St. Michael's | |
---|---|
Church of St. Michael's | |
Michaeliskirche or St. Michaelis | |
52°09′10″N09°56′37″E / 52.15278°N 9.94361°E | |
Location | Hildesheim |
Country | Germany |
Denomination | simultaneum (Lutheran and Catholic) |
Website | michaelis-hildesheim |
History | |
Status | parish church |
Dedication | |
Consecrated | 1022 |
Architecture | |
Functional status | active |
Architectural type | basilica with 2 quires and 2 transepts |
Style | Romanesque Gothic (southern side windows) |
Groundbreaking | late 10th century |
Completed | late 12th century |
Specifications | |
Length | overall: 74.75 metres (245.2 ft) nave between crossings: 27.34 metres (89.7 ft) transepts: 40.01 metres (131.3 ft) |
Width | nave: 22.75 metres (74.6 ft) transepts: 11.38 metres (37.3 ft) |
Nave width | 8.6 metres (28 ft), centre nave |
Nave height | 16.7 metres (55 ft) |
Number of spires | 2 crossing towers and 4 side towers |
Bells | 10 |
Administration | |
Synod | Lutheran Church of Hanover, Diocese of Hildesheim |
Deanery | Hildesheim-Sarstedt (Kirchenkreis), Hildesheim (Dekanat) |
Clergy | |
Provost | Land Superintendent Eckhard Gorka , Hildesheim-Göttingen diocese |
Official name | St Michael's Lutheran Church |
Part of | St Mary's Cathedral and St Michael's Church at Hildesheim |
Criteria | Cultural: (i), (ii), (iii) |
Reference | 187bis-001 |
Inscription | 1985 (9th Session) |
Extensions | 2008 |
Area | 0.58 ha (1.4 acres) |
Buffer zone | 157.68 ha (389.6 acres) |
The Church of St. Michael (German: Michaeliskirche) is an early-Romanesque church located in Hildesheim, Germany. It has been on the UNESCO World Cultural Heritage list since 1985 due to the before mentioned early-Romanesque architecture and art found within such as the Tree of Jesse and the now relocated Bernward Doors.
Following the Protestant reformation, St. Michael's became a shared church, with the majority of the structure being Lutheran and the crypt Roman Catholic.
Bishop Bernward of Hildesheim (996–1022) commissioned this Benedictine monastery to be constructed on a hill linked with the archangel Michael just half a kilometer north of the city walls of his seat in Hildesheim. The structuring of the church began in 1010 and the unfinished monastery was dedicated to the Archangel Michael on archangel's feast day (29 September) in 1022 by Bernward, mere weeks before his death. Along with Bernward's significant influence on the building, layout, and physicality of the Abbey, he was personally trained in bronze casting as well as "painting and metalwork" which he honed during his time as a private tutor to Otto lll. [1] This knowledge proved valuable within his critical position in the creation of the church, and we see much of his personal Romanesque style, which he garnered with Otto lll in Rome, within.
As Bernward died before the completion of the church, construction was continued under his successor, Bishop Godehard, who completed the work in 1031 and reconsecrated the church to Michael on 29 September of that same year. After the church's completion in 1033, Godehard transported Bernward's remains from their original resting place to the crypt of the Abbey. [2]
The monastery comprises a church family and has two other sanctuaries dedicated to Martin and the Holy Cross lying in the cloister that extended northward from St. Michael's north flank. The monastery and church open southward toward the city of Hildesheim, its south flank comprising a facade of a sort. With this information, it seems likely that the monastery on the Hill of St. Michael was surrounded by a wall. [3]
In 1186, after a reconstruction following a fire, Hildesheim's Bishop Adelog of Dorstedt – assisted by Tammo, Prince-Bishop of Verden – reconsecrated St. Michael's.
During the Reformation ca. 1542, with the support of governmental bodies overseeing Hildesheim, newly empowered Lutheran Protestants began to systematically overtake parts of the church and left very little to the previously administrative monastic body. [4] Under this new ownership, much of the structural elements of the church were damaged, but with the help of modern technology, many of these places in the church affected by a lack of maintenance have been cared for, and much of the church has been rebuilt to emulate its former appearance. [4]
St. Michael's Church also was heavily damaged by a British air raid on 22 March 1945. Reconstruction on the church began in 1950 and was completed in 1957.
St. Michael's Church is a double-choir basilica with two tripartite transepts at either end of the nave and a square tower at each crossing. Along with these large towers at the crossings, there are four other tall and narrow towers attached to the small sides of the two transepts.
The eastern choir featured three apses, and the west choir is emphasized by a single apse rising high over an elaborate cross-vaulted crypt with an ambulatory. Nikolaus Pevsner wrote that St. Michael's "is the earliest surviving example of a truly Romanesque exterior." [5]
The ground plan of the building follows a geometrical conception, in which the square of the transept crossing in the ground plan constitutes the key measuring unit for the entire church. The square units are defined by the alternation of columns and piers. Pevsner described this as a "more thorough 'metrical system'" than found in any prior Romanesque architecture. [6]
During his time as Otto's tutor, it is recorded that Bernward visited Rome and lived there for a time. [7] During this time abroad, Bernward would have taken notice to the Early Christian Basilicas in Rome which were notorious for their unexciting interiors at this time. [7] Through the many architectural feats and intricacies found in the church such as the Tree of Jesse and the Bernward doors, we see the Bishop completely rejecting this practice of monotony previously found in many popular, current works. [8]
The ceiling of the church is decorated with a fresco, 27.6 m long and 8.7 m wide, depicting the Tree of Jesse, the ancestral line of Jesus. [9] This artwork, created around 1130, was created using over 1,300 oak planks and was heavily restored to its current form in 2010. [2]
The famous Bernward Doors, which feature bronze reliefs of scenes from the Bible, were most likely commissioned after 1008, and were originally ordered for St. Michael's by Bernward but are now found at the nearby Cathedral of Hildesheim. [10] These incredibly detailed doors depict 16 scenes in total and begin with scenes on the left with stories of Genesis and move into New Testament depictions on the right. [11] The doors were crafted in this way to allow the viewer the opportunity to see the decline and Holy Redemption of humanity through Christ's resurrection. [11] Along with this, many of the stories depicted in the doors were almost certainly drawn from works Bernward himself encountered on his various travels. [11]
St. Michael's Church is situated at the Western rim of the city centre of Hildesheim, on the so-called Michaelishügel ("St. Michael's Hill"). The main entrance to the Church is on the south side. Magdalenengarten, a baroque park, is very close to the church in the west. The cloister is also accessible from there. It leads to the Church's contemporary (administrative) buildings. From the south and east of the Hill is Hildesheim's downtown, to the west is the River Innerste and in the north the Gymnasium Andreanum school.
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing. Light double lines in perimeter walls indicate glazed windows. Dashed lines show the ribs of the vaulting overhead. By convention, ecclesiastical floorplans are shown map-fashion, with north to the top and the liturgical east end to the right.
Hildesheim is a city in Lower Saxony, in north-central Germany with 101,693 inhabitants. It is in the district of Hildesheim, about 30 km (19 mi) southeast of Hanover on the banks of the Innerste River, a small tributary of the Leine River.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
Rochester Cathedral, formally the Cathedral Church of Christ and the Blessed Virgin Mary, is in Rochester, Kent, England. The cathedral is the mother church of the Anglican Diocese of Rochester and seat (cathedra) of the Bishop of Rochester, the second oldest bishopric in England after that of the Archbishop of Canterbury. The cathedral, built in the Norman style is a Grade I listed building.
Hildesheim Cathedral, officially the Cathedral of the Assumption of Mary or simply St. Mary's Cathedral, is a medieval Roman Catholic cathedral in the city centre of Hildesheim in Lower Saxony, Germany, that serves as the seat of the Diocese of Hildesheim. The cathedral has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church because of its unique art and outstanding Romanesque architecture.
Ottonian architecture is an architectural style which evolved during the reign of Emperor Otto the Great. The style was found in Germany and lasted from the mid 10th century until the mid 11th century.
The church of St. Andreas is the principal Lutheran church of Hildesheim, Germany, not to be confounded with the Catholic Hildesheim Cathedral. Its tower is 114.5 metres (376 ft) tall, making it the tallest church tower in Lower Saxony; it is accessible and offers a panoramic view of both the city and surrounding countryside.
Bernward was the thirteenth Bishop of Hildesheim from 993 until his death in 1022.
The Basilica di San Zeno is a minor basilica of Verona, northern Italy constructed between 967 and 1398 AD. Its fame rests partly on its Romanesque architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare's Romeo and Juliet.
The Monastery of Santa Maria de Ripoll is a Benedictine monastery, built in the Romanesque style, located in the town of Ripoll in Catalonia, Spain. Although much of the present church is 19th century rebuilding, the sculptured portico is a renowned work of Romanesque art.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
Sophia I, a member of the royal Ottonian dynasty, was Abbess of Gandersheim from 1002, and from 1011 also Abbess of Essen. The daughter of Emperor Otto II and his consort Theophanu, she was an important kingmaker in medieval Germany.
St. Bernward's Church is a Catholic church in the city of Hildesheim in Lower Saxony, Germany. The name refers to the bishop Bernward of Hildesheim (960-1022) who was canonized by Pope Celestine III.
The Hezilo chandelier is an 11th-century Romanesque wheel chandelier. It is part of the treasures of the Hildesheim Cathedral in Hildesheim, Germany, which has been a UNESCO World Cultural Heritage site since 1985. The chandelier was most likely commissioned by Bishop Hezilo of Hildesheim, who rebuilt the cathedral after a fire. He probably also influenced the program of imagery and inscriptions. It is the largest of four extant wheel chandeliers of the period; the others surviving examples are the Azelin chandelier, the Barbarossa chandelier in the Aachen Cathedral, and the Hartwig chandelier in the Abbey of Comburg.
The Bernward Doors are the two leaves of a pair of Ottonian or Romanesque bronze doors, made c. 1015 for Hildesheim Cathedral in Germany. They were commissioned by Bishop Bernward of Hildesheim (938–1022). The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art, and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Bernward Column also known as the Christ Column is a bronze column, made c. 1020 for St. Michael's Church in Hildesheim, Germany, and regarded as a masterpiece of Ottonian art. It was commissioned by Bernward, the thirteenth bishop of Hildesheim in 1020, and made at the same time. It depicts images from the life of Jesus, arranged in a helix similar to Trajan's Column: it was originally topped with a cross or crucifix. During the 19th century, it was moved to a courtyard and later to Hildesheim Cathedral. During the restoration of the cathedral from 2010 to 2014, it was moved back to its original location in St. Michael's, but was returned to the Cathedral in August 2014.
Trani Cathedral is a Roman Catholic cathedral dedicated to Saint Nicholas the Pilgrim in Trani, Apulia, south-eastern Italy. Formerly the seat of the archbishop of Trani, it is now that of the archbishop of Trani-Barletta-Bisceglie. Consecrated in 1143, is one of the main examples of Apulian Romanesque architecture.
St. Godehard is a church in Hildesheim, Germany, formerly the church of a Benedictine abbey. It remained almost unaltered through the centuries and was not damaged much in World War II. It is one of the most important examples of Romanesque architecture in Germany.