Gay Purr-ee | |
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Directed by | Abe Levitow |
Written by | Dorothy Jones Chuck Jones |
Produced by | Henry G. Saperstein Lee Orgel |
Starring | Judy Garland Robert Goulet Red Buttons Hermione Gingold Paul Frees Mel Blanc |
Edited by | Earl Bennett Sam Horta |
Music by | Harold Arlen |
Production company | |
Distributed by | Warner Bros. Pictures |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
Gay Purr-ee is a 1962 American animated musical film produced by United Productions of America and released by Warner Bros. It features the voice of Judy Garland as Mewsette, a feline living in the French countryside wanting to go to Paris in her only animated-film role, as well as Robert Goulet in his first feature film as her love interest Jaune Tom. While the film did received positive reviews, in reality, it was a box office failure. It is also the first animated feature film to be theatrically released by Warner Bros, and the second and final animated film by UPA.
The story is predominantly set in 1895 Paris but starts on a farm on rural Provence farm. The lovely cat Mewsette and the accomplished but shy mouser Jaune Tom are in love until Mewsette becomes frustrated with Tom Juan's plebeian ways (and those of farmlife), and calls him a "clumsy country clod". Inspired by the human Jeanette's stories of the glamour and sophistication of Parisian life, Mewsette runs away to Paris. Upon arrival, she encounters the slick con-cat Meowrice. Taking advantage of Mewsette's country naivete, he puts her in the sultry Madame Henrietta Reubens-Chatte care. She promises to turn Mewsette into a dainty debutante known as "The Belle of all Paris". Unbeknownst to Mewsette, Meowrice is grooming her to be the mail-order bride of a rich American cat known as "Mr. Henry Phtt" ("The Money Cat"). Meanwhile, Jaune Tom and his sidekick, Robespierre, arrive in Paris to search for Mewsette.
Mewsette's training does not go well. Just as she about to give up and return to the farm, Meowrice takes her out to see Paris' feline side of the Eiffel Tower, the Champs-Élysées, the Mewlon Rouge, and then a buggy ride back to Madame Henrietta's. Reinvigorated, she returns to her studies. Jaune Tom and Robespierre arrive in Paris but get waylaid by one of Meowrice's shadowy cat henchmen and barely escape drowning in Paris's labyrinthine sewers. By coincidence, Jaune Tom displays his incredible mouse-hunting skills in front of Meowrice, who seeing a money-making opportunity, gets them drunk, and sells them as mousers on an Alaskan-bound ship. On the ship, Robespierre consoles a depressed Jaune Tom, telling him that any problem can be broken up into manageable pieces.
Mewsette finishes her training and is now lovely enough to impress even Meowrice, who commissions a series of portraitss of her to send to Phtt. Meowrice quietly writes a check with invisible ink to pay Madame Reubens-Chatte for her services, then takes Mewsette to his hideout in Notre Dame. He reveals his plan to ship her to America and tries to coerce her into a luggage crate. After seeing a portrait of Phtt, Mewsette escapes Meowrice and his sidekicks. She leads them on a chase to a bulldog, who injures Meowrice badly enough to put him out of action for six weeks. Meanwhile, his sycophants unsuccessfully comb the city for Mewsette. Meanwhile, not long after reaching Alaska, Jaune Tom and Robespierre strike gold. Now wealthy, the two cats hurry back to Paris.
A disillusioned and homeless Mewsette wanders around Paris. She stops atop a bridge over the river, considering ending her misery. Just then, Meowrice and his cohorts ambush and capture her. She is taken to the Gare du Nord railway station, en route to a boat bound for America. All hope seems lost until Jaune Tom and Robespierre arrive. They have been aided by Madame Henrietta, who is outraged that Meoworice double-crossed her. Fighting inside the train, the three heroes defeat Meowrice and pack him into the packing crate as a surprise for Phtt. The film concludes with Mewsette, Jaune Tom, and Robespierre enjoying the high life in Paris that Mewsette was seeking when she left home.
Gay Purr-ee was the second and final feature film, following 1001 Arabian Nights with Mr. Magoo, [2] produced by UPA (United Productions of America), a studio which had revolutionized animation during the 1950s by incorporating design and limited animation. [2]
The script for Gay Purr-ee was written by Dorothy Webster Jones and her husband, Chuck Jones, who was a veteran director for Warner Bros. Cartoons. [3] One of the former animators from his Warner Bros. unit, Abe Levitow, directed the film. [4] According to the production notes on the DVD edition, it was Garland who suggested that her Wizard of Oz songwriters, Harold Arlen and E.Y. Harburg, should write and compose the songs for Gay Purr-ee.
A copyright entry for a song titled "Free at Last" made for the film exists, though it is not included in the final production. [5] [6]
When Warner Bros. became the film's distributor, they discovered that Chuck Jones had worked on the film. After a long debate with management over the details of Jones' exclusivity agreement, the studio fired Jones in July 1962 and laid off his staff after they had finished their next cartoon. [7] After Warner Bros. Cartoons was closed a year later, Jones hired his old unit for his first independent studio, Sib Tower 12 Productions. [7]
Gay Purr-ee was theatrically released on December 17, 1962. On the review aggregator website Rotten Tomatoes , 60% of 6 critics' reviews are positive, with an average rating of 5.8/10. [8]
Bosley Crowther of The New York Times felt the film's backgrounds were "good-natured tone and diverting" but felt "the characters almost pale by contrast". [9] Philip K. Scheuer of the Los Angeles Times wrote: "The animation, in Technicolor, is inventive enough, leaning toward the economy of motion with which UPA revolutionized the cartoon movie (to say nothing of the TV commercial) and filling in the backgrounds with charming semi-abstractions in consonance with what might be called the modern French manner." [10] Variety felt the film was "hampered by an uninspired storyline, but its otherwise slick and meticulous production values overshadow the weakness with ample artistry." [11] A Newsweek review felt that the film's subject matter was too sophisticated for an animated film, drily noting that its target audience seemed to be "the fey four-year-old of recherché taste". [12] Jerry Beck, in his 2005 book The Animated Movie Guide, felt Gay Purr-ee was "a good effort" and "unjustly underrated". Despite its "strong design sense" and voice cast, he agreed the animation quality is sometimes "on a television level or worse". [13]
Multiple analyses have noted its modernist style, called "remarkably designed" in one such review. [14]
One analysis claims the modernist aesthetic has plot implications: though both urban and pastoral landscapes are equally "highlighted", the plot praises the triumph of "pastoral nature over corrupt urban technology". [12]
Gay Pur-ee was released on VHS and LaserDisc [15] in 1991 by Warner Home Video (under the Warner Bros. Family Entertainment label). The film was reissued on VHS in 1992 and 1994, then released on DVD for the first time in 2003, and later also re-released on DVD in 2014 as a manufactured-on-demand (MOD) title from the Warner Archive Collection. It has been released in HD on streaming services. [16] The film was released on Blu-ray on August 29, 2023 from Warner Archive. [17]
At the time of the film's 1962 release, a full comic book version of the film was released that pretty much copied the film scene for scene; with only minor changes.
Review scores | |
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Source | Rating |
New Record Mirror | [18] |
On November 4, 2003, Rhino Handmade, a division of the Warner Music Group, released the soundtrack on CD. [19] This was identical to the 1962 LP version but contained 5 additional demo tracks. The demo tracks are performed by Harold Arlen and E. Y. "Yip" Harburg, the composers of the songs for the film. They were also the primary songwriters for the music of The Wizard of Oz , the 1939 Garland feature. Garland stated that the song "Little Drops of Rain" was one of her favorite songs. The CD track listing is as follows:
Charles Martin Jones was an American animator, painter, voice actor and filmmaker, best known for his work with Warner Bros. Cartoons on the Looney Tunes and Merrie Melodies series of shorts. He wrote, produced, and/or directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, Marvin the Martian, and Porky Pig, among others.
United Productions of America, better known as UPA, was an American animation studio and later distribution company founded in 1941 as Industrial Film and Poster Service by former Walt Disney Productions employees. Beginning with industrial and World War II training films, UPA eventually produced theatrical shorts for Columbia Pictures such as the Mr. Magoo series. In 1956, UPA produced a television series for CBS, The Boing-Boing Show, hosted by Gerald McBoing Boing. In the 1960s, UPA produced syndicated Mr. Magoo and Dick Tracy television series and other series and specials, including Mister Magoo's Christmas Carol. UPA also produced two animated features, 1001 Arabian Nights and Gay Purr-ee, and distributed Japanese films from Toho Studios in the 1970s and 1980s.
The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between the late 1950s and 1980s.
Animation in the United States in the television era was a period in the history of American animation that gradually started in the late 1950s with the decline of theatrical animated shorts and popularization of television animation, reached its peak during the 1970s, and ended around the late 1980s. This era is characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children.
Edgar Yipsel Harburg was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?", "April in Paris", and "It's Only a Paper Moon", as well as all of the songs for the film The Wizard of Oz, including "Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial, sexual and gender equality and union politics. He also was an ardent critic of high society and religion.
Harold Arlen was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film The Wizard of Oz, including "Over the Rainbow", which won him the Oscar for Best Original Song, he was nominated as composer for 8 other Oscar awards. Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA.
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Warner Bros. Cartoons, Inc. was an American animation studio, serving as the in-house animation division of Warner Bros. during the Golden Age of American animation. One of the most successful animation studios in American media history, it was primarily responsible for the Looney Tunes and Merrie Melodies series of animated short films. The characters featured in these cartoons, including Bugs Bunny, Daffy Duck, and Porky Pig, are among the most famous and recognizable characters in the world. Many of the creative staff members at the studio, including directors and animators such as Chuck Jones, Friz Freleng, Robert McKimson, Tex Avery, Robert Clampett, Arthur Davis, and Frank Tashlin, are considered major figures in the art and history of traditional animation.
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MGM Animation/Visual Arts was an American animation studio established in 1962 by animation director/producer Chuck Jones, producer Les Goldman and executive Walter Bien as Sib Tower 12 Productions. Its productions include the last series of Tom and Jerry theatrical shorts, the TV specials Horton Hears a Who! and How the Grinch Stole Christmas!, and the feature film The Phantom Tollbooth, all released by Metro-Goldwyn-Mayer.
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The following is the filmography of American animator Chuck Jones.
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