The Phantom Tollbooth | |
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Directed by |
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Screenplay by |
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Based on | The Phantom Tollbooth 1961 novel by Norton Juster |
Produced by | Chuck Jones |
Starring | |
Cinematography | Lester Shorr |
Edited by | Jim Faris |
Music by | Dean Elliott |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
The Phantom Tollbooth (also known as The Adventures of Milo in the Phantom Tollbooth) is a 1970 American live-action/animated fantasy film based on Norton Juster's 1961 children's book of the same name. Produced by Chuck Jones at MGM Animation/Visual Arts, the film stars Butch Patrick as Milo, alongside the voice talents of Mel Blanc, Daws Butler, Candy Candido, Hans Conried, June Foray, Patti Gilbert, Shepard Menken, Cliff Norton, Larry Thor, and Les Tremayne. Jones also co-directed the film with Abe Levitow, while Dave Monahan directed the live-action segments. Completed in 1968, the film was held up from release by MGM until late 1970 due to internal studio problems. The animation studio closed soon after the film's release, with MGM having no further involvement in the animation business until 1993 with the startup of their new Metro-Goldwyn-Mayer Animation studio.
Milo is a bored boy who lives in a San Francisco apartment block and suffers from feelings of apathy. One day while telling his friend over the phone that there's "no rhyme or reason" in his life, he is surprised by a large, gift-wrapped package that appears in his room. He opens the package and discovers a tollbooth which is a gateway into a magical parallel universe. As Milo uses the tollbooth's toy car and pays the toll with coins, the movie moves from live action to animation. After getting accustomed to this, he drives further, and is transported to the enchanted Kingdom of Wisdom in the Lands Beyond.
Accompanied by Tock, a "watchdog" who actually has a large pocket watch in his body, Milo has a series of adventures in places like the Doldrums, Dictionopolis (Kingdom of Words), Digitopolis (Kingdom of Mathematics), the Mountains of Ignorance, and the Castle in the Air. Together, they must rescue the Princesses of Sweet Rhyme and Pure Reason, who are being held captive in the Castle in the Air, and restore order to the Kingdom of Wisdom.
The many eccentric characters they meet include the Whether Man, the Humbug, the Spelling Bee, the noisy Dr. Kakofonous A. Dischord, King Azaz the Unabridged, the Mathemagician, Faintly Macabre the Not-So-Wicked Which, Chroma the Great, and Officer Short Shrift as well as demons like the Senses Taker, the Terrible Trivium, the Demon of Insincerity, and the Gelatinous Giant. In all of the places he visits he finds a new friend to guide him on his mission to Rhyme and Reason. The princesses are freed, and the victory of Rhyme and Reason is celebrated.
At the end of Milo's adventure, he hears his friend on the phone and finds out he's only been away for five minutes. He is about to inquire further when his friend says he has to go, as there is a giant gift box in his room... The film ends with a song about Milo finding things to do and being happy within the real world and shows him smiling while playing at a playground.
In 1963, Metro-Goldwyn-Mayer contracted with Sib Tower 12 Productions to have Chuck Jones and his staff produce new Tom and Jerry cartoons. For his first project with MGM Animation/Visual Arts, Jones read the book The Dot and the Line written by Norton Juster, which was adapted into an animated short that won the Academy Award for Animated Short Film. In January 1966, MGM optioned to adapt The Phantom Tollbooth into a feature-length film. Jones remarked, "It was a natural progression to another Juster work. On this one Les Goldman and Abe Levitow are my co-producers. Levitow and I are directing and Maurice Noble is production designer." Early into development, it was decided that the first few scenes of Milo would be filmed in live-action before transitioning into animation. [1]
In a departure from the novel, Ralph was added to the film to act as a friend to Milo. Jones explained, "It had to be a boy named Ralph. Anybody called Steve or Mike would have called with something to do. Ralph sounds like a wet tennis shoe." [2]
On October 24, 1970, the film premiered in Los Angeles as part of MGM's children's matinee weekend engagements. The release was accompanied with six other films that were released across key cities throughout the United States. [3] [4]
The film was released in VHS, Betamax, CED, and LaserDisc formats in the 1980s by MGM/UA Home Video. In 2011, it was released in a remastered DVD edition by Warner Home Video via the Warner Archive Collection label. The DVD is matted in a similar manner to Tom and Jerry: The Chuck Jones Collection . [5]
Music by Lee Pockriss; lyrics by Norman Gimbel, Norman L. Martin and Paul Vance (two more songs) unless otherwise noted. [6]
The film was a box office flop. [7] Charles Champlin of the Los Angeles Times wrote that the film "is a lively and warming enchantment with real appeal for the 7-plus age group—and the plusses run up well into adulthood." [8] Stefan Kanfer, reviewing for Time , complimented the film's animation, but remarked the plot "bogs the film down. More than 20 characters are thrown at the audience in 90 minutes; children will barely be able to recognize them before they disappear forever." In conclusion, he stated "The youthful viewer and his parents should overlook Phantom Tollbooth's flaws and concentrate on the film's underlying moral. Discovery and delight do not come at the end of the trail, but along the way. The going is the goal." [9]
Time Out Paris wrote that the story has "too many lessons" but "some very nice ideas". [10] TV Guide rated it three stars out of four and described it as "a charming film that combines some fairly sophisticated ideas [...] with cute and likable characters that are sure to grab a child's attention". [11] Tom Hutchinson of the Radio Times rated it 4/5 stars and wrote that the film has "wonderful ideas", but they are "likely to be a bit above the heads of very young children". [12] The review aggregator website Rotten Tomatoes reports that 100% of ten critics gave the film a positive review with an average rating of 7/10. [13]
Juster had no input into the adaptation and has expressed his hatred for the film in an interview: "It was a film I never liked. I don't think they did a good job on it. It's been around for a long time. It was well reviewed, which also made me angry." [14]
In February 2010, director Gary Ross began development of a live-action remake of The Phantom Tollbooth for Warner Bros., the current owner of the film. Alex Tse wrote the first draft. [15] [16] As of August 2016, the remake has moved to TriStar Pictures, with Michael Vukadinovich writing the adaption. [17]
In December 2017, TriStar Pictures picked up the project, and it was announced that Matt Shakman would direct its upcoming "live-action/hybrid" film adaptation of The Phantom Tollbooth with a screenplay by Michael Vukadinovich and Phil Johnston. [18] In 2018, Carlos Saldanha replaced Shakman due to scheduling conflicts while Theodore Melfi replaced Vukadinovich and Johnston. [19]
Charles Martin Jones was an American animator, painter, voice actor and filmmaker, best known for his work with Warner Bros. Cartoons on the Looney Tunes and Merrie Melodies series of shorts. He wrote, produced, and/or directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, Marvin the Martian, and Porky Pig, among others.
The Phantom Tollbooth is a children's fantasy adventure novel written by Norton Juster, with illustrations by Jules Feiffer, first published in 1961. The story follows a bored young boy named Milo who unexpectedly receives a magic tollbooth that transports him to the once prosperous, but now troubled, Kingdom of Wisdom. Along with a dog named Tock and the Humbug, Milo goes on a quest to the Castle in the Air seeking the kingdom's two exiled princesses, named Rhyme and Reason. As Milo learns valuable lessons, he finds a love of learning in a story full of puns and wordplay, such as exploring the literal meanings of idioms.
Norton Juster was an American academic, architect, and writer. He was best known as an author of children's books, notably for The Phantom Tollbooth and The Dot and the Line.
The Dot and the Line: A Romance in Lower Mathematics is a 1965 animated short film directed by Chuck Jones and co-directed by Maurice Noble, based on the 1963 book of the same name written and illustrated by Norton Juster, who also provided the film's script. The film was narrated by Robert Morley and produced by Metro-Goldwyn-Mayer. It won the 1965 Academy Award for Animated Short Film and was entered into the Short Film Palme d'Or competition at the 1966 Cannes Film Festival.
Maurice James Noble was an American animation production designer, background artist and layout designer whose contributions to the industry spanned more than 60 years. He was a long-time associate and right-hand man of animation director Chuck Jones, especially at Warner Bros. in the 1950s. His work contributed to such cartoon classics as Duck Dodgers in the 24½th Century, What's Opera, Doc? and the Road Runner series.
Warner Bros. Animation Inc. is an American animation studio which is part of the Warner Bros. Television Group, a division of Warner Bros. Entertainment, which is a subsidiary of Warner Bros. Discovery and serves as the animation division and label of Warner Bros.
Thomas Archer Ray was an American animator.
William Lorenzo Bunt, known professionally as Dean Elliott, was an American television and film composer.
MGM Animation/Visual Arts was an American animation studio established in 1962 by animation director/producer Chuck Jones, producer Les Goldman and executive Walter Bien as Sib Tower 12 Productions. Its productions include the last series of Tom and Jerry theatrical shorts, the TV specials Horton Hears a Who! and How the Grinch Stole Christmas!, and the feature film The Phantom Tollbooth, all released by Metro-Goldwyn-Mayer.
How the Grinch Stole Christmas! is a 1966 American animated television special, directed and co-produced by Chuck Jones. Based on the 1957 children's book of the same name by Dr. Seuss, the special features the voice of Boris Karloff as the Grinch. It tells the story of the Grinch, who tries to ruin Christmas for the townsfolk of Whoville below his mountain hideaway.
The Cat in the Hat is an American animated musical television special originally broadcast March 10, 1971 on CBS. It was based on the 1957 Dr. Seuss children's story of the same name, and produced by DePatie–Freleng Enterprises. With voices by Allan Sherman and prolific vocal performer Daws Butler, this half-hour special is a loose adaptation of the book with added musical sequences.
Abraham Levitow was an American animator who worked at Warner Bros. Cartoons, UPA and MGM Animation/Visual Arts. He is best known for his work under Chuck Jones' direction.
Irven LeRoy Spence was an American animator. He is best known for his work on MGM's Tom and Jerry animated shorts. Spence has been credited variously as Irven Spence, Irvin Spence, and Irv Spence.
Matt Shakman is an American director and former child actor. He produced and directed WandaVision and has directed episodes of The Great, It's Always Sunny in Philadelphia, Fargo and Game of Thrones. He is also directing the upcoming The Fantastic Four: First Steps. He was the artistic director of the Geffen Playhouse in Los Angeles, California from 2017-2023.
MGM Children's Matinees were a series of vintage MGM family films curated by executive Tony Myerberg that were re-released to theatres between 1970 and 1973. As the name implies, they were shown only as Saturday and Sunday matinées. The series was likely inspired by the success of lower-budgeted childrens' films released on weekend matinees by K. Gordon Murray and Barry Yellen's Childhood Productions.
The following is the filmography of American animator Chuck Jones.
Lloyd Lincoln Vaughan I was an American animator known for his work at Warner Bros. Cartoons under the supervision of Chuck Jones. Starting in 1936 as an inbetweener, and he only got paid $6.00 a week, he became an animator in 1944 or 1945 under Jones, and animated for him until the studio's brief closure in 1953. His most iconic work is the flower scene in Duck Amuck. In 1966, he reunited with Jones at MGM Animation/Visual Arts until 1970, and would continue to animate until his death.
The Bear That Wasn't is a 1967 American animated short film directed by Chuck Jones and based on the children's book The Bear That Wasn't by Frank Tashlin. It is the final cartoon produced and released by Metro-Goldwyn-Mayer via its MGM Animation/Visual Arts division.
Events in 1918 in animation.