Thoroughfare Gap

Last updated

Thoroughfare Gap
Thoroughfaregapss.jpg
Studio album by
ReleasedOctober 31, 1978
RecordedJune 1978
Studio Criteria Studios (Miami), The Record Plant (Los Angeles), The Record Plant (Sausalito, California)
Genre Rock, disco
Length35:32
Label Columbia
Producer Stephen Stills, The Albert Brothers
Stephen Stills chronology
Still Stills: The Best of Stephen Stills
(1976)
Thoroughfare Gap
(1978)
Right by You
(1984)
Singles from Thoroughfare Gap
  1. "Can't Get No Booty / Lowdown"
    Released: September 9, 1978
  2. "Thoroughfare Gap / Lowdown"
    Released: December 30, 1978

Thoroughfare Gap is the fifth studio album by American singer-songwriter Stephen Stills, released in 1978. It was a critical and commercial disappointment that only charted at number 84 in the US. This album is now available as a three-album set on two CDs with Stills & Illegal Stills, having never been released on its own on CD.

Contents

Content

In a radio interview at the time, Stills said he worked extremely hard on the album, and there were 12-inch mixes of "Can't Get No Booty" ready to be released. [1] He recorded some disco tracks after playing percussion on the Bee Gees' "You Should Be Dancing", and subsequently hired their arranger Mike Lewis and used the group members' younger brother Andy Gibb on backing vocals.

Stephen Stills described the record as "disco and swamp rock". Stills said the song "Thoroughfare Gap" was him drawing upon his history, and

the title of the album was named after an escape route used during the Civil War. Mosby's guerrillas used to run through Thoroughfare Gap when they felt harassed. They'd just disappear into the Blue Ridge Mountains. For me, the record represents a little gap between one part of my career and the other, a cut in the pass. [2]

George Terry is quoted as saying he thinks it's about Neil Young's Lionel Trains. [2]

Stills said about the perceived negative reception of going disco that "there are elements of disco I like - the percussion and the guitar. I have played on so many Bee Gees songs: I don't know which ones I played on and which ones I didn't. 'Cause Barry (Gibb) is an old friend of mine and I just sat in and played a chickum-chit, chickum-chit, a little wacka-wacka guitar, then said, 'Use 'em or don't use 'em, I had a great time. You don't even have to use my name.'" [2]

He continued on Thoroughfare Gap: "Maybe some of the tunes weren't as good as others I've written but I am just messing around trying to find something new. I can't do the same thing for eight years. That's called artistic suicide." [2]

Stills said he recorded "Not Fade Away" after seeing The Buddy Holly Story and went into the studio the next night to record it - "Kind of a combination of the Stones version and the original version". [2]

The song "Thoroughfare Gap", dates back to 1972, with Chris Hillman remembering Manassas attempting to record it, but not being able to get the right take.

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [3]

Critical reception was mixed, but generally negative. In a contemporary review, People wrote that "Stills succeeds handsomely in soldering his Southern Cal rock (scorching guitar, lavish harmonies, introspective lyrics) to an ultraswayed disco feel (thudding drums, Caribbean cowbells, congas, high-volume strings and horns). Against great odds, it adds up to a fresh sound, thanks to stalwart studio work by drummer Joe Vitale, percussionist Joe Lala, bassist George "Chocolate" Perry and Eric Clapton's guitarist George Terry. Their efforts are particularly noteworthy on You Can't Dance Alone, What's the Game and Can't Get No Booty. Especially reassuring is the title track, an acoustic ballad with a haunting fiddle solo by Al Gould. It harks back to Stills' finest work over the years, songs like Helplessly Hoping, 4 and 20 and As I Come of Age." [4] Trouser Press , in a largely negative review, called the songwriting "monotonous" and said he was enthusiastically "trying to renovate his sound for today's scene". They did have praise for "Thoroughfare Gap", but still noted that it was six years old, saying it was the only song that had "the folksy funk style that once made him worthwhile". [5] Record World said Stills was experimenting, and "You Can't Dance Alone" was geared for the Top 40. [6]

In support of this album Stills formed the California Blues Band and toured throughout most of 1979.

Track listing

All tracks are written by Stephen Stills except where indicated

Side one
No.TitleWriter(s)Length
1."You Can't Dance Alone" 4:14
2."Thoroughfare Gap" 3:31
3."We Will Go On" 2:41
4."Beaucoup Yumbo"Stills, Joe Vitale 3:33
5."What's the Game" 3:32
Side two
No.TitleWriter(s)Length
6."Midnight Rider" Gregg Allman 3:39
7."Woman Lleva" 3:13
8."Lowdown" 3:46
9."Not Fade Away" Buddy Holly, Norman Petty 3:26
10."Can't Get No Booty" Danny Kortchmar, Stills3:44
Total length:35:32

Personnel

Production

Special thanks to Guillerma Giachetti, Gerry Tolman, Armando Hurley, Harper Dance, Home At Last

Charts

Chart performance for Thoroughfare Gap
Chart (1978)Peak

position

US Billboard Top LPs & Tape [7] 83
Canadian RPM 100 Albums [8] 82
US Cash Box Top 100 Albums [9] 135
US Record World Album Chart [10] 140

Tour

California Blues Band 1979 Tour
Tour by Stephen Stills
Start dateJanuary 25, 1979
End dateDecember, 1979
Legs3
Stephen Stills concert chronology
  • 1976 Tour
  • California Blues Band 1979 Tour
  • 1980 Tour

Stephen Stills California Blues Band Tour 1979 was a concert tour by American musician Stephen Stills. It was in support of his 1978 album Thoroughfare Gap. During the tour he also recorded another album that was rejected by his record label, many songs from this projected album were played on this tour. On this tour Stills was backed by his group the California Blues Band. The 1979 run at The Roxy, Los Angeles, was professionally recorded. [11]

DateCityCountryVenueAttendanceGrossNotes
4 September 1978Los AngelesUnited StatesGreek TheatreBread and Roses Festival
1979 California Blues Band Tour [12]
DateCityCountryVenueAttendanceGrossNotes
25 January 1979Los AngelesUnited States The Roxy [13] Sold Out
26 January 1979
27 January 1979
28 January 1979
Leg 1
3 March 1979HavanaCuba Havana Jam
7 March 1979CincinnatiUnited States Cincinnati Music Hall 2 Shows
9 March 1979Chicago Auditorium Theatre
10 March 1979Ohio Kent State University
11 March 1979Louisville Louisville Gardens
13 March 1979Indianapolis Indiana Convention Centre
14 March 1979Michigan Centre Stage 1,628$22,228 [14]
16 March 1979Chicago Auditorium Theatre
17 March 1979Upper Darby Township, Pennsylvania Tower Theatre
18 March 1979New York City The Palladium 3,300$27,000 [14]
19 March 1979Ohio Columbus Veterans Memorial Auditorium
22 March 1979Boston Boston College
23 March 1979Passaic Capitol Theatre 3.456$28,172 [15]
24 March 1979Pittsburgh Stanley Theatre 7,442$71,545 [15] 2 Shows
26 March 1979Maryland DAR Constitution Center
27 March 1979MiddletownWesleyen University3,010$22,116 [16]
29 March 1979Reading Bollman Center
30 March 1979Atlanta Fox Theatre
1 April 1979Blacksburg Cassell Coliseum
3 April 1979Atlanta Fox Theatre
4 April 1979Nashville The Grand Ole Opry House
7 April 1979Kansas City Memorial Hall 2,880$23,040 [17]
8 April 1979St. Louis Kiel Opera House 2,607$21,997 [17]
Leg 2
4 June 1979IrvineUnited States Crawford Hall
6 June 1979San Diego San Diego Sports Arena
8 June 1979Santa Barbara Santa Barbara Bowl 4,888$32,633 [18]
9 June 1979San Francisco Fox Warfield Theatre 2,248$44,960 [18]
10 June 1979Los Angeles Greek Theatre
11 June 1979
12 June 1979
15 June 1979Ohio Blossom Music Center
16 June 1979 Hara Arena
17 June 1979 Pine Knob Music Theatre
19 June 1979EdwardsvilleMississippi River Festival
20 June 1979East Troy Alpine Valley Music Theatre
23 June 1979Holmdel Garden State Arts Centre
24 June 1979New York Belmont Park 15,000
26 June 1979Broome Broome County Arena
27 June 1979Buffalo Kleinhans Music Hall
28 June 1979New York Saratoga Performing Arts Centre
30 June 1979 Norfolk Scope
1 July 1979Columbia Merriweather Post Pavilion
2 July 1979New York Wollman Skating Ring
7 July 1979New Jersey Garden States Arts Centre
Leg 3
7 September 1979New YorkUnited StatesWoodstock '79
8 September 1979New YorkParr Meadows Racetrack
16 November 1979San Diego Casino Theatre
17 November 1979Sacramento Freeborn Hall
18 November 1979Stanford Uni Memorial Hall
9 December 1979NorthridgeCal State University
15 December 1979Costa Mesa LeBard Stadium
16 December 1979Santa BarbaraAllen Hancock College Sports Pavilion
31 December 1979RiversideBen H. Lewis Hall
1980 Tour
5 April 1980Laguna BeachUnited States Irvine Bowl
1 June 1980Concord Concord Pavilion
2 June 1980Los Angeles Greek Theatre
3 June 1980
1980 European Tour
4 July 1980
14 July 1980MilanoItalyStadio San SiroSupported Angelo Branduardi
15 July 1980TurinStadio Comunale
17 July 1980NyonSwitzerlandParc Du LacNyon Folk Festival
18 July 1980TurinItalyTurin Municipal StadiumSupported Angelo Branduardi
21 July 1980Rimini
22 July 1980NyonSwitzerlandLa Prairie De Colovray
23 July 1980ItalyBolzano Stadium
24 July 1980MunichGermanyOlympiahalle
26 July 1980St. GoarshausenFreilichtbuhne Loreley
27 July 1980Stadium Wurzburg
29 July 1980NaplesItalyStadio San Paolo
4 August 1980
1980 United States
16 August 1980IllinoisUnited StatesRavinia Fest De Kalb
19 August 1980Meadow Brook Music Festival
23 August 1980IndianapolisHilton U. Brown Theatre
27 August 1980PassaicParamount Theatre
29 August 1980New YorkCentral Park

Stephen Stills and the California Blues Band [11]

Typical setlist

All songs written by Stephen Stills, except where noted.

  1. "Precious Love"
  2. "For What It's Worth"
  3. "You Can't Dance Alone"
  4. "Cuba Al Fin"
  5. "Go Back Home"
  6. "How Wrong Can You Be" (Mike Finnigan)
  7. "Love The One You're With"
  8. "Make Love To You"
  9. "Cherokee"
  10. "Rock And Roll Crazies/Cuban Bluegrass" (Stills, Dallas Taylor / Stills, Joe Lala)
  11. "Jet Set (Sigh)"
  12. "Thoroughfare Gap"
  13. Come On In My Kitchen (Robert Johnson)

Related Research Articles

<i>Souvenirs</i> (Dan Fogelberg album) 1974 studio album by Dan Fogelberg

Souvenirs is the second studio solo album by the American rock singer-songwriter Dan Fogelberg. The album was released in late 1974, on the label Epic Records. The album reached No. 17 on the Billboard 200 in March 1975 and was certified double platinum by the RIAA. Joe Walsh produced the album and played on ten of the eleven tracks.

<i>Long May You Run</i> 1976 album by the Stills-Young band

Long May You Run is a studio album credited to the Stills–Young Band, a collaboration between Stephen Stills and Neil Young, released in 1976 on Reprise Records. It peaked at #26 on the Billboard 200 and was certified gold in the United States by the RIAA. The album is the sole studio release by Stills and Young as a duo.

<i>Daylight Again</i> 1982 studio album by Crosby, Stills & Nash

Daylight Again is the fourth studio album by Crosby, Stills & Nash, and their third studio album in the trio configuration. It peaked at No. 8 on the Billboard 200 albums chart, the final time the band made the top ten before the death of David Crosby in 2023. Three singles were released from the album, all making the Billboard Hot 100: "Wasted on the Way" peaked at No. 9, "Southern Cross" at No. 18, and "Too Much Love to Hide" at No. 69. The album was certified platinum by the RIAA with sales of 1,850,000.

<i>Oh Yes I Can</i> 1989 studio album by David Crosby

Oh Yes I Can is the second solo studio album by David Crosby. It was released on January 23, 1989, 18 years on from his previous solo release, If I Could Only Remember My Name.

<i>Looking Forward</i> 1999 studio album by Crosby, Stills, Nash & Young

Looking Forward is the eighth and final studio album by Crosby, Stills & Nash, and their third with Neil Young. It was released on Reprise Records in 1999 and peaked at number 26 on the Billboard 200, with total sales nearing 400,000.

<i>Replay</i> (Crosby, Stills & Nash album) 1980 compilation album by Crosby, Stills & Nash

Replay is a compilation album by Crosby, Stills & Nash, appearing in 1980 on the Atlantic Records label. It contains no material with Neil Young, but does include CSN solo projects. It peaked at No. 122 on the Billboard 200, their first album not to chart in the top ten.

<i>American Dream</i> (Crosby, Stills, Nash & Young album) 1988 studio album by Crosby, Stills, Nash and Young

American Dream is the fifth studio album by Crosby, Stills & Nash, and their second with Neil Young. Released in 1988 on Atlantic Records, it peaked at No. 16 on the Billboard 200 and has been certified platinum by the Recording Industry Association of America. To date, it is their final album of original material to receive either a gold or platinum citation by the RIAA. It is the highest-selling album by Neil Young in the 1980s. The album is dedicated to Jan Crosby, Anne Stills, Susan Nash and Pegi Young.

<i>After the Storm</i> (Crosby, Stills & Nash album) 1994 studio album by Crosby, Stills & Nash

After the Storm is the seventh studio album by Crosby, Stills & Nash, and their fifth studio album in the trio configuration, released on Atlantic Records in 1994. It would be their last release on Atlantic, excepting reissues, for almost two decades. It peaked at No. 98 on the Billboard 200, the lowest charting position of their eight studio albums. It is also their lowest selling album, with sales near 200,000.

<i>Greatest Hits</i> (Crosby, Stills & Nash album) 2005 compilation album by Crosby, Stills & Nash

Greatest Hits is a compilation album by Crosby, Stills & Nash, released by Rhino Records in 2005. It peaked at No. 24 on the Billboard 200, debuting at that position on April 2, 2005 with first week sales of 33,000 copies, and spending eight weeks on the chart. Its current sales sit at over 640,000. The album was dedicated to Cass Elliot with great thanks to Neil Young.

<i>Man Alive!</i> (Stephen Stills album) 2005 studio album by Stephen Stills

Man Alive! is the 8th studio album by Stephen Stills, released in 2005. It is a mixture of old and new recordings. Some were dated in the notes of the box set Carry On as follows: "Ain't It Always" from December 1976, "Spanish Suite" from April 1979 during the sessions of his unfinished 1979 album, "Feed the People" from 1989 but with everything but the backing vocals replaced later, and "I Don't Get It" in 1991. Zimmer's biography of Crosby, Stills & Nash places "Acadienne" with songs for the CSNY Looking Forward album, and based on the personnel it is from April 1998. Dates of the others are unknown. "Drivin' Thunder" appeared the CSNY album American Dream in 1988, but Stills wrote new lyrics for the version on this album. Stills introduced "Heart's Gate" as a new song in concert in 2003. Graham Nash sings on "Acadienne", "Feed the People", and "Wounded World", which he co-wrote. Neil Young plays on "Different Man" and "Round the Bend", while Herbie Hancock plays on "Spanish Suite". Stills drew the back and front cover.

<i>Earth & Sky</i> (album) 1980 studio album by Graham Nash

Earth & Sky is the third solo studio album by British singer-songwriter Graham Nash. It was released in February 1980 on Capitol Records.

<i>Stephen Stills Live</i> 1975 live album by Stephen Stills

Stephen Stills Live is a live album by Stephen Stills, released on Atlantic Records in 1975. Recorded on his first solo tour since 1971 and released after he had signed to Columbia Records. It peaked at number 42 on the US charts.

<i>Stills</i> (Stephen Stills album) 1975 studio album by Stephen Stills

Stills is a 1975 studio album by American musician Stephen Stills. It is his third solo album and his first release on Columbia Records. The album was a commercial success on release, charting at number 19 on the US album charts, but was released to mixed critical reaction.

<i>Illegal Stills</i> 1976 studio album by Stephen Stills

Illegal Stills is an album released by American musician Stephen Stills on 7 May 1976. This was Stills second album on Columbia Records and his fourth solo album overall. After it was released he would start an album and tour with Neil Young. It was released on CD in 1991 (Columbia CK-34148). The album charted at number 31 in the US on release, but wasn't a critical success.

<i>Right by You</i> 1984 studio album by Stephen Stills

Right by You is the sixth album by American singer-songwriter Stephen Stills, released in 1984. This is his last solo recording released on a major label, and was a critical and commercial failure peaking at number 75 on the US charts. It was also his only solo album of the 1980s.

<i>Shot Through the Heart</i> (album) 1979 studio album by Jennifer Warnes

Shot Through the Heart is the fifth album by American singer/songwriter Jennifer Warnes, released on Arista Records in 1979. It peaked at #13 on the Billboard Country albums chart and #94 on the main Billboard albums chart.

<i>Shadow Dancing</i> (album) 1978 studio album by Andy Gibb

Shadow Dancing is the second studio album by English singer-songwriter Andy Gibb, released by RSO Records in June 1978 in the United States and September 1978 in the United Kingdom. It was Gibb's highest charting album in some countries including America and in Canada. This LP was his only album to chart in the UK. Four singles, including the three US Top 10 singles, were released from the album.

<i>Plantation Harbor</i> 1981 studio album by Joe Vitale

Plantation Harbor is the second solo studio album by American rock musician Joe Vitale, released in 1981 by Asylum Records. The album was his only album to chart, peaking at No. 181 on the U.S. Billboard 200.

<i>Good Times!</i> 2016 studio album by the Monkees

Good Times! is the twelfth studio album by American pop rock band the Monkees. Produced primarily by Adam Schlesinger, the album was recorded to commemorate the band's 50th anniversary. It is the first Monkees studio album since Justus (1996), marking the longest gap between releases to date, and the first since the death of Davy Jones. The album features surviving Monkees Micky Dolenz, Michael Nesmith, and Peter Tork, as well as a posthumous contribution from Jones.

References

  1. Stephen Stills 1978 Radio Interview, archived from the original on December 17, 2021, retrieved January 18, 2020
  2. 1 2 3 4 5 Roberts, David; Gedge, David (October 28, 2016). Stephen Stills: Change Partners. This Day In Music Books. ISBN   978-1-78759-101-1.
  3. Chrispell, J. "Thoroughfare Gap – Stephen Stills". allmusic.com. Retrieved July 26, 2011.
  4. "Picks and Pans Review: Thoroughfare Gap Gap". PEOPLE.com. Retrieved March 17, 2020.
  5. "Trouser Press Magazine Archive". Trouser Press. Retrieved June 1, 2020.
  6. "Record World 21 October 1978" (PDF).
  7. "Stephen Stills". Billboard. Retrieved July 5, 2020.
  8. Canada, Library and Archives (April 16, 2013). "The RPM story". www.bac-lac.gc.ca. Retrieved July 5, 2020.
  9. "CASH BOX MAGAZINE: Music and coin machine magazine 1942 to 1996". worldradiohistory.com. Retrieved July 5, 2020.
  10. "RECORD WORLD MAGAZINE: 1942 to 1982". worldradiohistory.com. Retrieved July 5, 2020.
  11. 1 2 Zimmer, Dave (2000). Crosby Stills and Nash: The Biography . Da Capo Press. ISBN   978-0306809743.
  12. Roberts, David (2016). Stephen Stills: Change Partners.
  13. "Billboard Concert Review" (PDF).
  14. 1 2 "Billboard Magazine" (PDF).
  15. 1 2 "Billboard Box Office" (PDF).
  16. "Billboard Box Office" (PDF).
  17. 1 2 "Billboard Box Office" (PDF).
  18. 1 2 "Billboard Box Office" (PDF).