Final V.U. 1971–1973 is a box set by the Velvet Underground, comprising live recordings from after founding members Lou Reed and Sterling Morrison had left the group. It was released by Japanese record company Captain Trip Records in August 2001.
The Best of The Velvet Underground: Words and Music of Lou Reed is a compilation album by The Velvet Underground. It was released in October 1989 by Verve Records.
Live at Max's Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records.
Growing Up in Public is the tenth solo studio album by American rock musician Lou Reed, released in April 1980 by Arista Records.
Coney Island Baby is the sixth solo studio album by American rock musician Lou Reed, released in January 1976 by RCA Records.
The Bells is the ninth solo studio album by American rock musician Lou Reed, released in May 1979 by Arista Records. It was recorded in binaural sound at Delta Studios in Wilster, West Germany. Production was handled by Reed with Michael Fonfara serving as executive producer. Three out of nine songs on the album are the product of a short-lived writing partnership between Reed and Nils Lofgren. More of the team's work appeared on Nils' solo studio album Nils, released the same year. Lofgren released his version of "Stupid Man" as "Driftin' Man" on Break Away Angel (2001). Lofgren resurrected five songs he wrote with Reed in the late 70s on Blue with Lou (2019).
Blood, Sweat & Tears 3 is the third album by the band Blood, Sweat & Tears. It was released in June 1970.
Live In Italy is an album by Lou Reed recorded live over two nights in September 1983 using the Rolling Stones Mobile Unit. It was issued on vinyl only in Germany, the United Kingdom and Japan. At the time, Reed and his band were on a world tour to promote the album Legendary Hearts. A live video, A Night with Lou Reed, filmed at a New York concert, was also released to coincide with the album. The video omitted the songs "Betrayed", "Sally Can't Dance", "Average Guy" and "Some Kinda Love"/"Sister Ray" from the 10th show, while adding "Don't Talk to Me About Work", "Women", "Turn Out the Light" and "New Age" from the 7th.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised the singer and guitarist Lou Reed, the Welsh multi-instrumentalist John Cale, the guitarist Sterling Morrison and the drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
Michael Fonfara was a Canadian keyboard player who was most notable for his work as a member of The Electric Flag and Rhinoceros in the 1960s, Rough Trade and Lou Reed's backing band in the 1970s and The Downchild Blues Band, from 1990 to the present. He studied classical piano at The Royal Conservatory of Music. He is a multiple Maple Blues Award winner as Piano/Keyboardist of the year and a Juno Award winner with the Downchild Blues Band. His distinguished musical career was so honoured by the Maple Blues Awards as early as 2000 and a Juno Award in 2014.
Steven Katz is an American guitarist, singer, and record producer who is best known as a member of the rock-pop-jazz group Blood, Sweat & Tears. Katz was an original member of the rock bands the Blues Project and American Flyer. As a producer, his credits include the 1979 album Short Stories Tall Tales for the Irish band Horslips, and the Lou Reed albums Rock 'n' Roll Animal and Sally Can't Dance and the Elliott Murphy album Night Lights.
Night Lights is the third major label album by singer-songwriter Elliott Murphy produced by Steve Katz and recorded at Electric Lady Studio. It was reviewed by Dave Marsh in Rolling Stone, where he wrote, "In 1973 and 1974 it seemed to many of us in New York that it was a tossup whether Bruce Springsteen, the native poet of the mean streets, or Elliott Murphy, the slumming suburbanite with the ironic eye would became a national hero." The album featured guest appearances by fellow Long Island native Billy Joel and former Velvet Underground member Doug Yule. The cover photo of Murphy standing in Times Square early one Sunday Morning was taken by photographer Michael Dakota although stylised by Steven Meisel. The song "Lady Stilletto" was thought to be an homage to Patti Smith.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)