"You Haven't Done Nothin'" | ||||
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Single by Stevie Wonder | ||||
from the album Fulfillingness' First Finale | ||||
B-side | "Big Brother" | |||
Released | August 7, 1974 | |||
Genre | Funk rock [1] | |||
Length | 3:29 | |||
Label | Tamla Motown | |||
Songwriter(s) | Stevie Wonder | |||
Stevie Wonder singles chronology | ||||
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Official audio | ||||
"You Haven't Done Nothin'" on YouTube |
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his tenth Number-1 soul hit. [2] It also reached Number 1 in Canada. [3] In the UK the single spent five weeks on the chart, peaking at Number 30. [4]
The song was one of his angriest political statements and was aimed directly at President Richard Nixon, who resigned two days after the record's release. The Jackson Five provided backing vocals, singing the words "Doo da wop!" during the chorus after Wonder sings "Jackson 5, join along with me, say". [5] The song also features a thick clavinet track and an early appearance of the drum machine. The B-side "Big Brother", also a political statement, was taken from Wonder's 1972 album Talking Book .
Billboard described "You Haven't Done Nothin'" as being "exceptionally powerful" and more subtle than most protest songs, particularly praising the synthesiser arrangement and the vocal performance. [6] Cash Box called it a "super track filled with the memories of the great 'Superstition' a while back" and said that "musically, horns, keyboards, bass and guitar highlight and vocally, aside from Stevie's magic, the Jackson 5 is right in there on 'doo wops.'" [7] Record World called it "a message song to end them all" in which Wonder "deals directly with those who'd only promise their way to a better world." [8]
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
The 17th Annual Grammy Awards were presented March 1, 1975, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1974.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Stevie Wonder's Journey Through "The Secret Life of Plants" is an album by Stevie Wonder, originally released on the Tamla Motown label on October 30, 1979. It is the soundtrack to the documentary The Secret Life of Plants, directed by Walon Green, which was based on the book of the same name by Peter Tompkins and Christopher Bird. It contains two singles that reached the Billboard Hot 100 charts: "Send One Your Love" and the minor hit "Outside My Window". The single "Black Orchid" reached No. 63 in the UK.
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"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. The lyrics describe popular superstitions and their negative effects.
The Gap Band was an American R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie, Ronnie, and Robert Wilson, along with other members; it was named after streets in the historic Greenwood neighborhood in the brothers' hometown of Tulsa, Oklahoma.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
"Family Affair" is a 1971 number-one hit single recorded by Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You "/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, Rolling Stone magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards.
Fulfillingness' First Finale is the seventeenth studio album by American singer, songwriter, musician, and producer Stevie Wonder, released on July 22, 1974, by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
"I Was Made to Love Her" is a soul music song recorded by American musician Stevie Wonder for Motown's Tamla label in 1967. The song was written by Wonder, his mother Lula Mae Hardaway, Sylvia Moy, and producer Henry Cosby and included on Wonder's 1967 album I Was Made to Love Her.
"Shoo-Be-Doo-Be-Doo-Da-Day" is a 1968 single released by American and Motown recording artist Stevie Wonder. The song, co-written by Wonder and produced by Henry Cosby and Sylvia Moy, was the first to showcase Wonder's talents at the clavinet and was one of his first successful co-written tracks during his 1960s Motown period. The song reached number nine on the Billboard Hot 100 pop singles chart in 1968, and went to number one on the R&B chart.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
For Once in My Life is the tenth studio album by American singer-songwriter Stevie Wonder on Motown Records, released in November 1968. Then 18 years old, Wonder had established himself as one of Motown's consistent hit-makers. This album continued Wonder's growth as a vocalist and songwriter, and is the first album where he shares credit as producer. It featured four songs that hit the Hot 100 charts: "For Once in My Life", "Shoo-Be-Doo-Be-Doo-Da-Day" and the modest hits "I Don't Know Why" and "You Met Your Match". It also marked the debut of the Hohner Clavinet on a Stevie Wonder album, which would become a mainstay on albums to come.
Characters is the twenty-first studio album by American singer-songwriter Stevie Wonder, released in late 1987. The album features six singles including the Grammy-nominated "Skeletons" and "You Will Know", which both reached number one on the Billboard R&B Singles chart. The album also contained a duet with Michael Jackson, "Get It", that was a minor hit.
"Doo Doo Doo Doo Doo (Heartbreaker)" is the fourth track on the Rolling Stones' 1973 album Goats Head Soup.
"I Don't Know Why" is a song by American singer-songwriter Stevie Wonder, from the 1968 album For Once in My Life. It was released as a single on January 28, 1969, with "My Cherie Amour" on the B-side. A few months later, the single was re-issued with sides reversed because of the growing popularity of "My Cherie Amour", which became a Top Ten hit.
"Get It" is a song recorded by American singer-songwriter Stevie Wonder with a guest vocal by American pop recording artist Michael Jackson. It was released by Tamla as the third single from Wonder's twenty-first studio album, Characters (1987). At the time of the single's release, and their albums released in the same year, Wonder worked with Jackson on his top-selling Bad album for their first duet "Just Good Friends". "Get It" was a R&B chart hit, peaking at number four. On the US Billboard Hot 100 it peaked at number 80. Overseas, the single became a moderate hit. In the UK, the single reached number 37 on the official UK Singles Chart.
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.