Slay-Z | ||||
---|---|---|---|---|
Mixtape by | ||||
Released | March 24, 2016 | |||
Recorded | 2014–2016 | |||
Genre | ||||
Length | 30:05 | |||
Label | Self-released | |||
Producer |
| |||
Azealia Banks chronology | ||||
| ||||
Singles from Slay-Z | ||||
|
Slay-Z is the second mixtape by American rapper Azealia Banks. It was independently released as a free download on March 24, 2016. The eight-song project features collaborations with Rick Ross and Nina Sky; its production was handled by various musicians, including Benga, Coki, An Expresso, and Kaytranada. On July 12, 2017, it was re-released under Banks' record label, Chaos & Glory Recordings, to the iTunes Store and other online music stores.
Following multiple conflicts with record label Interscope Records, Banks released her debut album Broke with Expensive Taste in November 2014 through Prospect Park. The genre-spanning longplayer garnered positive reviews from music critics, [1] and peaked at number 30 on the US Billboard 200. [2] In July 2015, the rapper announced her departure from the aforementioned company; [3] nonetheless, she revealed the following month that her contract with Prospect Park forbade her from releasing new music until March 2016. [4]
Banks originally devised Slay-Z as a tribute to American rapper Jay-Z. [5] "Can't Do It like Me" was initially composed with American singer Rihanna in mind but was instead released solo. [6] Rick Ross's verse on "Big Talk" was originally intended for a remix of Banks' song "Ice Princess," however it was repurposed for Slay-Z due to label complications. [7]
On March 2, 2016, Banks released "Used to Being Alone" for streaming. [8] [9]
Review scores | |
---|---|
Source | Rating |
Exclaim! | 6/10 [10] |
HipHopDX | 3.7/5 [11] |
NME | [12] |
Pitchfork | 7.4/10 [13] |
Spin | 7/10 [14] |
Vice | [15] |
Prior to the release of the mixtape, Banks deactivated her Twitter handle for sixteen days. The rapper activated it on March 24 in order to announce the release of Slay-Z, which was made available for free download through WeTransfer on that day. [16] She further explained that the release had been motivated by the project's engineer leaking its songs. [17] [18]
Slay-Z received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, it received an average score of 75, based on seven reviews. [19] Britt Julious from Pitchfork said the mixtape was not as good as Broke with Expensive Taste , but it still "shimmered with Banks' skill and personality", with tracks that were not always consistent but nevertheless engrossing. [13] NME magazine's Joe Levine called it a "blast" and praised Banks' ability to "bounce effortlessly between genres". [12] New York Times critic Nate Chinen said "where no one can really surpass her is in the convergence of raw hip-hop and electronic dance music", as on the songs "Used to Being Alone", "The Big Big Beat", and "Queen of Clubs". [20]
In a less enthusiastic review, HipHopDX writer Trent Clark said while Banks' talent was apparent on Slay Z, filler such as "Along the Coast" and "Used to Be Alone" suffered from poor musical choices; he described the latter track's beat as "an epileptic seizure of techno disharmony". [11] Robert Christgau gave the mixtape a two-star honorable mention in his blog for Vice , [15] indicating a "likable effort consumers attuned to its overriding aesthetic or individual vision may well enjoy". [21] He cited "Along the Coast" and "The Big Big Beat" as highlights while calling Banks the "seriously fluent, seriously flaky rapper as the dancefloor diva you love more than her beats—or, obviously, her tweets". [15]
On July 12, 2017, the mixtape was re-released commercially through Banks' label, Chaos & Glory Recordings. [22]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Riot" (featuring Nina Sky) |
| Fame School (Slim & Telli) | 3:38 |
2. | "Skylar Diggins" |
| Fame School | 3:17 |
3. | "Big Talk" (featuring Rick Ross) |
|
| 2:44 |
4. | "Can't Do It like Me" | 2:44 | ||
5. | "The Big Big Beat" |
| An Expresso | 3:36 |
6. | "Used to Being Alone" |
| Tony Igy | 2:39 |
7. | "Queen of Clubs" |
|
| 4:29 |
8. | "Along the Coast" |
| Kaytranada | 3:12 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
9. | "Crown" |
| Lunice | 3:44 |
Country | Date | Format | Label | Ref. |
---|---|---|---|---|
Worldwide | March 24, 2016 | Streaming | Self-released | [16] |
July 12, 2017 | Digital download | Chaos & Glory Recordings | [23] | |
Joseph Guillermo Jones II, better known by his stage name Jim Jones, is an American rapper and record executive. He is a founding member of the hip hop collective the Diplomats alongside longtime friend and fellow Harlem native Cam'ron.
Olubowale Victor Akintimehin, better known by his stage name Wale, is an American rapper. He first gained recognition in 2006 when his song "Dig Dug " became popular in his hometown of Washington D.C., leading to Wale gaining local recognition as he continued recording music for the regional audience. Wale became acquainted with English DJ-producer Mark Ronson in 2006, and signed to his label Allido Records the following year. During this time, Wale released several mixtapes which amassed national attention as he appeared on MTV and various Black America-focused magazines.
"I Get Money" is the third single from 50 Cent's third album, Curtis. This song was #14 on Rolling Stone's list of the 100 Best Songs of 2007. The song peaked at #20 on the Billboard Hot 100 and was certified Gold by the RIAA.
Dominique Marquis Cole, known professionally as Domo Genesis, is an American rapper and songwriter. He is best known for being a member of Los Angeles hip hop collective Odd Future. He has since continued his solo career, releasing his debut album Genesis in 2016 and founding his own record label in 2018.
Dominic Ross Hunn, better known by his stage name Dom Kennedy, is an American rapper from Leimert Park, Los Angeles, California. Since 2008, Kennedy has released 5 independent mixtapes, most notably his 2010 critically acclaimed mixtape From the Westside with Love. His first commercial studio album From the Westside with Love II was released on iTunes June 28, 2011. Despite it being his iTunes debut, FTWSWL2 received "a top 10 spot on Hip Hop/Rap albums chart during its release week" and was Kennedy's first album associated with The OpM Company, Kennedy's self-established record label. His song "My Type of Party" was ranked by Complex at #43 in the magazine's Best 50 Songs of 2012 list.
Ariyan Arslani, professionally known as Action Bronson, is an American rapper, songwriter, chef, wrestler, and television presenter. Born and raised in Queens, New York, he released his debut mixtape Bon Appetit ..... Bitch!!!!! in January 2011 and independently released his debut album, Dr. Lecter, in March 2011. In August 2012, Arslani signed his first major-label deal with Warner Bros. Records, but was later moved to the Atlantic Records-distributed label Vice Records.
Azealia Amanda Banks is an American rapper, singer and songwriter. Raised in the Harlem neighborhood of New York City, she began releasing music through Myspace in 2008 before being signed to XL Recordings at age 18. She subsequently signed with Interscope and Polydor Records before separating in 2013. Banks became an independent artist and started her own independent record label, Chaos & Glory Recordings. She later signed to Parlophone and Warner Records before quitting her label in 2023.
Instrumentals is the debut mixtape of American record producer Clams Casino. It was self-released as a free digital download on March 7, 2011. It features instrumentals of tracks that he produced for various rappers, including some bonus songs. In July 2011, Instrumentals was reissued by Type Records as a physical release.
Dreamchasers 2 is the ninth mixtape by American rapper Meek Mill. It was released on May 7, 2012, by Maybach Music Group and Warner Bros. Records, and also released for digital download on DatPiff. It serves as the second installment in the Dreamchasers series, following Dreamchasers (2011). The mixtape features guest appearances from American rappers Travis Scott, Rick Ross, Fabolous, French Montana, Wale, Big Sean, Kendrick Lamar, Mac Miller, 2 Chainz and Canadian rapper Drake – along with singing vocals by Jeremih, Trey Songz and Jordanne; as well as production that was provided by Jahlil Beats, SAP, All Star, Cardiak, Reginald Smith, and Jesse Wilson, among others. The mixtape consists mostly of original material, including a remix to Meek Mill's single from his previous mixtape Dreamchasers, "House Party", and a cover of Drake's "The Ride".
1991 is the debut EP by American rapper Azealia Banks. It was first released on May 28, 2012, in the United Kingdom through Polydor Records and a day later in the United States by Interscope Records. Its lead single, "212", preceded its release on December 6, 2011. Its second single, "Liquorice", was released on December 4, 2012. Banks also released music videos for every song, including the non-singles "1991" and "Van Vogue".
Fantasea is the debut mixtape by American rapper Azealia Banks, released as a free download on July 11, 2012.
Broke with Expensive Taste is the debut studio album by American rapper Azealia Banks. In 2011, Banks started working on the album despite not having signed to a record label at that time. A year later, she signed a contract deal with Interscope and Polydor Records to work on the album. However, she felt dissatisfied with the labels' representatives and consequently, she ended the contract with the labels in July 2014 and signed to Prospect Park. After being delayed for over two years, Broke with Expensive Taste was released on November 7, 2014 by Banks herself and Prospect Park via Caroline Records without any prior announcements at all.
American rapper Azealia Banks has released one studio album, two extended plays (EPs), three mixtapes, twenty-six singles and twelve promotional singles. At the age of seventeen in November 2008, Banks adopted the stage name Miss Bank$ and signed to XL Recordings. However, she ended the contract with the label quickly afterwards due to conflicting ideas. In 2009, Banks released several songs onto the internet for free download, including "Gimme a Chance" and "Seventeen". Following her departure from XL Recordings, Banks dropped her stage name, opting to use her legal name, Azealia Banks.
American rapper Azealia Banks has appeared in twenty-three music videos, two films, one television program and two commercials. As a teenager, Banks studied at the LaGuardia High School of Performing Arts in Manhattan. A film opportunity arose through the school, and at the age of fourteen, Banks featured in the film The American Ruling Class, portraying a singer and a dancer in a cameo role. In 2010, Banks' first music video was released for a demo track titled "L8R", which would go on to be included on her debut mixtape Fantasea two years later. The following year, Banks' second music video was released for her breakout single "212", and has since amassed over two-hundred million views on Banks' official YouTube channel. During the promotional campaign of Banks' debut EP 1991, all songs on the project received a video treatment, including her sophomore single "Liquorice", shot by acclaimed director Rankin. Months after the video for "Liquorice" was released, an alternate version was leaked. In July 2012, Banks released her debut mixtape Fantasea. To promote the mixtape, Banks released three music videos for tracks on the project, "Luxury", "Atlantis", and "Fierce", the latter being shot with clothing company ASOS.
"The Big Big Beat" is a song recorded by American rapper Azealia Banks for her second mixtape Slay-Z (2016). It was released as the lead single from the mixtape on February 19, 2016 after Banks had announced the mixtape in the previous May. Production of the song was handled by new producer An Expresso, while the song was penned by Banks alone. The song contains an uncredited sample of The Notorious B.I.G.'s voice. Lyrically, the track discusses staying true to your roots when you become famous.
"Mindful" is a hip-hop and R&B song by American singer K. Michelle from her third studio album More Issues Than Vogue (2016). T-Pain wrote and produced the song, which Atlantic Records released as the album's third single on February 19, 2016. Throughout the track, Michelle raps the lyrics and warns critics to be "mindful" of her. Some reviewers noted that its uptempo production differed from Michelle's previous singles, and she stated that it was one of the first times she recorded a more light-hearted song.
"Jumanji" is a song recorded by American hip hop artist Azealia Banks for her debut mixtape, Fantasea (2012). The song was released as a free promotional single, available for digital download and streaming via Banks's SoundCloud, on May 11, 2012. "Jumanji" is composed as a tropical track with musical influences including kuduro, dancehall, and calypso music. Instrumentally, the song features a trumpet, a timpani, a harp, and calypso steel drums. The song also features Banks rapping over a beat that was compared by music critics to the work of English musician and producer, M.I.A. Lyrically, the song describes Banks' involvement in media scandals and, as she described, "keeping true to herself". "Jumanji" received acclaim from music critics, who complimented the overall production and Banks's rapping flow. Banks has performed the song live several times, as part of the Mermaid Ball, as well as at the Glastonbury Festival 2013, and Club Nokia in 2015.
"Crown" is a song recorded by Azealia Banks. It was released on February 17, 2017. Production of the song was handled by Lunice, while the song was penned by Banks alone.
"Anna Wintour" is a song recorded by American singer and rapper Azealia Banks. It was released on April 6, 2018, by eOne and Chaos & Glory as the planned lead single from her mixtape Fantasea II: The Second Wave. Production of the song was handled by Junior Sanchez, while the song was penned by Banks, Sanchez, Dorian Strickland, Kevin James, and "Shug". The song is named after Anna Wintour, who is the editor-in-chief of Vogue, and is about self empowerment. The music video was released on May 24, 2018, and surpassed 1 million views in 48 hours.