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Location | St. Gallen |
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Coordinates | 47°25′22″N9°22′35″E / 47.4228°N 9.3764°E |
Type | memory institution monastic library ![]() |
Heritage designation | class A Swiss cultural property of national significance ![]() |
Member of | Kalliope ![]() |
Country | Switzerland ![]() |
Website | www |
The abbey library of Saint Gall (German : Stiftsbibliothek) is a significant medieval monastic library located in St. Gallen, Switzerland. In 1983, the library, as well as the Abbey of St. Gall, were designated a World Heritage Site, as "an outstanding example of a large Carolingian monastery and was, since the 8th century until its secularisation in 1805, one of the most important cultural centres in Europe". [1] It is one of the oldest monastic libraries in the world.
The library was founded by Saint Othmar, founder of the Abbey of St. Gall. During a fire in 937, the Abbey was destroyed, but the library remained intact. [2] The library hall, designed by the architect Peter Thumb in a Rococo style, was constructed between 1758 and 1767. [3] There is a Greek inscription above the entrance door, ΨΥΧΗΣ ΙΑΤΡΕΙΟΝ (psukhēs iatreion). It translates as "healing place for the soul", based on an inscription at the Library of Ramesses II [4] .
The library collection is the oldest in Switzerland, and one of the earliest and most important monastic libraries in the world. The library holds almost 160,000 volumes, with most available for public use. In addition to older printed books, the collection includes 1650 incunabula (books printed before 1500), and 2100 manuscripts dating back to the 8th through 15th centuries; among the most notable of the latter are items of Irish, Carolingian, and Ottonian production. These codices are held inside glass cases, each of which is topped by a carved cherub offering a visual clue as to the contents of the shelves below; for instance, the case of astronomy-related materials bears a cherub observing the books through a telescope. [5] Books published before 1900 are to be read in a special reading room. [6] The manuscript B of the Nibelungenlied is kept here.
A virtual library has been created to provide broader access to the manuscripts: Codices Electronici Sangallenses. This project has been expanded to include codices from other libraries as well and is operating under the name e-codices. Currently, more than 600 manuscripts from the Abbey library of Saint Gall are available in digital format.
The library is home to the mummy of Shep-en-Isis. [7]
The Abbey of Saint Gall is a dissolved abbey (747–1805) in a Catholic religious complex in the city of St. Gallen in Switzerland. The Carolingian-era monastery existed from 719, founded by Saint Othmar on the spot where Saint Gall had erected his hermitage. It became an independent principality between 9th and 13th centuries, and was for many centuries one of the chief Benedictine abbeys in Europe. The library of the Abbey is one of the oldest monastic libraries in the world.
The Irish Gospels of St. Gall or Codex Sangallensis 51 is an 8th-century Insular Gospel Book, written either in Ireland or by Irish monks in the Abbey of St. Gall in Switzerland, where it is now in the Abbey library of St. Gallen as MS 51. It has 134 folios. Amongst its eleven illustrated pages are a Crucifixion, a Last Judgement, a Chi Rho monogram page, a carpet page, and Evangelist portraits.
Abrogans, also German Abrogans or Codex Abrogans, is a Middle Latin–Old High German glossary, whose preserved copy in the Abbey Library of St Gall is regarded as the oldest preserved book in the German language.
The Folchart Psalter, or Folchard Psalter, is a Carolingian illuminated manuscript. It was produced about 872–883 in the scriptorium of the Abbey of St. Gall, Switzerland, under the direction of the scribe Folchardus, usually modernized as Folchard or Folchart.
Saint Randoald was prior of the Benedictine Moutier-Grandval Abbey under Germanus of Granfelden. He is venerated as a saint in the Eastern Orthodox Church and Roman Catholic church.
Saint Germanus of Granfelden was the first abbot of Moutier-Grandval Abbey. He is venerated as a martyr saint in the Catholic and Eastern Orthodox Churches.
Codex Sangallensis is the designation of codices housed at the Abbey library of Saint Gall in St. Gallen. The codices are indexed with a continuous Arabic number of up to four digits. Many of the codices have been digitized through the e-codices project in Switzerland, with over 2000 of them freely available online.
Codex Sangallensis 1395 is a 19th-century compilation of fragments, and includes a 5th-century Latin manuscript of the New Testament, designated by Σ. The text, written on vellum, is a version of the Latin Vulgate.
The Codex Sangallensis 63, designated by S in some critical editions of the Bible, is a 9th-century Latin manuscript of the New Testament. The text, written on vellum, is a version of the Vulgate and contains the text of the Acts of the Apostles, Epistles, Book of Revelation, and non-biblical material. The manuscript has not survived in a complete condition, some parts of it have been lost. The original manuscript did not contain the Comma Johanneum, but it was added by a later hand on the bottom margin.
The Codex Sangallensis 907, designated S, is an 8th-century Latin manuscript of the New Testament. The text, written on vellum, is a version of the Latin Vulgate Bible. It contains the text of the Catholic epistles, Book of Revelation, and non-biblical material. The manuscript did not survived in a complete condition and some parts of it has been lost. The codex contains the Comma Johanneum.
The Golden Psalter of Saint Gall is a Carolingian Gallican psalter produced in the late 9th century, probably begun in West Francia, later continued in St. Gall Abbey.
Fragmentarium is an online database to collect and collate fragments of medieval manuscripts making them available to researchers, collectors and historians worldwide. It is an international collaboration of major libraries and collections including the British Library, Bibliothèque nationale de France, Martin Schøyen Collection, Bavarian State Library, Harvard, Yale and the Vatican. It is based in Switzerland and the project's current director is Professor Christoph Flüeler from the University of Fribourg and the Virtual Manuscript Library, Switzerland.
The Evangelium longum is an illuminated manuscript Latin evangeliary that was made around 894 at the Abbey of Saint Gall in Switzerland. It consists of texts drawn from the Gospels for the use of the preacher during Mass.
The St. Gall Priscian Glosses, abbreviated Sg., is an Irish manuscript of the Latin grammar Institutiones grammaticae by Priscian, held by the Abbey Library of St. Gall. It contains 9412 glosses, including 3478 in Old Irish. Together with the Würzburg glosses on the Epistles of St Paul and the Milan glosses on a Commentary on the Psalms they provide the main source of Old Irish writing available today and thus serve as an important reference for linguistic research on Old Irish.
Shep-en-Isis, or Schepenese, was the daughter of Pa-es-tjenfi, a priest, and Tabes, of Thebes, Egypt. She was likely literate during her life. The identity of her husband, as well as whether she had any children, is unknown. Her mummified body is notable as her facial reconstruction was completed by forensic scientists in January 2022. She is one of the most famous mummies in Switzerland.
The Codex Sangallensis 484 is an early medieval music manuscript, produced in the abbey of St. Gallen and stored in the Abbey Library in St. Gallen. The manuscript is known for its exhaustive collection of so-called tropes, meaning melodic or textual extensions to previously existing liturgic chants. As this particular manuscript is among the most extensive collections of such tropes from the eastern Frankish kingdom, it plays an important role in the history of music.
The Codex Sangallensis 381 is an early medieval music manuscript, produced in the abbey of St. Gallen and stored in the Abbey Library in St. Gallen. The manuscript is known for its exhaustive collection of so-called tropes, verses, and sequences. Together with the Cod. Sang. 484, this manuscript makes an important contribution to one of the most exhaustive collections of such compositions in the East Frankish kingdom and thus plays an important role in the history of music.
The Codex Sangallensis 250 is a manuscript which was compiled in the latter half of the 9th century at the abbey library of Saint Gall, where it remains today. It is an astronomical and computistical, 645-page-long encyclopedia written in Latin. The pages are made of parchment with a height of 24.7 cm and a width of 18 cm. The text was structured in a single column, with approximately 23 or 24 lines per page. It was mostly written in Carolingian minuscule, though the titles were either in rustic capitals or uncial script.
The Codex Sangallensis 902 is a 186-page long manuscript written mid-9th century at the Abbey Library in St. Gallen, where it is still housed today. The pages are made of parchment, with a height of 32 cm and a width of 25 cm. The text was written in Carolingian minuscule and is typically split into two columns, with 35 lines per column. However, the text is structured in a single column in pages 153 through 179. Titles were written in rustic capitals, whilst chapter initials are in upper case. The illustrations were made by quill in a dark-brown ink, and they often go across their respective columns.
The Carolingian libraries emerged during the reign of the Carolingian dynasty, when book collections reappeared in Europe after a two-century cultural decline. The end of the 8th century marked the beginning of the so-called Carolingian Renaissance countries of Germany, Poland, Russia, Ukraine, Sweden and Norway, a cultural upsurge primarily associated with church reform. The reform aimed to unify worship, correct church books, train qualified priests to work with the semi-pagan flock, and prepare missionaries capable of preaching throughout the empire and beyond. This required a comprehensive understanding of classical Latin and familiarity with surviving monuments of ancient culture.