Signifyin' | ||||
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Studio album by Lou Donaldson | ||||
Released | 1963 | |||
Recorded | July 17, 1963 | |||
Studio | A & R Recording Studio, New York, NY | |||
Genre | Jazz | |||
Length | 31:37 | |||
Label | Argo LP-724 | |||
Producer | Esmond Edwards | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Signifyin' is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1963 and performed by Donaldson with Roy Montrell, Tommy Turrentine, Big John Patton, and Ben Dixon. [2]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Lou Donaldson is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Argo Records was a record label in Chicago that was established in 1955 as a division of Chess Records.
The album was awarded 4½ stars in an Allmusic review by Thom Jurek who states "Donaldson has a band that can cook whatever meat he gives them... the band keeps the beats tight, full of deep backbeat funk and raw soul... No matter how you add it up, the only complaint about these six tracks that can justifiably be mustered is that there weren't more". [3]
All compositions by Lou Donaldson except where noted
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
Thomas Walter Turrentine, Jr. was a swing and hard bop trumpeter of the 1940s to 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Mama Too Tight is an album by Archie Shepp released on Impulse! Records in 1967. The album contains tracks recorded by Shepp, Tommy Turrentine, Grachan Moncur III, Roswell Rudd, Howard Johnson, Perry Robinson, Charlie Haden and Beaver Harris in August 1966.
Midnight Sun is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with Horace Parlan, George Tucker, Al Harewood, and Ray Barretto.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring sessions recorded for the Blue Note label in 1961 and 1963, one performed by Donaldson with Brother Jack McDuff, Grant Green and Joe Dukes, and one with Grant Green, Irvin Stokes, Big John Patton and Ben Dixon.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Possum Head is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Bill Hardman, Big John Patton, Ray Crawford, Ben Dixon, and Cleopas Morris.
Musty Rusty is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1965 and performed by Donaldson with Bill Hardman, Billy Gardner, Grant Green, and Ben Dixon.
Hot Dog is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1969 and featuring Donaldson with Ed Williams, Charles Earland, Melvin Sparks, and Leo Morris.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Relaxing at Sea: Live on the QE2 is a live album by jazz saxophonist Lou Donaldson recorded on the RMS Queen Elizabeth 2 cruise ship and released on the Chiaroscuro label featuring Donaldson with Lonnie Smith, Randy Johnston, and Danny Burger with Nicholas Payton added on trumpet on two tracks.
Never Let Me Go is the eighth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Major Holley, Ray Barretto and Al Harewood, with Sam Jones and Clarence Johnston replacing Holley, Barretto and Harewood on two tracks.
A Chip Off the Old Block is an album by American jazz saxophonist Stanley Turrentine. The album features tunes associated with bandleader Count Basie, and was released by Blue Note. Music was performed by Turrentine with organist Shirley Scott, trumpeter Blue Mitchell, bassist Earl May, and drummer Al Harewood.
Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions, and the title track is named for saxophonist Lou Donaldson.
Speakin' My Piece is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
Ben Dixon is an American jazz drummer.
Blue John is an album by American organist John Patton recorded in 1963 but not released on the Blue Note label until 1986.
Oh Baby! is an album by American organist Big John Patton recorded in 1965 and released on the Blue Note label.
Soul Fountain is an album featuring jazz saxophonist Clifford Jordan which was recorded in 1966 and but not released on the Atlantic Records subsidiary Vortex label until 1970.
This is the discography for American jazz musician Grant Green.