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The Ogre | |
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Directed by | Volker Schlöndorff |
Screenplay by | Jean-Claude Carrière Volker Schlöndorff |
Based on | The Erl-King by Michel Tournier |
Produced by | Gebhard Henke Ingrid Windisch |
Starring | John Malkovich Gottfried John Marianne Sägebrecht Volker Spengler Heino Ferch Dieter Laser Agnès Soral Sasha Hanau Vernon Dobtcheff Simon McBurney Ilja Smoljanski Luc Florian Laurent Spielvogel Marc Duret Philippe Sturbelle Armin Mueller-Stahl Pierre-Benoist Varoclier |
Cinematography | Bruno de Keyzer |
Edited by | Nicolas Gaster Peter Przygodda |
Music by | Michael Nyman |
Production companies | Canal+ France 2 Cinéma Héritage Films Recorded Picture Company (RPC) Renn Productions Studio Babelsberg Universum Film (UFA) Westdeutscher Rundfunk (WDR) |
Distributed by | AMLF (1996, France) Tobis Filmkunst (1996, Germany) Kino International (1998, USA, all media) |
Release date |
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Running time | 118 min. |
Countries | France Germany United Kingdom |
Language | English |
Box office | $49,166 (USA) [1] |
The Ogre ( ‹See Tfd› German : Der Unhold) is a 1996 French-German-British war drama film directed by Volker Schlöndorff and starring John Malkovich, Gottfried John, Marianne Sägebrecht, Volker Spengler, Heino Ferch, Dieter Laser and Armin Mueller-Stahl. It was written by Jean-Claude Carrière and Schlöndorff, based on the novel The Erl-King by Michel Tournier.
Abel Tiffauges (Malkovich) is a simple Frenchman at the start of World War II who loves animals and children. The first part of the film recalls his childhood at a sadistic Catholic school for boys where he prays to Saint Christopher that the school, which he sees as a prison, be burned down. By chance, while Abel is being disciplined for spilling lamp oil on the chapel floor, his friend Nestor accidentally sets fire to the building, burning it down as he wished. From that day on, Abel is convinced that fate is on his side, and that it will protect him from anything.
In 1940, Abel works as a car mechanic in Paris. His hobby is photography, and he befriends and photographs the local children. However, on one occasion a girl named Martine takes his camera; he tells her off and upsets her. She then falsely accuses him of assaulting her. The police believe her, and he is put on trial. Fortunately for Abel, Germany has invaded France, and soldiers are urgently needed on the front. As a punishment for his supposed crime, he is conscripted to the army to fight off the invaders.
After France surrenders, Abel and his comrades are sent to a prisoner-of-war camp in East Prussia. Abel is often able to sneak away from the camp to a hunting cabin in the forest where he feeds a blind moose. One day, he encounters a German officer who is curious about his affinity for animals and tells him that the moose is known as The Ogre to the local peasants before telling him to return to the camp and to stop visiting the cabin. Several weeks later, the officer returns to Abel, and removes him from the camp. He takes him to Hermann Göring's hunting lodge where the Chief Forester gives him a job looking after the animals on the estate. When Göring (Spengler) arrives, he first seems cheerful and friendly, but it is soon clear that he is sadistic, bombastic and mentally unstable. After hearing news that he is needed in Berlin because of the failure of the German Army at Stalingrad on the Eastern Front, Göring becomes depressed and bitter, and abruptly fires his whole staff at the lodge - including Abel. Before leaving, however, the now-former Chief Forester arranges for Abel to be given a new job at the nearby Kaltenborn Castle, a Nazi academy for boys.
At the castle, he instantly proves popular with the boys, and is treated by the staff as a privileged servant. One day, he is out riding, and comes across a group of boys on holiday. He tells them of life in the castle and they follow him back. An SS officer, Obersturmbannführer Raufeisen, is impressed and gives him the job of recruiting local boys into the academy. Although he is successful and means well in his efforts, Abel soon learns from the castle housekeeper, Mrs. Netta, that the locals are afraid of him for taking the boys, and that they have published pamphlets telling parents to watch out for "The Ogre", his newly-acquired nickname. Abel begins to develop doubts about his work. Several days later, one of the boys he recruited is left horribly burned during training from standing behind another boy as he fires a Panzerfaust, making Abel yet more uncertain of the Nazis. Soon after, the owner of the academy, Count Kaltenborn (Mueller-Stahl), is revealed to have been part of a plot to kill Hitler. He is arrested and taken away in a car, and is never seen again. Meanwhile, news has broken out that the Red Army has crossed into East Prussia, and the officers in charge of the castle, as well as the oldest boys training there, are sent out to the front line.
One night while out riding, Abel finds a column of prisoners being taken through the forest, and sees one being shot by a German soldier. When they have gone he approaches the road and finds that it is littered with dead bodies. Under the pile of corpses, he finds a boy named Ephraim who is barely alive and takes him to the castle where he hides him in the attic. With all the officers dead or at the front, Abel and Frau Netta are now in charge of the castle. Frau Netta stays on, trying to look after the boys, but Abel realizes that Hitler and the Nazis have lied - there will be no victory, and a last stand at the castle would be pointless. Abel gathers the remaining cadets and orders them to prepare to evacuate. Caught up in a patriotic fervor, they deem Abel a traitor and knock him unconscious. Shortly afterward, a group of German veteran soldiers arrives. Led by Raufeisen, they take command of Kaltenborn Castle, promising the boys a victorious battle for the Fatherland.
That night, Abel regains consciousness and returns to the attic. The Soviets soon arrive, and a senior officer demands the castle's surrender. Abel tries to surrender the castle, but Raufeisen nearly shoots him with a rifle and the boys open fire on the Soviet soldiers. As the battle escalates, Abel finds Ephraim and leaves the castle with him. The castle catches fire during the fighting; it burns down and none of the defenders survive. They escape across the marshes safely, with Abel recalling the tale of St. Christopher, and the scene fades to black.
Schlöndorff's idea to create the film originally stemmed from his desire to create a sequel to his 1979 film The Tin Drum , since the film only covered part of the Günter Grass novel on which it was based, but the main cast member David Bennent had grown out of the role and Schlöndorff was unwilling to recast the role. Schlöndorff decided that Tournier's novel reflected his specific interest in the war in particular. Filming began in 1995 on location in Malbork and Paris, with Ezio Frigerio as production designer, who intentionally made the sets look as if they were from a fairytale. [2] Michael Nyman wrote the soundtrack, three years after his huge international success with The Piano .
Although filmed in English, The Ogre was not initially released in the United Kingdom or the U.S. It had a limited theatrical release in the U.S. in 1998-1999 [3] and was made available on DVD by Kino International. It generally received positive reviews on its cinema release and DVD release, and holds an 89% "fresh" rating on Rotten Tomatoes based on nine reviews. [4]
The Ogre | ||||
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Soundtrack album by | ||||
Released | 1996 | |||
Studio | Landsdowne Studios | |||
Genre | Soundtrack, Film score, Minimalist music, Contemporary classical | |||
Length | 59:03 | |||
Label | Virgin Venture | |||
Director | Michael Nyman | |||
Producer | Michael Nyman | |||
Michael Nyman chronology | ||||
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The score is composed by Michael Nyman and features strictly brass, woodwind, and percussion instruments by members of the Michael Nyman Band. The music was rerecorded by Wingates Band, with the woodwind parts transcribed for brass, on the 2006 album, Nyman Brass .
Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle Der Ring des Nibelungen, where its purpose was to bridge the acoustical and textural gap between the French horn and trombone.
Michel Tournier was a French writer. He won awards such as the Grand Prix du roman de l'Académie française in 1967 for Friday, or, The Other Island and the Prix Goncourt for The Erl-King in 1970. His inspirations included traditional German culture, Catholicism and the philosophies of Gaston Bachelard. He resided in Choisel and was a member of the Académie Goncourt. His autobiography has been translated and published as The Wind Spirit. He was on occasion in contention for the Nobel Prize in Literature.
Volker Schlöndorff is a German film director, screenwriter and producer who has worked in Germany, France and the United States. He was a prominent member of the New German Cinema of the late 1960s and early 1970s.
Facing Goya (2000) is an opera in four acts by Michael Nyman on a libretto by Victoria Hardie. It is an expansion of their one-act opera called Vital Statistics from 1987, dealing with such subjects as physiognomy, eugenics, and its practitioners, and also incorporates a musical motif from Nyman's art song, "The Kiss", inspired by a Paul Richards painting. Nyman also considers the work thematically tied to his other works, The Man Who Mistook His Wife for a Hat, The Ogre, and Gattaca, though he does not quote any of these musically, save a very brief passage of the latter. It was premièred at the Auditorio de Galicia, Santiago de Compostela, Spain on 3 August 2000. The revision with the cast heard on the album premiered at the Badisches Staatstheater Karlsruhe, Germany, on October 19, 2002. Vital Statistics has been withdrawn. The Santiago version included more material from Vital Statistics. The opera was most recently performed at the 2014 Spoleto Festival USA, located in Charleston, South Carolina.
The Michael Nyman Band, formerly known as the Campiello Band, is a group formed as a street band for a 1976 production of Carlo Goldoni's 1756 play, Il Campiello directed by Bill Bryden at the Old Vic. The band did not wish to break up after the production ended, so its director, Michael Nyman, began composing music for the group to perform, beginning with "In Re Don Giovanni", written in 1977. Originally made up of old instruments such as rebecs, sackbuts and shawms alongside more modern instruments like the banjo and saxophone to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, double bass, clarinet, three saxophones, horn, trumpet, bass trombone, bass guitar, and piano. This lineup has been variously altered and augmented for some works.
À la folie is a 1994 French drama film by Diane Kurys with music by Michael Nyman. It entered the competition at the 51st Venice International Film Festival.
The Michael Nyman Songbook is a collection of art songs by Michael Nyman based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare and Arthur Rimbaud. It was recorded as an album with Ute Lemper in 1991, and again as a concert film in 1992, under the direction of Volker Schlöndorff, again with Ute Lemper, though many of the musicians had changed. The songs have been recorded by others and as instrumentals, and are published by Chester Music. The album has been issued by both London Records and Argo Records, though the covers are the same except for the logo.
Nigel Barr grew up as a member of the High Wycombe Salvation Army band. In 1980 he went to the Guildhall School of Music and studied trombone with Peter Gane and Denis Wick during that time he was also a member of International Staff Band (1980–82) playing bass trombone.
Love Counts is a 2005 opera in two acts by Michael Nyman to a libretto by Michael Hastings.
The Essential Michael Nyman Band is a studio album featuring a collection of music by Michael Nyman written for the films of Peter Greenaway and newly performed by the Michael Nyman Band. It is the seventeenth album release by Nyman. The album features liner notes by Annette Morreau, who describes the album as "a summation and digest of ten years of progress in the performance of music by a composer -- a composer with whom, so evidently, a group of friends and expert musicians intimately identify their total commitment, virtuosity, and joyous enthusiasm."
After Extra Time is a 1996 album by Michael Nyman with the Michael Nyman Band containing three tributes to Nyman's fandom of Association football: After Extra Time, the soundtrack to The Final Score, and Memorial. The latter is described as a remix, but is simply the 1992 recording from The Essential Michael Nyman Band. It was included in order to put it together with his two other football-inspired works. The album lists only three tracks, which has caused it to be erroneously reported that Memorial is track 3 and the others are all hidden tracks, but Memorial is track 26. Therefore, a track listing, as the individual portions of the pieces are not named, is not useful. The three pieces were recorded at separate times and thus have separate personnel lists.
The Suit and the Photograph is a 1998 album by Michael Nyman with the Michael Nyman Band, recorded in 1995. On this album, Nyman is the composer, conductor, and producer, and wrote the liner notes. The album contains two works, String Quartet No. 4 and 3 Quartets. The album is named for its cover photograph by August Sander, which Nyman had associated with the Michael Nyman Band since its inception in 1977. He cites a description of the photograph by John Berger, in an essay of the same title, describing that the suits deform the working class rural men just enough to "undermine physical dignity." Both of the pieces on the album originated in Japan. It is Nyman's second release on EMI and his 33rd in general, but is not designated part of a series, as EMI had done with Concertos. Said Nyman of EMI, "I didn't excite them, and they didn't excite me." Nyman's only further releases on EMI would be the UK edition of Ravenous, featuring remixes by William Orbit, and The Actors, both film scores.
The Composer's Cut Series Vol. I: The Draughtsman's Contract is the 51st album by Michael Nyman, recorded in 2005 with the Michael Nyman Band and released in 2006. It is the first in an unprecedented series in which Nyman began rerecording some of his film music independently of the needs of film production, and the culmination and refinement of 23 years of performances of the work since the recording of the original 1982 recording of The Draughtsman's Contract.
The Very Best of Michael Nyman: Film Music 1980–2001 is a compilation album film music by Michael Nyman. It was released on November 6, 2001 by Virgin Records. It including three previously unreleased tracks and one from the limited release, La Traversée de Paris. Some tracks are from the original soundtracks, while others are from pre-existing rerecordings such as The Essential Michael Nyman Band and Live.
The Composer's Cut Series Vol. II: Nyman/Greenaway Revisited is the second in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, films of Peter Greenaway, and his 52nd release overall. The album is similar to The Essential Michael Nyman Band, although a number of tracks are on only one album or the other. In spite of being recorded in 1992, with the same lineup, Memorial is not the same performance as the one that appears on The Essential Michael Nyman Band or After Extra Time, which was recorded in Tokyo. This performance was recorded in London and is slightly less aggressively performed.
Wonderland is the 38th album release by British composer Michael Nyman and the soundtrack to the 1999 film Wonderland. It is the first of many collaborations of Nyman with director Michael Winterbottom. For Winterbottom, Nyman would later perform excerpts of this score in 9 Songs, provide a score for The Claim, and arrangements and re-used tracks for A Cock and Bull Story. Nyman's daughter, Molly, has continued the family working relationship with Winterbottom, scoring The Road to Guantanamo with Harry Escott.
The Erl-King is a 1970 novel by the French writer Michel Tournier. It is also known as The Ogre. The novel received the Prix Goncourt. The 1996 film The Ogre, directed by Volker Schlöndorff, is based on the novel.
Daniel Herskedal is a Norwegian jazz tubist. He is regarded as one of the most talented jazz tubists in Norway.