Star Ocean: Till the End of Time

Last updated
Star Ocean: Till the End of Time
Sotteotbox.jpg
Developer(s) tri-Ace
Publisher(s) Original
Enix
Director's Cut
Square Enix (JP/NA)
Ubisoft (EU/AU)
Director(s) Yoshiharu Gotanda
Producer(s) Yoshinori Yamagishi
Hajime Kojima
Designer(s) Masaki Norimoto
Artist(s) Jun Sato
Keiichi Asai
Writer(s) Yoshiharu Gotanda
Hiroshi Ogawa
Composer(s) Motoi Sakuraba
Series Star Ocean
Platform(s) PlayStation 2
ReleaseOriginal version
  • JP: February 27, 2003
Director's Cut
  • JP: January 22, 2004
  • NA: August 31, 2004
  • AU: September 30, 2004
  • EU: October 1, 2004
Genre(s) Action role-playing
Mode(s) Single-player, multiplayer (Director's Cut only)

Star Ocean: Till the End of Time [lower-alpha 1] is an action role-playing game, the third main game in the Star Ocean series. The game was developed by tri-Ace and published by Square Enix for the PlayStation 2 console. It was released in Japan, North America, and the PAL territories. The original Japanese release date was in February 2003 by Enix, its penultimate release before its merger to become Square Enix. It was re-released in 2004 as a two-disc Director's Cut version with bonus features such as new characters and dungeons. The North American and European versions are based on the Director's Cut version with Ubisoft handling publishing rights in Europe. [1] [2] Till the End of Time takes place four hundred years after the events of Star Ocean: The Second Story .

Contents

Gameplay

While having many similarities to its predecessor, Star Ocean: Till the End of Time includes many elements that make it unique among the majority of role-playing video games. Instead of menu-driven combat, Star Ocean 3 offers real-time interactive combat, similar to the .hack and Tales series. Battles occur when running into enemies on the main travel field or when certain pre-scripted events occur. In battle, the player directly controls one character, while the other two characters are controlled by AI. The player can, however, choose the tactics used by AI characters or switch which character they are directly controlling.

Fayt (left), Nel (center), and Adray (right) fighting an enemy in a battle. Star ocean till the end of time battle gameplay.jpg
Fayt (left), Nel (center), and Adray (right) fighting an enemy in a battle.

Enemy attacks can target either a player's hit points (HP) or mental points (MP). Players will also lose HP from using special attacks or lose MP from using symbology or runeology, which is functionally equivalent to magic in other games. [3] If a character loses all of their HP or, unlike most games, if they lose all of their MP, they are knocked out and unable to continue participation in the battle (unless certain revival items are used). Each character also has a Fury meter, which governs how fast the character moves over the battle screen, and how often actions can be performed. Standing still will replenish Fury, while any movement will continue to drain it or cause the character to lag. If all three characters are defeated, the game is over and the player must reload from their last saved game. If all the enemies are defeated, the player is awarded money (Fol) and experience points (EXP). When some groups of enemies are defeated, the player's characters can also receive a small amount of HP/MP, to counteract the HP/MP that was lost as a result of using special attacks or symbology/runeology.

When the player strikes an enemy, the Bonus Battle Gauge will fill. When the gauge reaches full capacity, the player will enter "Bonus Battle". In "Bonus Battle", the player receives special bonuses, which can help benefit a character's EXP, Fol, items received after battle, etc. However, if a character receives a critical hit, runs away from battle, or dies, the gauge will deplete completely, resulting in the end of "Bonus Battle" and any bonuses the player received. The Bonus Battle Gauge will also reset if the player turns the game off and turns it back on, or restarts their save file.

Like the previous games in the series, the game contains an Item Creation feature that allows the player to create and enhance a multitude of items. A variety of trades are offered, including Cookery, Alchemy, Engineering, and Smithery. Workshops for Item Creation are scattered throughout the towns and dungeons of the game and can be invested in by the player to allow a wider variety of items to be made there. Once a player invents an item, they can file for a patent, and get money from the profits made off selling those items in various shops. The player is also able to recruit inventors to aid them in creating various items.

The Director's Cut version added a VS. Mode to battle against a second player or against the computer. Up to two human players could compete, either against each other or against another character controlled by the computer. Another addition was the use of "Battle Trophies" which may be acquired by completing various challenges in combat. For example, a player can receive a battle trophy for winning a battle in under 30 seconds, or for defeating a boss without receiving damage. Earning battle trophies unlocks bonus options such as harder game difficulty levels, alternate costumes, and a sound test.

Story

Setting

The universe of Star Ocean is science fiction in nature, although like the first two games in the series, much of the plot is set on an "underdeveloped planet". The game is set in S.D 772 (A.D 2858). It features a galaxy-spanning government in the Pangalactic Federation, several races and species of aliens, different factions, multiple colonized planets, and advanced technology. Despite having a science fiction atmosphere, a form of magic exists in the universe: symbology, also known as heraldry in the Japanese version and in Star Ocean: The Second Story . Standard symbology involves tattooing crests and runes onto one's flesh to draw out apparently latent power in the form of spells, and numerous underdeveloped planets make extensive use of it. Despite its supernatural connotations, symbology is treated as a legitimate field of scientific study in-universe.

Plot

Fayt Leingod, son of symbological geneticist Robert Leingod, accompanies his family on a vacation to Hyda IV, alongside the family of his childhood friend Sophia Esteed. Without warning, the planet is hit by an unprovoked attack by the Vendeeni — an alien civilization with highly advanced technology that spans only a single planet — which prompts the Pangalactic Federation to declare war on them. Both Fayt and Sophia manage to escape by a Federation starship with their family, only for the Vendeeni to attack it. Seeking an escape pod on the ship, Fayt finds himself separated from his family, and eventually becomes stranded on Vanguard III, an "underdeveloped plant" on par with the technology of 16th Century Earth. Whilst offering to help some of the inhabitants deal with a threat posed by an exiled off-world criminal, he finds himself encountering Cliff Fittir, a member of the anti-Federation organization Quark, who came searching for him.

Unwilling to explain the reason why, except that Quark's leader wishes to speak to him, Fayt agrees to accompany Cliff and his assistant, Mirage, in their ship. However, the Vendeeni track down the vessel and attack it, forcing the group to crash-land on Elicoor II, another underdeveloped world with technology on par with 17th century Earth. The group quickly find themselves captured by the Kingdom of Airyglyph, which is currently locked in a war with its neighbour Aquaria, and who presume that the three off-worlders are engineers from the technologically advanced continent of Greeton based on what they witnessed of their ship's design after its arrival. Imprisoned to attract what knowledge they have on their technology, Fayt, Cliff and Mirage are resecued by Nel Zelpher, an agent from Aquaria, who seeks their assistance in turning the tide of the war in Aquaria's favor, under threat she will kill them to avoid Airyglyph using them to the country's advantage. With little choice, the group agree to assist, becoming embroiled in the conflict. As the war descends into a final battle between the two nations, two Vendeeni battleships track down Fayt and enters the planet's orbit, threatening both nations. Finding himself threatened, Fayt unexpectedly taps into a previously unknown power of his to destroy it.

In the resulting chaos, Quark's leader, Maria Traydor, manages to track down Fayt, Cliff and Mirage, and contacts them, revealing she intends to interrogate Fayt's father over "crimes" he committed, revealing they involve Fayt's power. Learning the Vendeeni have taken control of an unusual artifact that is out-of-place on Elicoor II, the group confront them to force them off planet, encountering Robert being held prisoner at the site. The battle leads to Robert being fatally wounded, dying before Maria can learn the scope of his experiments into Symbology. Forced to leave Elicoor II, Fayt travels with Quark, accompanied by his allies (including one from his recent adventures in Elicoor II), to uncover more behind recent events. To the party's horror, they learn that a new threat recently arrived following the attack on Hyda IV, in the form of ultra-powerful space-borne beings calling themselves "Executioners". With both the Vendeeni and Federation powerless to stop them, Earth is soon attacked and devastated. Seeking answers, the party uses a hint from Robert to seek answers at a research facility on the Moon, where Fayt finds himself reunited with Sophia. A search of the facilities records reveals that Fayt, Sophia and Maria were all the product of a major project in symbological genetics.

The project came about following the discovery of an extremely advanced structure known as a Time Gate on the planet Styx. When the explorers who found it activated it, a voice informed them that their species forays in to symbological genetics had angered a being called the "Creator", and that they were to face sentencing for their actions. In response, the Federation determined the Time Gate was a link to beings from another plane of existence, referred to as "4D Space", and that the power of Symbology could be used to access it. Robert and his wife Ryoko, and Clive Esteed, Sophia's father, decided to use their offspring for a major Symbological experiment; Maria, who was adopted by one of Robert's colleagues, Jessie Traydor, was also included in the project. All three were Symbologically altered — Fayt gained the power of Destruction, Maria the power of Alteration, and Sophia the power of Connection — allowing them the power to activate the Time Gate when together and access the Creator's dimension. The Vendeeni found out about the project, and sought out all three in hopes of avoiding their destruction. With the knowledge they acquire, the party travel to Styx, dealing with the Executioners' forces, and accessing the Time Game, traveling into 4D Space.

Once in 4D Space, the party discover their universe is actually not real in relation to the dimension's inhabitants, but a massive computer simulation dubbed the "Eternal Sphere" — a massively multiplayer online game for the inhabitants of 4D Space, created by Luther Lansfeld, the owner of the Sphere Company. Fayt and the others learn that the Executioners are anti-viruses, sent in by Luther to delete what he believes to be anomalies in the Milky Way section of the Eternal Sphere. However, his sister, Blair, who helps the party learn the nature of their existence, determines the inhabitants of the Eternal Sphere have achieved a level of sentience equal to that of 4D citizens. Luther, considering the universe to be "mere data", become furious with being unable to contain the situation and decides to delete the entire Eternal Sphere, forcing Fayt and the others to fight him and ultimately defeat him. Even though Luther is deleted in his arrogance, the party discover they cannot stop the universe facing deletion. Unwilling to let that happen, Fayt determines that their sentience makes it impossible for the universe to be destroyed, resulting in the will of its inhabitants to undo the damage and make themselves independent of 4D Space. The party goes their separate ways with the situation resolved, with Fayt's "affection" level dictating whether he goes with one of them or goes off on his own.

Development

One of the major influences of the design changes from Star Ocean: The Second Story to Till the End of Time was Star Trek . [4] The combat system was mostly unaltered from the previous title, but characters were rendered in 3D instead of 2D and more strategy was incorporated into the fights. [4] Transitioning to a completely 3D environment from a 2D/3D mix was a lengthy process, and was only possible due to the increased power of the PlayStation 2 console. [4] In terms of story message, game producer Yoshinori Yamagishi stated that the main message the game communicates is one of "trust". [4] Several characters and dungeons did not make the cut for the final version of the game, but most of what developers wanted found its way into the game. [4] Gameplay balance was adjusted between the Japanese and American releases, as well as fixing various technical errors that occurred in the original Japanese release. [4]

Soundtrack

The music for this game was composed by Motoi Sakuraba, a long-time collaborator with tri-Ace. The soundtrack was eventually released in four parts:

The limited edition of Volume 1 also came with a box to hold all four albums.

When the game was revised into the Director's Cut, Sakuraba composed a few new pieces of music and released an album for them.

The song "The Small Bird That Forgot How To Fly" (飛び方を忘れた小さな鳥, Tobikata Wo Wasureta Chiisana Tori) by the JPop singer Misia was used to accompany the game's ending credits.

Reception

Initially, the game received a somewhat negative impression in Japan. Parts of the game were alleged to be buggy, and the game refused to work at all in older SCPH-10000 PlayStation 2s. Enix blamed Sony, as they had coded Star Ocean 3 with features from updated libraries that were apparently not backward-compatible. [11] Sony denied all responsibility. Regardless, it impacted the game's sales, and Enix released the Director's Cut in 2004 to assuage grievances about the original by fixing the bugs and adding features. In North America, the game was initially well received among both critics and players, with GameRankings, a compilation of critical reviews, giving it an average score of 80.99%. Star Ocean 3 was the 96th-best seller among console games of the PS2/GameCube/Xbox generation as of July 2006; it had estimated U.S. sales of 630,000 copies, with revenues of $23 million. [12] In Japan, the original release sold 533,373 in 2003, [13] [14] while the Director's Cut sold 207,881 copies between 2004 and 2009, [15] bringing worldwide sales to 1,371,254 units. IGN placed Till the End of Time at number 58 on their "Top 100 PlayStation 2 Games" list. [16]

Notes

  1. ↑ Known in Japan as Star Ocean 3 (スターオーシャン3, Sutā Ōshan Surī).

Related Research Articles

<i>Kingdom Hearts</i> (video game) 2002 video game

Kingdom Hearts is a 2002 action role-playing video game developed by Square for the PlayStation 2 video game console. It is the first game in the Kingdom Hearts series and is the result of a collaboration between Square and The Walt Disney Company. An expanded re-release of the game featuring new and additional content, Kingdom Hearts Final Mix, was released exclusively in Japan in December 2002. The Final Mix version of the game was later remastered in high definition and released globally as part of the Kingdom Hearts HD 1.5 Remix collection for the PlayStation 3. The game was later ported and released as part of the bundled Kingdom Hearts HD 1.5 + 2.5 Remix collection for PlayStation 4 in March 2017, Xbox One in February 2020, Windows in March 2021, and Nintendo Switch in February 2022.

<i>Final Fantasy XII</i> 2006 video game

Final Fantasy XII is a 2006 role-playing video game developed and published by Square Enix. The twelfth main installment of the Final Fantasy series, it was first released for the PlayStation 2 in March 2006. It introduced several innovations to the series: an open world; a seamless battle system; a controllable camera; a customizable "gambit" system, which lets the player control the artificial intelligence (AI) of characters in battle; a "license" system, which determines what abilities and equipment can be used by characters; and hunting side quests, which allows the player to find and defeat increasingly difficult monsters in the game's open world. Final Fantasy XII also includes elements from previous games in the series, such as Chocobos and Moogles.

Star Ocean is a franchise of science fantasy role-playing video games developed by the Japanese company tri-Ace and published by Square Enix.

<i>Star Ocean</i> (video game) 1996 video game

Star Ocean is a 1996 action role-playing game developed by tri-Ace and published by Enix for the Super Famicom. The first game in the Star Ocean series, it was released only in Japan in July 1996, and was the first game developed by tri-Ace, consisting of staff that had previously left Wolf Team due to being unhappy with the development process for Tales of Phantasia with Namco in 1995. The game used a special compression chip in its cartridge to compress and store all of the game's data due to possessing graphics that pushed the limits of the Super Famicom. Additionally, the game had voice acting for the game's intro and voice clips that played during the game's battle gameplay, a rarity for games on the system.

<i>Star Ocean: The Second Story</i> 1998 action role-playing game

Star Ocean: The Second Story, known in Japan as Star Ocean: Second Story, is an action role-playing video game developed by tri-Ace and published by Enix for the PlayStation. It is the second game in the Star Ocean series and the first game in the series to be released outside Japan, arriving in North America in June 1999 and Europe in April 2000, by Sony Computer Entertainment. Taking place in a science fantasy universe, the story centers around a young man named Claude C. Kenny, a cadet from a space-faring Earth organization who is stranded on an undeveloped, medieval-level planet. There, he meets several companions and must stop a plot from an evil organization that spans multiple worlds before finding his way home. The game was the basis of manga and anime adaptations.

<i>Dirge of Cerberus: Final Fantasy VII</i> 2006 video game

is a 2006 action role-playing third-person shooter video game developed and published by Square Enix for the PlayStation 2. It is part of the Compilation of Final Fantasy VII metaseries, a multimedia collection set within the universe of Final Fantasy VII. The game is set three years after the events of the original game and focuses on one of the game's playable characters, Vincent Valentine. In the story, Vincent is targeted by Deepground, a mysterious organization that plans to awaken a creature known as Omega, with the ability to destroy the Planet.

<i>Unlimited Saga</i> 2002 role-playing video game

Unlimited Saga is a 2002 role-playing video game developed and published by Square for the PlayStation 2 as the ninth game in the SaGa series. It was released in 2002 in Japan and 2003 in North America and Europe; its European version was published by Atari Europe. The story follows seven characters as they explore mysteries connected to the Seven Wonders, artifacts left by an ancient civilization said to be capable of triggering a golden age. Battles carry over the skill-based levelling systems and nonlinear structure of earlier SaGa titles, with an exploration structure similar to a board game.

<i>Robotrek</i> 1994 video game

Robotrek, known in Japan as , is a role-playing video game (RPG) for the Super Nintendo Entertainment System (SNES). It was developed by Quintet and published by Enix in both Japan and North America in 1994. Set on the fictional planet Quintenix, the game puts the player in control of a budding robotics expert who is the son of a famous inventor.

<i>Romancing SaGa</i> 1992 video game

Romancing SaGa is a 1992 role-playing video game developed and published by Square for the Super Famicom. It is the fourth entry in the SaGa series. It was subsequently released for the WonderSwan Color in 2001 and mobile phones in 2009. A remake for the PlayStation 2, subtitled Minstrel Song in Japan, was released in both Japan and North America in 2005 by Square Enix. A remaster of Minstrel Song was released worldwide in 2022 for Android, iOS, Nintendo Switch, PlayStation 4, PlayStation 5 and Windows.

<i>Star Ocean: Blue Sphere</i> 2001 video game

is an action role-playing video game developed by tri-Ace and published by Enix for the Game Boy Color handheld video game console in June 2001. It is a spin-off entry in the Star Ocean series, acting as a direct sequel to the 1998 PlayStation title Star Ocean: The Second Story. It was later remade for mobile devices, releasing in 2009.

<i>Radiata Stories</i> 2005 video game

Radiata Stories is an action role-playing video game. It was developed by tri-Ace and published by Square Enix for the PlayStation 2. It was released on January 27, 2005 in Japan and September 6 in North America.

<i>Grandia Xtreme</i> 2002 video game

Grandia Xtreme is a 2002 role-playing video game developed by Game Arts and published by Enix for the PlayStation 2 video game console. The game is part of the Grandia series. It was released by publisher Square Enix for PlayStation Network in Japan on December 17, 2014.

<i>Valkyrie Profile 2: Silmeria</i> 2006 video game

Valkyrie Profile 2: Silmeria is the second installment of the Valkyrie Profile series, which was developed by tri-Ace and published by Square Enix. It was released for PlayStation 2 in 2006 in Japan and North America, and in 2007 in Australia and Europe. It went on to be re-released as a Square Enix "Ultimate Release".

<i>Rogue Galaxy</i> 2005 video game

Rogue Galaxy is an action role-playing video game developed by Level-5 and published by Sony Computer Entertainment for the PlayStation 2. The game was released in Japan in December 2005, in North America in January 2007, and in most European countries and Australia in September of the same year. A director's cut of the game was released in Japan in March 2007, which includes all of the added features and improvements made for the North American and European localizations.

<i>Code Age Commanders</i> 2005 video game

Code Age Commanders: Tsugu Mono Tsugareru Mono is a Japan-exclusive action role-playing game developed and published by Square Enix on October 13, 2005, for the PlayStation 2. It is part of the Code Age series, a franchise created by video game artist Yusuke Naora and designed to span different interweaved titles in multiple platforms and media. The series consists of Commanders, the mobile phone game Code Age Brawls, and the manga Code Age Archives. The story depicts the struggles of people surviving in a fictional "intraglobular world" menaced by impending destruction, mysterious warped creatures, and different factions warring against each other. The game focuses successively on the viewpoints of four main protagonists.

<i>Star Ocean: The Last Hope</i> 2009 video game

Star Ocean: The Last Hope is a 2009 action role-playing video game developed by tri-Ace and published by Square Enix for the Xbox 360, and the fourth installment in the Star Ocean series. The game's battle system features four party members, and is more team-oriented. It also features more of a sci-fi emphasis than past titles with the ability to control the player's ship. The ship is able to land on at least 5 planets or other space-based destinations. Players are able to travel through the "star ocean", jumping across planets. The game takes place a few centuries before the original Star Ocean, and revolves around Edge and his crew combating a mysterious threat called the "Grigori".

Tasty Planet is a top-down and side-scroller video game franchise developed by Vancouver-based studio Dingo Games and published by Delaware-based PlayFirst and Dingo Games for Windows, Macintosh, Linux, iOS, and Android.

<i>Chaos Rings II</i> 2012 video game

Chaos Rings II was a role-playing video game developed by Media.Vision and published by Square Enix. The game released on 14 March 2012, one day ahead of schedule. Effective May 31, 2016, Square Enix ended distribution of this game, and it is no longer available for download except on the Amazon App Store. It is the sequel to Chaos Rings, and the third game in the Chaos Rings series that consists of the prequel Chaos Rings Omega and the original game. A teaser trailer for the game has been released by Square Enix. Like the previous games in the series, the game features voice acting. The game was taken down from app stores on May 31, 2016.

<i>Star Ocean: Integrity and Faithlessness</i> 2016 video game

Star Ocean: Integrity and Faithlessness is an action role-playing video game developed by tri-Ace and published by Square Enix for the PlayStation 4 and PlayStation 3. It is the fifth major installment in the Star Ocean series, following Star Ocean: The Last Hope.

<i>Star Ocean: Anamnesis</i> 2016 video game

Star Ocean: Anamnesis was a free-to-play role-playing video game developed by tri-Ace and published by Square Enix for Android and iOS devices. It was created in celebration of the Star Ocean series' 20th anniversary, and featured characters from all previous titles in the franchise, as well as music from series composer Motoi Sakuraba. The game was released in Japan in December 2016, and worldwide in July 2018. The global version of the game was shut down in November 2019, and the Japanese one in June 2021.

References

  1. ↑ Fahey, Rob (May 5, 2004). "Ubisoft to publish Square Enix' Star Ocean 3 in Europe". GamesIndustry International. Retrieved May 26, 2012.
  2. 1 2 Bethany Massimilla (August 30, 2004). "Star Ocean: Till the End of Time Review". GameSpot. Archived from the original on 2012-04-22. Retrieved May 26, 2012.
  3. ↑ Symbology (Heraldry in Japanese) and runeology are equivalent terms for the same concept in-game. The same concept was called "Heraldry" in Star Ocean: The Second Story.
  4. 1 2 3 4 5 6 IGN Staff (2003-05-16). "E3 2003: Star Ocean: Till the End of Time Interview". IGN. Retrieved 2016-04-03.
  5. ↑ "Star Ocean: Till the End of Time for PlayStation 2". GameRankings . CBS Interactive . Retrieved May 26, 2012.
  6. ↑ "Star Ocean: Till the End of Time for PlayStation 2 Reviews". Metacritic . CBS Interactive . Retrieved July 26, 2018.
  7. ↑ "Star Ocean 3: Till the End of Time for PlayStation 4 Reviews". Metacritic . CBS Interactive . Retrieved July 26, 2018.
  8. ↑ "スターオーシャン Till the End of Time [PS2]" [Star Ocean Till the End of Time [PS2]] (in Japanese). Famitsu. Retrieved September 4, 2015.
  9. ↑ "Star Ocean: Till the End of Time review". Game Informer. Archived from the original on October 11, 2007.
  10. ↑ Jeremy Dunham (August 6, 2004). "Star Ocean: Till the End of Time - PlayStation 2 Review". IGN. Retrieved May 26, 2012.
  11. ↑ Putnam, Gabriel (March 8, 2003). "Enix Lays Star Ocean 3 Failures at Sony's Feet". RPGamer.com. Archived from the original on December 28, 2008. Retrieved January 2, 2009.
  12. ↑ Edge Staff (July 29, 2006). "The Top 100 Games of the 21st Century". Edge-Online.com. Archived from the original on 2012-05-23. Retrieved 2009-01-02.
  13. ↑ "Sony PS2 Japanese Ranking". Japan-GameCharts.com. Archived from the original on December 16, 2008. Retrieved 2009-01-02.
  14. ↑ "2003年ゲームソフト年間売上TOP300" [2003 Game Software Annual Sales Top 300]. Famitsū Gēmu Hakusho 2004ファミ通ゲーム白書2004 [Famitsu Game Whitebook 2004] (in Japanese). Tokyo: Enterbrain. 2004. Archived from the original on 2014-10-09.
  15. ↑ "Star Ocean 3 Till the End of Time Director's Cut". Japan Game Sales Database. 2009. Retrieved October 14, 2018.
  16. ↑ "#58: Star Ocean: Till the End of Time". IGN. Retrieved April 4, 2016.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.