Straight Ahead | ||||
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Studio album by | ||||
Released | 1985 | |||
Recorded | November 24 & December 7, 1984 | |||
Genre | Jazz | |||
Label | Blue Note | |||
Producer | Stanley Turrentine | |||
Stanley Turrentine chronology | ||||
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Straight Ahead is an album by jazz saxophonist Stanley Turrentine, his first recording for the Blue Note label since Another Story in 1969, featuring four performances by Turrentine with Jimmy Smith, George Benson, Ron Carter and Jimmy Madison, and two tracks with Les McCann, Jimmy Ponder, Peter Brown, and Gerrick King. [1]
The Allmusic review awarded the album 3 stars and states "Great combination of musicians as on earlier cookers, but time has passed — it does not come off. Pleasant enough though, but lacks high spots". [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
Stanley William Turrentine was an American jazz tenor saxophonist. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues." In the 1960s Turrentine was married to organist Shirley Scott, with whom he frequently recorded, and he was the younger brother of trumpeter Tommy Turrentine.
Don't Mess With Mister T. is a Stanley Turrentine album produced by Creed Taylor on his label, CTI. It was arranged by Bob James and recorded at Van Gelder Studio in June 1973.
Life Fight is an album by trumpeter Freddie Hubbard recorded in January 1987 and released on the Blue Note label. It features performances by Hubbard, Larry Willis, Stanley Turrentine, George Benson, and Ralph Moore.
The Sugar Man is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, Sugar for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until the 1980s, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Look of Love is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and arranged by Duke Pearson and Thad Jones.
Common Touch is an album by jazz saxophonist Stanley Turrentine featuring Shirley Scott recorded for the Blue Note label in 1968 and performed by Turrentine with Shirley Scott, Jimmy Ponder, Bob Cranshaw and Leo Morris. The CD reissue added one bonus track recorded in a different session and originally released on Ain't No Way. The other four tracks may be found on the CD reissue of Easy Walker.
Always Something There is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and performed by Turrentine with orchestra and strings arranged by Thad Jones.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
Up with Donald Byrd is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock, and Kenny Burrell recorded in 1964. It was released on the Verve label in 1965 as V/V6 8609.
Olinga is an album by vibraphonist Milt Jackson recorded in 1974 and released on the CTI label.
Stan "The Man" Turrentine is the debut album recorded in 1960 by jazz saxophonist Stanley Turrentine originally released on the Time label in 1963, and subsequently re-released on Mainstream as Tiger Tail.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Nightwings is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1977 and featuring performances by Turrentine with an orchestra arranged and conducted by Claus Ogerman.
Les McCann Ltd. in New York is a live album by pianist Les McCann recorded in 1961 and released on the Pacific Jazz label.
Comment is an album by pianist/vocalist Les McCann recorded in 1969 and released on the Atlantic label.