Zhang Jizhong | |||||||||||
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![]() Zhang directing on set | |||||||||||
Born | |||||||||||
Occupation(s) | Film director, producer, actor, teacher and writer | ||||||||||
Years active | 1981–present | ||||||||||
Chinese name | |||||||||||
Traditional Chinese | 張紀中 | ||||||||||
Simplified Chinese | 张纪中 | ||||||||||
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Musical career | |||||||||||
Also known as | "Beardy" | ||||||||||
Zhang Jizhong (born May 23, 1951) is a Chinese film producer, director, teacher, and writer. He is known as one of the more prominent television producers in China. [1] His best known productions include the CCTV adaptations of the Four Great Classical Novels of Chinese literature, namely Journey to the West , Romance of the Three Kingdoms and The Water Margin , as well as adaptations of Louis Cha's wuxia novels. He is also known for building large film cities with the support of local government authorities, sets that have later been developed into tourist attractions.
Zhang's adaptations of Louis Cha's works are somewhat controversial in China. Reception to these productions are generally mixed as some feel his productions are largely overblown, muddled and bombastic, while others champion his large budget and use of scenic locations. [2] [3] [4] [5]
In Zhang's early life, he and his seven siblings endured many hardships because his father served as a county head for the Kuomintang. [6] In the sixth grade, with the encouragement of one of his school teachers, he applied for the PLA School of Fine Arts, but was rejected after a background check on his father's political status, even though he passed the exams. [7] Before 1972, he also applied to China's Central Academy of Drama and other schools, but his application was still rejected after a political check, despite passing the entrance requirements. During the Cultural Revolution, Zhang was sent to work in the countryside as part of the Down to the Countryside Movement, where he worked in a coal mining town in Shanxi for six years. [6] In 1974, Zhang became a teacher in a coal mining town in Shanxi and taught history, Chinese and biology. He also led a literature and art performing troupe that consisted of coal workers and assumed the roles of director, screenwriter and composer.
After the collapse of the Gang of Four and at the time of the post-1978 economic reform in China, Zhang entered Shanxi's modern drama theater to become a stage actor. In 1979, a friend took him to a film set at the Shanghai Film Group Corporation, where he was discovered and later cast for the main role One Day When We Were Young, a television drama. In 1983, Zhang met Zhang Shaolin on set, who would become his long-term working partner. Zhang Jizhong and Zhang Shaolin's first television production as producer and director respectively, One Hundred Years of Suffering, won the Five One Award. [7] Some of their other works, including Vice Squad General, The People's Policeman, and Good Man Yan Juqian, all won Flying Goddess awards, one of China's awards for television production. [7]
Romance of the Three Kingdoms , one of the Four Great Classical Novels of Chinese literature, was the first work Zhang did as a producer for China Central Television (CCTV). When Zhang Jizhong and Zhang Shaolin discovered that CCTV was auditioning producers and directors for the series, they went to Beijing to audition, only to discover that the roles of the five production teams were all taken. Unwilling to settle for a smaller role in Beijing, the Zhangs returned to Xiamen to continue working on their own television projects. One month later, Zhang received a note from CCTV saying that changes had been made to the production team, and there was an open position to film the fourth part of the show. Zhang accepted and went on to produce 13 of the 84 episodes for the series, when he had endure over 10,000 kilometers of travel in 11 months in the remote areas of Yunnan, Qinghai, Tibet and Inner Mongolia, as well as battle scenes involving thousands of extras and hundreds of horses. [6] Two large film cities were built for the series in Hebei (33,000 m2) and Wuxi (3,000 m2), and have since become tourist attractions.
Following the success of Romance of the Three Kingdoms , the Zhangs were asked to produce The Water Margin , another one of the Four Great Classical Novels of Chinese literature. Zhang Jizhong and Zhang Shaolin were appointed as head producer and director respectively, and had full responsibility for the series. Martial arts were an important aspect of the production process for The Water Margin, and Zhang worked with choreographer Yuen Woo-ping. After three years and eight months of production, The Water Margin was broadcast on CCTV with high viewership and was the recipient of many Flying Goddess awards and made a profit of 100 million yuan for CCTV. [7]
After the success of Romance of the Three Kingdoms and The Water Margin, Zhang was appointed a permanent position at CCTV. In 1999, Hong Kong writer Louis Cha told a mainland Chinese newspaper that if CCTV treated an adaptation of one of his novels as seriously as with Romance of the Three Kingdoms and The Water Margin, he would only charge one yuan for the rights. [8] Zhang faxed Cha a reply and the next day, Cha gave Zhang the permission to choose one from his 14 novels. Zhang bought a frame, carved some patterns on it, inserted a one yuan note and gave it to Cha, who was pleased by the gift and the two have collaborated since then. [8]
Zhang has produced several television series based on Louis Cha's wuxia novels from 2000 to 2006. Laughing in the Wind was the first mainland Chinese adaptation of Cha's The Smiling, Proud Wanderer . [8] The series received mixed reviews because of Zhang's changes to the original story but it still received a very high 19% audience rating. [8] Zhang's second production, The Legend of the Condor Heroes , broadcast in 2003, has been broadcast in Japan since 2005. [9] Demi-Gods and Semi-Devils was broadcast in 2003. The series helped propel Hu Jun and Liu Yifei to fame, who moved on to star in films such as Red Cliff and The Forbidden Kingdom . Backed by Louis Cha, Liu Yifei returned to star in Return of the Condor Heroes . The series also starred and launched the career of Huang Xiaoming. [10] The series received record high ratings when it was first broadcast on the Japanese NECO television station. [9]
Besides producing wuxia television series, Zhang has also produced dramas including Farmer Labourer, which exposed the reality of farmer labourer problems at the time and Days of Passion and Spirit, which depicted military life. In 2008, Zhang and Huayi Brothers produced Bing Sheng , a historical television series based on the life of Sun Tzu, author of The Art of War .
Zhang is in the pre-production phase of his film adaptation of Journey to the West , another one of the Four Great Classical Novels, with the story focusing on Sun Wukong, a household name in China and in other Asian countries like Japan and South Korea. He has hired Neil Gaiman as a screenwriter and the two were introduced to each other by James Cameron, who turned down the role as director, but has agreed to help with the special effects of the film. [11] Each of the three films in the trilogy is expected to have a budget of $100 million, which would make them the most expensive films made in Chinese history. [12] John Woo's Red Cliff budgeted roughly $80 million and currently holds the record for the Chinese film with the highest budget. [13] Zhang is also developing a theme park, an online game and a television series based on his company's digitized content of Sun Wukong and Journey to the West.
In recent years, many of Zhang's works have brought in strong social and media response and considerable financial benefits. In a seminar, Zhang was referred to as the "Number One Producer in Chinese Television" by experts in Chinese television and film industry [14] for his contributions on the landscape of film production in China from a director centered system to a producer centered system. In China, producers usually only play the roles of logistic managers and accountants, but Zhang redefined the role of a film producer in China by coordinating all the aspects of the production, bearing responsibility for screenwriting, directing, creative staff, investment, media relations, casting, social issues, and personal matters. Traditionally, most of this work was handled by the film director, [14] but experts explain that they give him such a title because he has popularized and contributed to the producer-centered system in China. Jiang Ouli, Secretary-General of the Chinese Radio and Television Association, said that a successful producer in China must be a successful politician, artist, manager and operator and that the rise of the producer centered system in China's film industry is part of the development process, which is becoming closer to the Hollywood model. [14]
Zhang has also built large filming sets and villages in coordination with the development of the local tourism market. By negotiating with the local governments, Zhang is able to get local governments to invest in the film cities, which after filming are used to attract revenue from tourists and develop the area. During the filming of Laughing in the Wind and The Legend of the Condor Heroes , 40 million yuan was exempted with 28 million yuan going towards the development of Peach Blossom Island, [14] The investment by the local Zhoushan government was used for the construction of the Peach Blossom Island Arching City, roads, bridges, accommodation, and marketing. The Legend of the Condor Heroes provided promotion for the attraction and tourism for the Peach Blossom Island increased tenfold the year the show was released. [14] In 2008, Peach Blossom Island boasted 900,000 visitors. From negotiating and attracting investment from the local government in Zhejiang, CCTV only invested 30 million yuan in Laughing in the Wind, while enjoying over 70 million yuan in revenue from advertisement and overseas distribution. [14] The Demi-Gods and Semi-Devils film city in Dali was also a success, and cost 110 million yuan to construct, with the park covers an area of 4,500 m2. [15]
Zhang was nominated as a candidate for the 2007 Green Chinese Awards, an award ceremony run by the China Environment Culture Promotion Association (CECPA). [16]
Year | Title | Role | Notes |
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1981 | Wu Lian 舞恋 | ||
1982 | Taiwan Yihen 台湾遗恨 |
Year | Title | Role | Notes |
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1983 | Yang Jia Jiang 杨家将 | Yang Yanzhao | |
1989 | One Hundred Years of Suffering 百年忧患 | producer | Won Five One Award |
1989 | The People's Policeman 有这样一个民警 | producer | Won Flying Goddess Award |
1990 | Good Man Yan Juqian 好人燕居谦 | producer | Won Flying Goddess Award, Five One Award |
1990 | Vice Squad General 刑警队长 | producer | |
1994 | Romance of the Three Kingdoms 三国演义 | producer | Won Flying Goddess Award, Golden Eagle Awards, Five One Award |
1995 | Trench People 沟里人 | producer | Won Flying Goddess Awards, Five One Award |
1998 | The Water Margin 水浒传 | "Cui Jing", producer | Won Golden Eagle Awards, Flying Goddess Award, Five One Award |
1999 | Blue Enchantress 蓝色妖姬 | producer | |
2001 | Laughing in the Wind 笑傲江湖 | "Wang Yuanba", producer | |
2002 | Qing Yi 青衣 | "Huzi", producer | Won Flying Goddess Award |
2002 | Knife of Guanxi 关西无极刀 | "King of Loulan" | |
2003 | The Legend of the Condor Heroes 射雕英雄传 | "Wang Chongyang", producer | |
2003 | Demi-Gods and Semi-Devils 天龙八部 | "Wang Jiantong", producer | Won Golden Eagle Awards |
2003 | Day of Passion and Spirit 激情燃烧的岁月 | producer | Won Golden Eagle Award, Flying Goddess Awards, Five One Award |
2004 | Hero During Yongle Period 永乐英雄儿女 | producer | |
2004 | Farmer Labourer 民工 | producer | |
2004 | The Proud Twins 小鱼儿与花无缺 | "Old Hongye" | |
2006 | The Return of the Condor Heroes 神雕侠侣 | "Yelü Chucai", producer | Won Tom Online Award, Chinese TV Drama Award |
2006 | Heroes on Lüliang Mountain 吕梁英雄传 | producer | Won Five One Award, Golden Eagle Award |
2006 | Abao De Gushi 阿宝的故事 | producer | |
2007 | Sword Stained with Royal Blood 碧血剑 | "Meng Bofei", producer | |
2008 | Royal Tramp 鹿鼎记 | producer | Won XTEP and Tencent 2008 Awards |
2008 | Bing Sheng 兵圣 | producer | |
2008 | Paladins in Troubled Times 大唐游侠传 | producer | |
2009 | The Heaven Sword and Dragon Saber 倚天屠龙记 | producer | |
2009 | Nima's Summer 尼玛的夏天 | producer | |
2011 | Journey to the West 西游记 | "Taishang Laojun", producer | |
2011 | Flight Attendant Diary 空姐的日记 | producer | |
TBA | Yanhuang Da Di 炎黄大帝 | producer | |
TBA | Juhua Zui 菊花醉 | producer | |
2017 | Ode to Gallantry 俠客行 | producer |
Wuxia is a genre of Chinese fiction concerning the adventures of martial artists in ancient China. Although wuxia is traditionally a form of historical fantasy literature, its popularity has caused it to be adapted for such diverse art forms as Chinese opera, manhua, television dramas, films, and video games. It forms part of popular culture in many Chinese-speaking communities around the world. According to Hong Kong film director, producer, and movie writer Ronny Yu, wuxia movies are not to be confused with martial arts movies.
Louis Cha Leung-yung, better known by his pen name Jin Yong, was a Hong Kong wuxia novelist. He was Hong Kong's most famous author and the newspaper Ming Pao's co-founder and first editor-in-chief. Cha has been named along with Gu Long and Liang Yusheng as the "Three Legs of the Tripod of Wuxia". He has also been known as one of the "Four Great Talents of Hong Kong".
Fong Sai-yuk is a semi-fictional Chinese martial artist and folk hero from Zhaoqing City, Guangdong Province of the Qing dynasty. Fong was also associated with Hung Hei-gun and the Five Elders of the Southern Shaolin Monastery. He was a disciple of Shaolin and his martial arts techniques were considered to have contributed to the development of Hung Ga Kuen.
Chinese television dramas, sometimes colloquially known as C-dramas, are Chinese-language television drama series originating from mainland China, sometimes including co-productions with the Greater China region. Popular drama series genres in mainland China include fantasy romance, period costume, contemporary urban and thriller dramas. These dramas are also subjected to stringent regulatory supervision from the Chinese government.
Chang Cheh was a Chinese filmmaker, screenwriter, lyricist and producer active in the 1960s, 1970s and 1980s. Chang Cheh directed more than 90 films in Greater China, the majority of them with the Shaw Brothers Studio in Hong Kong. Most of his films are action films, especially wuxia and kung fu films filled with violence.
The Return of the Condor Heroes, also called The Giant Eagle and Its Companion, is a wuxia novel by Jin Yong. It is the second part of the Condor Trilogy and was preceded by The Legend of the Condor Heroes and followed by The Heaven Sword and Dragon Saber. It was first serialised between 20 May 1959 and 5 July 1961 in the Hong Kong newspaper Ming Pao.
Idy Chan Yuk Lin is a popular Hong Kong TV actress, especially during the 1980s and was named as one of the Five Beauties of TVB.
The Heaven Sword and Dragon Saber, also translated as The Sword and the Knife, is a wuxia novel by Jin Yong and the third part of the Condor Trilogy, preceded by The Legend of the Condor Heroes and The Return of the Condor Heroes. It was first serialised from 6 July 1961 to 2 September 1963 in the Hong Kong newspaper Ming Pao.
Li Yapeng is a Chinese actor-turned-businessman. He is known for his roles in the TV drama Eternal Moment (1998) and in two CCTV television adaptations of Louis Cha's wuxia novels, as Linghu Chong in Laughing in the Wind (2000) and as Guo Jing in The Legend of the Condor Heroes (2003). Li announced his retirement from acting in 2010.
Laughing in the Wind is a 2001 Chinese television series produced by Zhang Jizhong, starring Li Yapeng and Xu Qing in the leading roles. The series is an adaptation of Louis Cha's novel The Smiling, Proud Wanderer. It was first broadcast on CCTV in China in 2001.
The Return of the Condor Heroes is a 2006 Chinese television series adapted from Louis Cha's novel of the same title. It is the second instalment of a trilogy produced by Zhang Jizhong, preceded by The Legend of the Condor Heroes (2003) and followed by The Heaven Sword and Dragon Saber (2009). It was first broadcast on 17 March 2006 in China and subsequently broadcast in other Asian countries such as South Korea, Taiwan and Singapore.
Romance of the Three Kingdoms is a Chinese television series adapted from the classical 14th century novel of the same title by Luo Guanzhong. The series was produced by China Central Television (CCTV) and was first aired on the network in 1994. It spanned a total of 84 episodes, each approximately 45 minutes long. One of the most expensive television series produced at the time, the project cost 170 million yuan. It was completed over four years and involved over 400,000 cast and crew members, including divisions of the People's Liberation Army from the Beijing, Nanjing and Chengdu military regions. Some of the dialogue spoken by characters was adapted directly from the novel. Extensive battle scenes, such as the battles of Guandu, Red Cliffs and Xiaoting, were also live-acted.
Shaolin Sect is a Shaolin school. It was founded during the Five Dynasties and Ten Kingdoms period by the Buddhist monk Bodhidharma, who wanted his followers to practice martial arts for improving health, and self-defense, as well as upholding justice and helping the weak. Shaolin members are expected to follow a Buddhist code of conduct in addition to having a good mastery of martial arts. Bodhidharma was supposed to be a monk prince from Southern India who was adept in the Indian martial art of "Kalaripayattu" and is considered the mother of all martial arts.
The Wudang School, sometimes also referred to as the Wu-Tang Clan, is a fictional martial arts school mentioned in several works of Chinese wuxia fiction. It is commonly featured as one of the leading orthodox schools in the wulin. It is named after the place it is based, the Wudang Mountains.
The Legend of the Condor Heroes, also released as Legend of Eagle Shooting Hero and Legend of the Arching Hero, is a Chinese television series adapted from Louis Cha's novel The Legend of the Condor Heroes. It is the first instalment of a trilogy produced by Zhang Jizhong, followed by The Return of the Condor Heroes (2006) and The Heaven Sword and Dragon Saber (2009). It was first broadcast on CCTV in China in 2003.
The Heaven Sword and Dragon Saber is a Chinese television series adapted from Louis Cha's novel of the same title. It is a final instalment of a television trilogy produced by Zhang Jizhong, preceded by The Legend of the Condor Heroes (2003) and The Return of the Condor Heroes (2006). Unlike the previous adaptations, this remake is the first to be primarily based on the third edition of the novel. The series was first broadcast on Wenzhou TV in China in October 2009.
He Zhuoyan is a Chinese actress and singer. She was one of the top ten finalists of the 2005 Hangzhou Super Girl singing contest. In 2006, she emerged as champion of the Zhang Jizhong category of the Chinese Yahoo Three Directors Star Search programme. She signed on with the talent agency Huayi Brothers in the same year and acted in a number of period and wuxia-themed television series produced by Zhang Jizhong. In 2007, she became the youngest person to obtain an award in the Forbes China Celebrity 100, winning the Celebrity with the Most Potential Award at the age of 18.
Yu Chenghui, sometimes credited as Yue Sing-wai, was a Chinese actor, action director and martial artist.
Liu Dagang is a Chinese actor best known for his role as Sha Wujing in the 1986 television series Journey to the West. He is a National Class-A Actor.
The Legend of the Condor Heroes is a 2017 Chinese television series adapted from Louis Cha's novel of the same title and a remake of the 1983 Hong Kong television series based on the same novel. The series was directed by Jeffrey Chiang and starred Yang Xuwen, Li Yitong, Chen Xingxu and Meng Ziyi in the lead roles. It started airing on Dragon TV in mainland China on 9 January 2017, and on TVB Jade in Hong Kong on 8 May 2017.