Author | Ayaan Hirsi Ali |
---|---|
Original title | De maagdenkooi |
Language | Dutch |
Subject | Women in Islam |
Publisher | Free Press |
Publication date | August 2004 [1] |
Published in English | April 2006 [2] |
Media type | |
Pages | 187 |
ISBN | 978-0-7432-8833-0 |
OCLC | 64390639 |
297.082 | |
LC Class | BP173.4 .H5813 2006 |
Preceded by | De zoontjesfabriek |
Followed by | Infidel |
LCCN 2006-43345 |
The Caged Virgin: A Muslim Woman's Cry for Reason, also published as The Caged Virgin: An Emancipation Proclamation for Women and Islam (Dutch : De maagdenkooi), is a 2004 book by the former Dutch parliamentarian Ayaan Hirsi Ali. The Caged Virgin was first published in English in 2006.
The book was first published in Dutch as De maagdenkooi ("The Virgin's Cage" or "The Cage of Virgins" [3] ) in August 2004 as a collection of seven essays and one interview with Irshad Manji, totalling 79 pages. [4] Like its predecessor De zoontjesfabriek (December 2002), a Dutch-language collection of seven essays and one interview for a total of 95 pages, it focused on criticism of the position and role of women in Islam. [5] Around September 2004, Finnish publishing house Otava was one of the first to approach Hirsi Ali with plans to translate her writings. [6]
Hirsi Ali had been under the constant protection of an armed security detail ever since September 2002 after receiving death threats for months for her earliest writings (that would later be bundled in De zoontjesfabriek), television appearances and renouncing Islam. [3] Shortly after she published De maagdenkooi, the 11-minute shortfilm Submission , that she produced together with film director Theo van Gogh, was first screened on Dutch television on 29 August 2004. It presented four fictional episodes involving violence against women and Quranic verses that could be used to justify it. [3] After Muslim extremist Mohammed Bouyeri shot and stabbed Van Gogh to death in Amsterdam on 4 November 2004, leaving a five-page note with a death threat to Hirsi Ali as well, she had to go in hiding for two months. [3] Meanwhile, the shock of the attack raised international interest in her writings. In March 2005, Hirsi Ali faced a lawsuit over a claim made by four Dutch Muslim men that the De maagdenkooi contained "blasphemous and offensive" statements, [7] but the suit was rejected. [3]
A compilation of De zoontjesfabriek and De maagdenkooi was translated to German and published in May 2005 under the title Ich klage an. Plädoyer für die Befreiung der muslimischen Frauen [8] ("I accuse. Plea for the Liberation of Muslim Women" [9] ), which became a bestseller in Germany, [10] [11] defeating new pope Joseph Ratzinger's biography. [12] In Italy, a similar compilation and the scenario of Submission were released by Einaudi on 10 April 2005 [13] under the name Non sottomessa. Contro la segregazione nella società islamica ("Not Submissive. Against Segregation in Islamic Society"), which also became a bestseller. [12] [11] [14] By June 2015, it was also translated into French (Insoumise, also became a bestseller in France [11] ), Turkish and Finnish. [12] The Finnish edition, titled Neitsythäkki, omitted Hirsi Ali's most controversial quote from a January 2003 Trouw interview, namely that "Muhammad was a perverse tyrant". Publisher Otava claimed this was a "technical error", an explanation that made Hirsi Ali laugh; she said Otava should apologise, correct it and not engage in censorship. [6] The August 2005 Swedish translation was titled Kräv er rätt! Om kvinnor, islam och en bättre värld ("Demand your rights! On Women, Islam and a Better World"); Hirsi Ali visited Stockholm to promote it, [15] and received the Liberal People's Party's Democracy Prize there. [11] By May 2006, the book had been translated into about 10 languages. [16]
In April 2006, an English translation was published by Free Press under the title The Caged Virgin, which was a compilation of three essays from De zoontjesfabriek, five essays plus the Manji interview from De maagdenkooi, the script of Submission, as well as several new essays, jointly encompassing 187 pages. [2] The 2008 American edition omitted two of the 2006 version's essays and added two more for 188 pages. [17]
According to Christopher Hitchens, the English edition has three themes: "first, her own gradual emancipation from tribalism and superstition; second, her work as a parliamentarian to call attention to the crimes being committed every day by Islamist thugs in mainland Europe; and third, the dismal silence, or worse, from many feminists and multiculturalists about this state of affairs." [18]
In the book Hirsi Ali discusses her own struggle with Islam, intended as a model how other Muslim women may achieve their own emancipation. In advising women how to address the divide between Western and Islamic thought, she draws on her firsthand knowledge of the Islamic world and the philosophical tradition originating in the Enlightenment. [19]
Hirsi Ali contends that in Islamic regions Muslim women who seek solace and escape from Islam are typically threatened with death, and those Muslim women who do escape the "virgins' cage" are branded whores. The author discusses Islamic views on the role of women, the rights of individuals, the roots of Islamic fanaticism, and proposes Western policies toward Muslim-majority countries and immigrant communities. Hirsi Ali emphasises how Muslim women have no basic rights in their lives. She describes how Muslim women are trapped not just in one, but two cages; a physical one where their movements are monitored, and a metaphysical one, which restricts their religious and cultural beliefs. [20] In the chapter "Ten Tips for Muslim Women Who Want to Leave", she describes the steps Muslim girls and young women can take in order to escape their conservative Islamic parental homes and live a life of their own choice. [21] [22]
Reviewing De maagdenkooi for de Volkskrant , Anet Bleich opined that the Ten Tips for Muslim girls who want to escape the metaphorical virgin's cage at the book's end were "well-reasoned and wise advice; this open letter is Hirsi Ali at her finest". However, Bleich dubbed her an "uncompromising idealist: that is both her strength and weakness. It's great that she constantly succeeds in making her point about the oppression of Muslim women. But it's a shame that she doesn't have the patience to look for allies in her own Enlightened Muslim circle." [21]
In early September 2004, Trouw called it a "hard-hitting" book, especially the stories from the four Somali women that Hirsi Ali acquainted during her job as an interpreter. De maagdenkooi was readily compatible with the film Submission that premiered on the Zomergasten programme soon after. [23] A December 2004 Trouw review by Paul-Kleis Jager wondered whether it was necessary to criticise the religion itself in order to liberate Muslim girls and women, pointing to the recently emerged French feminist movement Ni Putes Ni Soumises that was led by secular Muslim woman Fadela Amara. Yet, he found it difficult to deny how intimately the virginity cult in Islam was tied to the core teachings of the Quran and the Traditions of Muhammad, causing few Muslim girls and women to have a choice in determining "whether, and if so, whom they married to; and whether, and if so, how many children they wanted to get". Such attitudes, Jager agreed with Hirsi Ali, resulted in "illiterate unhealthy mothers sitting at home, unable to guide their children into the world of education and labour," which was "complicit in the economic lag of Muslims". [24]
NRC Handelsblad critic Beatrijs Ritsema labelled it a "somewhat disorderly booklet, a kind of anti-Islam almanac", but praised its style: "What an enthusiasm, and so often Hirsi Ali is spot on." Ritsema agreed with Hirsi Ali that domestic violence prevention agencies should work better together, and the abuser rather than the victim should be moved out of the house. She did not agree, however, that all Muslim men sexually oppress Muslim women, though admitted many of them did. Ritsema was more optimistic about the degree to which third-generation Muslim immigrants integrated in Western society and adapted to progressive cultural norms regarding sexual autonomy and gender equality. She emphasised there were major differences amongst Muslims just as there were amongst the native Dutch, though the former still had a lot of catching up to do. [25]
Der Spiegel noted that Hirsi Ali's book, of which the German edition Ich klage an had already sold 80,000 copies between May and August 2005, fitted in a new emerging genre of books about Muslim women who escaped forced marriage arranged by their families and managed to establish a free life in Europe. Ayaan's work was compared to Ich wollte nur frei sein ("I Just Wanted to be Free") by Hülya Kalkan, Mich hat keiner gefragt ("Nobody Asked Me") by Ayşe, Erstickt an euren Lügen ("Choke on your Lies") by Inci Y., Fundamentalismus gegen Frauen ("Fundamentalism Against Women") by Nawal El Saadawi and Verschleppt in Jemen ("Kidnapped in Yemen") by Zana Muhsen. [26]
Natasha Walter of The Guardian wrote that "The Caged Virgin is a shocking read. Ayaan Hirsi Ali rages at crimes that are done to women by men: from forced marriage to female genital mutilation; from denial of education to sexual abuse within the family. Her fury about these crimes makes her essays vibrant and inspiring." However, "Hirsi Ali not only paints the whole of the Islamic world with one black brush, she also paints the whole of the western world with rosy tints in order to set it as perfect day to the bleak night of the Muslim world." [27]
The book was also lauded by the author and journalist Christopher Hitchens in Slate : "I would urge you all to go out and buy her new book, The Caged Virgin, which is subtitled An Emancipation Proclamation for Women and Islam. (...) Considering that this book is written by a woman who was circumcised against her will at a young age and then very nearly handed over as a bargain with a stranger, it is written with quite astonishing humor and restraint." Voicing his frustration and anger over the "shameful" way Hirsi Ali had been treated in the Netherlands, Hitchens expressed the hope "that it will shame us all into making The Caged Virgin a best seller." [18]
Uma Narayan said the book was fragmented with bits of autobiography and a motivational letter. Hirsi Ali’s outrage at the discrimination of Muslim women was one dimensional, and struggled to bind feminism, racism and internationalism in the same book. [28] For Narayan, Islam, like any other culture is permeable, it is dynamic and the boundaries constantly shift. She criticized Ali for having a generalized portrayal of the Muslim society, and assigning all Muslim cultures as violent and discriminatory. She missed the aspects of cross-cultural similarities, as well as possible internal cultural divisions. [28]
According to other authors, Islam, like every religious belief, has been hard wired into the society and it is very difficult to change these beliefs over a short span of time. However, Ali states that these cultural beliefs and ideas are not subject to any change or reform. [29] Other reviewers like Leti Volp criticized Ali for highlighting culture only in some cases throughout the book but not all, which was considered as a political attempt to gain popularity, given her political interest and position at that time. [28]
Saba Mahmood wrote that the title of the work is "highly reminiscent of the nineteenth-century literary genre centered on Orientalist fantasies of the harem" and the book itself "full of absurd statements" such as "[Muslim] children learn from their mothers that it pays to lie. Mistrust is everywhere and lies rule". [30]
Ayaan Hirsi Ali, Lady Ferguson is a Somali-born Dutch-American writer, activist and former politician. She is a critic of Islam and advocate for the rights and self-determination of Muslim women, opposing forced marriage, honour killing, child marriage, and female genital mutilation. At the age of five, following local traditions in Somalia, Ali underwent female genital mutilation organized by her grandmother. Her father—a scholar, intellectual, and a devout Muslim—was against the procedure but could not stop it from happening because he was imprisoned by the Communist government of Somalia at the time. Her family moved across various countries in Africa and the Middle East, and at 23, she received political asylum in the Netherlands, gaining Dutch citizenship five years later. In her early 30s, Hirsi Ali renounced the Islamic faith of her childhood, began identifying as an atheist, and became involved in Dutch centre-right politics, joining the People's Party for Freedom and Democracy (VVD).
Theodoor "Theo" van Gogh was a Dutch film director. He directed Submission: Part 1, a short film written by Somali writer and politician Ayaan Hirsi Ali, which criticised the treatment of women in Islam in strong terms. On 2 November 2004, he was murdered by Mohammed Bouyeri, a Dutch-Moroccan Islamist who objected to the film's message. The last film Van Gogh had completed before his murder, 06/05, was a fictional exploration of the assassination of Dutch politician Pim Fortuyn. It was released posthumously in December 2004, a month after Van Gogh's death, and two years after Fortuyn's death.
Submission is a 2004 English-language Dutch short drama film produced and directed by Theo van Gogh, and written by Ayaan Hirsi Ali ; it was shown on NPO 3, a Dutch public broadcasting network, on 29 August 2004. The film's title is one of the possible translations of the Arabic word "Islam". An Islamist reacted to the film by assassinating Van Gogh.
Maria Cornelia Frederika "Rita" Verdonk is a Dutch politician and businesswoman formerly affiliated with the People's Party for Freedom and Democracy (VVD) and later Proud of the Netherlands (TON), which she founded in 2007. Since 2022, she has been a municipal councillor of The Hague, elected on the list led by Richard de Mos.
Afshin Ellian is an Iranian-born Dutch professor of law, philosopher, poet, and critic of political Islam. He is an expert in international public law and philosophy of law.
Maryam Namazie is a British-Iranian secularist, communist and human rights activist, commentator, and broadcaster. She is the Spokesperson for Fitnah – Movement for Women’s Liberation, One Law for All and the Council of Ex-Muslims of Britain. She is known for speaking out against Islam and Islamism and defending the right to apostasy and blasphemy.
Hirsi Ali "Magan" Isse, commonly known as Hirsi Magan, was a Somali scholar, intellectual, and political dissident. He was a prominent figure in the Somalian Rebellion, Somali culture, and Somalia's political elite. Magan co-founded the Somali Salvation Democratic Front (SSDF), a political and paramilitary group that opposed the government's authoritarian policies, and he was imprisoned for his dissent.
Opzij is a mainstream Dutch feminist monthly magazine. The title means "out of the way!"
Laetitia Juliëtte Griffith is a retired Surinamese–born Dutch politician of the People's Party for Freedom and Democracy (VVD) and jurist.
Infidel is a 2006 autobiography of Ayaan Hirsi Ali, a Somali-Dutch activist and politician. Hirsi Ali has attracted controversy and death threats were made against Ali in the early 2000s over the publication of the book.
Atheist feminism is a branch of feminism that also advocates atheism. Atheist feminists hold that religion is a prominent source of female oppression and inequality, believing that the majority of the religions are sexist and oppressive towards women.
The term New Atheism describes the positions of some atheist academics, writers, scientists, and philosophers of the 20th and 21st centuries. New Atheism advocates the view that superstition, religion, and irrationalism should not be tolerated. Instead, they advocate the antitheist view that the various forms of theism should be criticised, countered, examined, and challenged by rational argument, especially when they exert strong influence on the broader society, such as in government, education, and politics. Critics have characterised New Atheism as "secular fundamentalism" or "fundamentalist atheism". Major figures of New Atheism include Richard Dawkins, Sam Harris, Christopher Hitchens, and Daniel Dennett, collectively referred to as the "Four Horsemen" of the movement.
Multiculturalism in the Netherlands began with major increases in immigration during the 1950s and 1960s. As a consequence, an official national policy of multiculturalism was adopted in the early 1980s. This policy subsequently gave way to more assimilationist policies in the 1990s and post-electoral surveys uniformly showed from 1994 onwards that a majority preferred that immigrants assimilated rather than retained the culture of their country of origin. Even though the general acceptance of immigrants increased, opinion polls from the early 1980s and after showed that many were critical of immigration. Following the murders of Pim Fortuyn and Theo van Gogh the political debate on the role of multiculturalism in the Netherlands reached new heights.
Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations is a memoir by Somali-born Dutch-American writer, politician and activist Ayaan Hirsi Ali. It is a sequel to her New York Times bestsellerInfidel. It deals in greater depth than the earlier book with certain aspects of the author's childhood in Somalia, Kenya and Saudi Arabia, and in particular with her family, as well as with her exile from the Netherlands and her present home with the American Enterprise Institute in the United States. The book is critical of Islam and the multiculturalism which the author sees as enabling Muslim extremism. It sets out to make the case that moderate Christian churches should seek actively to convert Muslim believers. The book has been praised by Christopher Hitchens, John Lloyd, and Richard Dawkins.
This is a bibliography of literature treating the topic of criticism of Islam, sorted by source publication and the author's last name.
Ebru Umar is a Dutch columnist of Turkish descent. Under the influence of Theo van Gogh, she gave up a career in management and became a columnist, first for van Gogh's website and, after he was assassinated, as his successor as a regular columnist of Metro. She writes for a number of Dutch magazines and has published four books, often on the topics of feminism and criticism of Islam.
Atheïstisch manifest: drie wijsgerige opstellen over godsdienst en moraal is an essay bundle by the Dutch philosopher Herman Philipse. Originally published in 1995, Philipse brought out a new version in 2004 that included a new bundle of four essays titled De onredelijkheid van religie. The compilation was published under the name Atheïstisch manifest en De onredelijkheid van religie.
Arzu Toker is a German-speaking writer, journalist, publicist and translator of Turkish descent.
Heretic: Why Islam Needs a Reformation Now, also published as Heretic: Why Islam Must Change to Join the Modern World, is a 2015 book by Ayaan Hirsi Ali, in which the author advocates that a Muslim reformation is the only way to end the horrors of terrorism, sectarian warfare and the repression of women and minorities.
De zoontjesfabriek. Over vrouwen, islam en integratie is the title of Ayaan Hirsi Ali's first book, which was published in Dutch in December 2002. It is a collection of all articles that Hirsi Ali had published up till then, and an interview with Dutch feminist author Colet van der Ven.
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