"Summer in Siam" | ||||
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Single by The Pogues | ||||
from the album Hell's Ditch | ||||
Released | 1990 | |||
Genre | ||||
Length | 4:06 | |||
Songwriter(s) | Shane MacGowan | |||
Producer(s) | Joe Strummer | |||
The Pogues singles chronology | ||||
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"Summer in Siam" is a single by The Pogues from their 1990 album, Hell's Ditch . Composed by enigmatic frontman Shane MacGowan, it charted in the UK Top 100 at Number 64. The accompanying music video was directed by Don Letts and produced by Nick Verden for Radar Films. The album was produced by Joe Strummer.
"Summer in Siam" was originally played by MacGowan to the rest of the band on a Casio synthesiser. While the final arrangement was greatly modified from the original demo, it reflected MacGowan's growing interest in acid-house music. [1] MacGowan claimed in 2022 that along with "Lorca's Novena" and "Hot Dogs With Everything", "Summer in Siam" is one of his favourite songs by The Pogues. [2]
In 2023, Stephen Dalton of The Times listed "Summer in Siam" among the Pogues' six best songs, commenting that, written on a "tiny Casio keyboard", the song grew out of MacGowan's interest in acid house. He deemed it to be a "woozy, lysergic, euphoric lounge-jazz reverie" and added: "Initially the band hated it, but it became one of their most unusual hit singles." [3]
The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in King's Cross, London, in 1982, as Pogue Mahone—an anglicisation of the Irish phrase póg mo thóin, meaning "kiss my arse". Fusing punk influences with instruments such as the tin whistle, banjo, Irish bouzouki, cittern, mandolin and accordion, the Pogues were initially poorly received in traditional Irish music circles—the noted musician Tommy Makem called them "the greatest disaster ever to hit Irish music"—but were subsequently credited with reinvigorating the genre. The band later incorporated influences from other musical traditions, including jazz, flamenco, and Middle Eastern music.
Shane Patrick Lysaght MacGowan was a British-born Irish singer-songwriter, musician and poet best known as the lead vocalist and primary lyricist of Celtic punk band the Pogues. He also produced solo material and collaborated with artists including Joe Strummer, Nick Cave, Sinéad O'Connor, and Cruachan. Known for his exceptional songwriting ability and his heavy alcohol and drug use, MacGowan was described by The New York Times as "a titanically destructive personality and a master songsmith whose lyrics painted vivid portraits of the underbelly of Irish immigrant life".
The Popes are a band originally formed by Shane MacGowan and Paul "Mad Dog" McGuinness, who play a blend of rock, Irish folk and Americana.
Jeremy Max Finer is an English musician, artist and composer. He was one of the founding members of the Pogues.
If I Should Fall from Grace with God is the third studio album by Celtic folk-punk band the Pogues, released on 18 January 1988. Released in the wake of their biggest hit single, "Fairytale of New York", If I Should Fall from Grace with God also became the band's best-selling album, peaking at number three on the UK Albums Chart and reaching the top ten in several other countries.
Red Roses for Me is the debut studio album by the London-based band the Pogues, released on 15 October 1984. It was produced by Stan Brennan, who had managed the Nipple Erectors/The Nips and Rocks Off Records shop in London.
"Fairytale of New York" is a song written by Jem Finer and Shane MacGowan and recorded by their London-based band the Pogues, featuring English singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with the Pogues' singer MacGowan taking the role of the male character and MacColl playing the female character. It was originally released as a single on 23 November 1987 and later featured on the Pogues' 1988 album If I Should Fall from Grace with God.
Hell's Ditch is the fifth studio album by The Pogues, released on 1 October 1990, and the last to feature frontman Shane MacGowan as a member.
Waiting for Herb is the sixth studio album by the Pogues, released in 1993, and their first without lead singer Shane MacGowan.
Peace and Love is the fourth studio album by the Pogues, released in July 1989.
Peter Richard "Spider" Stacy is an English musician, singer, songwriter, and actor. He is best known for playing tin whistle and sometimes singing for the Pogues.
James Fearnley is an English musician. He played accordion in the Pogues.
The Snake is the first album by Shane MacGowan and the Popes, released in 1994 by ZTT Records. It peaked at No. 37 on the UK Albums Chart. The band supported the album with a North American tour.
Terence Woods is an Irish folk musician, songwriter/singer and multi-instrumentalist.
"Fiesta" is a single by The Pogues, featured on their album of 1988, If I Should Fall from Grace with God.
The Crock of Gold was the second and final full-length album by Shane MacGowan and the Popes and was released in November 1997 on ZTT Records. The Crock of Gold followed The Snake, MacGowan's first solo album after the breakup of The Pogues, and was less critically acclaimed than its predecessor. The album is named for the novel by Irish writer James Stephens. It is the last full studio album MacGowan recorded before his passing in November 2023.
Poguetry in Motion is an EP by The Pogues, released on Stiff Records in the UK on 24 February 1986, and in the US & Canada on MCA Records. It was the band's first single to make the UK Top 40, peaking at number 29 and the first Pogues recording to feature Philip Chevron and Terry Woods.
Andrew Catlin is an English photographer, artist, director, cinematographer and filmmaker. His work has been widely published, and is included in numerous collections, books, exhibitions and archives.
The Very Best of the Pogues is a greatest hits album by The Pogues, released in April 2001.
Essential Pogues is a greatest hits album by The Pogues, released in November 1991.
"Victoria vividly remembers Shane's acid phase. She says he became completely immersed in it and was writing new material for the record while tripping, something other members of The Pogues found difficult. 'He was listening to a lot of acid-house music and he was going to acid-house clubs all the time and taking acid all the time', she says. So, he started writing things that were very far out. Even "Summer In Siam", when he first did it, everybody thought, What the fuck is this pile of crap? because he was doing it on a little Casio thing, and he was off his face. He wrote the entire album completely off his face, but none of them were doing acid.
So, I think they thought it was quite scary and weird and not The Pogues. They thought he was completely insane, which probably he technically was. He was wearing T-shirts that were all multi-coloured and his hair was grown, and he was just mental. He latched on to that because it was like, "Wow, this is really trippy". But they couldn't really handle it because they gave a shit. How did the performance come across[…]"
Excerpt From
A Furious Devotion
Richard Balls
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