A Lady's Morals

Last updated

A Lady's Morals
A Ladys Morals.jpg
Directed by Sidney Franklin
Written byDorothy Farnum
Hanns Kräly
John Meehan
Arthur Richman
Claudine West
Produced by Irving Thalberg
Starring Grace Moore
Reginald Denny
Wallace Beery
Gilbert Emery
Cinematography George Barnes
Edited by Margaret Booth
Music by Vincenzo Bellini
Distributed by Metro-Goldwyn-Mayer
Release date
November 8, 1930 (1930-11-08)
Running time
87 minutes
CountryUnited States
LanguageEnglish

A Lady's Morals is a 1930 American pre-Code film offering a highly fictionalized account of opera singer Jenny Lind. The movie features Grace Moore as Lind, Reginald Denny as a lover, and Wallace Beery as P. T. Barnum. The film contains some opera arias by Moore and was directed by Sidney Franklin.

Contents

Wallace Beery would play Barnum again four years later in The Mighty Barnum (1934), with Virginia Bruce as Jenny Lind.

Cast

Soundtrack

Lyrics by Clifford Grey
Music by Oscar Straus
Copyright 1930 by Harms Inc.
Played by Reginald Denny on piano and sung by Grace Moore
Reprised by Grace Moore singing and on piano
from "La fille du régiment"
Music by Gaetano Donizetti
Played at an opera house with Grace Moore singing as Marie
Music by Oscar Straus
Lyrics by Clifford Grey
Sung by students escorting Grace Moore home
Lyrics by Arthur Freed
Music by Herbert Stothart and Harry M. Woods
Copyright 1930 Harms Inc.
Played by Grace Moore singing and on piano
from "Norma"
Music by Vincenzo Bellini
Played at an opera house and sung by Grace Moore as Norma
Written by Howard Johnson and Herbert Stothart
Sung by a group in Sweden
Words and Music by Carrie Jacobs Bond
Copyright 1929 by Carrie Jacobs-Bond & Son
Sung first by Grace Moore off-screen
Reprised by her at P.T.Barnum's show in New York City
Music by Oscar Straus
Lyrics by Clifford Grey

Remake

The film was remade as the 1932 American French-language film titled Jenny Lind .


Related Research Articles

Wallace Beery American actor (1885-1949)

Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his titular role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.

P. T. Barnum American showman and politician (1810–1891)

Phineas Taylor Barnum was an American showman, businessman, and politician, remembered for promoting celebrated hoaxes and founding the Barnum & Bailey Circus (1871–2017) with James Anthony Bailey. He was also an author, publisher, and philanthropist, though he said of himself: "I am a showman by profession ... and all the gilding shall make nothing else of me". According to his critics, his personal aim was "to put money in his own coffers." He is widely credited with coining the adage "There's a sucker born every minute", although no evidence has been collected of him saying this.

This is a list of notable events in music that took place in the year 1930.

Grace Moore American operatic soprano and actress (1898–1947)

Mary Willie Grace Moore was an American operatic soprano and actress in musical theatre and film. She was nicknamed the "Tennessee Nightingale." Her films helped to popularize opera by bringing it to a larger audience. She was nominated for the Academy Award for Best Actress for her performance in One Night of Love.

Jenny Lind Swedish opera singer (1820–1887)

Johanna Maria "Jenny" Lind was a Swedish opera singer, often called the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she performed in soprano roles in opera in Sweden and across Europe, and undertook an extraordinarily popular concert tour of the United States beginning in 1850. She was a member of the Royal Swedish Academy of Music from 1840.

Vincent Youmans American composer

Vincent Millie Youmans was an American Broadway composer and producer.

Barnum is an American musical with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman. It is based on the life of showman P. T. Barnum, covering the period from 1835 through 1880 in America and major cities of the world where Barnum took his performing companies. The production combines elements of traditional musical theater with the spectacle of the circus. The characters include jugglers, trapeze artists and clowns, as well as such real-life personalities as Jenny Lind and General Tom Thumb.

<i>Maytime</i> (1937 film) 1937 film by Robert Zigler Leonard

Maytime is a 1937 American musical romantic drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.

<i>The Mighty Barnum</i> 1934 film by Walter Lang

The Mighty Barnum is a 1934 film starring Wallace Beery as P.T. Barnum. The movie was written by Gene Fowler and Bess Meredyth, adapted from their play of the same name, and directed by Walter Lang. Beery had played Barnum four years earlier in A Lady's Morals, a highly fictionalized biography of singer Jenny Lind. The supporting cast features Adolphe Menjou, Virginia Bruce as Jenny Lind, and Rochelle Hudson.

<i>Golden Dawn</i> (film) 1930 film

Golden Dawn is a 1930 American pre-Code musical operetta film released by Warner Bros., photographed entirely in Technicolor, and starring Vivienne Segal, Walter Woolf King and Noah Beery. The film is based on the semi-hit 1927 stage musical of the same name

<i>Madam Satan</i> 1930 film

Madam Satan or Madame Satan is a 1930 American pre-Code musical comedy film produced and directed by Cecil B. DeMille, starring Kay Johnson, Reginald Denny, Lillian Roth, and Roland Young

"Pirate Jenny" is a well-known song from The Threepenny Opera by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is probably the second most famous song in the opera, after "Mack the Knife".

<i>The Chocolate Soldier</i> (film) 1941 film

The Chocolate Soldier is a 1941 American musical film directed by Roy Del Ruth. It uses original music from the Oscar Straus 1908 operetta of the same name, which was based on George Bernard Shaw’s 1894 play Arms and the Man. Unable to come to terms with Shaw, the studio used a story to which it already had rights: the Ferenc Molnár play The Guardsman,. The plot centers on the romantic misunderstandings and professional conflicts between two recently married opera singers, played by Metropolitan Opera star Risë Stevens and Nelson Eddy, who perform excerpts from the operetta during the film. This screenplay was written by Leonard Lee and Keith Winter. The Guardsman—a huge hit on Broadway in 1924— was brought to the screen in 1931, with Alfred Lunt and Lynn Fontanne reprising their stage roles as married actors.

Francia White American opera singer

Francia White was an American soprano who had an active career in concerts, operas, operettas, radio, television, and film during the late 1920s through the 1940s. She began her career as a vaudeville performer in her late teens and then began singing in more serious classical music repertoire during the mid-1930s. She drew the attention of Hollywood and began working as a ghost singer for films in 1934. She soon broke into radio in 1935 and was highly active in that medium until 1941. On television she starred on the musical variety show, The Bell Telephone Hour, from 1940-1942. In addition to her radio work, she is chiefly remembered for helping to launch Edwin Lester's Los Angeles Civic Light Opera in 1938 and was one of their main leading ladies up through 1942.

New Moon is a 1930 black-and-white American, pre-Code romantic/drama/melodrama musical film version of the operetta The New Moon, with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928. The 1930 film is also known as Komissa Strogoff in Greece, Nymånen in Denmark and Passione cosacca in Italy. A second adaptation, also titled New Moon, was released in 1940.

Rebecca Sjöwall is an American opera singer and recording artist.

<i>Duke Ellington at the Bal Masque</i> 1958 studio album by Duke Ellington

Duke Ellington at the Bal Masque is an album by American pianist, composer and bandleader Duke Ellington recorded in 1958 and released on the Columbia label.

Jenny Linds tour of America 19th-century singing tour

The Swedish soprano Jenny Lind, often known as the "Swedish Nightingale", was one of the most highly regarded singers of the 19th century. At the height of her fame she was persuaded by the showman P. T. Barnum to undertake a long tour of the United States. The tour began in September 1850 and continued to May 1852. Barnum's advance publicity made Lind a celebrity even before she arrived in the U.S., and tickets for her first concerts were in such demand that Barnum sold them by auction. The tour provoked a popular furore dubbed "Lind Mania" by the local press, and raised large sums of money for both Lind and Barnum. Lind donated her profits to her favoured charities, principally the endowment of free schools in her native Sweden.

Judith Vosselli American actress (1895-1966)

Judith Vosselli was a Spanish-born actress who appeared on the American stage and screen during the 1920s and 1930s.

Jenny Lind is a 1932 American Pre-Code musical film directed by Arthur Robison and starring Grace Moore, André Luguet and André Berley. It is a French-language remake of the 1930 film A Lady's Morals, which also starred Moore but had a largely different cast and crew. Alternative language versions were common during the early years of sound until dubbing became more widespread.