The 1940s House

Last updated

The 1940s House
1940s house uk dvd.jpg
Region 2 PAL DVD (UK)
Genre Historical reenactment reality television
Country of origin United Kingdom
No. of seasons1
No. of episodes5
Production
Executive producer Alex Graham
Running time45 min.
Original release
Network Channel 4
Release2 January (2001-01-02) 
25 January 2001 (2001-01-25)

The 1940s House is a British historical reenactment reality television series made by Wall to Wall/Channel 4 in 2001 about a modern family that tries to live as a typical middle-class family in London during The Blitz of World War II. [1] The program was broadcast on Channel 4 in the United Kingdom in 2001, and in 2002 on PBS in the United States, ABC Television in Australia, [2] [3] and TVNZ in New Zealand. The series was narrated in the UK by Geoffrey Palmer. [4]

Contents

Production

Conception

The success of The 1900 House led Channel 4 to revisit the idea of taking a family back in time again. [5] [6] The 1940s House was originally conceived with only four episodes. [7] The concept of the show was different from that of The 1900 House: instead of focusing on the family's ability to cope without modern conveniences, this one focused on the family's ability to pull together under uncertainty and fear. [8] [9]

Filming and Location

The house is at 17 Braemar Gardens, West Wickham, Kent, in the United Kingdom (now a suburb of Greater London). [6] [8] [10] [11] [12] [13] [14] Series art director Lia Kramer, who had helped create The 1900 House, identified the property and oversaw its restoration. [10] The Tudorbethan house, originally built in 1932 by Bradfield Bros & Murphy, was retrofitted to reflect the technology and fashions of a middle-class English home of the late 1930s. [10] [13] [15] It is a gable-ended, three-bedroom, semi-detached home. [10] [15] A boiler fuelled by coke provided hot water, [10] [12] [16] and there was no telephone or refrigerator. [11] [13] [15] Sold for 875 pounds in 1932, the producers purchased the house for £187,000 in 1999. [10] The house was in excellent structural condition, and no major renovations had occurred. [10] Restoration included the removal of central heating and radiators, the custom-fitted kitchen cabinets and appliances, and the carpeting. [10] Removal of the carpeting revealed checkerboard floor tiles. [15] Several fireplaces were restored to working condition, and the original French doors which led outside to the patio were reinstalled. [10] The producers discovered that the house had incurred bomb damage during World War II, and that the owner of the home had suffered a fatal heart attack putting out a fire caused by a bomb in the backyard garden in 1942. [10] The home's original paint was uncovered, and discovered to be bright blues, pinks, and greens. [10] 1940s-era floral wallpaper was purchased and reinstalled in some areas of the home (including the entryway). [10] [15] The house was decorated in a style typical of the 1930s, which included some used Victorian furniture and a small number of Art Deco pieces. [10] [13] The existing beds were replaced by iron bedsteads (including twin beds for Michael and Lyn). [15] [16] When neighbours learned of the project, many donated period home furnishings for free. [10] A 1930s-style gas-fired cooking stove, Belfast sink, draining board, metal-topped table, and fold-down work shelf were installed in the kitchen. [10] The garden was revamped to be typical of a victory garden. [13]

The family had to act like a typical family of the time, which included the sewing of blackout curtains, building an air-raid shelter, and confronting wartime food rationing. [1] [2] [6] [11] [12] Air raids were simulated during the show, forcing the family to take refuge in its air-raid shelter. [1] [2] [11] [12] [17] The near-nightly sound of the air-raid siren (fixed in a hallway in the home) left the family unnerved, even after they returned to their regular lives. [18] [19] The family had to stay in character all the time, including when the boys went to school. [6] Period clothing (including underwear) were worn at all times. [17] At night, Lyn and Kirstie had to set their hair in rollers. [6] Even minor aspects of life (such as the depth of water in the bath tub, which could be no deeper than five inches) were regulated. [14] [19]

A special section was established in the rear of a local delicatessen where the family could shop for 1940s-era food, but which also suffered from "wartime rationing" to mimic real conditions. [15] [17] [20]

Filming began on 15 April 2000, and lasted nine weeks. [1] [11] [12] [17] [21] Unlike other historical reality television shows, the Hymers were not isolated. Their neighbours helped them dig their air-raid shelter, the family visited a retirement home (in costume and in character), and the house was visited by individuals who worked in government or the military during the Blitz. [17] [22] Nonetheless, Lyn Hymers later said in an interview that the family did feel isolated, and never got the sense of community spirit that people living in the 1940s would have felt. [21] [23]

The 1940s House was put on the market for £212,000 and sold to a private owner after production wrapped. [6] [10]

Broadcast and Release

There were five episodes:

  • Episode 1: The Home Front (2 January 2001) - The series is introduced, the family moves in, war breaks out, and food rationing is confronted for the first time. [8] [12]
  • Episode 2: Into the Unknown (4 January 2001) - Michael Hymers leaves the house for three weeks for work-related reasons, and the family confronts additional rationing. [12] [17]
  • Episode 3: Women at War (11 January 2001) - Lyn and Kirstie join the Women's Voluntary Service and work in the war industry. [11] [17]
  • Episode 4: The Beginning of the End (18 January 2001) - The family suffers from air-raids, sleep deprivation, and bomb damage before learning that the war is over. They also listen to radio stories about the liberation of Bergen-Belsen concentration camp.[ citation needed ]
  • Episode 5: The Homecoming (25 January 2001) - Six months later, the Hymers reflect on their time in 1940s House. [22]

PBS aired the series in the U.S. between 4 November and 2 December 2002, [24] which reviewers and members of the Hymers family felt reduced American viewership. [2] The series also screened in Australia on ABC Television in 2002, airing several months before its predecessor, The 1900 House. [3] [25]

The Hymers family

The 1940s House was inhabited by the Hymers family: Father Michael; mother Lyn; daughter Kirstie (age 29 when the series was produced); and Kirstie's sons Ben (age 10) and Thomas (age 7). [2] [11] [12] [17] The family applied to be on the series after reading an ad in Radio Times. [21] More than 300 families auditioned for the show. [12] Michael Hymers is a 1940s enthusiast, which was a factor in getting the family chosen for the show. [2] [6] [8] [11] [14] [22] The producers also felt the Hymers were well-spoken but also argumentative, which would make for good television as well as showcase a 1940s family's need to pull together. [6]

The family and producers were advised by a "war cabinet" of historians and others who helped advise on the home's renovation, educated the Hymers about life in 1940-1941, and evaluated the family's behaviour during the show to ensure it conformed to 1940s standards. [1] [2] [6] [11] [14] [22] The show's chief advisor was British historian Juliet Gardiner. [22] The family was advised on cooking and air-raid issues by home economist Marguerite Patten. [16] [18] The "war cabinet" also challenged the family at times: At one point, grandson Ben was named "fuel warden" and was given supervision of the family's fuel consumption. [2] [23] However, the family did admit to some cheating: Michael Hymers used Brylcreem for his hair, Thomas secretly listened to music by S Club 7, and both boys obtained modern snacks such as crisps from schoolmates. [15] Lyn Hymers attempted to trade some of the show's authentic 1940s props to the neighbours for cigarettes. [6] [17] At another point, the family members refused to slaughter rabbits for food, and the producers had to provide them with dressed rabbit carcasses instead. [22]

The family was significantly affected by the experience in the 1940s House. [22] Michael and Lyn Hymers' relationship nearly ruptured, as Michael was away at work much of the time and was not aware of how difficult life was for the rest of the family. [17] Kirstie worried that her children were not getting enough to eat and considered leaving the show. [15] [17] Most family members lost weight and believed their health and physical fitness improved. [8] [17] [22] [26] When the Hymers' other daughter, Jodie, visited the set, the experience proved too traumatic and the Hymers resolved not to see anyone from outside the show thereafter. [17] After the show, however, Lyn Hymers became as much of a 1940s enthusiast as her husband, the family bought a car manufactured in 1949, Michael and Lyn Hymers now shop at neighbourhood stores rather than supermarkets, Lyn Hymers does much more home cooking, and Michael Hymers uses a tin bathtub heated by the home fireplace. [2] [6] [21] [26] Although Ben and Thomas have not given up video games completely, their experiences without them in the 1940s House led them to prefer board games or their own made-up games now. [2] [22] The family developed such a taste for Spam that they now serve it as a birthday dish. [12] [15] Lyn Hymers admitted that she suffered from depression after the series ended, overwhelmed by how hard life had been for women in the 1940s. [6] [17] Although the family felt the work was hard, the adults also agreed there was less emotional and intellectual pressure and they became much closer during the show. [2] [19]

Reception

The show was well received by critics. The Newcastle upon Tyne Evening Chronicle said "the series gives an extraordinary insight into life as it was lived by the majority of the population during World War Two." [14] The Halifax Daily News called the show "classy stuff" and concluded that the series' locale (a relatively modern home) made it more attractive to viewers than similar shows set in woods or on the plains. [27] Several reviewers pointed out that the fact-based nature of the show was impressive, with The Hartford Courant declaring it "a great way to mix the facts of history with the voyeurism of reality programming". [23] [28] The Seattle Post-Intelligencer felt the show was "supremely instructive" and was "compelling in spite of its obvious disclosures" because of the large amounts of factual information imparted by the narrator and "war cabinet" throughout the series. [11] The newspaper also felt that real star of the show was Lyn Hymers, who had to cope with an absent husband and do most of the work. [11] Reviewers often pointed out the show's subtle indictment of economic materialism. For example, The Guardian noted: "The relationship of The 1940s House with the present-day is much more complicated. Though never overtly editorial, the series inevitably becomes a critique of modern materialism and complacency." [23]

Not all reviews, however, were positive. Writing in The Times , Peter Barnard lauded the show's goal of attempting to educate viewers about the past, but concluded that The 1940s House failed in this respect.

"What I don't get is the point. I don't think Channel 4 gets the point, either. The 1900 House was an interesting piece of work, but the fatal flaw in its successor is that it is materialistic. The point about the Second World War was that it presented the possibility of violent death to every section of the population at any moment, something that is impossible to replicate artificially. Living on Spam or building an Anderson shelter were, surely, the incidental inconveniences of wartime. The real inconvenience was the fear that you could wake up in the middle of the night to find that your bed had been set on fire by a man passing overhead in an aeroplane. It seems to me that The 1940s House replicates wartime living the way a Formula One computer game replicates being Michael Schumacher: you get everything except the downside risk, which is at the very centre of the experience." [20]

The 1940s House was a ratings success, prompting Channel 4 to begin work on The Edwardian Country House , a new reality series with a much-expanded cast and far greater production budget than The 1900 House and The 1940s House. [29] The series' popularity in the U.S. led PBS to commission an American version of the show, Frontier House. [29] The 1940s House was a similar ratings hit in Australia. [3] A very large 53 per cent of professional, managerial, and skilled workers (the ABC Television network's key social demographic) watched the series. [25]

The 1940s House was nominated for a Huw Weldon Award for Specialist Factual at the 2002 British Academy Television Awards (BAFTAs). [30]

Home Media

The 1940s House was released in the UK by Acorn Media UK on VHS on 22 January 2001, [31] with the company releasing a DVD version in 2007. The VHS was released in the US on 3 December 2002, and the DVD was issued on 5 August 2003 by PBS Direct.

A companion book, The 1940s House, was published in 2000 just before the series aired. [21] [32] [33] The companion book was a major success, debuting at Number 1 on the Birmingham Post's hardcover best-seller list. [34] An activity book for children also accompanied the series. [35] [36] A replica of the 1940s House was displayed at the Imperial War Museum. [1] [10] [33] [37]

Similar Series

The 1940s House is one in a line of "time capsule" reality television series to air on Channel 4. Others in the genre with a similar format from the same production company include (in order of their airing in the UK):

Related Research Articles

The Adam and Joe Show is a British television sketch comedy show that originally ran from 6 December 1996 to 28 May 1999 on Channel 4 for the first three series and then moved to E4 from 13 March to 17 April 2001 for the fourth and final series.

<i>The Kumars at No. 42</i> British television series

The Kumars at No. 42 is a British television show. It won an International Emmy in 2002 and 2003, and won a Peabody Award in 2004. It ran for seven series totalling 53 episodes.

<i>Big Brother</i> (British TV series) British version of the Big Brother television series

Big Brother is the British version of the international reality television franchise Big Brother created by producer John de Mol Jr. in 1997. Broadcast yearly from 18 July 2000 to 5 November 2018, and returned on 8 October 2023, the show follows the format of other national editions, in which a group of contestants, known as "housemates", live together in a specially constructed house that is isolated from the outside world. Live television cameras and personal audio microphones continuously monitor them. Throughout the competition, housemates are "evicted" from the house by public televoting. The last remaining housemate wins the competition and a cash prize. The series takes its name from the oppressive character known by that name in George Orwell's 1949 novel Nineteen Eighty-Four.

<i>The 1900 House</i> 1999 multi-national TV series or program

The 1900 House is a historical reenactment reality television series made by Wall to Wall/Channel 4 in 1999. The programme features a modern family attempting to live in the way of the late Victorians for three months in a modified house. It was first broadcast on Channel 4 in the United Kingdom and PBS in America.

<i>The Edwardian Country House</i> British historical reenactment reality television miniseries

The Edwardian Country House is a British historical reenactment reality television miniseries produced by Channel 4. First aired weekly in the UK beginning in April 2002, it was later broadcast in the United States on PBS stations as Manor House in 2003, where extra footage was added. It is third in a series of historical reality shows produced by Channel 4, preceded by The 1900 House and The 1940s House.

<span class="mw-page-title-main">Wall to Wall Media</span> British television production company

Wall to Wall Media, part of Warner Bros. Television Studios UK, is a television production company that produces event specials and drama, factual entertainment, science and history programmes for broadcast by networks in both the United Kingdom and United States. Its productions include Who Do You Think You Are?, New Tricks, Child Genius, and Long Lost Family.

<i>Scariest Places on Earth</i> American television series

Scariest Places on Earth is an American paranormal reality television series that originally aired from October 23, 2000, to October 29, 2006, on Fox Family, and later ABC Family. The show was hosted by Linda Blair, with narration by Zelda Rubinstein. The show featured reported cases of the paranormal by detailing the location's history, and then sending an ordinary family to visit the location in a reality television-style vigil.

Frontier House is a historical reality television series that originally aired on the Public Broadcasting Service (PBS) in the United States from April 29 to May 3, 2002. The series followed three family groups that agreed to live as homesteaders did in Montana Territory on the American frontier in 1883. Each family was expected to establish a homestead and complete the tasks necessary to prepare for the harsh Montana winter. At the end of the series, each family was judged by a panel of experts and historians on their likelihood of survival.

Location, Location, Location is a British reality property programme that has aired on Channel 4 since 17 May 2000 and is presented by Kirstie Allsopp and Phil Spencer. The show follows Allsopp and Spencer as they try to find the perfect home for a different set of buyers each week.

Nova, stylized as NOVA and previously marketed as NTV or Nova Television, is a Bulgarian free-to-air television network launched on 16 July 1994. Nova TV, alongside the channels Kino Nova, Nova News, Nova Sport, DIEMA, Diema Family and Diema Sport are part of Nova Broadcasting Group and owned by United Group.

<span class="mw-page-title-main">E4 (TV channel)</span> British free-to-air television channel

E4 is a British free-to-air public broadcast television channel owned and operated by Channel Four Television Corporation. The "E" stands for entertainment and the channel is primarily aimed at the 16/18–34 age group.

Evacuation is a British children's reality television series presented by Matt Baker which was broadcast on CBBC between September 2006 and February 2008 where six boys and six girls from across the United Kingdom experienced living as evacuees in World War II.

Outback House was an Australian historical reality TV series that originally aired on ABC TV in 2005. The series was based on several series produced by Channel 4 in the United Kingdom and PBS in the United States, in which the concept was to have a modern-day family living in a facsimile of an historical dwelling with their staff, making do with only the technology and materials of the time. Outback House was set in 1861 Outback Australia, on a sheep station called Oxley Downs in New South Wales.

This is a list of British television related events from 2001.

Charlie Luxton is an architectural designer and television presenter who writes and speaks about the environment and sustainable architecture.

<span class="mw-page-title-main">Victorian Slum House</span> British reality television program

Victorian Slum House, or Victorian Slum, is a historical reenactment reality television series made by Wall to Wall Media for the BBC in 2016, narrated by Michael Mosley. First broadcast on BBC in the United Kingdom and on PBS in America in May 2017, the narrative centers on families and individuals trying to survive in a recreated slum of the East End of London from the 1860s to 1900s. It has a similar concept to The 1900 House, as well as the same producer. In Australia, the series aired on SBS in July 2017 as Michael Mosley: Queen Victoria's Slum, to avoid possible confusion with the state of Victoria.

BBC Two's historical farm series are five documentary series first broadcast on BBC Two from 2005 to 2013. They illustrate the lives of people: farmers, labourers, fishermen, housewives, etc. in a variety of historical contexts. Historians and archaeologists play the parts of ordinary people and live and work immersed in the time specified. The team perform the everyday crafts such as hunting, gathering, sowing and reaping as well as experimenting with more specialised work like blacksmithing, woodcutting and mining under the eyes of an experienced tutor. Each series has taken place at a public living history site that provides external in-period experts, experience, and flavour. The Wartime Farm series includes conversations with men and women who remember the time. All were produced by David Upshal for Lion Television.

<i>The Upstairs Downstairs Bears</i> Animated childrens television series

The Upstairs Downstairs Bears is a British-Canadian children's stop-motion animated series. The series was co-produced by Scottish Television Enterprises and Canada's Cinar in co-production with Egmont Imagination in Denmark, in association with Imagination Production and FilmFair Animation. The series was broadcast on CITV in the United Kingdom and Teletoon in Canada. It consists of a single season of 13 half-hour episodes, or 26 shorts.

References

  1. 1 2 3 4 5 6 Cooper, Annette. Reality TV: Audiences and Popular Factual Television. Reprint ed. Florence, Ky.: Routledge, 2005. ISBN   0-415-26152-X
  2. 1 2 3 4 5 6 7 8 9 10 11 Owen, Rob. "A Trip Back in Time: 'The 1940s House'." Pittsburgh Post-Gazette. 3 November 2002.
  3. 1 2 3 Bunbury, Stephanie and Heinrich, Karen. "Retro Reality." The Age. 18 June 2002.
  4. Quigley, Eileen S. International Television & Video Almanac 2006. 51st ed. Groton, Mass.: Quigley Pub. Co., 1998. ISBN   0-900610-78-6
  5. Wasko, Janet. A Companion to Television. Indianapolis, Ind.: Wiley-Blackwell, 2005. ISBN   1-4051-0094-X
  6. 1 2 3 4 5 6 7 8 9 10 11 12 Stonehouse, Cheryl. "After Life In the 1940s House, It Is Difficult to Let Go of the Past." Daily Express. 27 December 2000.
  7. Worthington, Simon. "Wanted: Spirited Family to Live Through the Blitz (Rations to be Set by War Cabinet)." Evening Standard . 7 January 2000.
  8. 1 2 3 4 5 Jardine, Cassandra. "Oh, What An Interesting War..." Daily Telegraph. 8 December 2000.
  9. Heavens, Al. "Re-Creating How Britain's Middle Class Survived in the 1940s." Philadelphia Inquirer. 2 February 2003.
  10. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Sturgis, Matthew. "Number 17: The Unsung Hero of the War." Sunday Telegraph. 31 December 2000.
  11. 1 2 3 4 5 6 7 8 9 10 11 Levesque, John. "Family Shows War Is Tough At Home, Too." Seattle Post-Intelligencer. 5 November 2002.
  12. 1 2 3 4 5 6 7 8 9 10 Poole, Oliver. "TV Family Finds Living in Forties Simply Fulfilling." The Daily Telegraph. 3 December 2000.
  13. 1 2 3 4 5 "The 1940s House." Channel4.com. No date. Accessed 29 June 2009.
  14. 1 2 3 4 5 "Forty Day Saga." Evening Chronicle. 2 January 2001.
  15. 1 2 3 4 5 6 7 8 9 10 "Life on the Home Front." Design Week. 5 January 2001.
  16. 1 2 3 Edwards, Charlotte. "TV Choice: Life's A Bit Tough On the Home Front." The Independent. 31 December 2000.
  17. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Eden, Jenny. "How the War Led to a Family Battle." Daily Mirror. 30 December 2000.
  18. 1 2 McMullen, Marion. "Could You Survive the 1940s?" Coventry Evening Telegraph. 6 January 2001.
  19. 1 2 3 Pattinson, Georgina. "Hitching A Ride On The Home Front." Birmingham Post.' 6 January 2001.
  20. 1 2 Barnard, Peter. "Fresh Blasts From the Past." The Times. 3 January 2001.
  21. 1 2 3 4 5 "Make Do And Mend." History Today. 1 January 2001.
  22. 1 2 3 4 5 6 7 8 9 De Groot, Jerome. Consuming History. Florence, Ky.: Taylor & Francis, 2008. ISBN   0-415-39945-9
  23. 1 2 3 4 Lawson, Mark. "Fortysomething." The Guardian. 1 January 2001.
  24. Kadar, Marlene; Warley, Linda; Perreault, Jeanne; and Egan, Susanna. Tracing the Autobiographical. Waterloo, Ontario: Wilfrid Laurier University Press, 2005. ISBN   0-88920-476-4
  25. 1 2 Bignell, Jonathan; Orlebar, Jeremy; and Holland, Patricia. The Television Handbook. 3rd ed. Florence, Ky.: Taylor & Francis, 2005. ISBN   0-415-34251-1
  26. 1 2 Moore, Wendy. "Oh! What A Lovely Diet." The Observer. 14 January 2001.
  27. Brown, Lindsay. "'1940s House' Well Worth the Time Travel." Halifax Daily News. 6 November 2002.
  28. Catlin, Roger. "Air Raid! '1940s House' Debuts." The Hartford Courant. 6 November 2002.
  29. 1 2 Deans, Jason. "Channel 4 Goes 'Upstairs, Downstairs' With Edwardian House." The Guardian. 21 May 2001.
  30. "The BAFTA Nominations." The Guardian. 19 March 2002.
  31. Kennedy, Billy. "Back to Bygone Days." The News Letter. 2 January 2001.
  32. Gardiner, Juliet and Longmate, Norman. The 1940s House. Ealing, West London, UK: Channel 4 Books, 2000. ISBN   0-7522-7253-5
  33. 1 2 Connelly, Mark. We Can Take It!: Britain and the Memory of the Second World War. Harlow, Essex, UK: Pearson Longman, 2004. ISBN   0-582-50607-7
  34. "Books: Best Sellers." Birmingham Post. 13 January 2001.
  35. Malam, John. The 1940s House Activity Book. Ealing, West London, UK: Channel 4 Books, 2001. ISBN   0-7522-1933-2
  36. Young, Graham. "A Family At War." Birmingham Evening Mail. 2 January 2001.
  37. Monk, Claire and Sergeant, Amy. British Historical Cinema: The History, Heritage and Costume Film. Florence, Ky.: Routledge, 2002. ISBN   0-415-23810-2

Further reading