Related Research Articles
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators.
Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20 Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing.
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
The Moog Sonic Six is a duophonic analog synthesizer that was manufactured by Moog Music from 1972 to 1979. Because of its portable design and built-in speaker, the Sonic Six was widely used for lectures and educational purposes, often by Bob Moog himself.
The Korg Poly-61(PS-61) is an analog synthesizer manufactured by Korg between 1982 and 1986. It was the first affordable synthesizer to feature two oscillators per voice, and was Korg's first synthesizer to feature digitally-controlled analog oscillators (DCOs). The Poly-61 marked a significant departure in design philosophy from previous Korg synthesizers by replacing the traditional array of dedicated control knobs on the front panel with a digital interface that required users to select parameters individually for adjustment.
The Oberheim OB•12 is a Virtual Analog synthesizer, designed and realised by the Italian musical instrument manufacturer Viscount, in production between 2000 and 2005.
The Moog Prodigy was a monophonic analogue synthesizer produced by Moog Music from 1979 to 1984. Of the 11,000 produced, versions released after 1981 included a control voltage/gate input on the back that allowed the VCF to be triggered and controlled by an external source. These later versions began at serial number 4610. The official model number of the instrument is 336. 336A would indicate a domestic (US) model, while a 336BX would indicate an export unit.
Korg MS-10 is an analogue synthesizer created by Korg in 1978. Unlike its bigger brother, the Korg MS-20, the MS-10 only has one VCO, one VCF and one envelope generator. It is monophonic and has 32 keys.
The Korg DSS-1 is a polyphonic sampling synthesizer released by Korg in 1986. As Korg's initial entry into the sampling market, the DSS-1 combines sampling, additive synthesis, and waveform drawing with an analog signal path. The DSS-1 was released a time when major synthesizer manufacturers like Yamaha and Casio were beginning to explore sampling, an area of sound design dominated by companies like Fairlight, E-mu, and Ensoniq. Korg did not stay long in the sampling arena; the DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations.
The Evolver is an analog-digital hybrid synthesizer designed by Dave Smith and manufactured by Dave Smith Instruments. It was first released as a desktop version in 2002, then later a 37-key keyboard bearing the same synth engine as the Evolver desktop was also released. A polyphonic version of the Evolver, dubbed the Poly Evolver, was released in 2004 as a rackmount version, then a 61-key keyboard version of the Poly Evolver was released in 2005. The Evolvers were replaced by new high end models, the Prophet 12 and the Pro 2.
The Oberheim Xpander is an analog synthesizer launched by Oberheim in 1984 and discontinued in 1988. It is essentially a keyboardless, six-voice version of the Matrix-12. Utilizing Oberheim's Matrix Modulation technology, the Xpander combined analog audio generation with the flexibility of digital controls logic.
The Korg Mono/Poly (MP-4) is a paraphonic analog synthesizer released by Korg in 1981, bridging the gap between monophonic and polyphonic synthesis. Released in the same year as the Korg Polysix, as a complementary synth, The Mono/Poly is equipped with four VCOs and can operate as a four-voice paraphonic synth with limited capabilities, or as a monophonic synth using all four oscillators. Upon its release, it was the only monophonic synthesizer with an integrated quad-VCO design available on the market.
The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part of a line of project studio equipment called the Akai Music Studio System, which included the S612 digital sampler the MR16 drum machine, the MS08 sequencer, and the MG1212 multitrack tape recorder.
The AX60 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in the mid-1980s. It was Akai's answer to the popular Roland Juno series synthesizers. The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electronics CEM 3394 integrated circuit.
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success.
The miniKORG 700 is a monophonic analog synthesizer released by Korg in 1973, marking their entry into mass-produced synthesizers and their first monophonic synthesizer. It was initially designed to be placed on top of an organ, so its controls are located below the keyboard facing towards the performer. An updated model, the miniKORG 700S, was launched in 1974, introducing a second oscillator that could be detuned, along with additional sustain and vibrato controls.
The Volca Modular is an analogue synthesizer manufactured by the Japanese music technology company Korg. It is part of their popular Volca series of affordable electronic synthesizers and drum machines. Like other Volcas, it sports a 16-step sequencer and can be powered by batteries.
The Volca Keys is an analogue synthesizer manufactured by the Japanese music technology company Korg. It was announced in April 2013 at MusikMesse and was at the time one of the few affordable analogue synthesizers available. The Volca Keys uses subtractive synthesis to create sounds and is three-note paraphonic, meaning that it can play chords with all voices sharing a single voltage-controlled filter (VCF).
The Korg Sigma KP-30 is a monophonic analog synthesizer released by Korg in 1979. The Sigma was designed for organ players and live performance, featuring a user-friendly layout for quick sound selection and editing as well as two modulation joysticks and an aftertouch-sensitive keyboard. It features two separate synthesizer engines called Synthe and Instrument which can be mixed and layered together.
References
- ↑ Millard, Norman (1980). "Modern Drummer Magazine" (PDF). p. 10 Reader's Platform.