"Talking Loud and Saying Nothing - Part I" | ||||
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Single by James Brown | ||||
from the album There It Is | ||||
B-side | "Talking Loud and Saying Nothing - Part II" | |||
Released | February 1972 | |||
Recorded | October 1, 1970, Bobby Smith Studios, Macon, Georgia | |||
Genre | Funk | |||
Length |
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Label | Polydor 14109 | |||
Songwriter(s) |
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Producer(s) | James Brown | |||
James Brown chartingsingles chronology | ||||
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Audio video | ||||
"Talkin' Loud And Saying Nothin'" on YouTube |
"Talkin' Loud and Sayin' Nothing" is a funk song written by James Brown and Bobby Byrd. Recorded in 1970 by Brown and the original J.B.'s with Byrd on backing vocals and updated with a new melody, it was twice released as a two-part single in 1972. It also appeared on the album There It Is .
Critic Robert Christgau called it "the loosest and most infectious of Brown's many socially conscious jams." [1] It is in this song we learn that Brown originally envisioned rapping as call and response. The original version was more rock-oriented and featured on The Singles Vol Six, 1969-1970.
According to Brown, "Talkin' Loud and Sayin' Nothing" was "aimed at the politicians who were running their mouths but had no knowledge of what life was like for a lot of people in [the United States]" as well as "some of the cats on their soapboxes... who were telling the people one thing while manipulating their emotions for personal gain." [2] Biographer RJ Smith described it as "an open criticism of self-styled arbiters of racial justice" who attacked Brown for his often-heterodox political stances. [3]
In the middle of the song Brown orders all the band members to temporarily stop playing while he and Byrd maintain the rhythm using their voices alone - an early example of a dance music breakdown.
Record World praised the "unbelievable bass work." [4]
with The J.B.'s:
"Talkin' Loud and Saying Nothing"reached number one on the U.S. Hot Soul Singles chart and number twenty-seven on the Billboard Hot 100 during the spring of that year. [6] [7]
Chart (1972) | Peak position |
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U.S. Billboard Hot 100 | 27 |
U.S. Billboard R&B | 1 |
Brown recorded a blues-rock oriented version of the song on February 26, 1970 at the King studios in Cincinnati, Ohio. His backup band on this version consisted of his arranger David Matthews on organ, Kenny Poole on fuzz guitar, Michael Moore (who later played on Brown's 1972 hit "King Heroin") on bass, and Jimmy Madison on drums. This group would record one album under the name The Grodeck Whipperjenny for Brown's People label, and back Brown on his final King album in 1971, Sho' Is Funky Down Here . This version, split in two parts, was scheduled for release on King 45-P-6359, and several copies were pressed on both white and black labels, but the record was withdrawn from release before it could be distributed. (The J.B.'s-backed version was to have been concurrently released as 45-S-6359, but no copies of this variation are known to exist.) The full version (5:07) of this blues-rock rendition was issued in 2000 on the compilation CD James Brown's Funky People: Volume 3.
A remixed version of "Talkin' Loud and Sayin' Nothing" was included on the 1986 James Brown compilation album In the Jungle Groove .
A longer version of the song (9:28) is included in the Star Time box set.
The complete version of the song (14:42) was released in 1996 on the compilation CD Funk Power 1970: A Brand New Thang .
Living Colour recorded a cover version in 1991 for their Biscuits EP.
"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.
Biscuits was an EP of live and unreleased cuts by Living Colour, released on July 16, 1991. The Sony Music Japan edition of this disc had nine extra tracks not available on the international editions, making Biscuits a compilation album. This is the final Living Colour release to feature bassist Muzz Skillings.
The J.B.'s was James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.
Sex Machine is a 1970 double album by James Brown. It showcases the playing of the original J.B.'s lineup featuring Bootsy and Catfish Collins, and includes an 11-minute rendition of the album's title song, different from the original recording of the title song which was released as a two-part single in 1970.
This is a discography chronicling the musical career of James Brown. Brown joined Bobby Byrd's vocal group The Flames in 1953, first as a drummer, and then as leading front man. Later becoming The Famous Flames, they signed with Federal Records in 1956 and recorded their first hit single, "Please, Please, Please", which sold over a million copies.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
Word Power is the debut album by American rapper and producer Divine Styler. It was released on October 23, 1989 on Ice-T's Rhyme $yndicate Records under Epic Records. The album peaked at No. 62 on the Billboard Top R&B/Hip-Hop Albums chart. The Scheme Team, a hip hop collective of Divine Styler, made their introduction on the record.
"Get Up Sex Machine" is a funk song recorded by James Brown with Bobby Byrd on backing vocals. Released as a two-part single in 1970, it was a no. 2 R&B hit and reached no. 15 on the Billboard Hot 100.
"Super Bad", originally titled Call Me Super Bad, is a 1970 song by James Brown. Originally released as a three-part single, it went to #1 on the R&B chart and number 13 on the Billboard Hot 100. The song's lyrics include the refrain "I've got soul and I'm super bad." The positive use of the word "bad" is an example of linguistic reappropriation, which Brown had done before in "Say It Loud - I'm Black and I'm Proud".
"The Grunt" is a funk instrumental recorded in 1970 by James Brown's band The J.B.'s. It was released as a two-part single on King. It was one of only two instrumental singles recorded by the original J.B.'s lineup with Bootsy and Catfish Collins. Large parts of "The Grunt"'s melody and arrangement are borrowed, uncredited, from The Isley Brothers' song "Keep on Doin'", which was released earlier in the same year.
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a 1971 song by American singer James Brown, released as a single on his People Records label (then distributed by King Records) in July of that year with "Pt. 1" on the A-side and "Pt. 2 and 3" on the B-side. It was a number-one hit on the Billboard R&B chart, and reached number fifteen on the Hot 100 and number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he and the People label moved to Polydor Records.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart.
"Doing It to Death", also known as "Gonna Have a Funky Good Time", is a funk song recorded by The J.B.'s featuring James Brown. A 10-minute, two-part version of "Doing It to Death" was included on a J.B.'s album of the same name. The complete, unedited and nearly 13-minute-long original recording of the song was first issued on the 1995 J.B.'s compilation Funky Good Time: The Anthology. Performances of the song also appear on the albums Live at Chastain Park and Live at the Apollo 1995.
Talkin' Loud was a record label, originally founded by Gilles Peterson in 1990 after he left Acid Jazz Records. The label name is based on Peterson's Dingwalls club night "Talkin' Loud And Sayin' Something", itself a reference to James Brown and Bobby Byrd's "Talkin' Loud and Sayin' Nothing". Norman Jay was its A&R. The label is owned by Phonogram.
"Licking Stick – Licking Stick" is a song written by James Brown, Bobby Byrd, and Alfred "Pee Wee" Ellis and recorded by Brown as a two-part single in 1968. Byrd provides backing vocals on the song. It was the first stereo single release by King Records. The song was included on the album Say It Loud – I'm Black and I'm Proud.
Solid Gold: 30 Golden Hits, also called 30 Golden Hits/21 Golden Years, is a greatest hits compilation album by James Brown. The double album set was initially released in 1977 on Polydor, and was re-released by the label in 1986. The album's liner notes listed the release dates and U.S. chart positions for each song and included an essay by Cliff White. This is the first compilation album to include Get Up(I Feel Like Being a) Sex Machine. According to Allmusic reviewer William Ruhlman, the collection was "state-of-the-art", an influential model "not only...for the many Brown compilations that would follow in later years, but also for the compilation boom in general". In 1981, Village Voice critic Robert Christgau described it as "an essential collection." Allmusic indicates that it supplies "the essence of James Brown", but also states "[i]t has since been superseded by the 1991 four-disc Star Time boxed set".
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the Billboard Hot 100 in the spring. The song was included on Brown's 1972 album There It Is.
"Gimme Some More" is a 1971 song written by James Brown and recorded by his band, The J.B.'s. Released as a single on People Records, "Gimme Some More" also appeared on the 1972 album Food for Thought.
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