A Zed & Two Noughts | |
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Directed by | Peter Greenaway |
Written by | Peter Greenaway |
Produced by | Kees Kasander Peter Sainsbury |
Starring | Andréa Ferréol Brian Deacon Eric Deacon Frances Barber Joss Ackland |
Cinematography | Sacha Vierny |
Music by | Michael Nyman |
Production company | |
Distributed by | Artificial Eye |
Release date |
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Running time | 115 minutes |
Countries | United Kingdom Netherlands |
Language | English |
Budget | £635,000 [1] |
A Zed & Two Noughts is a 1985 film written and directed by Peter Greenaway. This film was Greenaway's first collaboration with cinematographer Sacha Vierny, who went on to shoot virtually all of Greenaway's work in the 1980s and 1990s, until Vierny's death. Greenaway referred to Vierny as his "most important collaborator". [2] The film deals with twin zoologists who, after losing both their wives in a car accident, develop an obsession with animal decomposition.
Twin zoologists, Oswald and Oliver Deuce (Brian Deacon and Eric Deacon), are at work studying the behaviour of animals at a zoo when both their wives are killed in a car crash involving a large swan which crashes through the car windscreen. The woman who was driving the car, Alba Bewick (Andréa Ferréol), is not killed, but has a leg amputated.
Venus de Milo (Frances Barber), a prostitute and storyteller who plies her trade at the zoo, attempts to forge a relationship with the twins, ostensibly to help them recover from their loss. Meanwhile, Oswald and Oliver gradually become obsessed with images of growth and decay, watching videos on the origins of life and creating time-lapse video of decomposing life forms. They begin this latter task with a green apple, bitten into and rotting before their camera lens.
The twins' descent sees them become romantically involved with Alba, and increasingly attached to one another. Venus de Milo remains involved with them enough to observe their obsessions grow: they take to video-taping the decomposition of prawns, and they take a personal interest in Alba's childhood, going so far as to ask her to show them a field seen in a photograph on her bedside table. They become obsessed with snails, and they take advantage of their contacts at the zoo to create decomposition videos of more and more complex animals, moving gradually up the food chain. Excerpts from Sir David Attenborough's TV series Life on Earth , including his narration, are featured in the film. [3]
Alba becomes a subject for the experiments of her surgeon, who eventually amputates her other leg, claiming it is putting stress on her spine. His true motive is to fashion Alba into a subject of his recreations of Johannes Vermeer paintings; Venus de Milo participates in this process, as well.
Ultimately, the Deuce brothers' obsession with decay leads them to the top of the food chain, and to a complex life-and-death negotiation with Alba herself. The brothers' project seems the only possible emotional investment for either of them, so Alba offers herself as the final specimen to be photographed in its decay. However her family intervenes before the brothers can claim her, so they are forced to find another way to create their final time-lapse video. They do so by returning to the field of Alba's childhood and setting up the necessary equipment to facilitate and capture their own decomposition. A huge infestation of snails covers the equipment and bodies, however, and finally shorts out the electrical system, halting their grand project.
The film received generally positive reviews, holding a 75% on aggregator Rotten Tomatoes from 20 reviews. [4] Philip French of The Observer wrote, "The energy is immense, the appearance of the film consistently sleek and visually exciting." Jonathan Rosenbaum considers it to be "the boldest and arguably the best of Peter Greenaway's fiction features". [5] [ unreliable source? ] Not all reviews were positive, however. [6] Vincent Canby of The New York Times called it "pretentious, humorless and, worst of all, more boring than a retrospective devoted to television weather forecasts delivered over a 30-year period at 11 P.M., Eastern standard time." [7]
Philip Hoffman's 1986 documentary film ?O, Zoo!: The Making of a Fiction Film was based in part around the making of A Zed & Two Noughts. [8]
A Zed & Two Noughts | ||||
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Soundtrack album by | ||||
Released | 1985 | |||
Genre | Contemporary classical music, film scores, minimalism | |||
Length | 41:25 | |||
Label | TER (UK) Virgin Venture, Caroline (US) | |||
Producer | David Cunningham | |||
Michael Nyman chronology | ||||
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A Zed And Two Noughts | ||||
Elements of Michael Nyman's score invoke the "Dies Irae" section from Heinrich Ignaz Franz Biber's Requiem ex F con terza minore. The "Angelfish Decay"/"Swan Rot"/"L'Escargot" theme was originally written for Childs Play, a dance work commissioned by Lucinda Childs. Performance of the soundtrack is credited to Nyman, Alexander Balanescu, Elisabeth Perry, Sarah Leonard and "The Zoo Orchestra". While the score is in the Michael Nyman Band's repertoire, particularly "Time Lapse" and "Prawn Watching", they do not perform on the soundtrack. Musicians credited on the film's closing credits are (in alphabetical order) Arno Bons, Gerard Bouwhuis, Bas Dekker, Pieter Gouderjaan, Rob Hageman, John Helstone, Jan Jansen, Sofia Kiss, Henk Leether, Beverly Lund, Gerrit Oloeman, Jelle Schouten, Jorn Shroeder, Peter Stan, Win Steinman, Leo Van Oostron, Marien Van Staalen, Adri Van Velson, Peter Veenhuizen, Lene Te Voortwis, Frans Vreugdenhil, and Gerbrand Westveen.
The album was issued on compact disc in the United States on 4 June 1991, with a new cover featuring Ferreol in-between the Deacons in bed, and the title spelled A Zed And Two Noughts. The original LP cover showed a zebra in a cage, as does the UK CD. A digitally remastered edition was released in the United States with the 1991 cover on 29 March 2004.
Peter Greenaway, is a British film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Mannerism painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.
Michael Laurence Nyman, CBE is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music.
The Falls is a 1980 film directed by Peter Greenaway. It was Greenaway's first feature-length film after many years making shorts. It does not have a traditional dramatic narrative; it takes the form of a mock documentary in 92 short parts.
Police Academy 2: Their First Assignment is a 1985 American comedy film directed by Jerry Paris. It is the second installment in the Police Academy franchise and the sequel to Police Academy.
Prospero's Books is a 1991 British avant-garde film adaptation of William Shakespeare's The Tempest, written and directed by Peter Greenaway. Sir John Gielgud plays Prospero, the protagonist who provides the off-screen narration and the voices to the other story characters. As noted by Peter Conrad in The New York Times on 17 November 1991, Greenaway intended the film “as an homage to the actor and to his 'mastery of illusion.' In the film, Prospero is Shakespeare, and having rehearsed the action inside his head, speaking the lines of all the other characters, he concludes the film by sitting down to write The Tempest.”
Time-lapse photography is a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing. For example, an image of a scene may be captured at 1 frame per second but then played back at 30 frames per second; the result is an apparent 30 times speed increase.
Brian Deacon is a British actor known for portraying Jesus in the 1979 film Jesus, which was made by the evangelical organization The Jesus Film Project. Deacon was chosen for the part out of a field of 900 actors screen tested by producer John Heyman.
Eric Cecil Deacon is an English actor and writer perhaps best known for his role in the 1985 film A Zed & Two Noughts, directed by Peter Greenaway, in which he acted alongside his brother Brian.
Sacha Vierny was a French cinematographer. He was born in Bois-le-Roi, Seine-et-Marne, Île-de-France, France, and died in Paris, France, at the age of 81. He is most famous for his work with Alain Resnais – especially for the two films Hiroshima mon amour and L'année dernière à Marienbad – and with Peter Greenaway.
The Michael Nyman Band, formerly known as the Campiello Band, is a group formed as a street band for a 1976 production of Carlo Goldoni's 1756 play, Il Campiello directed by Bill Bryden at the Old Vic. The band did not wish to break up after the production ended, so its director, Michael Nyman, began composing music for the group to perform, beginning with "In Re Don Giovanni", written in 1977. Originally made up of old instruments such as rebecs, sackbuts and shawms alongside more modern instruments like the banjo and saxophone to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, double bass, clarinet, three saxophones, horn, trumpet, bass trombone, bass guitar, and piano. This lineup has been variously altered and augmented for some works.
Memorial is an epic funeral march-like piece, composed by Michael Nyman around 1984–1985. The work premiered on 15 June 1985. It was written to commemorate the deaths of 39 fans, almost all Italian, at the 1985 European Cup final between Liverpool and Juventus at the Heysel Stadium. The whole piece was performed just once. In 1989, Nyman began "reassigning" elements of Memorial, as he often does with earlier work. The first appearance on a commercial recording was of the fifth movement, on the soundtrack of The Cook, the Thief, His Wife & Her Lover. The piece incorporates and builds on a musical sequence from "What Power Art Thou”, an aria from the opera King Arthur by Henry Purcell.
Man on Wire is a 2008 documentary film directed by James Marsh. The film chronicles Philippe Petit's 1974 high-wire walk between the Twin Towers of New York's World Trade Center. It is based on Petit's 2002 book, To Reach the Clouds, released in paperback with the title Man on Wire. The title of the film is taken from the police report that led to the arrest of Petit, whose performance lasted for almost an hour. The film is crafted like a heist film, presenting rare footage of the preparations for the event and still photographs of the walk, alongside re-enactments and present-day interviews with the participants, including Barry Greenhouse, an insurance executive who served as the inside man.
The Essential Michael Nyman Band is a studio album featuring a collection of music by Michael Nyman written for the films of Peter Greenaway and newly performed by the Michael Nyman Band. It is the seventeenth album release by Nyman. The album features liner notes by Annette Morreau, who describes the album as "a summation and digest of ten years of progress in the performance of music by a composer -- a composer with whom, so evidently, a group of friends and expert musicians intimately identify their total commitment, virtuosity, and joyous enthusiasm."
Taking a Line for a Second Walk is the name of piano duo reduction of a dance work for orchestra by Michael Nyman, Basic Black, written in 1986 for the Houston Ballet. It is eponymous with a 1994 album on Work Music on which it constitutes approximately half the material. The album is also known as Music for Two Pianos, which is given as the album's name on the back cover and insert back, while Taking a Line for a Second Walk appears on the front cover, spine, and physical disc. The performers are identified on the front cover, and all of the booklet, as The Zoo II, and on the back cover as "The Zoo Duet". As one of the tracks on the album is "Lady in the Red Hat" from A Zed & Two Noughts, also known as Zoo, this is often seen as a reference to that film. A photograph of the duo is inside the booklet, two young women in black on a black background, leaving only their wedding banded-hands and faces visible, with "The Zoo II" as the only caption. The pianists are identified as Helen Hodkinson and Brenda Russell in the Michael Nyman discography on the 1995 promotional compilation Michael Nyman.
And Do They Do/Zoo Caprices is the eighth album released by Michael Nyman and the fifth featuring the Michael Nyman Band. And Do They Do is a modern dance work commission by Siobhan Davies and The London Contemporary Dance Theatre, which premiered at Sadler's Wells Theatre on 25 November 1986. Zoo Caprices is a multi-stop violin solo for Alexander Balanescu based on the score for Peter Greenaway's film, A Zed & Two Noughts.
The Very Best of Michael Nyman: Film Music 1980–2001 is a compilation album film music by Michael Nyman. It was released on November 6, 2001 by Virgin Records. It including three previously unreleased tracks and one from the limited release, La Traversée de Paris. Some tracks are from the original soundtracks, while others are from pre-existing rerecordings such as The Essential Michael Nyman Band and Live.
The Composer's Cut Series Vol. II: Nyman/Greenaway Revisited is the second in a series of albums, all released on the same day, by Michael Nyman to feature concert versions of film scores, in this case, films of Peter Greenaway, and his 52nd release overall. The album is similar to The Essential Michael Nyman Band, although a number of tracks are on only one album or the other. In spite of being recorded in 1992, with the same lineup, Memorial is not the same performance as the one that appears on The Essential Michael Nyman Band or After Extra Time, which was recorded in Tokyo. This performance was recorded in London and is slightly less aggressively performed.
"Generation Sex" is a song by the Divine Comedy. It was the first single from the album Fin de Siècle and features narration by presenter and columnist Katie Puckrik. It reached number nineteen on the UK Singles Chart.
Philip Hoffman is a Canadian experimental filmmaker and a member of the faculty of York University.
Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. His works have been a common theme in literature and films in popular culture since the rediscovery of his works by 20th century art scholars.