Stream of Life

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"Stream of Life" is a Bengali poem written by Indian Nobel Laureate Rabindranath Tagore and translated by him into English. It first appeared in the collection Gitanjali , where it is numbered #69 out of the 157 poems; [1] Tagore received the Nobel Prize for Literature in 1913 for its English translation, Song Offerings .

Contents

The poem consists of five sentences, with the first phrase — "The same stream of life..." — providing the English title. Tagore repeats the phrase "the same life" as he likens the life within him (the blood in his veins) to the sap in grass and flowers, to the ebb and flow of "the ocean-cradle," to the rhythms in music and dancing, and to the flowing stream of time. [1]

Analysis

Poetry scholars discuss his use of Nature in symbol and imagery. "Nature occupies a central place in Tagore's poetry, serving as a source of inspiration, solace, and spiritual renewal," writes Anupamratanshanker Nagar, continuing,

Tagore's deep reverence for the natural world is evident in poems such as "The Stream of Life," where he celebrates the cyclical rhythms of nature and the interconnectedness of all living beings:

The same stream of life that runs through my veins night and day
runs through the world and dances in rhythmic measures.
It is the same life that shoots in joy through the dust of the earth
in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

Here, Tagore evokes the image of life as an eternal stream, flowing through the landscape of the earth and nourishing all living things, transcending the boundaries of individual existence. [2]

In another article, Nagar sees the maternal part of Mother Nature in Tagore's poetry: "The 'stream of life' is a recurring feminine symbol that signifies vitality and continuity. This universal connection emphasizes the shared humanity and equal worth of all individuals, regardless of gender." [3] Literary critic Dhanjyoti Gogoi uses the word "eco-mystical" to describe the poem and describes "a minute observation of the components of nature with individual involvement in it." Like Nagar, Gogoi also quotes the first two lines to illustrate how Tagore "elevated the trivial to the eternal." [4] Professor Kiran Miglani identifies "the note of self-suffering mystic experience" in the poem's penultimate line, "I feel my limbs are made glorious by the touch of this world of life." [5]

"Praan"

Retitled "Praan" for a song version, which was set to music composed by Garry Schyman and sung by Palbasha Siddique, the poem gained worldwide fame as the lyrics for the score of Matt Harding's viral "Where the Hell is Matt? 2008" video. The Minnesota online news site MinnPost reported at the time, "The video was downloaded to the web on Saturday, June 20, 2008. By Sunday, it had 1 million hits." [6] The song went on to be among the top ten of Amazon's soundtrack downloads over a week and was also in the top 100 of all of its MP3 downloads in 2009. [7]

The lyrics, which are in Bengali, run:

Bengali English transliteration Word for Word translation
প্রাণ

ভুলবো না আর সহজেতে

সেই প্রাণে মন উঠবে মেতে

মৃত্যু মাঝে ঢাকা আছে

যে অন্তহীন প্রাণ

বজ্রে তোমার বাজে বাঁশি

সেকি সহজ গান

সেই সুরেতে জাগবো আমি

সেই ঝড় যেন সই আনন্দে

চিত্তবীণার তারে

সপ্তসিন্ধু দশ দিগন্ত

নাচাও যে ঝঙ্কারে

বজ্রে তোমার বাজে বাঁশি

সেকি সহজ গান

সেই সুরেতে জাগবো আমি

Praan

Bhulbona ar shohojete

Shei praan e mon uthbe mete

Mrittu majhe dhaka ache

je ontohin praan

Bojre tomar baje bashi

She ki shohoj gaan

Shei shurete jagbo ami

Shei jhor jeno shoi anonde

Chittobinar taare

Shopto-Shindhu dosh digonto

Nachao je jhonkare!

Life

I shall not ever easily forget,

My heart shall fill up with life,

Even in death, lies hidden

That endless life

In the lightning and thunder, your flute plays,

But that is no ordinary tune,

I shall wake up to that tune. X2

In the lightning and thunder, your flute plays,

But that is no ordinary tune,

Let me have, that very tune.

May I happily weather that storm,

Even on the verge of lifelessness,

Across 7 rivers, in 10 directions,

Make us dance with your tune.


In 2013, Canadian journalist Amitava Kar wrote a feature story about Harding, Schyman, Siddique, and "Praan" for The Daily Star in Bangladesh. [8] When Harding received commercial backing for his "Dancing 2008" video, he needed original music and contacted Schyman. Harding had been a video game designer, and Schyman had composed for video games, but, he told Kar, "I almost said no because I did not understand the concept. Besides, I am an orchestra composer. I am not a song writer or a lyricist."

Since Harding wanted "a non-English approach," Schyman suggested a Tagore poem. Harding read Gitanjali and chose "Stream of Life." Schyman explained, "I actually wrote the melody and chord changes before setting it to Tagore's poem." The score was performed by a 25-piece orchestra.

Harding's girlfriend searched online videos for someone who could sing in Bangla, the Bengali language, and saw Siddique. When they heard her demo, Kar wrotes, "everyone was blown away. She kind of ignored his melody and did her own improvisation over it. Now they had hit the jackpot," and in retrospect everyone saw it as serendipity. Harding told Kar, "I knew the poem in English, but had no idea how it would sound in Bangla. Palbasha did the work of fitting the poem to the music Garry had written and it came together perfectly in the recording. I did very little to make Praan happen. I chose talented people to work with and then got out of their way." [8]

Kar noted another example of the popularity of "Praan": after Barack Obama won the 2008 United States presidential election, American political satirist Jon Stewart played the video in the background in an episode of The Daily Show . [8]

References

  1. 1 2 Tagore, Rabindranath. "Gitanjali 69". Poets.org. Academy of American Poets . Retrieved August 29, 2025.
  2. Nagar, Anupamratanshanker (May 2024). "Culture Studies in Tagore's Poetry" (PDF). International Journal of Creative Research Thoughts. 12 (5). Godrej Garden City, Gujarat, India: IJCRT Publications: k544. ISSN   2320-2882 . Retrieved August 29, 2025.
  3. Nagar, Anupamratanshanker (May–June 2024). "Feminism in Tagore's "Gitanjali": A Comparative Analysis with Western Feminist Concepts" (PDF). International Journal for Multidisciplinary Research. 6 (3). Bhavnagar, Gujarat, India: Sky Research Publication and Journals: 5. ISSN   2582-2160 . Retrieved August 29, 2025.
  4. Gogoi, Dhanjyoti (August 2016). "Note of Eco-Mysticism in the Selected Poems of Rabindra Nath Tagore and Mamang Dai" (PDF). The Criterion: An International Journal in English. 7 (4). Kolhapur, India: Research Center for English Language and Literature: 46. ISSN   2278-9529 . Retrieved August 29, 2025.
  5. Miglani, Kiran (September 2014). "The Multifaceted 'Gitanjali' of Tagore" (PDF). Journal of Emerging Technologies and Innovative Research. 1 (4). Ahmedabad, India: JETIR: 1551. ISSN   2349-5162 . Retrieved August 29, 2025.
  6. Walsh, Jim (June 27, 2008). "Dancing with the Universe". MinnPost. Minneapolis, Minnesota. Retrieved August 29, 2025. 'It's crazy,' said Siddique, who lives in Northeast Minneapolis with her mother and brother. 'Right now it's number one on amazon.com in the soundtrack [category], and number six overall, so that's a really big accomplishment, because even American Idol is number nine right now. I just never knew this would turn out so incredible. People are making ringtones out of it. Everyone on Facebook is adding me, and I had no idea there are so many Bengalis in our community, and they have all heard the song.'
  7. Riemenschneider, Chris (2008-07-05). "Minneapolis Teen is up there with Madonna and Mariah". Minneapolis Star-Tribune. Retrieved 2009-01-15.
  8. 1 2 3 Kar, Amitava (August 16, 2013). "A Song that Walked the World". The Daily Star . Bangladesh. Retrieved August 29, 2025.