"The Shape I'm In" | |
---|---|
Single by The Band | |
from the album Stage Fright | |
A-side | "Time to Kill" |
Released | October 1970 |
Recorded | May to June 1970 Bearsville Studios Woodstock, New York |
Genre | Roots rock |
Length | 3:24 |
Label | Capitol |
Songwriter(s) | Robbie Robertson |
Producer(s) | The Band |
"The Shape I'm In" is a song by The Band, first released on their 1970 album Stage Fright . It was written by Robbie Robertson, who did little to disguise the fact that the song's sense of dread and dissolution was about Richard Manuel, the song's principal singer. [1] [2] It became a regular feature in their concert repertoire, appearing on their live albums Rock of Ages , Before the Flood , and The Last Waltz . Author Neil Minturn described the song as "straightforward rock." [3] Along with "The Weight," it is one of the Band's songs most performed by other artists. [4] It has been recorded or performed by Bo Diddley, The Good Brothers, The Mekons, The Pointer Sisters, She & Him, Marty Stuart and Nathaniel Rateliff and the Night Sweats.
It was also released as the B-side to their single "Time to Kill," and proved more popular than the hit side, recognized by Capitol Records in its promotion kit for the single. [5] The mix used for the single is disputed, as the Band had second thoughts about the work of initial engineer Todd Rundgren, and sent the tapes to be remixed by British engineer Glyn Johns. Most likely it was the Johns mixes used for both the album and the single. [6]
The Band drummer Levon Helm has written that the song is about "desperation." [7] Author Barney Hoskyns describes it as "a first person account of winding up on Skid Row, positing the sanctuary of rural life against the aggravation of hustling on the street." [6] Critic Greil Marcus thought the song "set the stage for the apocryphal political drama that is woven into the fabric of Stage Fright," although he didn't think the Band ever pulled off this drama satisfactorily. [6]
Hoskyns describes the music as being "set to an insistent, crudely funky bass pulse." [6] He describes Manuel's vocal as sounding appropriately "frantic." [6] Minturn particularly praised Robbie Robertson's guitar playing and Garth Hudson's organ. [3] Hoskyns points out that the end of Hudson's organ part quoted the vocal line from Bob Dylan's "I Pity the Poor Immigrant," noting that the quote may have been a coincidence, but also that it might be making a political point. [6]
Rolling Stone critic Dave Marsh called "The Shape I'm In" one of the most notably fine moments of the Stage Fright album. [8] Critic Mark Kemp called it a "highlight" of the album, further noting that it reveals "a growing sense of anxiety and cynicism" by the band." [9] Music critic Paul Evans praised the "penetrating psychological acuity" of its writing. [10] Record World called it "great." [11]
Credits are adapted from the liner notes of A Musical History . [12]
Chart (1971) | Peak position |
---|---|
Canadian RPM Singles Chart [13] | 62 |
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of Canadians Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and American Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, and R&B, influencing musicians such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
"The Night They Drove Old Dixie Down" is a song written by Robbie Robertson and originally recorded by the Canadian-American roots rock group the Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first-person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia. The song appeared at number 245 on Rolling Stone magazine's list of the 500 greatest songs of all time.
Stage Fright is the third studio album by Canadian–American group the Band, released in 1970. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
Rock of Ages: The Band in Concert is a live album by the Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971. It peaked at No. 6 on the Billboard 200 chart, and was certified a gold record by the RIAA. An expanded release of recordings taken from the same series of shows, called Live at the Academy of Music 1971, was released in 2013.
Greatest Hits is a compilation album by the Canadian-American rock group the Band. It was released in 2000 on Capitol Records. The album was released in conjunction with remastered versions of the group's first four albums. It draws very heavily from these records, with thirteen of the eighteen tracks selected from Music from Big Pink, The Band, Stage Fright and Cahoots.
"Acadian Driftwood" is a song by the Band. It was the fourth track on their sixth studio album Northern Lights – Southern Cross (1975), written by member Robbie Robertson. Richard Manuel, Levon Helm and Rick Danko trade off lead vocals and harmonize on the chorus.
"Chest Fever" is a song recorded by the Band on its 1968 debut, Music from Big Pink. It is, according to Peter Viney, a historian of the group, the album track that has appeared on the most subsequent live albums and compilations, second only to "The Weight".
"King Harvest (Has Surely Come)" is a song by The Band, which originally appeared as the final track on their second album, The Band.
"Stage Fright" is the title track of the Band's third album, Stage Fright. It features Rick Danko on lead vocals and was written by Robbie Robertson. According to author Barney Hoskyns, Robertson originally intended it to be sung by Richard Manuel but it became clear that the song was better suited to Danko's "nervous, tremulous voice."
"Life is a Carnival" is the opening track of the Band's fourth album, Cahoots. Written by Rick Danko, Levon Helm, and Robbie Robertson, the song features horn arrangements by New Orleans musician Allen Toussaint. The song is the only track from the Cahoots album included on the original releases of Rock of Ages and The Last Waltz. The song was featured in the Bill Murray movie Larger Than Life.
"It Makes No Difference" is a song written by Robbie Robertson and sung by Rick Danko that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It has also appeared on live and compilation albums, including the soundtrack to the film The Last Waltz. Among the artists that have covered the song are Solomon Burke, My Morning Jacket, Trey Anastasio and Over the Rhine.
"Rag Mama Rag" is a song by The Band which was first released on their 1969 album The Band. It was also released as a single, reaching #16 on the UK Singles Chart, the highest position for any single by the group. The single was less successful in the US, reaching only #57 on the Billboard Hot 100.
"Sleeping" is a song by The Band, first released on their 1970 album Stage Fright. It was also released as the B-side to the "Stage Fright" single. It was co-written by Robbie Robertson and Richard Manuel. This and “Just Another Whistle Stop” are the only two songs Manuel receives credit for on the album. Music critic Barney Hoskyns rates it as "one of Richard [Manuel's] liveliest performances" and "one of The Band's most intricate arrangements." The Band never featured the song on a live album.
"Daniel and the Sacred Harp" is a song written by Robbie Robertson that was first released by The Band on their 1970 album Stage Fright. It has been covered by such artists as Barrence Whitfield.
"Ophelia" is a song written by Robbie Robertson that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It was the lead single from the album. It has also appeared on several of the group's live and compilation albums, and has been covered by such artists as Vince Gill and My Morning Jacket.
"Time to Kill" is a song written by Robbie Robertson that was first released by the Band on their 1970 album Stage Fright. It was also released as a single off the album, backed with the more famous "The Shape I'm In" and, although it failed to reach the Top 40 in the United States, it peaked at #13 in the Netherlands. It has also been featured on several Band compilation and live albums.
"The W.S. Walcott Medicine Show" is a song written by Robbie Robertson that was first released on the Band's 1970 album Stage Fright. It was also frequently performed in the group's live sets and appeared on several of their live albums. Based on Levon Helm's memories of minstrel and medicine shows in Arkansas, the song has been interpreted as an allegory on the music business. Garth Hudson received particular praise for his tenor saxophone playing on the song.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.
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