St. Michael's | |
---|---|
Church of St. Michael's | |
Michaeliskirche or St. Michaelis | |
52°09′10″N09°56′37″E / 52.15278°N 9.94361°E | |
Location | Hildesheim |
Country | Germany |
Denomination | simultaneum (Lutheran and Catholic) |
Website | michaelis-hildesheim |
History | |
Status | parish church |
Dedication | |
Consecrated | 1022 |
Architecture | |
Functional status | active |
Architectural type | basilica with 2 quires and 2 transepts |
Style | Romanesque Gothic (southern side windows) |
Groundbreaking | late 10th century |
Completed | late 12th century |
Specifications | |
Length | overall: 74.75 metres (245.2 ft) nave between crossings: 27.34 metres (89.7 ft) transepts: 40.01 metres (131.3 ft) |
Width | nave: 22.75 metres (74.6 ft) transepts: 11.38 metres (37.3 ft) |
Nave width | 8.6 metres (28 ft), centre nave |
Nave height | 16.7 metres (55 ft) |
Number of spires | 2 crossing towers and 4 side towers |
Bells | 10 |
Administration | |
Synod | Lutheran Church of Hanover, Diocese of Hildesheim |
Deanery | Hildesheim-Sarstedt (Kirchenkreis), Hildesheim (Dekanat) |
Parish | Kirchengemeinde St. Michaelis, Hildesheim (Lutheran), Pfarrgemeinde St. Godehard, Hildesheim (Catholic) |
Clergy | |
Provost | Land Superintendent Eckhard Gorka , Hildesheim-Göttingen diocese |
Official name | St Michael's Lutheran Church |
Part of | St Mary's Cathedral and St Michael's Church at Hildesheim |
Criteria | Cultural: (i), (ii), (iii) |
Reference | 187bis-001 |
Inscription | 1985 (9th Session) |
Extensions | 2008 |
Area | 0.58 ha (1.4 acres) |
Buffer zone | 157.68 ha (389.6 acres) |
The Church of St. Michael (German: Michaeliskirche) is an early-Romanesque church in Hildesheim, Germany. It has been on the UNESCO World Cultural Heritage list (along with the nearby Hildesheim Cathedral) since 1985 due to its Romanesque architecture and art that can be found within, such as the Tree of Jesse and the now relocated Bernward doors. Now, St. Michael a shared church due to the Protestant reformation, with the main area of the church being Lutheran and the crypt being Roman Catholic.
Bishop Bernward of Hildesheim (996–1022) commissioned this Benedictine monastery which was to be constructed on a hill linked with the archangel Michael just half a kilometer north of the city walls of his seat (Hildesheim). The creation of the church began in 1010 and the unfinished monastery was dedicated to the Archangel Michael on the archangel's feast day (29 September), by Bernward in 1022, mere weeks before his death. Along with Bernward's significant influence on the building of the Abbey, he was personally trained in bronze casting as well as other professions including "painting and metalwork" which he honed during his time as a private tutor to Otto lll. [1] This knowledge proved valuable when he took a leading role in the creation of the church.
After Bernward's death, construction was continued under his successor, Bishop Godehard (died 1038), who completed the work in 1031 and reconsecrated the church to Michael on 29 September of that year. After the church's completion, Godehard transported Bernward's remains from their original resting place to the crypt of the Abbey after its completion in 1033. [2]
The church has double choirs east and west, double tripartite transepts at either end of the nave, and six towers—two large ones over the crossings east and west, and four other tall and narrow ones attached to the small sides of the two transepts. The eastern choir featured three apses, and the west had a deep chapel with a huge single apse rising high over an elaborate cross-vaulted hall crypt with an ambulatory. Bishop Bernward's remains were placed in the western crypt.
The monastery comprised a church family and had two other sanctuaries dedicated to Martin and the Holy Cross lying in the cloister that extended northward from St. Michael's north flank. The monastery and church opened southward toward the city of Hildesheim, its south flank comprising a facade of a sort. It seems likely that the monastery on the Hill of St. Michael was surrounded by a wall. [3]
In 1186, after a reconstruction following a fire, Hildesheim's Bishop Adelog of Dorstedt – assisted by Tammo, Prince-Bishop of Verden – reconsecrated St. Michael's.
During the Reformation ca. 1542, with the support of governmental bodies overseeing Hildesheim, newly empowered Lutheran Protestants began to systematically overtake parts of the church and left very little to the previously administrative monastic body. [4] Under this new ownership, much of the structural elements of the church were damaged, but with the help of modern technology, many of these places in the church affected by a lack of maintenance have been cared for, and much of the church has been rebuilt to emulate its former appearance. [4]
St. Michael's Church also was heavily damaged by a British air raid on 22 March 1945. Reconstruction on the church began in 1950 and was completed in 1957.
St. Michael's Church is a double-choir basilica with two transepts and a square tower at each crossing. The west choir is emphasized by an ambulatory and a crypt. Nikolaus Pevsner wrote that St. Michael's "is the earliest surviving example of a truly Romanesque exterior." [5]
The ground plan of the building follows a geometrical conception, in which the square of the transept crossing in the ground plan constitutes the key measuring unit for the entire church. The square units are defined by the alternation of columns and piers. Pevsner described this as a "more thorough 'metrical system' " than found in any prior Romanesque architecture. [6]
During his time as Otto's tutor, it is recorded that Bernward visited Rome and lived there for a time. [7] During this time abroad, Bernward would have taken notice to the Early Christian Basilicas in Rome which were notorious for their unexciting interiors at this time. [7] Through the many architectural feats and intricacies found in the church such as the Tree of Jesse and the Bernward doors, we see the Bishop completely rejecting this practice of monotony.
The ceiling of the church is decorated with a fresco, 27.6 m long and 8.7 m wide, depicting the Tree of Jesse, the ancestral line of Jesus. [8] This artwork, created around 1130, was created using over 1,300 oak planks and was heavily restored to its current form in 2010. [2]
The famous Bernward Doors, which feature bronze reliefs of scenes from the Bible, were most likely commissioned after 1008, and were originally ordered for St. Michael's but are now found at the nearby Cathedral of Hildesheim. [9] These incredibly detailed doors depict 16 scenes in total and begin with scenes on the left with stories of Genesis and move into New Testament depictions on the right. [10] The doors were crafted in this way to allow the viewer the opportunity to see the decline and Holy Redemption of humanity through Christ's resurrection. [10] Also, many of these stories depicted in the doors were almost certainly drawn from works Bernward himself encountered on his various travels. [10]
St. Michael's Church is situated at the Western rim of the city centre of Hildesheim, on the so-called Michaelishügel ("St. Michael's Hill"). The main entrance to the Church is on the south side. Magdalenengarten, a baroque park, is very close to the church in the west. The cloister is also accessible from there. It leads to the Church's contemporary (administrative) buildings. From the south and east of the Hill is Hildesheim's downtown, to the west is the River Innerste and in the north the Gymnasium Andreanum school.
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing. Light double lines in perimeter walls indicate glazed windows. Dashed lines show the ribs of the vaulting overhead. By convention, ecclesiastical floorplans are shown map-fashion, with north to the top and the liturgical east end to the right.
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Rochester Cathedral, formally the Cathedral Church of Christ and the Blessed Virgin Mary, is in Rochester, Kent, England. The cathedral is the mother church of the Anglican Diocese of Rochester and seat (cathedra) of the Bishop of Rochester, the second oldest bishopric in England after that of the Archbishop of Canterbury. The cathedral, built in the Norman style is a Grade I listed building.
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Hildesheim Cathedral, officially the Cathedral of the Assumption of Mary or simply St. Mary's Cathedral, is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.
The church of St. Andreas is the principal Lutheran church of Hildesheim, Germany, not to be confounded with the Catholic Hildesheim Cathedral. Its tower is 114.5 metres (376 ft) tall, making it the tallest church tower in Lower Saxony; it is accessible and offers a panoramic view of both the city and surrounding countryside.
Bernward was the thirteenth Bishop of Hildesheim from 993 until his death in 1022.
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St. Bernward's Church is a Catholic church in the city of Hildesheim in Lower Saxony, Germany. The name refers to the bishop Bernward of Hildesheim (960-1022) who was canonized by Pope Celestine III.
The Bernward Doors are the two leaves of a pair of Ottonian or Romanesque bronze doors, made c. 1015 for Hildesheim Cathedral in Germany. They were commissioned by Bishop Bernward of Hildesheim (938–1022). The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art, and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Bernward Column also known as the Christ Column is a bronze column, made c. 1020 for St. Michael's Church in Hildesheim, Germany, and regarded as a masterpiece of Ottonian art. It was commissioned by Bernward, the thirteenth bishop of Hildesheim in 1020, and made at the same time. It depicts images from the life of Jesus, arranged in a helix similar to Trajan's Column: it was originally topped with a cross or crucifix. During the 19th century, it was moved to a courtyard and later to Hildesheim Cathedral. During the restoration of the cathedral from 2010 to 2014, it was moved back to its original location in St. Michael's, but was returned to the Cathedral in August 2014.
St. Godehard is a church in Hildesheim, Germany, formerly the church of a Benedictine abbey. It remained almost unaltered through the centuries and was not damaged much in World War II. It is one of the most important examples of Romanesque architecture in Germany.
St. Bernward is a Catholic church and parish in Döhren, part of Hanover, the capital of Lower Saxony, Germany. It was consecrated in 1893 to Bernward of Hildesheim, when part of Christoph Hehl's design of a basilica in Romanesque revival style were built, but was completed after World War II. Major artwork was added for the centenary in 1993. It became the centre of a larger parish in 2010.