The airport novel represents a literary genre that is defined not so much by its plot or cast of stock characters, but by the social function it serves. Designed to meet the demands of a very specific market, airport novels are superficially engaging while not being necessarily profound, as they are usually written to be more entertaining than philosophically challenging. An airport novel is typically a fairly long but fast-paced boilerplate genre-fiction novel commonly offered by airport newsstands, "read for pace and plot, not elegance of phrasing". [1]
Considering the marketing of fiction as a trade, airport novels occupy a niche similar to the one that once was occupied by pulp magazines and other reading materials typically sold at newsstands and kiosks to travellers. In French, such novels are called romans de gare, 'railway station novels', [2] suggesting that publishers in France were aware of this potential market at a very early date. [3] The somewhat dated Dutch term stationsroman is a calque from French.
Airport novels are typically quite long; a book that a reader finished before the journey was done would similarly be unsatisfying. Because of this length, the genre attracts prolific authors, who use their output as a sort of branding; each author is identified with a certain sort of story, and produces many variations of the same thing. Well-known authors' names are usually in type larger than the title on the covers of airport novels, often in embossed letters. [4]
Airport novels typically fall within a number of other fiction genres, including:
Whatever the genre, the books must be fast-paced and easy to read. The description "airport novel" is mildly pejorative; it implies that the book has little lasting value, and is useful chiefly as an inexpensive form of entertainment during travel. Airport novels are sometimes contrasted with literary fiction, so that a novel with literary aspirations would be disparaged by the label. [5]
Early in the history of rail transport in Great Britain, as longer trips became more common, travelers wanted to read more than newspapers. Railway station newsstands began selling inexpensive books, what The Times in 1851 described as "French novels, unfortunately, of questionable character". Sales were so high that Athenaeum in 1849 predicted that railway newsstands might replace traditional bookstores. [6]
By 1851, WH Smith had about 35 bookstores in British railway stations. Although Athenaeum reported that year that the company "maintain[ed] the dignity of literature by resolutely refusing to admit pernicious publications", The Times—noting the enormous success of The Parlour Library —surmised that "persons of the better class, who constitute the larger portion of railway readers, lose their accustomed taste the moment they smell the engine and present themselves to the railway librarian". [6]
Writers whose books have been described as airport novels include:
The animated television series The Simpsons included a joke in the episode "The Joy of Sect" (airdate February 8, 1998), in which an airport bookstore is named "JUST CRICHTON AND KING". Hans Moleman asks, "Do you have anything by Robert Ludlum?" and is told by the clerk to get out. [17]
John Michael Crichton was an American author and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. His literary works heavily feature technology and are usually within the science fiction, techno-thriller, and medical fiction genres. His novels often explore technology and failures of human interaction with it, especially resulting in catastrophes with biotechnology. Many of his novels have medical or scientific underpinnings, reflecting his medical training and scientific background.
Spy fiction is a genre of literature involving espionage as an important context or plot device. It emerged in the early twentieth century, inspired by rivalries and intrigues between the major powers, and the establishment of modern intelligence agencies. It was given new impetus by the development of fascism and communism in the lead-up to World War II, continued to develop during the Cold War, and received a fresh impetus from the emergence of rogue states, international criminal organizations, global terrorist networks, maritime piracy and technological sabotage and espionage as potent threats to Western societies. As a genre, spy fiction is thematically related to the novel of adventure, the thriller and the politico-military thriller.
Robert Ludlum was an American author of 27 thriller novels, best known as the creator of Jason Bourne from the original The Bourne Trilogy series. The number of copies of his books in print is estimated between 300 million and 500 million. They have been published in 33 languages and 40 countries. Ludlum also published books under the pseudonyms Jonathan Ryder and Michael Shepherd.
A techno-thriller or technothriller is a hybrid genre drawing from science fiction, thrillers, spy fiction, action, and war novels. They include a disproportionate amount of technical details on their subject matter ; only hard science fiction tends towards a comparable level of supporting detail on the technical side. The inner workings of technology and the mechanics of various disciplines are thoroughly explored, and the plot often turns on the particulars of that exploration. This genre began to exist and establish itself in the early 20th century with further developments and focus on the genre in the mid 20th century.
Mystery is a fiction genre where the nature of an event, usually a murder or other crime, remains mysterious until the end of the story. Often within a closed circle of suspects, each suspect is usually provided with a credible motive and a reasonable opportunity for committing the crime. The central character is often a detective, who eventually solves the mystery by logical deduction from facts presented to the reader. Some mystery books are non-fiction. Mystery fiction can be detective stories in which the emphasis is on the puzzle or suspense element and its logical solution such as a whodunit. Mystery fiction can be contrasted with hardboiled detective stories, which focus on action and gritty realism.
Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.
Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and paranoia of the setting and plot and to provide an overall creepy, unpleasant, unsettling, or distressing atmosphere.
The Bourne Identity is a 1980 spy fiction thriller by Robert Ludlum that tells the story of Jason Bourne, a man with remarkable survival abilities who has retrograde amnesia, and must seek to discover his true identity. In the process, he must also determine why several shadowy groups, a professional assassin, and the CIA want him dead. It is the first novel of the original Bourne Trilogy, which also includes The Bourne Supremacy and The Bourne Ultimatum.
Desmond Bagley was an English journalist and novelist known mainly for a series of bestselling thrillers. He and fellow British writers such as Hammond Innes and Alistair MacLean set conventions for the genre: a tough, resourceful, but essentially ordinary hero pitted against villains determined to sow destruction and chaos for their own ends.
Passenger to Frankfurt: An Extravaganza is a spy novel by Agatha Christie first published in the United Kingdom by the Collins Crime Club in September 1970 and in the United States by Dodd, Mead and Company later in the same year. The UK edition retailed at twenty-five shillings. In preparation for decimalisation on 15 February 1971, it was concurrently priced on the dustjacket at £1.25. The US edition retailed at $5.95.
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction.
A Christian novel is a Christian literary novel which features Christian media genre conventions.
James Clancy Phelan, known professionally as James Phelan, is an Australian writer of thrillers and young adult novels, including Fox Hunt, The Last 13 series for teens, and the Jed Walker and Lachlan Fox thrillers. He has also written short stories and the non-fiction book Literati.
The World Publishing Company was an American publishing company. The company published genre fiction, trade paperbacks, children's literature, nonfiction books, textbooks, Bibles, and dictionaries, primarily from 1940 to 1980. Authors published by World Publishing Company include Ruth Nanda Anshen, Michael Crichton, Simone de Beauvoir, Robert Ludlum, Sam Moskowitz, Ayn Rand, Rex Stout, Gay Talese, and Lin Yutang. Originally headquartered in Cleveland, the company later added an office in New York City. The company's Cleveland headquarters were located in the Caxton Building.
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.
Christopher Bollen is an American novelist and magazine writer/editor who lives in New York City.
Vish Dhamija is a British Indian crime-fiction writer. According to the Indian Press he is India's Best Page-Turner and one of the ten most popular Indian thriller authors. He is the only writer of Indian origin listed among the major legal thriller authors of the world. He is also known for his psychological thrillers. In August 2015, at the release of his first legal fiction Déjà Karma, Glimpse Magazine called him India's John Grisham for stimulating the genre of legal fiction in India which was almost non-existent before his arrival on the scene. In a survey by eBooks India website, Vish Dhamija was listed along the top 51 Indian authors you must follow. The Asian Age and The Times of India have cited him as the only legal fiction writer in India.
Duty and Honor is a thriller novel, written by Grant Blackwood and published on June 14, 2016. In the novel, Jack Ryan Jr. must stop a German private contractor from unleashing false flag attacks to profit from the war on terror. Duty and Honor is Blackwood’s last contribution to the Jack Ryan Jr. series, which is part of the overall Tom Clancy universe. It debuted at number four on the New York Times bestseller list.
True Faith and Allegiance is a political thriller, written by Mark Greaney and released on December 6, 2016. In the book, President Jack Ryan and The Campus must contain a massive intelligence breach that has been responsible for a series of terrorist attacks on American military and intelligence personnel. True Faith and Allegiance is Greaney's last book in the Jack Ryan series, which is part of the Tom Clancy universe. It debuted at number three on the New York Times bestseller list.
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