The Owl and the Pussycat | ||||
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Soundtrack album by | ||||
Released | December 19, 1970 | |||
Genre | Rock | |||
Length | 46:41 | |||
Label | Columbia | |||
Producer | Thomas Z. Shepard | |||
Barbra Streisand chronology | ||||
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George Segal chronology | ||||
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Blood,Sweat &Tears chronology | ||||
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The Owl and the Pussycat is the soundtrack album to the 1970 American film of the same name. Released by Columbia Records,it features film dialogue by Barbra Streisand and George Segal recorded over music performed by American band Blood,Sweat &Tears. The album's five tracks were all written by Buck Henry,produced by Thomas Z. Shepard.
While critiqued for lacking any Streisand singing,critics generally felt the music paired nicely with the dialogue. Commercially,the album charted in both the United States and Canada.
The Owl and the Pussycat was released to movie theaters on November 3,1970,by Columbia Pictures. [1] The accompanying soundtrack was released on vinyl and 8-track cartridge on December 19 of the same year through Columbia Records, [2] [3] featuring five tracks of dialogue spoken by cast members Barbra Streisand and George Segal recorded over music performed by American band Blood,Sweat &Tears. [4] [5] They created the instrumentals for the film while touring shortly before band member and lead vocalist,David Clayton-Thomas,departed the group. [6] This was Clayton-Thomas's first film score credit,and he considered the work as being difficult because he was tasked with placing music over preexisting dialogue. He wrote:"Somebody should have told me what can happen when you do a film score. When the picture is completed,the powers that be can do what they want with the score." [7] The record's five song titles correlate with different scenes in the film and are primarily rock-influenced. [8]
The soundtrack's creation was headed by Richard Halligan,who composed and arranged the selections. [6] Screenwriter Buck Henry is credited with writing all five album tracks while Thomas Z. Shepard served as the album's sole producer. [2] Rather than five individual songs,the 8-track cartridge of the soundtrack features "Highlights from Buck Henry's Hilarious Screenplay" in four consecutive parts. [3]
Review scores | |
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Source | Rating |
AllMusic | [9] |
Criticism towards the soundtrack was aimed at the absence of Streisand's vocals. AllMusic's William Ruhlmann awarded The Owl and the Pussycat 1.5 out of 5 stars. He suggested that the soundtrack was Streisand's least successful because the album's songs featured the singer talking and enduring in "endless bickering" instead of actually singing and performing with live vocals. [9] The staff members at Billboard noted the influence of rock and big band-style music and wrote that "the music that is heard [...] fits in with the dialogue quite well". Concluding,they wrote:"the dialog itself runs the gamut from absurdly sublime material to simply ridiculous material". [4]
All tracks written by Buck Henry and produced by Thomas Z. Shepard. [2]
No. | Title | Length |
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1. | "The Confrontation" | 11:18 |
2. | "The Warmup" | 9:55 |
3. | "The Seduction" | 4:01 |
4. | "The Morning After" | 11:05 |
5. | "The Reunion" | 10:22 |
Total length: | 46:41 |
An alternate edition of the soundtrack was released on 8-track cartridge and cassette tape, divided into four tracks instead of five.
No. | Title | Length |
---|---|---|
1. | "Highlights from Buck Henry's Hilarious Screenplay" (Part 1) | 11:36 |
2. | "Highlights from Buck Henry's Hilarious Screenplay" (Part 2) | 11:36 |
3. | "Highlights from Buck Henry's Hilarious Screenplay" (Part 3) | 11:36 |
4. | "Highlights from Buck Henry's Hilarious Screenplay" (Part 4) | 11:36 |
Total length: | 46:24 |
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In the United States, the album debuted at the bottom position on the Billboard 200 chart on February 6, 1971. [10] It later peaked at number 186, becoming Streisand's lowest-charting entry of her entire career, behind 1967's A Christmas Album and 1970's On a Clear Day You Can See Forever , which both peaked at number 108. [11] However, the soundtrack fared better for Segal, as his previous highest-peaking record was The Yama Yama Man, which peaked at number 199 in September 1967. [12] On Canada's Top Albums chart conducted and published by RPM , The Owl and the Pussycat debuted at number 85 during the week ending January 16, 1971. [13] It eventually peaked at number 74. [14]
Chart (1971) | Peak position |
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Canada Top Albums/CDs ( RPM ) [14] | 74 |
US Billboard 200 [11] | 186 |
Region | Date | Format(s) | Label | Ref. |
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United States | December 19, 1970 | LP | Columbia | [2] |
8-track cartridge | [3] |
Blood, Sweat & Tears released all the film's instrumental and incidental compositions on Rare, Rarer & Rarest , a 2013 compilation album that also includes outtakes from The Owl and the Pussycat score. [15]
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
The Owl and the Pussycat is a 1970 American romantic comedy film directed by Herbert Ross from a screenplay by Buck Henry, based on the 1964 play of the same name by Bill Manhoff. The film follows Doris, a somewhat uneducated actress, model, and part-time prostitute who moves in temporarily with her neighbor Felix, an intellectual aspiring writer. Despite their many obvious differences, the two begin to admire each other over time. Comedian and actor Robert Klein appears in a supporting role.
"No More Tears (Enough Is Enough)" is a 1979 song recorded by American singers Barbra Streisand and Donna Summer. It was written by Paul Jabara and Bruce Roberts, and produced by Giorgio Moroder and Gary Klein. The song was recorded for Streisand's Wet album and also as a new track for Summer's compilation double album On the Radio: Greatest Hits Volumes I & II. The full-length version was found on Streisand's album, while a longer 11-minute edit (the 12" version) was featured on Summer's album. The longer 12" version features additional production by frequent collaborator Harold Faltermeyer, and incorporates a harder rock edge.
A Collection: Greatest Hits...and More is the fourth greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989 by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.
Barbra Streisand's Greatest Hits is the first greatest hits album recorded by American vocalist Barbra Streisand. It was released in January 1970, by Columbia Records. The record is a compilation consisting of 11 commercially successful singles from the singer's releases in the 1960s, with a majority of them being cover songs. The songs on Barbra Streisand's Greatest Hits originally appeared on one of the singer's eight previous albums and span in release from 1963 to 1968. It contains her most commercially successful tracks, including her first Billboard Hot 100 top ten single "People" and top 40 entry "Second Hand Rose". The album was distributed on compact disc in 1986 and rereleased under the title The Hits in 2006.
The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. The album was released in January 1974, preceded by the commercial success of its lead single "The Way We Were" first released in September 1973.
Barbra Streisand's Greatest Hits Volume 2 is the second greatest hits album recorded by American vocalist Barbra Streisand. It was released on November 15, 1978 by Columbia Records. The album is a compilation consisting of ten commercially successful singles from the singer's releases in the 1970s, with a majority of them being cover songs. It also features a new version of "You Don't Bring Me Flowers", which was released as the collection's only single on October 7, 1978. Originating on Streisand's previous album, Songbird, the new rendition is a duet with Neil Diamond who had also recorded the song for his 1978 album of the same name. The idea for the duet originated from DJ Gary Guthrie who sold the idea to the record label for $5 million.
Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975, by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".
Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.
ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
Rare, Rarer & Rarest is a compilation album by the band Blood, Sweat & Tears released by Wounded Bird Records/Sony Music on July 2, 2013. The songs here were recorded over an eight-year period and include mono single mixes, previously unreleased songs, and the music the band recorded for a film soundtrack from 1970.
On a Clear Day You Can See Forever is the soundtrack album to the 1970 American film of the same name. It was released by Columbia Records on July 1, 1970 and features singing by Barbra Streisand and Yves Montand, in addition to choral arrangements and live orchestration. No commercial singles were released from the soundtrack, but the reprise version of the title track was released as a promotional single on 7" vinyl by Columbia. Executively and solely produced by Wally Gold, the album's ten tracks were written by Alan Jay Lerner while the music was written by Burton Lane. The album was reissued on compact disc in 2008.
A Star Is Born is the soundtrack album to the 1976 musical film of the same name, performed by its stars Barbra Streisand and Kris Kristofferson. The album was very successful, holding the number-one spot on the US Billboard 200 chart for six weeks and eventually was certified 4× Platinum by the RIAA for more than four million units shipped and has sold a total of eight million copies worldwide.
Yentl is a soundtrack album to the film of the same name by American singer Barbra Streisand. It was released on November 8, 1983, by Columbia Records. The album was produced by Streisand and Alan and Marilyn Bergman, and arranged and conducted by Michel Legrand. The music is by Legrand and the lyrics by the Bergmans. The album peaked at No. 9 on the Billboard Top 200 LP chart was gold and platinum status on January 9, 1984, by the RIAA for shipping 500,000 and 1 million copies, respectively.
"My Father's Song" is a song recorded by American singer Barbra Streisand for her seventeenth studio album, Lazy Afternoon (1975). It was released as a 7" single in August 1975 through Columbia Records. Rupert Holmes wrote the song in collaboration with its producer Jeffrey Lesser. A sentimental ballad, "My Father's Song" was about Streisand's childhood with her father; Holmes' lyrics involve a protagonist, presumably a daughter, asking for her father's approval in life and love.
The Way We Were: Original Soundtrack Recording is the soundtrack album to the film of the same title by American singer Barbra Streisand. It was released by Columbia Records on January 30, 1974. The soundtrack comprises twelve songs, mostly written by Marvin Hamlisch, three of which are different versions of "The Way We Were". The album was mostly produced by Fred Salem, with the exception of the title track which was produced by Marty Paich. Hamlisch and Salem collaborated to create five new songs for the soundtrack, while the remaining ones are cover songs.
Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.
"On a Clear Day (You Can See Forever)" is a song written by Burton Lane (music) and Alan Jay Lerner (lyrics) for the 1965 Broadway musical On a Clear Day You Can See Forever. It was subsequently performed by American actress and vocalist Barbra Streisand in the 1970 film adaptation of the musical.
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