Broke with Expensive Taste | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 7, 2014 | |||
Recorded | 2011–2014 | |||
Genre | ||||
Length | 60:19 | |||
Label |
| |||
Producer |
| |||
Azealia Banks chronology | ||||
| ||||
Singles from Broke with Expensive Taste | ||||
|
Broke with Expensive Taste is the only studio album by American rapper Azealia Banks, released on November 7, 2014. In 2011, Banks started working on the album despite not having signed to a record label at that time. A year later, she signed a contract deal with Interscope and Polydor Records to work on the album. However, she felt dissatisfied with the labels' representatives and consequently, she ended the contract with the labels in July 2014 and signed to Prospect Park. After being delayed for over two years, Broke with Expensive Taste was released by Banks herself and Prospect Park via Caroline Records without any prior announcements.
Broke with Expensive Taste was described as a hip house and dance-pop record which incorporates elements from a wide range of genres, including hardcore punk, punk, trance, Bounce music, R&B and UK garage. The album received positive reviews from music critics, who praised Banks' musical diversity and opined that the album was "worth the wait".
The record spawned four singles: "Yung Rapunxel", "Heavy Metal and Reflective", "Chasing Time", and "Ice Princess". Broke with Expensive Taste peaked at number 30 on the US Billboard 200 and appeared on record charts of other five countries: Australia, Scotland, Belgium, Ireland, and the United Kingdom. Since its release the album has accumulated over 300 million streams on Spotify. [4] In 2022, Rolling Stone placed it on their list of the '200 Greatest Hip Hop Albums of All Time'. [5]
In 2011, it was reported that Banks was working on a studio album with British producer Paul Epworth despite not having signed to a particular record label at that time. [6] In January 2012, Banks signed a record deal with Interscope and Polydor Records to work on her album, and a month later, she announced the title of the album—Broke with Expensive Taste. [7] Approximately a year later, she handed a complete album in to the labels. Banks initially thought that the album would receive favorable reception from the labels; however, the representatives told Banks that she had not recorded a "hit" single for the album. She consequently recorded a song called "Chasing Time" for the project, yet the label denied the track and forced Banks to choose "Soda" as the lead single, which made Banks become incredulous. Ultimately, Banks ended the record deal with Interscope/Polydor in July 2014. [8] She later approached Jeff Kwatinetz and signed a contract with his company, Prospect Park. [9] She reveals her dissatisfaction to Rolling Stone ,
I just spent a whole 'nother fuckin' four months in the studio trying to come up with some shit, and you want to go with fuckin' 'Soda'? I really just lost it. That was the day you saw me on Twitter, like, 'The fuck? I'm tired of talking to these white guys about my shit.' It felt like they were playing some sort of head game. And you know I love conspiracy theories. I was like, 'They're trying to brainwash me! Fuck these guys!' [8]
In regard to the album's sound, Banks has stated that she was aiming for something "just as stylish and authentic as anything that I do." [10] She added that she did not want to do anything "young [or] mainstream" and described the album as "anti-pop". [11] Steven J. Horowitz from Billboard characterized Broke with Expensive Taste as a hip house record with touchstones from R&B, UK garage, Bounce music and drum and bass. [3] Mark Guiducci of Vogue noted the elements of trance and trap, [9] while The Observer 's Suzie McCracken described the record as "an aggressive strain of hip hop" blending with UK garage, deep house and trap. [1] Writing for The New York Times , Jon Pareles also detailed the fusion of Caribbean beats, punk and surf rock. [12] On behalf of The Irish Times , reviewer Jim Carroll called Broke with Expensive Taste an album of "dance-pop gallivanting". [2]
The album opens with "Idle Delilah", a glitchy mid-tempo track that contains "tropical, thuggish and quirky" sounds and was compared to the work of Lauryn Hill and Missy Elliott due to its use of both rapping and singing, which were noted for being rugged and velvety. [13] "Gimme a Chance" contains feather-light synths, an '80s-style sample, bold brass instruments and haphazard DJ scratches. The song's production changes towards the end and takes influence from a bachata groove, while Banks sings in Spanish. [13] "Ice Princess" is an uptempo song that juxtaposes a sample of Morgan Page's 2011 dance song "In the Air" against a heavy trap drum pattern. [13]
"Yung Rapunxel" sees Banks alternating between rapping and shouting over a manic '90s Hi-NRG-influenced "witch-hop" beat. [14] "Heavy Metal and Reflective" is built over clanging synths and wobbling bass with elements of Bounce. [13] "Chasing Time" is a dance-pop track, [15] [16] that takes influence from UK garage, deep house and jazz music. [17] [18] "Nude Beach a-Go-Go" is an alternate take on Ariel Pink's song of the same name, which is featured on Pom Pom (2014). [19]
In July 2013, Banks announced that the record would be released in the following fall; however, this was delayed to January, and again to March 2014. [20] Ultimately, the album was released by Banks and Prospect Park via Caroline Records on November 7, 2014, without any prior announcements. [21] [22] In December 2013, Banks announced the first four tour dates in support of the album. The tour was set to begin in March 2014 in Glasgow, Scotland. [23] However, in early March 2014, weeks before the opening date, Banks rescheduled the tour dates and cancelled some as the album's release was delayed. [24] The rescheduled tour took place in Europe throughout September.
In January 2015, Banks began to announce tour dates to support the album. Touring began in Japan, in March 2015, and extended throughout the year. [25] The tour marks Banks' first concert in New York since performing at the Bowery Ballroom in 2012 for her debut tour, The Mermaid Ball. [26] Banks also played festivals to support the album, including Coachella, [27] Reading and Leeds, [28] and Glastonbury. [29]
In January 2013, Banks announced that the album's lead single would be "Miss Amor", which would be accompanied by "Miss Camaraderie" as a B-side. [30] Ultimately, the plan was cancelled and later that month, she confirmed that "Yung Rapunxel" would be the official lead single from Broke with Expensive Taste. [31] The track was made available for streaming via SoundCloud in March 2013, [32] and was released for digital sales a month later. [33] "Yung Rapunxel" peaked at number 25 and 152 on the Australian Urban Singles Chart and UK Singles Chart, respectively. [34]
On May 6, 2013, Banks announced that "ATM Jam" featuring Pharrell would serve as the second single from Broke with Expensive Taste. [35] It was released on July 11, 2013. [36] However, due to negative fan feedback and personal disinterest regarding the song, [37] Banks later announced that "ATM Jam" would be removed from the album. [38]
The second official single from Broke with Expensive Taste was "Heavy Metal and Reflective", which was released for digital sales on July 28, 2014. [39] The song peaked at number 40 on the UK Indie Chart. Due to a leak of the song, "Chasing Time" was rush-released as the third single from the project, being released on September 22, 2014, a day after the leak. [40] On March 23, 2015, "Ice Princess" was released as the fourth single from Broke with Expensive Taste. [41] The music video for "Ice Princess", filmed on February 2 and 3, 2015 in Montreal, Quebec, Canada, was released on March 31, 2015. [42]
In further promotional efforts for the album, a music video for a non-single track "Wallace" was filmed in April, 2014 in New York City and released on March 11, 2015. The video is an interactive project released through Google Cloud. [43] Years later on March 20, 2018, Banks released the music video for non-single "Soda". The video portrays Banks walking through the desert and sitting on rocks whilst shots jump to her band playing on the drums. [44]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.3/10 [45] |
Metacritic | 77/100 [46] |
Review scores | |
Source | Rating |
AllMusic | [47] |
Billboard | [3] |
Cuepoint (Expert Witness) | A [48] |
The Guardian | [49] |
Los Angeles Times | [50] |
NME | 7/10 [51] |
The Observer | [1] |
Pitchfork | 8.0/10 [52] |
Rolling Stone | [53] |
The Times | [54] |
Broke with Expensive Taste received positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 77, based on 26 reviews, indicating "generally favorable reviews". [46] In Rolling Stone, Suzy Exposito hailed the record as possibly "the year's boldest release", [53] while Matthew Horton from NME called it "a cascading flood of madcap imagination". [51] Suzie McCracken of The Observer deemed it "a contender for album of the year" while praising the music's eclecticism: "Banks immerses herself in 90s nostalgia, spitting darkly and sharply over tracks full of elements of UK garage, deep house and trap (an aggressive strain of hip-hop)." [1] Brennan Carley from Spin felt that Banks displayed a "burst of personality" and on an album "dripping in confidence, class, bursts of brilliance, and personality". [55] Critic Robert Christgau commended her vocal performances but stated that while her understanding of sex was more dynamic than her male counterparts', "her troubles are the usual star-time overindulgences, and just about every terrific song here is a boast one way or another. Yet just about every song is a serious pleasure regardless." [48]
In a less enthusiastic review for Clash , Mike Diver felt the album was as much enjoyable as it was "schizophrenic and really quite silly in places". [56] Nolan Feeney of Time qualified his praise of Banks' ability to make the lines in her raps sound melodious: "She lines up syllables like a firing squad, repeating the same sounds and hums and clicks with a sing-song-y cadence. When she's in the zone, it's vaguely hypnotic. The downside is that it's also a limited tool set — her flows sometimes sound too much like her other verses. Get deep into one Azealia Banks song, and you'll often hear a line or two that remind you of another." [57] Fred Thomas from AllMusic said the record's highlights, including "the time-tested singles", were spoiled by musically incongruous filler, making it feel "like a piecemeal collection of tracks that spike and dip in terms of quality and intent". [47]
Broke with Expensive Taste appeared on several publications' lists of 2014's best albums. It was ranked number 38 by Spin, [58] number 25 by Pitchfork , [59] number 15 by Complex , [60] number 10 by Boston Globe critic James Reed [61] and Nolan Feeney from Time, [62] and number 3 by Jon Pareles of The New York Times [12] and Cosmopolitan editor Eliza Thompson. [63] In Rolling Stone's list of the year's best rap records, it was named the 10th best and "the sort of effortless triumph that deserves to outshine the Internet circus". [64] Broke with Expensive Taste was also voted the 14th best album of 2014 in the Pazz & Jop, an annual poll of American critics nationwide, published by The Village Voice . [65] Robert Christgau, the poll's creator, named it the year's 7th best album in his own ballot. [66]
Broke with Expensive Taste debuted at number 62 on the UK Albums Chart for the week ending November 15, 2014, with 1,751 copies sold. [67] The album debuted at number 30 on the US Billboard 200, selling 11,000 copies. [68] In its second week of sales, the album dropped to number 105 on the chart, selling an additional 4,096 copies. [69] As of April 2015, Broke with Expensive Taste has sold 31,000 copies in the United States. [70]
Credits for Broke with Expensive Taste are adapted from the digital booklet. [71]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Idle Delilah" |
| Pearson Sound | 4:32 |
2. | "Gimme a Chance" |
|
| 3:54 |
3. | "Desperado" |
| M. J. Cole | 3:57 |
4. | "JFK" (featuring Theophilus London) |
| Boddika | 5:00 |
5. | "212" (featuring Lazy Jay) |
| Lazy Jay | 3:25 |
6. | "Wallace" |
|
| 3:51 |
7. | "Heavy Metal and Reflective" |
| Lil Internet | 2:37 |
8. | "BBD" |
|
| 3:18 |
9. | "Ice Princess" |
| AraabMuzik | 3:43 |
10. | "Yung Rapunxel" |
| Lil Internet | 4:00 |
11. | "Soda" |
| SCNTST | 3:43 |
12. | "Chasing Time" |
| Pop Wansel | 3:30 |
13. | "Luxury" |
| Machinedrum | 2:48 |
14. | "Nude Beach a-Go-Go" |
| Ariel Pink | 2:20 |
15. | "Miss Amor" |
| Lone | 4:28 |
16. | "Miss Camaraderie" |
| Lone | 5:09 |
Total length: | 60:19 |
No. | Title | Length |
---|---|---|
17. | "Chasing Time" (Amorphous Atmospheric Trap Remix) | 5:26 |
Sample credits
Credits adapted from AllMusic. [73]
|
|
Chart (2014) | Peak position |
---|---|
Australian Albums (ARIA) [74] | 49 |
Australian Urban Albums (ARIA) [75] | 2 |
Belgian Albums (Ultratop Flanders) [76] | 197 |
Irish Albums (IRMA) [77] | 79 |
Irish Independent Albums (IRMA) [78] | 15 |
Scottish Albums (OCC) [79] | 58 |
UK Albums (OCC) [80] | 62 |
UK Independent Albums (OCC) [81] | 5 |
UK R&B Albums (OCC) [82] | 6 |
US Billboard 200 [83] | 30 |
US Independent Albums (Billboard) [84] | 2 |
US Top R&B/Hip-Hop Albums (Billboard) [85] | 3 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
Various | November 7, 2014 | Digital download |
| |
United States | March 3, 2015 | CD | Prospect Park | [87] |
United Kingdom | March 20, 2015 | Caroline International | [88] | |
United States | October 30, 2015 | 2xLP | Prospect Park |
Trevor McFedries, is a musician who worked as a DJ, producer, and director for acts including Ke$ha, Azealia Banks, Katy Perry, Chris Brown, Steve Aoki, and others. He toured alongside Katy Perry on her 2011 California Dreams Tour. McFedries has also performed at music festivals Lollapalooza and Coachella, served as an entrepreneur-in-residence at Bad Robot, and was an early employee at Spotify. He is the co-founder and CEO of technology startup Brud and the creator of virtual pop star Lil Miquela.
Azealia Amanda Banks is an American rapper, singer and songwriter. Raised in the Harlem neighborhood of New York City, she began releasing music through Myspace in 2008 before being signed to XL Recordings at age 18. She subsequently signed with Interscope and Polydor Records before separating in 2013. Banks became an independent artist and started her own independent record label, Chaos & Glory Recordings. She later signed to Parlophone and Warner Records before quitting her label in 2023.
"212" is the debut single by American rapper Azealia Banks. It features Lazy Jay, the alias of Belgian disc jockey Jef Martens and his brother Toon. Released on December 6, 2011, in the United Kingdom as the lead single for Banks' debut extended play, 1991 (2012), "212" was later included in her debut studio album, Broke with Expensive Taste (2014). Built around Lazy Jay's track "Float My Boat", "212" has been described as a hip house, electro house, and dance rap track. The song reflects Banks' adolescence in Harlem, New York, and features her rapping over cunnilingus.
1991 is the debut EP by American rapper Azealia Banks. It was first released on May 28, 2012, in the United Kingdom through Polydor Records and a day later in the United States by Interscope Records. Its lead single, "212", preceded its release on December 6, 2011. Its second single, "Liquorice", was released on December 4, 2012. Banks also released music videos for every song, including the non-singles "1991" and "Van Vogue".
Fantasea is the debut mixtape by American rapper Azealia Banks, released as a free download on July 11, 2012.
American rapper Azealia Banks has released one studio album, two extended plays (EPs), three mixtapes, twenty-six singles and twelve promotional singles. At the age of seventeen in November 2008, Banks adopted the stage name Miss Bank$ and signed to XL Recordings. However, she ended the contract with the label quickly afterwards due to conflicting ideas. In 2009, Banks released several songs onto the internet for free download, including "Gimme a Chance" and "Seventeen". Following her departure from XL Recordings, Banks dropped her stage name, opting to use her legal name, Azealia Banks.
"Yung Rapunxel" is a song recorded by American singer/rapper Azealia Banks for her debut studio album titled Broke with Expensive Taste. Interscope Records released the song as the album's first single to mainstream radio on April 16, 2013. The track contains an interpolation of the song "No More Drama" by R&B singer Mary J. Blige. On March 11, 2013, the song was made available for online streaming via SoundCloud. The song was performed by Banks during the Glastonbury Festival in June 2013.
"ATM Jam" is a song by American rapper Azealia Banks featuring vocals and sole production from Pharrell Williams. The track was released in 2013, originally serving as the second single from Banks' debut studio album, Broke with Expensive Taste (2014). The track debuted on June 29, 2013, as part of the rapper's set at Glastonbury Festival 2013, with New York radio station Hot 97 premiering the clean, shortened version of the studio recording three days later on July 2. On July 11, 2013, the full studio version of "ATM Jam" was officially released for radio airplay on BBC Radio 1. On November 9, 2013, Azealia tweeted that she would be taking "ATM Jam" off the album and that the song was meant to be a "passing chapter" and not a single.
Migos were an American hip hop group founded in Lawrenceville, Georgia, in 2008. The group was composed of rapper Quavo, his nephew Takeoff, and their cousin friend Offset. Quavo is from Athens, Georgia, while Offset and Takeoff were born and raised in nearby Lawrenceville. As a group, they were managed by Coach K, the former manager of Gucci Mane and Jeezy, and frequently collaborated with producers DJ Durel, Murda Beatz, Zaytoven, and Buddah Bless. Recognized for their contribution to trap music in the 2010s, Billboard stated that the group "influenced pop culture and the entire English language by bringing their North Atlanta roots to the mainstream".
"Heavy Metal and Reflective" is a song recorded by American rapper Azealia Banks for her debut studio album Broke with Expensive Taste (2014). It was released as the second single from the album on July 28, 2014. Production of the song was handled by Lil Internet, who previously worked with Banks on her 2013 single "Yung Rapunxel", while writing came from Banks and James Strife. The track received generally mixed reviews from critics, who complimented the song's overall sound, but were critical of Banks' vocals. To promote "Heavy Metal and Reflective", Banks released a music video for the song on August 5, 2014, directed by Rob Soucy and Nick Ace, in which Banks escapes from being kidnapped and left in the desert, before leading a motorcycle gang through the terrain, arming herself with pit bulls.
Empire Distribution, Records and Publishing Inc. is an independent American record label, distribution and publishing company founded in 2010 by Ghazi Shami. Based in San Francisco, EMPIRE has offices in New York, London, Lagos, and Johannesburg in addition to recording studios in San Francisco and New York.
"Chasing Time" is a song recorded by American rapper Azealia Banks for her debut studio album, Broke with Expensive Taste (2014). It was released as the third single from the album on September 22, 2014. Production of the song was handled by Andrew "Pop" Wansel, while it was written by Banks, Ronnie Colson, Warren "Oak" Felder, Jonathan Harris, Steve Mostyn, Kelly Sheehan and Pop Wansel. Lyrically, the track discusses Banks recovering from a breakup.
Pom Pom is the tenth studio album by American recording artist Ariel Pink, released on November 17, 2014 through 4AD. It was his first release credited solely to himself, and his last on 4AD. Several of its songs were co-written with the ailing Kim Fowley, who died the following January. Critics generally gave the album positive reviews. Only one single was issued from the album: "Put Your Number in My Phone".
"Ice Princess" is a song recorded by American rapper Azealia Banks for her debut studio album Broke with Expensive Taste (2014). It was released as the fourth single from the album on March 23, 2015. Production of the song was handled by AraabMuzik, while it was written by Banks, Kevin James, and Jonathan Harris. "Ice Princess" contains a sample of "In the Air", originally produced by progressive house DJ Morgan Page. Lyrically, Banks brags about her wealth, with Jordan Sargent of Pitchfork Media describing it as Banks "spitting knotty rhymes about her diamonds". "Ice Princess" garnered praise from music critics, with one describing the song as "Banks at her best". To promote the song, an accompanying music video for the track was released on March 31, 2015. It features Banks ruling over a kingdom of ice warriors, flying through the sky destroying anything colorful while turning everything into ice.
"Wallace" is a song recorded by American rapper Azealia Banks for her debut studio album Broke with Expensive Taste (2014). The song was written by Banks, Kevin James, Filip Nikolić and Trevor McFedries, while production of the song was provided by the latter two. Lyrically, the track describes a man with a rottweiler head and depicts Banks killing him. Musically, the song is of both R&B and hardcore hip hop origins. In 2015, Banks released a music video for "Wallace" directed by Rob Soucy and Nick Ace. The video for "Wallace" was released via the Google Cloud Platform. Banks performed the song during the 2015 Coachella Festival and on her Broke with Expensive Taste Tour.
American rapper Azealia Banks has appeared in twenty-three music videos, two films, one television program and two commercials. As a teenager, Banks studied at the LaGuardia High School of Performing Arts in Manhattan. A film opportunity arose through the school, and at the age of fourteen, Banks featured in the film The American Ruling Class, portraying a singer and a dancer in a cameo role. In 2010, Banks' first music video was released for a demo track titled "L8R", which would go on to be included on her debut mixtape Fantasea two years later. The following year, Banks' second music video was released for her breakout single "212", and has since amassed over two-hundred million views on Banks' official YouTube channel. During the promotional campaign of Banks' debut EP 1991, all songs on the project received a video treatment, including her sophomore single "Liquorice", shot by acclaimed director Rankin. Months after the video for "Liquorice" was released, an alternate version was leaked. In July 2012, Banks released her debut mixtape Fantasea. To promote the mixtape, Banks released three music videos for tracks on the project, "Luxury", "Atlantis", and "Fierce", the latter being shot with clothing company ASOS.
"BBD" is a song recorded by American rapper Azealia Banks for her debut studio album Broke with Expensive Taste (2014). It was released as the first promotional single from the album on January 1, 2013. Production of the song was handled by Apple Juice Kid, with Sup Doodle providing co-production for the track. Banks, Jonathan Harris and Kevin James all contributed to the song's writing. Critical reception of the song was generally positive, with critics claiming the song to be one of the first party anthems of the new year. Banks clarified on her Twitter account that "BBD" was not the first official single from Broke with Expensive Taste, writing "Y'all know i love dropping songs tho! Lol".
Slay-Z is the second mixtape by American rapper Azealia Banks. It was independently released as a free download on March 24, 2016. The eight-song project features collaborations with Rick Ross and Nina Sky; its production was handled by various musicians, including Benga, Coki, An Expresso, and Kaytranada. On July 12, 2017, it was re-released under Banks' record label, Chaos & Glory Recordings, to the iTunes Store and other online music stores.
"Chi Chi" is a song recorded by American rapper Azealia Banks. The track was written by Banks, and produced by Jonathan Harris. Banks first premiered the song exclusively via her online store website CheapyXO.com. On June 6, the single became available to online music stores through Romanian record label Global Records.
{{cite news}}
: CS1 maint: bot: original URL status unknown (link){{cite magazine}}
: CS1 maint: multiple names: authors list (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)