"You Haven't Done Nothin'" | ||||
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Single by Stevie Wonder | ||||
from the album Fulfillingness' First Finale | ||||
B-side | "Big Brother" | |||
Released | August 7, 1974 | |||
Genre | Funk rock [1] | |||
Length | 3:29 | |||
Label | Tamla Motown | |||
Songwriter(s) | Stevie Wonder | |||
Stevie Wonder singles chronology | ||||
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Official audio | ||||
"You Haven't Done Nothin'" on YouTube |
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number 1 pop hit and his tenth Number 1 soul hit. [2] It also reached Number 1 in Canada. [3] In the UK the single spent five weeks on the chart, peaking at Number 30. [4]
The song was one of his angriest political statements and was aimed directly at President Richard Nixon, who resigned two days after the record's release. The Jackson Five provided backing vocals, singing the words "Doo da wop!" during the chorus after Wonder sings "Jackson 5, join along with me, say". [5] The song also features a thick clavinet track and an early appearance of the drum machine. The B-side "Big Brother", also a political statement, was taken from Wonder's 1972 album Talking Book .
Billboard described "You Haven't Done Nothin'" as being "exceptionally powerful" and more subtle than most protest songs, particularly praising the synthesiser arrangement and the vocal performance. [6] Cash Box called it a "super track filled with the memories of the great 'Superstition' a while back" and said that "musically, horns, keyboards, bass and guitar highlight and vocally, aside from Stevie's magic, the Jackson 5 is right in there on 'doo wops.'" [7] Record World called it "a message song to end them all" in which Wonder "deals directly with those who'd only promise their way to a better world." [8]
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. The lyrics describe popular superstitions and their negative effects.
The Gap Band was an American R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie, Ronnie, and Robert Wilson, along with other members; it was named after streets in the historic Greenwood neighborhood in the brothers' hometown of Tulsa, Oklahoma.
Music of My Mind is the fourteenth studio album by American soul musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. # 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's classic period.
"Uptight (Everything's Alright)" is a song recorded by American singer-songwriter Stevie Wonder for the Tamla (Motown) label. One of his most popular early singles, "Uptight (Everything's Alright)" was the first hit single that Wonder himself co-wrote.
Fulfillingness' First Finale is the seventeenth studio album by American singer-songwriter Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
"I Was Made to Love Her" is a soul music song recorded by American musician Stevie Wonder for Motown's Tamla label in 1967. The song was written by Wonder, his mother Lula Mae Hardaway, Sylvia Moy, and producer Henry Cosby and included on Wonder's 1967 album I Was Made to Love Her.
"Don't You Worry 'bout a Thing" is a song by American singer-songwriter Stevie Wonder, released as the third single from his sixteenth studio album, Innervisions (1973). It reached number 16 on the US Billboard Pop Singles chart, number 10 on the Cash Box Top 100, and number two on the R&B chart. The song's lyrics convey a positive message, focusing on taking things in one's stride and accentuating the positive. In 1992, British band Incognito had a European hit with their cover of the song.
"Shoo-Be-Doo-Be-Doo-Da-Day" is a 1968 single released by American and Motown recording artist Stevie Wonder. The song, co-written by Wonder and produced by Henry Cosby and Sylvia Moy, was the first to showcase Wonder's talents at the clavinet and was one of his first successful co-written tracks during his 1960s Motown period. The song reached number nine on the Billboard Hot 100 pop singles chart in 1968, and went to number one on the R&B chart.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
Characters is the twenty-first studio album by American singer-songwriter Stevie Wonder, released in late 1987. The album features six singles including the Grammy-nominated "Skeletons" (#19) and "You Will Know" (#77), which both reached number one on the Billboard R&B Singles chart. The album also contained a duet with Michael Jackson, "Get It" (#80), that was a minor hit.
"Doo Doo Doo Doo Doo (Heartbreaker)" is the fourth track on the Rolling Stones' 1973 album Goats Head Soup.
"I Don't Know Why" is a song by American singer-songwriter Stevie Wonder, from the 1968 album For Once in My Life. It was released as a single on January 28, 1969, with "My Cherie Amour" on the B-side. A few months later, the single was re-issued with sides reversed because of the growing popularity of "My Cherie Amour", which became a Top Ten hit.
"Get It" is a song recorded by American singer-songwriter Stevie Wonder with a guest vocal by American pop recording artist Michael Jackson. It was released by Tamla as the third single from Wonder's twenty-first studio album, Characters (1987). At the time of the single's release, and their albums released in the same year, Wonder worked with Jackson on his top-selling Bad album for their first duet "Just Good Friends". "Get It" was a R&B chart hit, peaking at number four. On the US Billboard Hot 100 it peaked at number 80. Overseas, the single became a moderate hit. In the UK, the single reached number 37 on the official UK Singles Chart.
"Never Had a Dream Come True" is a song written by Stevie Wonder and Motown staff songwriters Henry Cosby and Sylvia Moy, released as a single on the Tamla subsidiary in February 1970. Featured on his 12th studio release, Signed, Sealed & Delivered, as the lead single, "Never Had..." was a modest hit in the U.S. upon its release, debuting at No. 67 on the Billboard Hot 100 during the week of Feb. 7, 1970, and No. 11 on the R&B chart. The song received a boost in the U.K. where it eventually peaked at No. 6.
Yvonne Lowrene Wright was an American songwriter and vocalist best known for co-writing with Stevie Wonder in the 1970s. Their songs appear on the albums Music of My Mind, Talking Book, Fulfillingness' First Finale, and Stevie Wonder's Journey Through "The Secret Life of Plants".