 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Tom Poole is the Chief Creative Officer and Senior Colorist at Company 3. He was born in London, England, where he began his career, before moving to the States in 2004. He joined Company 3 in 2007.
In 2013, [1] 2015 [2] and 2016 he won a Hollywood Post Alliance (HPA) award for Outstanding Color Grading. [1] Poole was recognized with two 2019 AICP awards for ‘Best Commercial Color Grading Over :90’ on National Lottery ‘Amazing Starts Here’ and ‘Best Music Video Color Grading’ for The Carters ‘Apes**t’. [3] In 2017 Poole won the AICP ‘Best Commercial Color Grading Over :90’ award for Squarespace ‘John's Journey’ [4] and in 2016 the ‘Best Color Grading’ award for the Adidas ‘Future’ campaign. [4]
In 2017 Poole was accepted into The Academy Of Motion Picture Arts & Sciences. [5]
| Year | Title | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|---|
| 2011 | Drive | Nicolas Winding Refn | Newton Thomas Sigel | Matthew Newman | Senior Colorist | Color Assistant: Andrew Geary |
| 2012 | The Grey | Joe Carnahan | Masanobu Takayanagi | Roger Barton & Jason Hellmann Additional Editor: Joseph Jett Sally | ||
| Compliance | Craig Zobel | Adam Stone | Jane Rizzo | |||
| The Place Beyond the Pines | Derek Cianfrance | Sean Bobbitt | Jim Helton & Ron Patane | |||
| 2013 | Kill Your Darlings | John Krokidas | Reed Morano | Brian A. Kikes | Supervising Colorist | Additional Colorist: Andrew Geary |
| Magic Magic | Sebastián Silva | Christopher Doyle & Glenn Kaplan | Jacob Craycroft & Álex Rodríguez | |||
| 12 Years a Slave | Steve McQueen | Sean Bobbitt | Joe Walker | Digital Intermediate Colorist | ||
| Oldboy | Spike Lee | Sean Bobbitt | Barry Alexander Brown Additional Editor: Paul Hirsch | Colorist | Color Assistant: Giovanni DiGiorgio Head of Production: Nick Monton | |
| Out of the Furnace | Scott Cooper | Masanobu Takayanagi | David Rosenbloom | |||
| 2014 | The Skeleton Twins | Craig Johnson | Reed Morano | Jennifer Lee | Supervising Colorist | |
| Non-Stop | Jaume Collet-Serra | Flavio Martínez Labiano | Jim May | Senior Colorist | ||
| Foxcatcher | Bennett Miller | Greig Fraser | Stuart Levy, Conor O'Neill & Jay Cassidy | |||
| Lullaby | Andrew Levitas | Florian Ballhaus | Julie Monroe | |||
| Let's Be Cops | Luke Greenfield | Daryn Okada | Bill Pankow & Jonathan Schwartz | Digital Intermediate Colorist | Digital Intermediate Producers: Nick Monton, Colin Davis Dailies Colorist: John Petersen | |
| Rosewater | Jon Stewart | Bobby Bukowski | Jay Rabinowitz | Colorist | ||
| The Longest Week | Peter Glanz | Ben Kutchins | Sarah Flack | Supervising Colorist | ||
| Love & Mercy | Bill Pohlad | Robert Yeoman | Dino Jonsäter | Senior Colorist | ||
| The Cobbler | Tom McCarthy | W. Mott Hupfel III | Tom McArdle | |||
| Kill the Messenger | Michael Cuesta | Sean Bobbitt | Brian A. Kates | |||
| 2015 | True Story | Rupert Goold | Masanobu Takayanagi | Christopher Tellefsen & Nicolas de Toth | ||
| The Diary of a Teenage Girl | Marielle Heller | Brandon Trost | Marie-Hélène Dozo & Koen Timmerman | |||
| Run All Night | Jaume Collet-Serra | Martin Ruhe | Dirk Westervelt | |||
| Spotlight | Tom McCarthy | Masanobu Takayanagi | Tom McArdle | |||
| Black Mass | Scott Cooper | David Rosenbloom | ||||
| Meadowland | Reed Morano | Madeleine Gavin | ||||
| Rock the Kasbah | Barry Levinson | Sean Bobbitt | Aaron Yanes | |||
| 2016 | The Light Between Oceans | Derek Cianfrance | Adam Arkapaw | Jim Helton & Ron Patane | Supervising Colorist | |
| Queen of Katwe | Mira Nair | Sean Bobbitt | Barry Alexander Brown | |||
| Keeping Up with the Joneses | Greg Mottola | Andrew Dunn | David Rennie | Colorist: Andrew Geary Color Assistants: Giovanni DiGiorgio, Nicholas Figueroa, Josh Spector, Ewelina Nietupska | ||
| Assassin's Creed | Justin Kurzel | Adam Arkapaw | Christopher Tellefsen | Digital Intermediate Colorist | Additional Color: Greg Fisher Color Assistants: Lucie Barbier, Jonas Jangvad, Chris Francis | |
| 2017 | Hostiles | Scott Cooper | Masanobu Takayanagi | Tom Cross | senior colorist | |
| On Chesil Beach | Dominic Cooke | Sean Bobbitt | Nick Fenton | senior colorist | ||
| Stronger | David Gordon Green | Dylan Tichenor | senior colorist | |||
| I, Tonya | Craig Gillespie | Nicolas Karakatsanis | Tatiana S. Riegel | Senior Colorist | ||
| 2018 | 12 Strong | Nicolai Fuglsig | Rasmus Videbæk | Lisa Lassek | Colorist | |
| I Think We're Alone Now | Reed Morano | Madeleine Gavin | senior colorist | |||
| Galveston | Mélanie Laurent | Arnaud Potier | Joseph Krings | colorist | ||
| BlacKkKlansman | Spike Lee | Chayse Irvin | Barry Alexander Brown | Colorist | ||
| Cam | Daniel Goldhaber | Katelin Arizmendi | Daniel Garber | Supervising Colorist | ||
| White Boy Rick | Yann Demange | Tat Radcliffe | Chris Wyatt | Colorist | Color Assistants: Josh Spector, Jake White Dailies Colorist: Adrian Delude | |
| Widows | Steve McQueen | Sean Bobbitt | Joe Walker | |||
| Halloween | David Gordon Green | Michael Simmonds | Tim Alverson | |||
| The Nutcracker and the Four Realms | Lasse Hallström & Joe Johnston | Linus Sandgren | Stuart Levy | |||
| Escape at Dannemora | Ben Stiller | Jessica Lee Gagné | Geoffrey Richman & Matthew Jamieson | supervising colorist | ||
| 2019 | Euphoria | Sam Levinson, Augustine Frizzell, Jennifer Morrison & Pippa Bianco | Marcell Rév, André Chemetoff, Drew Daniels, Adam Newport-Berra & Rina Yang | Julio C. Perez IV, Laura Zempel, Harry Yoon, Aaron I. Butler & Darrin Navarro | final & supervising colorist | Airing since 2019 |
| The King | David Michôd | Adam Arkapaw | Peter Sciberras | senior supervising colorist | ||
| Queen & Slim | Melina Matsoukas | Tat Radcliffe | Pete Beaudreau | senior colorist | ||
| 21 Bridges | Brian Kirk | Paul Cameron | Tim Murrell | senior colorist | ||
| 2020 | The Courier | Dominic Cooke | Sean Bobbitt | Tariq Anwar & Gareth C. Scales | colorist: Company 3 | |
| Timmy Failure: Mistakes Were Made | Tom McCarthy | Masanobu Takayanagi | Tom McArdle | senior finishing colorist | ||
| The Rhythm Section | Reed Morano | Sean Bobbitt | Joan Sobel | senior finishing colorist | ||
| The Invisible Man | Leigh Whannell | Stefan Duscio | Andy Canny | senior finishing colorist | ||
| Bad Education | Cory Finley | Lyle Vincent | Louise Ford | senior colorist | Color Assist: Jake White | |
| Human Capital | Marc Meyers | Kat Westergaard | Tariq Anwar & Alex Hall | supervising colorist | ||
| Project Power | Henry Joost & Ariel Schulman | Michael Simmonds | Jeff McEvoy | Colorist | Head of Production: Margaret Lewis Color Assistant: Jake White | |
| Jungleland | Max Winkler | Damian Garcia | Tomas Vengris | Supervising Colorist | ||
| Dreamland | Miles Joris-Peyrafitte | Lyle Vincent | Abbi Jutkowitz & Brett M. Reed | Digital Intermediate Colorist | ||
| 2021 | Malcolm & Marie | Sam Levinson | Marcell Rév | Julio C. Perez IV | Company 3 Colorist | Company 3 Color Assistant: Jake White FotoKem NextLAB Dailies Colorist: Dan Garsha |
| Judas and the Black Messiah | Shaka King | Sean Bobbitt | Kristan Sprague & Jennifer Lame | Digital Intermediate Colorist | Digital Intermediate Conform Artist: John Diesso Digital Intermediate Producer: Margaret Lewis | |
| Monster | Anthony Mandler | David Devlin | Joe Klotz | Supervising Colorist | ||
| Cruella | Craig Gillespie | Nicolas Karakatsanis | Tatiana S. Riegel | Colorist | Color Assists: John Tripp (LA), Melina Smith (NY) Image Scientist: John Quartel | |
| Stillwater | Tom McCarthy | Masanobu Takayanagi | Tom McArdle | Digital Intermediate Senior Colorist | ||
| Kate | Cedric Nicolas-Troyan | Lyle Vincent | Sandra Montiel & Elísabet Ronaldsdóttir | Senior Colorist | ||
| Blue Bayou | Justin Chon | Matthew Chuang, Ante Cheng | Reynolds Barney | Colorist | Color Assistants: Jake White, Nick Nassif Image Scientist: John Quartel | |
| Dear Evan Hansen | Stephen Chbosky | Brandon Trost | Anne McCabe | Supervising Colorist | Colorist: Andrew Geary | |
| Halloween Kills | David Gordon Green | Michael Simmonds | Tim Alverson | Colorist | ||
| Antlers | Scott Cooper | Florian Hoffmeister | Dylan Tichenor | Finishing Colorist | ||
| Swan Song | Benjamin Cleary | Masanobu Takayanagi | Nathan Nugent | Digital Intermediate Senior Colorist | ||
| 2022 | The Survivor | Barry Levinson | George Steel | Douglas Crise | Supervising Colorist | Finishing Colorist: Jenny Montgomery Color Assistant: Jake White |
| Blonde | Andrew Dominik | Chayse Irvin | Adam Robinson & Jennifer Lame | Finishing Colorist (with Andrew Geary & Jake White) | Color Assistant: Ben White | |
| Black Panther: Wakanda Forever | Ryan Coogler | Autumn Durald Arkapaw | Michael P. Shawver, Kelley Dixon & Jennifer Lame | Supervising Finishing Artist | Creative Finishing Supervisor: Evan Jacobs Finishing Artists: Adam Nazarenko (2D), Jared Pecht (3D), Alan Louis Gordon (3D) | |
| The Menu | Mark Mylod | Peter Deming | Christopher Tellefsen | Finishing Colorist | Lead Color Assistant: Melina Smith Data Manager: Stacey Lee | |
| The Pale Blue Eye | Scott Cooper | Masanobu Takayanagi | Dylan Tichenor | Supervising Colorist | Colorist: Dustin Wadsworth Dailies Colorist/Operator: Greg Lomasney | |
| Title | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|
| Jamojaya | Justin Chon | Ante Cheng | Reynolds Barney | Colorist | Company 3 Producer: Zac Gobetz Company 3 Head of Production: Mike Maida |
| Landscape with Invisible Hand | Cory Finley | Lyle Vincent | Louise Ford | Finishing Colorist | Dailies Colorist: Marc Lulkin Color Assistant: Emily Bailey |
| Past Lives | Celine Song | Shabier Kirchner | Keith Fraase Additional Editor: Shannon Fitzpatrick | Color Assistants: Andrew Mirnamesh, Mena Smith Finishing Producer: Zac Gobetz | |
| Shotgun Wedding | Jason Moore | Peter Deming | Doc Crotzer | Colorist | Additional Color: Jenny Montgomery Color Assistants: Mena Smith, Jake White |
| If You Were the Last | Kristian Mercado | Alex Disenhof | Henry Hayes | Supervising Finishing Colorist | Finishing Colorist: Dustin Wadsworth Color Assistants: Mena Smith, Andrew Mirmanesh |
| Dreamin' Wild | Bill Pohlad | Arnaud Potier | Annette Davey | Colorist | Dailies Colorist (AP): Gabriel McIntyre Head of Production: Michael Maeda |
| The Good Mother | Miles Joris-Peyrafitte | Charlotte Hornsby | Taylor Levy, Damian Rodriguez | Supervising Colorist | Colorist: Dustin Wadsworth |
| Dumb Money | Craig Gillespie | Nikolas Karakatsanis | Kirk Baxter Additional Editor: Rex Lowry | Finishing Colorist Additional Color: Dustin Wadsworth | Color Assistant: Melina Smith Dailies Colorist (LA): Tom Klane |
| Fingernails | Christos Nikou | Marcell Rév | Yorgos Zafeiris | Colorist | Additional Colorist: Dustin Wadsworth Dailies Colorist: Kelly Milligan |
| The Marvels | Nia DaCosta | Sean Bobbitt | Evan Schiff, Catrin Hedström | Supervising Finishing Artist | Creative Finishing Supervisor: Evan Jacobs Finishing Artists: Adam Nazarenko (2D), Jared Pecht (3D), Alan Louis Gordon (3D) |
| Leave the World Behind | Sam Esmail | Tod Campbell | Lisa Lassek | Finishing Colorist Additional Color: Dustin Wadsworth | Color Assistant: Mena Smith Head of Dailies: Andrew Dearnley |
| Title | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|
| Origin | Ava DuVernay | Matthew J. Lloyd | Spencer Averick | Colorist Additional Colorist: Matt Osborne | Color Assistant: Jason Maydick Dailies Colorist: Karli Windischmann |
| The Greatest Hits | Ned Benson | Chung-hoon Chung | Saira Haider | Color Assistant: Frankie Hudson Dailies Colorist: Tom Klane | |
| A Quiet Place: Day One | Michael Sarnoski | Pat Scola | Andrew Mondshein, Gregory Plotkin | Supervising Colorist | Finishing / Dailies Colorist: Jake M. White Color Assistant: Frankie Hudson |
| Beverly Hills Cop: Axel F | Mark Molloy | Eduard Grau | Dan Lebental Additional Editor: Asaf Eisenberg | Supervising Colorist Colorist: Dustin Wadsworth | Color Assistant: Frankie Hudson Dailies Colorists: Jack Tashdjian, Tom Klane |
| MaXXXine | Ti West | Eliot Rockett | Ti West | Finishing Colorist Additional Colorist: Dustin Wadsworth | Color Assistant: Frankie Hudson Dailies Colorist: Jack Tashdjian |
| Rez Ball | Sydney Freeland | Kira Kelly | Jessica Baclesse Additional Editor: Elliott Traeger | Finishing Colorist | Dailies Colorist/Additional Colorist: Jake M. White |
| Blitz † | Steve McQueen | Yorick Le Saux | Peter Sciberras | Colorist | Additional Colorist: Dustin Wadsworth |
| Carry-On † | Jaume Collet-Serra | Lyle Vincent | Elliot Greenberg, Krisztian Majdik, Fred Raskin |
| Title | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|
| Magazine Dreams | Elijah Bynum | Adam Arkapaw | Jon Otazua | Colorist | Finishing Editor: Gina Kalim Company 3 Producer: Kate Albers |
| Thunderbolts* † | Jake Schreier | Andrew Droz Palermo | Angela M. Catanzaro, Harry Yoon | Supervising Finishing Artist | Creative Finishing Supervisor: Evan Jacobs |
| † | Denotes projects that have not yet been released |
| Year | Title | Showrunner(s) | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|---|---|
| 2019 | The Righteous Gemstones | Danny McBride | Danny McBride, David Gordon Green & Jody Hill | Brandon Trost & Michael Simmonds | Justin Bourret, Todd Zelin, Craig Hayes & Sam Seig | Supervising Colorist | Colorist: Andrew Geary |
| 2020 | I Know This Much Is True | Derek Cianfrance & Anya Epstein | Derek Cianfrance | Jody Lee Lipes | Ron Patane, Jim Helton, Malcolm Jamieson, Dean Palisch & Nico Leunen | Senior Colorist | |
| Small Axe | Steve McQueen | Shabier Kirchner | Chris Dickens, Steve McQueen | ||||
| 2021 | Physical | Annie Weisman | Craig Gillespie, Liza Johnson, Stephanie Laing | Paula Huidobro | Sophie Corra | Supervising Colorist | Colorist: J. Cody Baker Dailies Colorist: Tom Klane |
| 2022 | Euphoria | Sam Levinson | Marcell Rev | Julio Perez | Final Colorist | Season 2 Colorist: Jake White | |
| Pam & Tommy | Robert Siegel | Craig Gillespie, Lake Bell, Gwyneth Horder-Payton & Hannah Fidell | Paula Huidobro | Tatiana S. Riegel, Annette Davey, Michael Giambra & Eric Kissack | DI Supervising Colorist | DI Colorist: J. Cody Baker Dailies Colorist: John St. Laurent | |
| Severance | Dan Erickson | Ben Stiller & Aoife McArdle | Jessica Lee Gagné & Matt Mitchell | Geoffrey Richman, Gershon Hinkson & Erica Freed Marker | Supervising Colorist | Colorist: Andrew Geary Additional Colorist: Ben White | |
| Pachinko | Soo Hugh | Kogonada & Justin Chon | Florian Hoffmeister & Ante Cheng | Simon Brasse, Joe Hobeck, Erica Freed Marker, Susan E. Kim, Jacob Craycroft & Sabine Hoffman | Colorist: Andrew Geary Company 3 Color Producer: Zachary Gobetz | ||
| 2023 | Miley Cyrus - Endless Summer Vacation (Backyard Sessions) | Jacob Bixenman, Brendan Walter | Marcell Rév | Brendan Walter Online Editor: Nicholas McGregor | Colorist: Dustin Wadsworth Dailies Colorist: Jon Rocke | ||
| The Idol | Abel Tesfaye, Reza Fahim, Sam Levinson | Sam Levinson | Marcell Rév, Drew Daniels, Julie Cohen, Arseni Khachaturan | Julio C. Perez IV, Aaron Butler, Aleshka Ferrero | Colorist: Dustin Wadsworth | ||
| The Changeling | Kelly Marcel | Melina Matsoukas, Jonathan van Tulleken, Dana Gonzales, Michael Francis Williams, Solvan "Slick" Naim | Marcell Rév, Christopher Norr, Steve Cosen | Geoff Ashenhurst, Jonathan Eagan, Hye Na | Colorist (with Bill Ferwerda) | Additional Colorist: Ian Passy | |
| 2024 | American Rust Season 2: Broken Justice | Dan Futterman | Jim McKay, Michael Lehmann, Radium Cheung, Melissa Hickey | Justin Foster | Tamar Bihari | Supervising Colorist | |
| The Sympathizer | Park Chan-wook, Don McKellar | Park Chan-wook, Fernando Meirelles, Marc Munden | Ji Yong Kim | TBA | Colorist (with Matt Osborne) | Finishing Artist: Mike Delegal Dailies Colorist: John St. Laurent | |
| Year | Title | Artist(s)/Group(s) | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|---|---|
| 2022 | Lux Æterna | Metallica | Timothy Saccenti | Joshua Zucker-Pluda | Matt Posey | Colorist | |
| Lift Me Up | Rihanna | Autumn Durald Arkapaw | Andrew Heagle | Color Producer: Behnood Behjoo Color Assist: Frankie Hudson | |||
| 2023 | Flowers | Miley Cyrus | Jacob Bixenman | Marcell Rév | Brendan Walter | ||
| River | Adam Newport-Berra | Company 3 Producer: Shannen Troup | |||||
| Where She Goes | Bad Bunny | Stillz | Marcell Rév | Aitor Bigas | Shot on 35mm and 16mm Kodak Vision3 200T, 500T and Ektachrome film | ||
| Used to Be Young | Miley Cyrus | Jacob Bixenman, Brendan Walter | Brendan Walter | Company 3 Producer: Shannen Troup | |||
| Un Preview | Bad Bunny | Stillz | Aitor Bigas | ||||
| Baticano | Company 3 Producer: Shannen Troup | ||||||
| Year | Title | Director(s) | Cinematographer(s) | Editor(s) | Roles | Other notes |
|---|---|---|---|---|---|---|
| 2022 | Michelob ULTRA: Welcome to Superior Bowl | Rachel Morrison | Tommy Harden | Colorist | Shot on Kodak 35 mm film with Arricam and Arriflex 435 cameras | |
| David Yurman: Come Closer | Nathan Copan | Max Goldman | William Town | Color finishing completed at Modern Post Shot on Sony CineAlta Venice cameras with Panavision Sphero 65 lenses | ||
| 2023 | Michelob ULTRA: New Members Day | Rachel Morrison | Eric Alexander-Hughes, Tommy Harden | Colorist (with Jenny Montgomery) | Company 3 Producers: Shannen Troup, Nick Kraznic Shot on Kodak 35 mm film | |
| Rakuten: Not-So Clueless | Will Speck and Josh Gordon | Bill Pope | Graham Turner | Colorist | Company 3 Producer: Shannen Troup | |
| TurboTax: Dancer | Fiona McGee | Ross Giardana | Eric Hill, Steve Sprinkel | |||
| NBA: Little Black Book | Karim Huu Do | Rina Yang | TBA | Company 3 Producer: Shannen Troup Visual Effects by Framestore | ||
| Blizzard Entertainment: Art of Choice | Henry Hobson | TBA | Stew Reeves | Flame Lead: Wensen Ho Finishing Producers: Shannen Troup, Alex Park Hooper | ||
| Metallica: 72 Seasons | Tim Saccenti | Joshua Zucker-Pluda | Tyler Hurst | Finishing Producer: Shannen Troup | ||
| Sydney Sweeney x Ford Bronco | Lucy Sandler | Evan Prosofsky | Matt Burke | |||
| Gucci: The Gift | Sabato De Sarno (Creative), Riccardo (Artistic) | Marcell Rév | TBA | |||
| Ritz: The Ritzcracker | Camila Zapiola | Leandro Filloy | Finishing Producer: Shannen Troup Visual Effects by Framestore | |||
| Apple Inc.: Mother Nature | TBA | TBA | ||||
| 2024 | BMW: Talkin Like Walken | Bryan Buckley | Hoyte van Hoytema | Chan Hatcher | Senior Colorist | Color Producer: Shannen Troup |
| Uber Eats: Don't Forget Uber Eats | Jake Szymanski | Larkin Seiple | Kirk Baxter, Matt Murphy, Zaldy Lopez, Danielle Sclafani, Cole Grom | Senior Colorist (with Matt Osborne) | ||
| Hellmann's: Mayo Cat | Will Speck and Josh Gordon | Darren Lew | Pamela Petruski, Danielle Minch | Senior Colorist (with Jenny Montgomery) | Color Producer: Shannen Troup Visual Effects by Framestore | |
| FanDuel: Gronk Misses the FanDuel Kick of Destiny 2 | Mike Warzin | Autumn Durald Arkapaw | Grant Surmi | Senior Colorist | Color Producer: Shannen Troup | |
The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being renamed the Designers' branch. Since 1947, the award is shared with the set decorators. It is awarded to the best interior design in a film.
The Academy of Motion Picture Arts and Sciences is a professional honorary organization in Beverly Hills, California, U.S., with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.
The Academy Award for Best Supporting Actress is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It has been awarded since the 9th Academy Awards to an actress who has delivered an outstanding performance in a supporting role in a film released that year. The award is traditionally presented by the previous year's Best Supporting Actor winner. In lieu of the traditional Oscar statuette, supporting acting recipients were given plaques up until the 16th Academy Awards, when statuettes were awarded to each category instead.
The Academy Award for Best Animated Feature is given each year for the best animated film. An animated feature is defined by the academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-by-frame technique, a significant number of the major characters are animated, and animation figures in no less than 75 percent of the running time. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001.
The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design.
The Academy Award for Best Director is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry.
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
Nexus Studios is an animation, VFX, film and interactive production studio based in London and LA. It was founded in 2000 by Charlotte Bavasso and Christopher O'Reilly.
The Academy Award for Best Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It has been awarded since the 1st Academy Awards to an actor who has delivered an outstanding performance in a leading role in a film released that year. The award is traditionally presented by the previous year's Best Actress winner.
The Academy Award for Best Supporting Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It has been awarded since the 9th Academy Awards to an actor who has delivered an outstanding performance in a supporting role in a film released that year. The award is traditionally presented by the previous year's Best Supporting Actress winner. In lieu of the traditional Oscar statuette, supporting acting recipients were given plaques up until the 16th Academy Awards, when statuettes were awarded to each category instead.
Company 3 (CO3) is an American post-production company founded in 1997 by colorists Stefan Sonnenfeld and Mike Pethel and visual effects artist/supervisor Noel Castley-Wright. Rob Walston brought the team of artists together and funded Company 3 under 4 Media Company (4MC). Company 3 provides post production, color grading and location services for feature films, commercials, music videos and television.
Carey Villegas is a visual effects artist who was nominated at the 83rd Academy Awards in the category of Best Visual Effects, for the film Alice in Wonderland. His nomination was shared with Sean Phillips, Ken Ralston and David Schaub. Also for Alice in Wonderland, Carey won the 2010 Golden Satellite Award for Best Visual Effects and was nominated for the British Academy Award (BAFTA), Critics Choice Award, Saturn Award, and the Visual Effects Society Award (VES) for "Outstanding Visual Effects in a Visual Effects Driven Motion Picture".
Paul Austerberry is a Canadian film and television production designer. For his set design in the 2017 film The Shape of Water he won an Academy Award and a BAFTA Award for Best Production Design with set decorators Shane Vieau and Jeff Melvin. In the 2013 film Pompeii, he won the Canadian Screen Award for Best Art Direction/Production Design at the 3rd Canadian Screen Awards in 2015 with Nigel Churcher.
The Hollywood Professional Association Award for Outstanding Color Grading in a Feature Film is an annual award, given by the Hollywood Professional Association, or HPA, to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since. From 2006 to 2011, the category was titled HPA Award for Outstanding Color Grading Feature Film in a DI Process. The "DI" in the title refers to a Digital intermediate, a motion picture finishing process which a motion picture is digitized and the color and other image characteristics manipulated. As the filmmaking has evolved more into a digital forum, the added "DI Process" of the title became, essentially, antiquated.
The Hollywood Professional Association Award for Outstanding Color Grading for Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since.
Walter Volpatto is an American motion picture colourist based in Hollywood, California.
